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Helen Bianchin

Author of Purchased: His Perfect Wife

130+ Works 1,884 Members 24 Reviews 2 Favorited

About the Author

Series

Works by Helen Bianchin

Purchased: His Perfect Wife (2007) 76 copies
The Wedding Ultimatum (2002) 54 copies, 1 review
Forgotten Husband (1995) 49 copies, 1 review
Reluctant Captive (1992) 48 copies
The Pregnancy Proposal (2003) 46 copies, 2 reviews
A Passionate Surrender (2002) 40 copies, 2 reviews
Mistress by Contract (2001) 40 copies
The Italian's Ruthless Marriage Command (2009) 39 copies, 1 review
The Marriage Possession (2007) 39 copies
The Andreou Marriage Arrangement (2010) 38 copies, 1 review
The Martinez Marriage Revenge (2008) 38 copies, 1 review
The Marriage Deal (2000) 38 copies, 1 review
Bride, Bought and Paid For (2009) 35 copies
The Marriage Arrangement (2001) 35 copies, 2 reviews
His Pregnancy Ultimatum (2004) 35 copies
The Husband Assignment (2000) 34 copies, 1 review
Alessandro's Prize (2011) 32 copies, 1 review
The Greek Bridegroom (2002) 32 copies
The High-Society Wife (2006) 31 copies, 1 review
Dangerous Alliance (1994) 30 copies, 1 review
The Husband Test (2001) 30 copies
The Greek's Bought Wife (2005) 29 copies
The Disobedient Bride (2005) 27 copies
In the Spaniard's Bed (2003) 27 copies
A Convenient Bridegroom (1999) 27 copies
The Bridal Bed (1998) 27 copies, 1 review
Mistress by Arrangement (1999) 26 copies, 1 review
Desert Mistress (1996) 26 copies
An Ideal Marriage? (1997) 25 copies, 1 review
Stormy Possession (1979) 24 copies, 1 review
No Gentle Seduction (1991) 22 copies
Edge of Spring (1979) 21 copies, 1 review
Wildfire Encounter (1982) 21 copies
Devil in Command (1980) 20 copies
Yesterday's Shadow (1984) 19 copies
Passion's Mistress (1994) 19 copies
Bitter Encore (1985) 19 copies
The Marriage Campaign (1998) 19 copies, 1 review
Master of Uluru (1980) 19 copies
Dark Enchantment (1986) 18 copies
The Spaniard's Baby Bargain (2004) 17 copies
Touch the Flame (1989) 17 copies
Dark Tyrant (1984) 16 copies
Savage Pagan (1984) 15 copies
The Stefanos Marriage (1990) 15 copies
The Tiger's Lair (1990) 15 copies
An Awakening Desire (1987) 15 copies
Stormfire (1992) 15 copies
Bewildered Haven (1976) 13 copies
The Savage Touch (1981) 13 copies
The Vines in Splendour (1978) 13 copies
Avenging Angel (1977) 12 copies, 1 review
Sweet Tempest (1984) 12 copies
Alexei's Passionate Revenge (2017) 11 copies
The Hills of Home (1977) 9 copies
The Willing Heart (1975) 6 copies, 1 review
Ruthless (3-in-1) (2009) — Contributor — 5 copies
The Seduction Season (1998) — Author — 5 copies
Latin Lovers (3-in-1) (2016) 4 copies
One-Click Buy: April 2008 Harlequin Presents (2008) — Contributor — 4 copies
Australian Playboys (By Request 3-in-1) (2003) — Contributor — 3 copies
Claiming His Mistress (By Request 3-in-1) (2004) — Author — 3 copies
Australian Bachelors: Masterful Magnates (3-in-1) (2011) — Contributor — 3 copies
His Boardroom Mistress (2005) 3 copies
Foreign Affairs (2004) 3 copies
Pregnant Proposals (By Request 3-in-1) (2007) — Contributor — 3 copies
Her Greek Millionaire (3-in-1) (2005) — Contributor — 3 copies
Momentos Eternos (1900) — Author — 2 copies
Convenient Weddings (2006) 2 copies
Box Set Harlequin Premiere Editions 1-12 (12-in-1) (1981) — Contributor — 1 copy
Vain sinua varten — Author — 1 copy
Inte utan kr̃lek (2012) — Author — 1 copy
Ruthless Revenge (2011) 1 copy
My Sheik [4-in-1] (2005) 1 copy
Sweet Revenge (3-in-1) (2011) 1 copy
På egne premisser (2006) 1 copy

Associated Works

12 Stocking Stuffers (Anthology) (2007) — Contributor — 11 copies
The Andreou Marriage Arrangement [Manga] (2011) — Original Text — 5 copies
In the Spaniard's Bed (2011) — Original Text — 3 copies
Alessandro's Prize [Manga] (2017) — Original Text — 2 copies
The Wedding Ultimatum (2007) — Original Text — 1 copy
The Greek Bridegroom (2007) — Original Text — 1 copy
A Passionate Surrender (2007) — Original Text — 1 copy
Bride, Bought and Paid For (2014) — Original Text — 1 copy
The Greek Tycoon's Virgin Wife (2015) — Original Text — 1 copy
The Spaniard's Baby Bargain (2015) — Original Text — 1 copy
The High-Society Wife (2016) — Original Text — 1 copy
The Greek's Bought Wife (2014) — Original Text — 1 copy
The Martinez Marriage Revenge (2015) — Original Text — 1 copy
The Husband Test (2019) — Original Text — 1 copy
The Husband Assignment (2015) — Original Text — 1 copy
A Convenient Bridegroom (2021) — Original Text — 1 copy

Tagged

Common Knowledge

Birthdate
1939-02-20
Gender
female
Occupations
novelist
typist
Awards and honors
Romance Writers of Australia Hall of Fame (2012)
Short biography
Helen was born on February 20 in New Zealand, where she grew up, an only child possessed by a vivid imagination and a love for reading. She wrote stories for amusement in her early teenage years, and when she left leaving school, she took a secretarial job at a father-and-son legal firm.

At age twenty-one Helen joined a girlfriend and embarked on a working holiday in Australia, travelling via cruise ship from Auckland to Melbourne. Alas, no shipboard romance, as she spent all four days in her cabin suffering from sea-sickness! After fifteen months working in Melbourne, Helen and her friend bought a vehicle and took three months to drive the length and breadth of Australia, choosing to work in Cairns in order to fund the final leg of our journey to Sydney.

It was in Cairns that Helen met her future husband, Danilo Bianchin, an Italian immigrant from Treviso. He was a tobacco sharefarmer from the tobacco farming community of Mareeba. His English was pitiful, and her command of Italian was nil. Six months later they married, and Helen was flung into cooking for up to nine tobacco pickers, stringing tobacco, feeding 200 chickens, a few turkeys, ducks... plus killing, cleaning and cooking the same! Her knowledge of Italian improved, and there were hilarious moments in retrospect. Some of what she endured was cooking on a wood-burning stove, having no running hot water, a primitive shower and toilet facilities, washing uniforms for two soccer teams during the soccer season... floods, horrendous hailstone damage to tobacco crops, hardship, and the stillbirth of their first child. Then, to their joy, Helen's daughter, Lucia, was born. Three years later the couple returned to New Zealand, where they settled for sixteen years. During those early years, they added two sons, Angelo and Peter, to the family.

With multiple anecdotes of farm life in an Italian community to friends, the idea of writing a book occurred. A romance, set on a tobacco farm in Australia's far north, Queensland, featuring an Italian hero. Helen says, "the background was authentic, believe me!" However the hero was rich and owned the farm artistic license! It took her a year to complete a passable manuscript, typed on a portable typewriter at the dining room table. That first effort was deemed too short with insufficient detail. Helen rewrote it. This time it was considered too long with too much extraneous detail. She revised, then sent it to London. Four months later she received a telegram from Alan Boon (Mills & Boon) to say they intended to publish and a contract would be sent in the mail. It was the most wonderful news!

Helen wrote ten more books while living in New Zealand, then in 1981, her family resettled in Australia, on Queensland's Gold Coast. She has since published twenty-five more books. Today, with computer technology, the mechanics of writing are much easier. However, the writing process doesn't change. Helen says that she's having a good day if she can achieve 5 good pages, which she is likely to change, edit and rewrite the following day.

She loves creating characters, giving them life and providing a situation where their emotions are tested and love wins out. For her, the greatest praise is for a reader to say they couldn't put the book down... then Helen knows that she has achieved what she set out to do -- "create a moving enjoyable story which holds the reader entertained from beginning to end."

Helen's hobbies are tennis, table-tennis, judo, reading. She loves movies, and leads an active social life.
Nationality
New Zealand (birth)
Birthplace
New Zealand
Places of residence
Melbourne, Victoria, Australia
Cairns, Queensland, Australia
Treviso, Italy

Members

Discussions

Romance - Mills & Boon/Harlequin in Name that Book (July 2015)

Reviews

33 reviews
This was fairly good right up until the end when it wasn't. The hero was arrogant and controlling for no real reason. You knew he had loved her for a long time and had jumped at the chance to force her into marriage supposedly to satisfy her dying mother. Yet at the end there was no climatic event (fiction writing 101) and he never came right out and said he loved her. He just said "you are my love." I don't consider that adequate after all the bullying he did. There needed to be some show more discussion about why he rejected her 5 years ago. We are led to assume that he thought she was too young. I don't like to assume. I want to read it. There were other unsatisfying parts for example, there was a place where he says that if anyone hurts her they will have to answer to him yet when she admits that an ex lover of his has been saying hurtful things and intimating that she and the hero had slept together the day before, he gets mad at the heroine for believing her. That just makes him a dick in my opinion.

Although this story had some great bones and I typically love an infatuated hero who maneuvers the heroine into marriage, here the follow through didn't quite cut it.

Ultimately rather disappointing.
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I liked this book for its warm and fuzzy moments (and believe me, I needed it after reading a few romance novels that left me in a bad mood), but this book was far from perfect.

Terese Bennett's stepfather, Steve, was in a car accident that killed Manuel Delgado's brother and nephew (Steve was drinking but the breaks failed). Manuel was going to press charges, but he decided to drop his plans if Terese would marry him and give him an heir. She did it because Steve was dying and she wanted him show more to live out the rest of his life in peace.

I was bothered by the fact that nobody in the book, from Manuel to his mother to his niece, seemed sad at all by their loss. After the first chapter, nobody really talked about it at all as if the deaths never happen. Obviously the accident was the catalyst that brought Manuel and Terese together, so it seemed when the job was done Manuel's brother and nephew were discarded and forgotten.

I felt uncomfortable that Manuel chose not the tell his family that Terese's stepfather was behind the accident. If they don't know, then no harm done, right? But I kept thinking if someone eventually finds out about it they're not going to be happy about that little omission. It just seemed better to tell them now than wait for someone to find out later on.

Also Manuel was very adamant about what Terese can do and what she cannot do: you listen to me and I will treat you well, but if you disobey me I will treat you badly. To be honest sometimes when I read stories like this I think about Stockholm syndrome, but the thing is I make a lot of allowances with romance novels—especially the older ones—because if I didn't then there wouldn't be many I'd enjoy. Just thought I'd let that out for anyone who were wondering.
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I was a little bit wary of this book, because of the word "ruthless" in the title. Sorry, but the title doesn't sound very romantic. Still, good romance novels sometimes have very bad titles, so I decided to give this one a shot. For such a skinny book, it took me forever to get through - I just couldn't settle down and enjoy it.

First, I didn't really like the writing. I can't quite say what it was about Bianchin's writing that put me off, but there were areas that felt like they could have show more been better worded or just cut out altogether. I kept getting the urge to mark annoying passages, an urge that made it hard to get into the story and try to like the characters. For instance, here's a quote from page 135: "Sex, she viewed logically, then qualified...very good sex, was one of nature's aphrodisiacs." An aphrodisiac is something that increases sexual desire, so Taylor is basically thinking here that sex is one of nature's ways of increasing sexual desire. Was this sentence really necessary? Or was it maybe meant to show that sex decreased Taylor's brain cells, making her think stupid things?

Second, I disliked Dante - it's never a good thing when I'm reading a romance novel and don't like the hero. It wasn't until after Taylor and Dante were married that I was able to think of Dante as more than just an overbearing jerk - he saw how much his presence upset Taylor at times, did he really have skulk around her so much? The only reason I didn't think of him as a total monster was because he didn't force himself on her, at least not with sex, although he did kiss her without it being truly clear that she wanted and was ready for him to kiss her.

I should be fair, though: I didn't really like Taylor, either. I don't know what it was like for Ben, living with her, but to me she seemed moody, damaged, and capable of sucking the fun and life out of everything. Although I understood why she was like that, what with the recent death of people she cared about and the attack she survived (which I initially thought involved rape), understanding didn't translate into liking. After a while, I had enough of her frightened/cornered animal reaction to Dante and her insistence that only she knew what was truly right for Ben.

I never really ended up liking Taylor, although I tended to dislike Dante more than I disliked her - I just couldn't stand how overbearing he behaved around her. Their marriage, the joining of two characters I didn't really like, wasn't much fun either. While Taylor and Dante are on their honeymoon, doing a little shopping, Taylor refuses to let Dante pay for things she wants to buy (even though there's not a peep out of her when he pays for their room, their room service, and their food). Dante's thoughts on this: "Any other woman of his acquaintance would expect him to pick up the tab for anything that took her whim...most often angle prettily for an expensive item" (p. 137). I found Taylor's spotty adherence to her "I'll pay for myself" rule somewhat annoying, but I really hated this thought of Dante's, because I felt it showed that he still thought of Taylor in the same way as all the arm candy he used to date and sleep with.

Supposedly, Taylor grows more comfortable with Dante, and this is apparently exemplified in her reaction to seeing her attacker again. All Taylor knew was that Dante...did something to or with the guy - she didn't know if he just talked to him, or if he beat him up. And yet, she feels safe, because Dante makes her feel safe. Even though he spent a good chunk of the book skulking around her and frightening her. Right.

Overall, there was just too much "too little" going on - too little of the book was from Dante's perspective, making it even harder to like him and connect with him emotionally than it already was. What little of the book was from Dante's perspective was too shallow, making him seem like a flatter, less fleshed out character than Taylor. The whole thing with "Dante's many former lovers" could have been fun, but, since it was so brief and formulaic, it just came across as cliched. Even if Bianchin had done that part better, it would probably have been too little, too late.

I felt that the book got a bit better as it progressed, but that, unfortunately, isn't saying much. This is not going on my "keeper" pile.

(Original review, with read-alikes, posted on A Library Girl's Familiar Diversions.)
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The heroine, Marisa Maxton, is a sad drudge. She wears "crimplene" trousers and cork-soled sandals.

The romance progresses at a snail's pace, with minimal internal or external conflict. There is no luxury or glamour-- This could actually be a great-aunt's memoir about her life in the Outback before time-saving appliances were introduced.

Cesare Gianelli, the hero, smokes like a chimney. The author attaches the adjective "inevitable" in front of each cigarette he lights.

Marisa owes several show more months back rent, and her landlord, Mr Gianelli, proposes an arranged marriage.

'I have a tobacco farm a few miles from Dimbulah, and over the last few years I have had numerous housekeepers. They've left because the work is too hard, the hours too long, and the number of men to cook for, too many. I pay my men well, but they work hard, and they need good food and plenty of it.'

He gazed at her keenly, not particularly enjoying the distress he had caused her. 'Last year, the same problem, and the year before that. It is becoming impossible to run the farm on this basis. I need a wife... 'If you will consent to be my wife,' he elaborated, 'I will forget about the rent, and I'll undertake the financial arrangements necessary to put your brother through college and medical school.'
...
'That is all, for the time being,' he spoke very distinctly, adding,'Our marriage would be a permanent arrangement. I do not hold with divorce. You must understand, now, that eventually I will insist you share my bed and bear my children.'

Marisa ponders her limited choices. A work load that has driven off every woman who has attempted it, or "a life at constant odds with insurmountable debts," with her troubled younger brother drifting into booze and crime.
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Wes Lowe Illustrator
Fernanda Lizardo Translator
Dorothea Garcia Translator
Marja Alopaeus Translator
Tua Waern Translator
Hanna Arvonen Translator
Marja Ylösmäki Translator
Tony Meers Cover artist

Statistics

Works
130
Also by
16
Members
1,884
Popularity
#13,655
Rating
2.9
Reviews
24
ISBNs
591
Languages
13
Favorited
2

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