Jean Gimpel (1918–1996)
Author of The Medieval Machine: The Industrial Revolution of the Middle Ages
About the Author
Works by Jean Gimpel
Villard's legacy : studies in medieval technology, science, and art in memory of Jean Gimpel (2004) 2 copies
Le langage C 1 copy
Despre arta si artisti 1 copy
Tagged
Common Knowledge
- Canonical name
- Gimpel, Jean
- Legal name
- Gimpel, Jean Victor
- Birthdate
- 1918-10-10
- Date of death
- 1996-06-15
- Gender
- male
- Education
- Lycée Louis-le-Grand, Paris, France (1938)
Le Rosey, Suisse
Swanbourne House School, Royaueme-Uni (1931) - Occupations
- diamond broker
historian
medievalist
art critic - Organizations
- French Resistance
Society for the History of Medieval Technology and Science
Models for Rural Development - Awards and honors
- Croix de Guerre
Medaille de la Resistance
Légion d'Honneur - Relationships
- Gimpel, Rene (father)
Duveen, Joseph, 1st Baron Duveen (uncle)
Gimpel Fils (brothers) - Short biography
- Jean Gimpel was born in Paris, France, one of three sons of a French father, the well-known art dealer René Gimpel, and an English mother, Florence Duveen. His two brothers, Charles and Peter, also became art dealers. He was brought up in luxury and was educated in France, Britain, and Switzerland. He made a living as a diamond broker before establishing himself as an art critic and historian.
During World War II, Jean Gimpel served in the French Resistance, for which he was awarded the Croix de Guerre, the Resistance Medal, and the Legion of Honor. After the war, he produced a television program for the BBC called "Don't Take It for Granted," describing the pitfalls of authenticating works of art. It was during this time that he developed his profound and very practical interest in technology, especially that of the Middle Ages, which stayed with him all his working life. This interest was the basis of two classic books, The Cathedral Builders (1958) and The Medieval Machine: The Industrial Revolution of the Middle Ages (1976), and underpinned two further books, The Cult of Art: Against
Art and
Artists (1968) and The End of the Future (1995). In 1987, Gimpel became a founding vice-president of the Society for the History of Medieval Technology and Science. He was also a founder of Models for Rural Development, part of the Appropriate Technology movement.
He gave lectures at Yale University, the University of Southern California, Lehigh University, the University of Delaware, The Royal Oak Foundation, the Albany Institute History of Art, Carnegie-Mellon University, Ironbridge Gorge Museum, and St. George's Chapel, Windsor, among others. He and his wife Catherine Cara maintained a salon in London in his later years. - Cause of death
- Naturelle (Vieillesse)
- Nationality
- France
- Birthplace
- Paris, France
- Places of residence
- Chelsea, London, England, UK
- Place of death
- London, England, UK
- Burial location
- Cimetière communal, Treflez, Finistère, Bretagne, France
- Associated Place (for map)
- Chelsea, London, England, UK
Members
Reviews
Criminally underread writer.
Outside of its formal qualities, this book is also especially relevant today. Gimpel was obviously wrong about computers and the internet, and also failed to properly predict the fall of the USSR, but was right on the money on other issues and signs of upcoming fall (which has however not yet occured), like the decline of civic values and traditional morality, the swelling of state bureaucracy and the increase of government spending towards people that ultimately show more form a parasitic class, sucking away ressources while contributing not much.
His conclusions are a little too pessimistic for me however, and the ever growing presence of reactionary thought in western countries gives me a bit of hope for the future. show less
Outside of its formal qualities, this book is also especially relevant today. Gimpel was obviously wrong about computers and the internet, and also failed to properly predict the fall of the USSR, but was right on the money on other issues and signs of upcoming fall (which has however not yet occured), like the decline of civic values and traditional morality, the swelling of state bureaucracy and the increase of government spending towards people that ultimately show more form a parasitic class, sucking away ressources while contributing not much.
His conclusions are a little too pessimistic for me however, and the ever growing presence of reactionary thought in western countries gives me a bit of hope for the future. show less
OK, so you have to be warned that Gimpel starts off by making a huge error that really, any trained historian should know better: he tries to predict the future. & declares that (speaking in 1976), the West has invented pretty much everything that it will, it's all decline from here on out, no more technical innovation for us.
Really: how many of our forebears had any idea what was coming next? The Black Death came seemingly out of nowhere; ditto for many of us (including Gimpel), the show more Information Age.
Now, if you can get past that, the rest of the book is brilliant. It's a technical/technological history, but that's a tale that can't be told without talking about the technicians, so it's also a social history. The innovation was funded by capital, so there's some banking history. Innovation is frequently adapted for combat, so there's some military history. It's a small book with a very broad scope.
Does that mean there's a little lacking in depth? Possibly: Gimpel himself regrets that there is not more attention paid to the history of engineering, & seems to be deliberately attempting to kickstart such a discipline.
Overall, a very worthwhile book for anyone interested in the Middle Ages, or any fan of the Renaissance willing to have a few of their bubbles burst. show less
Really: how many of our forebears had any idea what was coming next? The Black Death came seemingly out of nowhere; ditto for many of us (including Gimpel), the show more Information Age.
Now, if you can get past that, the rest of the book is brilliant. It's a technical/technological history, but that's a tale that can't be told without talking about the technicians, so it's also a social history. The innovation was funded by capital, so there's some banking history. Innovation is frequently adapted for combat, so there's some military history. It's a small book with a very broad scope.
Does that mean there's a little lacking in depth? Possibly: Gimpel himself regrets that there is not more attention paid to the history of engineering, & seems to be deliberately attempting to kickstart such a discipline.
Overall, a very worthwhile book for anyone interested in the Middle Ages, or any fan of the Renaissance willing to have a few of their bubbles burst. show less
This is an 1976 book recently reissued in paperback; when first published it was one of the few sources for information about medieval technology (the only other one I can think of is Lynn White’s Medieval Technology and Social Change). However, it’s now sadly dated and a little socially peculiar. Author Jean Gimpel covers medieval energy sources (wind and water mills), mining, farming (the horse collar, the wheeled plow, and horseshoes), and clocks – this is adequate but mostly show more already discussed by White. The discussion of cathedral building is disappointing, because Gimpel is more interested in cathedral design and the handling of skilled labor than the actual construction of cathedrals – these are interesting topics but not what I was looking for. Finally, the last chapter is a very strange discursus comparing medieval France with 1970s America – predicting the collapse of America due to the limitation of free enterprise, the collapse of the entrepreneurial spirit, overextension of higher education, and resistance to technological innovation. Now what place does that have in a book on medieval technology – despite being prescient and apparently true? show less
A book that has a great deal to say about the advances in technology in Western Europe until 1400 CE. Quite insightful about that. However, in the last chapter he descends to make some forecasts about the future of technological advance, and the totality of the book suffers. One must remember that the copyright date was 1976, and things have not made many of his predictions brilliant. But for facts, some arresting charts and the strictly medieval portion of the book, still a valuable read.
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Statistics
- Works
- 11
- Members
- 1,010
- Popularity
- #25,529
- Rating
- 3.8
- Reviews
- 13
- ISBNs
- 42
- Languages
- 7
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