Blind Voices
by Tom Reamy
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Description
One summer day in the 1920s, Haverstock's Traveling Curiosus and Wondershow rides into a small Midwestern town. Haverstock's show is a presentation of mysterious wonders: feats of magic, strange creatures, and frightening powers. Three teenage girls attend the opening performance that evening which, for each, promises love and threatens death. The three girls are drawn to the show and its performers-a lusty centaur, Angel the magical albino boy, the rowdy stage hands-but frightened by the show more enigmatic owner, Haverstock. The girls at first try to dismiss these marvels as trickery, but it becomes all too real, too vivid to be other than nightmare reality. Each feels the force of the show and its power to alter everyday lives: Francine is drawn embarrassingly to the centaur, Rose makes an assignation with one of the hands and gets in trouble, and Evelyn is fascinated by the pathetic, mysterious Angel, The Boy Who Can Fly, and together they plan escape. -Publisher's description. show lessTags
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Published in 1978 this novel has the feel of good old time fantasy writing. It is the sort of story that would have appeared in those wonderful Marvel comic publications such as "Strange Tales" or "Journey into Mystery" back in the 1960's. I used to lap those up as a young teenager and Reamy's book took me right back there.
The freak show comes to town: so typical of a story from "Strange Tales" and Reamy sets his story in 1930's America. A small town in the middle of farming country gets geared up for the show that rolls into town, but these are no ordinary freaks some of them really do have supernatural powers. Three young women of marriageable age caught up in the business of looking for a husband are drawn to the show along with most show more of the townspeople. Like the three friends and their dates there is an air of expectancy built up before the first show and when it comes Reamy's writing doesn't let him down. Amazing things happen under the canvas big top that will change the lives of the three young women for ever.
Reamy is particularly good at describing life in a small farming town and the very different world of the freak show. He builds his story nicely and manages to convey an aura of creepiness along with the fantastic. All is not well in the world of the freak circus and there is murder and rape as events spiral out of control of the sinister Haverstock the ringmaster. There is both tragedy and pathos and the story held my interest right to the end.
A hoary old tale is handled with panache and although it is a little dated, the fantasy elements are imaginative enough to hold it all together. I enjoyed it even if part of this was nostalgia for those old Marvel comics show less
The freak show comes to town: so typical of a story from "Strange Tales" and Reamy sets his story in 1930's America. A small town in the middle of farming country gets geared up for the show that rolls into town, but these are no ordinary freaks some of them really do have supernatural powers. Three young women of marriageable age caught up in the business of looking for a husband are drawn to the show along with most show more of the townspeople. Like the three friends and their dates there is an air of expectancy built up before the first show and when it comes Reamy's writing doesn't let him down. Amazing things happen under the canvas big top that will change the lives of the three young women for ever.
Reamy is particularly good at describing life in a small farming town and the very different world of the freak show. He builds his story nicely and manages to convey an aura of creepiness along with the fantastic. All is not well in the world of the freak circus and there is murder and rape as events spiral out of control of the sinister Haverstock the ringmaster. There is both tragedy and pathos and the story held my interest right to the end.
A hoary old tale is handled with panache and although it is a little dated, the fantasy elements are imaginative enough to hold it all together. I enjoyed it even if part of this was nostalgia for those old Marvel comics show less
The story takes place in a tiny rural Kansas town in the early 1900’s…seemingly before WWI. The first chapter sets the scene with a description of the bucolic setting that is so well done it makes boredom beautiful: “It was a time of pause, a time between planting and harvest when the air was heavy, humming with its own slow, warm music.” By the time Reamy is done telling us where and when we are we’ve joined the locals in expecting nothing and anticipating joy in the smallest of novelties. And then the freak show comes to town on the same night as the first “talkie” is to be shown in the cinema—talk about excitement!
The plot is that the freak show is real…the owner is using the travelling show as a means to make show more enough money to allow him to continue his experiments in creating freaks as part of his exploration of his growing ESP powers. The hinge factor is that he has no scruples concerning “normal” people. Sadly the plot is poorly served by the evilness of the villains and the innocence of the victims. This would have been a good YA story if the sex wasn’t so “steamy”—the girls were so mesmerized by the intense sexual energy exuded by the auxiliary characters that their dooms are foreordained.
All in all, this is a quick read and mildly entertaining…just not that believable in all its aspects, even allowing for the basic premise. I can go along with the flow of the story line until the resolution at the end where the good people quickly settle down and return to normal life and learn to ignore the remnants of the death and destruction they’ve just endured. show less
The plot is that the freak show is real…the owner is using the travelling show as a means to make show more enough money to allow him to continue his experiments in creating freaks as part of his exploration of his growing ESP powers. The hinge factor is that he has no scruples concerning “normal” people. Sadly the plot is poorly served by the evilness of the villains and the innocence of the victims. This would have been a good YA story if the sex wasn’t so “steamy”—the girls were so mesmerized by the intense sexual energy exuded by the auxiliary characters that their dooms are foreordained.
All in all, this is a quick read and mildly entertaining…just not that believable in all its aspects, even allowing for the basic premise. I can go along with the flow of the story line until the resolution at the end where the good people quickly settle down and return to normal life and learn to ignore the remnants of the death and destruction they’ve just endured. show less
I read this in one day, I may have read it years ago? Starts out slow as the author sets the stage, then moves along quite well. More violence and sex then I expected, but appropriate to the story. Setting is Kansas farmland just as "talking picture" shows started. I liked that the powers described by the main characters were explained as natural rather than supernatural. A basic good vs evil story.
Loved this and his short story collection, San Diego Lightfoot Sue. Both have stayed with me years after reading them.
http://nhw.livejournal.com/952841.html
Blind Voices is set in the same fictional Kansas town that forms the background to several of the short stories, but it doesn't really matter for continuity purposes: a travelling freak show comes to town, and brings sex and death in its wake. Some people have described it as Bardburyesque, but I think Reamy actually does better than Bradbury in some respects - in particular, the tone of horror is more gripping where Bradbury sometimes risks becoming twee. The book was apparently not completely finished at Reamy's death, but this was not obvious to me; there's a little unevenness of pacing, but I'd put that down to it being a first novel. Gripping and memorable.
Blind Voices is set in the same fictional Kansas town that forms the background to several of the short stories, but it doesn't really matter for continuity purposes: a travelling freak show comes to town, and brings sex and death in its wake. Some people have described it as Bardburyesque, but I think Reamy actually does better than Bradbury in some respects - in particular, the tone of horror is more gripping where Bradbury sometimes risks becoming twee. The book was apparently not completely finished at Reamy's death, but this was not obvious to me; there's a little unevenness of pacing, but I'd put that down to it being a first novel. Gripping and memorable.
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- Original publication date
- 1978-08
- Blurbers
- Ellison, Harlan; Zelazny, Roger; Bishop, Michael
Classifications
- Genres
- Fiction and Literature, Fantasy, Science Fiction, Horror
- DDC/MDS
- 813.5 — Literature & rhetoric American literature in English American fiction in English 1900-1999
- LCC
- PZ4 .R28755 — Language and Literature Fiction and juvenile belles lettres Fiction and juvenile belles lettres Fiction in English
- BISAC
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- 318
- Popularity
- 100,316
- Reviews
- 5
- Rating
- (3.76)
- Languages
- English, German
- Media
- Paper, Ebook
- ISBNs
- 9
- ASINs
- 7

































































