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Fool

by Christopher Moore

Other authors: See the other authors section.

Series: Pocket of Dog Snogging (1)

MembersReviewsPopularityAverage ratingMentions
3,4461823,750 (3.9)211
Fiction. Humor (Fiction.) HTML:

"Hilarious, always inventive, this is a book for all, especially uptight English teachers, bardolaters, and ministerial students."
â??Dallas Morning News

Foolâ??the bawdy and outrageous New York Times bestseller from the unstoppable Christopher Mooreâ??is a hilarious new take on William Shakespeare's King Lear...as seen through the eyes of the foolish liege's clownish jester, Pocket. A rousing tale of "gratuitous shagging, murder, spanking, maiming, treason, and heretofore unexplored heights of vulgarity and profanity," Fool joins Moore's own Lamb, Fluke, The Stupidest Angel, and You Suck! as modern masterworks of satiric wit and sublimely twisted genius, prompting Carl Hiassen to declare Christopher Moore "a very sick man, in the very best sense of the word."… (more)

  1. 41
    King Lear by William Shakespeare (grizzly.anderson)
    grizzly.anderson: If you haven't read (or seen) King Lear you won't get about 1/2 the jokes.
  2. 20
    Lamb: The Gospel According to Biff, Christ's Childhood Pal by Christopher Moore (TheBoltChick)
  3. 20
    A Thousand Acres by Jane Smiley (Othemts)
    Othemts: A Lear by any other name.
  4. 00
    Who's Afraid of Beowulf? by Tom Holt (Dr.Science)
    Dr.Science: The English author Tom Holt is relatively unknown in America, but very popular in England. If you enjoy Jasper Fforde or Christopher Moore you will most certainly enjoy Tom Holt's wry sense of English humor and the absurd. He has written a number of excellent books including Expecting Someone Taller, and Flying Dutch, but they may be difficult to find at your library or bookstore.… (more)
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» See also 211 mentions

English (182)  Spanish (1)  German (1)  All languages (184)
Showing 1-5 of 182 (next | show all)
My least favorite Moore book. ( )
  cdaley | Nov 2, 2023 |
The last time I read King Lear was more than two decades ago as an English Literature student. I can't say I remember much about the nuances of the plot, so I had no problem going along with Moore's interpretation. I settled in for a bawdy, fun romp, expecting to laugh and enjoy the ride. But I turned the last page wishing I'd liked this book more than I had and wondering what went wrong.

For me, the humour felt forced and often fell flat. It was as though Moore was trying really, really hard to make a fairy straightforward tragedy feel fresh and hilarious -- and in the end, it was neither. I smiled a few times, but I also cringed a lot, and the ending seemed too pat and convenient to be in the least believable. I will not be continuing with this series, and it'll be a while before I pick up something else by Moore. ( )
  Elizabeth_Cooper | Oct 27, 2023 |
Fool is Christopher Moore's comic retelling of the Shakespeare tragedy King Lear. Not to mention numerous references to other Shakesperean plays. You've got your witches, your ghost, your regacide... But, in my mind, Moore displays his own comic genius best when he combines Shakespeare with Dr. Seuss and gives us a ditty called Green Eggs And Hamlet
Green eggs or not green eggs ?
Whether' tis nobler in the mind to eat them in a box with a fox-- ( )
  kevinkevbo | Jul 14, 2023 |
This book was fun, mostly. It was funny, and I laughed out loud more than I typically do with books. The word play, for most of the book, was entertaining and clever. It's also cool that it plays out alongside the plot of King Lear.

Then it starts to get old. It seems like he starts to get lazy, and just uses the same words and phrases over and over again toward the end. The first half of the book was much funnier than the second half.

And I have to say, I'm sorry but there's no way every single woman this guy encounters has "smashing knockers" and wants to have sex with him. I know some of it is his own "misguided" belief that every woman wants to have sex with him, but over the course of the book, most of them actually do, including all three of King Lear's daughters, and I find that kind of unbelievable. Pocket kind of reminds me of one of those abhorrent PUA types who purposely forget your name and put you down and then supposedly you just can't resist their rakish charms. I don't know. Maybe he's just devastatingly handsome. Maybe I'm just a bitch.

Finally I think I kind of went into this thinking he'd be like Terry Pratchett, and he isn't. I much prefer Pratchett, although I don't laugh out loud quite as much from his books. So I'll be sticking to Discworld when I want something light and amusing. ( )
  veewren | Jul 12, 2023 |
Bawdy and rather fun, though I'm not quite sure why this guy is in the science fiction section. ( )
  JudyGibson | Jan 26, 2023 |
Showing 1-5 of 182 (next | show all)
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» Add other authors (3 possible)

Author nameRoleType of authorWork?Status
Christopher Mooreprimary authorall editionscalculated
Morton, EuanNarratorsecondary authorsome editionsconfirmed

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Epigraph
Dedication
First words
"Tosser!" cried the raven.
There's always a bloody raven.
Quotations
Hung like an ox, Drool is - I suspect you'd extrude stools untapered for a fortnight
once Drool's laid the bugger to ya'.
Thus muted, I pumped my codpiece at the duke and tried to force a fart, but my bum trumpet could find no note.
Last words
(Click to show. Warning: May contain spoilers.)
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Wikipedia in English (1)

Fiction. Humor (Fiction.) HTML:

"Hilarious, always inventive, this is a book for all, especially uptight English teachers, bardolaters, and ministerial students."
â??Dallas Morning News

Foolâ??the bawdy and outrageous New York Times bestseller from the unstoppable Christopher Mooreâ??is a hilarious new take on William Shakespeare's King Lear...as seen through the eyes of the foolish liege's clownish jester, Pocket. A rousing tale of "gratuitous shagging, murder, spanking, maiming, treason, and heretofore unexplored heights of vulgarity and profanity," Fool joins Moore's own Lamb, Fluke, The Stupidest Angel, and You Suck! as modern masterworks of satiric wit and sublimely twisted genius, prompting Carl Hiassen to declare Christopher Moore "a very sick man, in the very best sense of the word."

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Book description
"This is a bawdy tale. Herein you will find gratuitous shagging, murder, spanking, maiming, treason, and heretofore unexplored heights of vulgarity and profanity, as well as nontraditional grammar, split infinitives, and the odd wank . . . If that's the sort of thing you think you might enjoy, then you have happened upon the perfect story!"

Verily speaks Christopher Moore, much beloved scrivener and peerless literary jester, who hath writteneth much that is of grand wit and belly-busting mirth, including such laurelled bestsellers of the Times of Olde Newe Yorke as Lamb, A Dirty Job, and You Suck (no offense). Now he takes on no less than the legendary Bard himself (with the utmost humility and respect) in a twisted and insanely funny tale of a moronic monarch and his deceitful daughters—a rousing story of plots, subplots, counterplots, betrayals, war, revenge, bared bosoms, unbridled lust . . . and a ghost (there's always a bloody ghost), as seen through the eyes of a man wearing a codpiece and bells on his head.

Fool

A man of infinite jest, Pocket has been Lear's cherished fool for years, from the time the king's grown daughters—selfish, scheming Goneril, sadistic (but erotic-fantasy-grade-hot) Regan, and sweet, loyal Cordelia—were mere girls. So naturally Pocket is at his brainless, elderly liege's side when Lear—at the insidious urging of Edmund, the bastard (in every way imaginable) son of the Earl of Gloucester—demands that his kids swear their undying love and devotion before a collection of assembled guests. Of course Goneril and Regan are only too happy to brownnose Dad. But Cordelia believes that her father's request is kind of . . . well . . . stupid, and her blunt honesty ends up costing her her rightful share of the kingdom and earns her a banishment to boot.

Well, now the bangers and mash have really hit the fan. The whole damn country's about to go to hell in a handbasket because of a stubborn old fart's wounded pride. And the only person who can possibly make things right . . . is Pocket, a small and slight clown with a biting sense of humor. He's already managed to sidestep catastrophe (and the vengeful blades of many an offended nobleman) on numerous occasions, using his razor-sharp mind, rapier wit . . . and the equally well-honed daggers he keeps conveniently hidden behind his back. Now he's going to have to do some very fancy maneuvering—cast some spells, incite a few assassinations, start a war or two (the usual stuff)—to get Cordelia back into Daddy Lear's good graces, to derail the fiendish power plays of Cordelia's twisted sisters, to rescue his gigantic, gigantically dim, and always randy friend and apprentice fool, Drool, from repeated beatings . . . and to shag every lusciously shaggable wench who's amenable to shagging along the way.

Pocket may be a fool . . . but he's definitely not an idiot.
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