As I read more Mark Twain, I become a bigger fan. Sure, this book is not among his best works, but even mediocre Twain is above so much out there. Unlike Tom Sawyer and Huck Finn, in my mind, this book was a little confusing with what the message was regarding Twain's feelings on slavery. Whereas the other books had Jim as an uneducated, yet intelligent, honorable and very likeable character, the main black character in Pudd'nhead Wilson was detestable and even the secondary black character only allowed for partial sympathy regarding her actions. The plot outcome was very predictable, but it was still fun reading on as Twain took me there. The most enjoyable part of the book for me was the preface where Twain explained what the book had started as and who the main characters had been before the story ran in a different direction and the way he came up with disposing of the then-useless characters was a moment for actual laughter. That alone is worth giving the book a chance, if for nothing else than to read the preface. ( )

This novel was amazing, it really holds up to Mark Twain’s writing standards that I have grown to love over the years. Mark Twain does an amazing job with the writing of this novel as he develops the characters and the reader gets to see the twists of the baby-switch. The reader is able to follow the footsteps of both “Tom” and “Chambers,” who are clueless that they should be living eachothers lives. Thanks to one Pudd’nhead Wilson the whole fiasco is straightened out in the end however.
The reason this novel is so entertaining is because of what the innocent slave woman Roxy does in the beginning, and the fact that the conflict is solved because of Pudd’nhead’s thought to be irrelevant fingerprinting. I personally enjoyed watching this whole plot unfold infront of me and the fact that had Roxy not done what she did to help her own child, maybe things could have turned out better. Roxy’s son, Chambers, or “Tom,” ended up being spoiled and vicious. Perhaps not that much better of an outcome over a slave. “Tom,” must ask for money to buy Roxy back from her owner down the river, otherwise Roxy will tell everyone who he really is. I admire Roxy for holding this over his head because it is the one really big thing she has on him. Chambers gets into the judge’s house who is asleep at his desk with money strewn about. Chambers accidentally drops his knife sheath and wakes the judge, whom Chambers then kills. Had Chambers not of killed the judge at this moment Tom would have likely never known who he really was.
Mark Twain is an amazing author, and gets really in depth with his books and writes extremely well in a way that is not too confusing. At face value this book seems as though it would be confusing but Mark Twain successfully pulls off the book. The setting Twain uses is fitting for time, early-mid 1800s, is a small little frontier town in Missouri named Dawson’s Landing. Dawson’s landing is just off the Mississippi River, which is the river specified when referencing “down the river.” The Mississippi was a great way to transport slaves quickly and cheaply to the South, and to much harder labor.
I enjoyed this book so much because of the amazing plot twists and turns that happened so often in the novel. Whether a white slave was giving her child a chance at a free life, or that same white slave is holding over her child’s head who he really is, this novel is full of suprises. Especially since Pudd’nhead’s baby fingerprints that the public frowned upon so badly ended up saving the day. I would definitely recommend this book to anyone who is interested in Mark Twain, or really anyone who wants to read an awesome book. Overall I would give this book 5 of 5 stars and may have to read it again sometime in the future.

This is a fun little book that I first read in tenth grade. In fact, I think it's the only Twain I've ever read, though I really ought to change that. I was recently perusing my shelves for a short book that was a change of pace from my other current reads, and when I spotted this one, I knew I'd found it.

This is such a neat little story as far as plot goes. He lays everything out for the reader from the beginning, all in plain sight, and then proceeds to tell a nicely interwoven complex tale, and you're not entirely certain where it's going until it actually gets there. My favorite part is the whole use of fingerprints in the story, a fairly novel thing in the time and culture this was written. Twain also manages to delve into the topics of race and circumstances of blood and upbringing, and what makes a man who he is.

A short and enjoyable tale I would recommend to anyone, and one I would reread (and have). ( )

I didn't really "get" this book when I was younger, but now I think it's brilliant, and a lot of fun to teach. ( )

Anyone familiar with American slave narratives will quickly find that they have read the first 18 chapters of Twain's book, even if they have never before heard of the novel itself. While I am unsure where Pudd'nhead Wilson falls on a time line of slave narratives and African American literature, from a contemporary reader's point of view Twain's narrative is tired and uninspired. The story itself is without passion, and the narrator is largely detached from the events. Twain fails to establish an emotional base for his readers, and as such this novel comes across as a pale imitation of other accounts.

However, the final four chapters are outstanding. From chapter nineteen the "real point" of the novel comes to light, and the connection between a seemingly secondary character and the title is finally made clear. The events are widely dramatic, yet believable, and the sentiments largely missing from the rest of the book are present. While Pudd'nhead Wilson merely whimpers for the first 157 pages, it really goes out with a satisfying bang. ( )