Bryce Courtenay (1933–2012)
Author of The Power of One
About the Author
Bryce Courtenay was born in Johannesburg, South Africa on August 14, 1933. He studied journalism in London and then settled in Australia in 1958. Instead of becoming a journalist, he went into advertising and became a successful creative director. He won most of the local and international show more advertising awards and a gold medal for Best Documentary at the 1984 New York Film Festival. He started writing after he turned 50. His first novel, The Power of One, was adapted into a 1992 film starring Morgan Freeman and Stephen Dorff. His other novels include Jessica, The Potato Factory, Tommo and Hawk, Solomon's Song, Tandia, and Jack of Diamonds. In 1993, he wrote the non-fiction book April Fool's Day, which is a personal account of the death of his son Damon after he contracted AIDs from a routine blood transfusion. Courtenay died of stomach cancer on November 22, 2012 at the age of 79. (Bowker Author Biography) show less
Series
Works by Bryce Courtenay
Silver Moon 1 copy
Sortune Cookie 1 copy
La Potencia de Uno 1 copy
The Power of One, Part 1 1 copy
Four Fires 1 copy
Associated Works
Yowies: Nap the Honeygum Yowie and the Fiery Flame-Fanning Grumkin (1997) — Illustrator, some editions — 19 copies
Tagged
Common Knowledge
- Birthdate
- 1933-08-14
- Date of death
- 2012-11-22
- Gender
- male
- Education
- King Edward VII School, Johannesburg
- Occupations
- novelist
advertising executive - Awards and honors
- British Book Award (Newcomer of the Year, 1990)
Order of Australia (Member, 1995)
University of Newcastle (Honorary Doctorate) - Nationality
- South Africa (birth)
Australia - Birthplace
- Johannesburg, South Africa
- Places of residence
- Sydney, New South Wales, Australia
Canberra, Australian Capital Territory, Australia
Lebombo Mountains, Limpopo Province, South Africa - Place of death
- Canberra, Australian Capital Territory, Australia
- Map Location
- Austràlia
- Associated Place (for map)
- Australia
Members
Reviews
The power of one was based on the courage to remain separate, to think through to the truth, and not to be beguiled by convention or the plausible arguments of those who expect to maintain power.
I love when I fall in love with a book that appears to be about a subject I don’t generally feel any enthusiasm for. In this case, that would be boxing. I watched a man named Kid Paret beaten senseless in a televised fight in 1962. He died a few days later. My father loved watching the fights, and show more we watched them frequently, but that is the only one I can remember in any detail. I remember my daddy saying “The ref needs to call this, he is killing him” and then the strange feeling that told me that was true. All of which is a roundabout way of saying I had reservations when I realized boxing was about to play a major part in this book’s plot.
Like so many books in which sports figure, this book isn’t about the sport at all. It is about the shaping of a boy. If you only view boxing as a “fight”, this book will give you some insight into why boxers are willing to take that beating or give it.
In teaching me independence of thought, they had given me the greatest gift an adult can give to a child besides love, and they had given me that also.
Peekay is an English South African, a child in the days just before World War II, and part of a country divided into the English, the Boers, and the black Africans. Peekay, because of circumstances, finds himself intimately involved with each of these groups, and with a marvelous German professor, known as Doc. And, because of this, the book becomes a story about racial injustice, overcoming adversity when the deck is stacked against you, finding your own place in the world, and having the power of one.
As Doc had pointed out, mystery, not logic, is what gives us hope and keeps us believing in a force greater than our own insignificance.
A reference that brought to mind perhaps my favorite book of all time, made me smile, when Peekay says, “Look, Doc, it’s like Merlin’s altar in the crystal cave!” I laughed and said to myself, this is really a book written for me.
There are moments of brilliance in this novel. It is a timely read, for much of it is about the bridges that can be built between races and the importance of recognizing individuals for who they are and for the wonder each of them brings to our lives.
Is this a good book? In the words of Doc, “Absoloodle!”
A huge thank you to Bob, who has once again opened a new world for me in the pages of a great book. show less
I love when I fall in love with a book that appears to be about a subject I don’t generally feel any enthusiasm for. In this case, that would be boxing. I watched a man named Kid Paret beaten senseless in a televised fight in 1962. He died a few days later. My father loved watching the fights, and show more we watched them frequently, but that is the only one I can remember in any detail. I remember my daddy saying “The ref needs to call this, he is killing him” and then the strange feeling that told me that was true. All of which is a roundabout way of saying I had reservations when I realized boxing was about to play a major part in this book’s plot.
Like so many books in which sports figure, this book isn’t about the sport at all. It is about the shaping of a boy. If you only view boxing as a “fight”, this book will give you some insight into why boxers are willing to take that beating or give it.
In teaching me independence of thought, they had given me the greatest gift an adult can give to a child besides love, and they had given me that also.
Peekay is an English South African, a child in the days just before World War II, and part of a country divided into the English, the Boers, and the black Africans. Peekay, because of circumstances, finds himself intimately involved with each of these groups, and with a marvelous German professor, known as Doc. And, because of this, the book becomes a story about racial injustice, overcoming adversity when the deck is stacked against you, finding your own place in the world, and having the power of one.
As Doc had pointed out, mystery, not logic, is what gives us hope and keeps us believing in a force greater than our own insignificance.
A reference that brought to mind perhaps my favorite book of all time, made me smile, when Peekay says, “Look, Doc, it’s like Merlin’s altar in the crystal cave!” I laughed and said to myself, this is really a book written for me.
There are moments of brilliance in this novel. It is a timely read, for much of it is about the bridges that can be built between races and the importance of recognizing individuals for who they are and for the wonder each of them brings to our lives.
Is this a good book? In the words of Doc, “Absoloodle!”
A huge thank you to Bob, who has once again opened a new world for me in the pages of a great book. show less
This book has the quality of a folk legend re-imagined. The characters loom larger than life and protagonists endure years of the worst kinds of suffering before triumphing over their oppressors. The first half of this novel, set in nineteenth century London, is slowly-paced, but packed with eccentric, Dickensian characters, complete with dialect. The very eventful second half takes place mostly in Australia during its penal colony days, as the feud that boils for over 700 pages comes to a show more head. The ambitious scope of the story is realized with solidly-crafted prose and compelling characters. Though some of these characters come uncomfortably close to stereotypes, the feeling that the story was being shared with me by an eccentric uncle made this feel okay somehow. show less
*4.5 Stars*
// 100 pages to still read
I don't know when I'll have time to finish the last hundred pages, but for now, it's a strong 4.5. I loved Peekay as the main character and the emotional range Mr. Courtney gave him; I don't think we see enough male characters with such a knack for caring and loving. I also really enjoyed how school-boy adventure it felt, and how it all almost seemed to have a happy ending– we just don't get a lot of those in everyday life and I'm a sucker for it. The show more multitude of parental figures Peekay has as well was really cool to see instead of the typical trope of adults constantly letting down kids we seem to see so much in teen literature, and I just liked how positive the book's message was in all accounts. Having had my own tough childhood I like to think my past experiences have helped me grow for the better instead of hurting me in the long run. It's only shy of 5 stars because I found it a bit long winded at times (3 pages dedicated to describing the land where cacti grow), and I'm not a particularly fast reader so the hours just seemed to pile up. Still good and I still recommend; I learned a lot about the South African cultural climate as well as the power of one ;;;) show less
// 100 pages to still read
I don't know when I'll have time to finish the last hundred pages, but for now, it's a strong 4.5. I loved Peekay as the main character and the emotional range Mr. Courtney gave him; I don't think we see enough male characters with such a knack for caring and loving. I also really enjoyed how school-boy adventure it felt, and how it all almost seemed to have a happy ending– we just don't get a lot of those in everyday life and I'm a sucker for it. The show more multitude of parental figures Peekay has as well was really cool to see instead of the typical trope of adults constantly letting down kids we seem to see so much in teen literature, and I just liked how positive the book's message was in all accounts. Having had my own tough childhood I like to think my past experiences have helped me grow for the better instead of hurting me in the long run. It's only shy of 5 stars because I found it a bit long winded at times (3 pages dedicated to describing the land where cacti grow), and I'm not a particularly fast reader so the hours just seemed to pile up. Still good and I still recommend; I learned a lot about the South African cultural climate as well as the power of one ;;;) show less
Normally I refrain from writing long reviews, but this wonderful book offers so much to readers, that I must indulge. It is a broad sweeping book about rural South Africa, set in the late 1930s and 1940s prior to apartheid. It imparts a real sense of this exotic country and the friction between its diverse peoples: Dutch Afrikaners, native Boers, a host of black tribes, and the English.
The protagonist Peekay is an only child, sent to boarding school at age 5 when his mother is show more institutionalized. He is picked on mercilessly because he is youngest and English, and misses his black nanny. His nickname is Pisskop (pisshead) as he wets his bed. Peekay's only friend is a rebellious chicken. Things take a change for the better, when he is sent by train to his grandfather's distant home. He is adopted by conductor, Hoppie Groenewald, who cares for him and teaches one of this book's life lessons: "first with the head, and then with the heart." Hoppie is an amateur boxer, and uses his prodigious skills to beat a much larger opponent at the end of the first leg of Peekay's train journey. Peekay immediately develops a deep passion for boxing and decides he wants to become the welterweight champ of the world. Arriving at his grandfather’s home, Peekay is devastated by the disappearance of his nanny and subjected to his mother's religious fervor. Once again, Peekay is rescued by a mentor, Professor Karl von Vollensteen (a/k/a Doc),whom he meets on a distant mountaintop. Doc too, adopts Peekay, and teaches him about botany, especially cacti, piano, Africa, and of course, life. As a German, Doc becomes jailed as a possible spy, but becomes a popular figure in the local prison, with inmates, guards, and the Commandant. Meanwhile, Peekay visits Doc regularly, and eventually convinces the staff to allow him to train as a boxer. The downtrodden criminal, Geel Piet, teaches Peekay how to box and they develop a symbiotic relationship, as Peekay smuggles tobacco into the prison. Peekay and the local town librarian also start a postal service for the mostly black inmates. Peekay's open-minded acceptance of others, accords him a mythical status with the African people in the prison and community, and he becomes revered as the "Tadpole Angel", creating a large following as his boxing career advances.
Eventually, Peekay earns a scholarship and it sent to an exclusive prep school, where he meets his next good friend and mentor, a wealthy Jew named Morrie. Equally brilliant, the two develop businesses together, which allow them to afford getting Peekay trained at an elite boxing school. Peekay continues his unblemished record in the ring, eventually agreeing to fight a rising black champion, who has just turned professional, even though this is not legal and theoretically, a mismatch. And yet, there is great drama as this fighter's name is familiar to Peekay, he is a descendent of a tribal chief, and the legend of the Tadpole Angel is placed at risk. Peekay is a highly popular student and athlete, joining the elite leadership of the prep school, but he continues to work for the people, opening a school to teach local blacks to read and write, drawing the ire of the local white police. Morrie is accepted to Oxford, and Peekay does not win the coveted Rhodes Scholarship that would allow them to stay together. Instead, Peekay decides to take a grueling, dangerous job in the mines to build his strength and body mass. Once again, Peekay befriends a loner, in this case a huge Russian, who barely speaks English. Peekay's productivity makes him the envy of all, but he stays too long in this job, leading to disaster. My only complaint is that despite the final physical confrontation in the mine bar, with a lifelong foe, we don't know if Peekay achieves his life-long ambition so now I need to read the 900-page sequel. Given author Courtenay's gift for storytelling, I do not expect this will be too much of a chore. show less
The protagonist Peekay is an only child, sent to boarding school at age 5 when his mother is show more institutionalized. He is picked on mercilessly because he is youngest and English, and misses his black nanny. His nickname is Pisskop (pisshead) as he wets his bed. Peekay's only friend is a rebellious chicken. Things take a change for the better, when he is sent by train to his grandfather's distant home. He is adopted by conductor, Hoppie Groenewald, who cares for him and teaches one of this book's life lessons: "first with the head, and then with the heart." Hoppie is an amateur boxer, and uses his prodigious skills to beat a much larger opponent at the end of the first leg of Peekay's train journey. Peekay immediately develops a deep passion for boxing and decides he wants to become the welterweight champ of the world. Arriving at his grandfather’s home, Peekay is devastated by the disappearance of his nanny and subjected to his mother's religious fervor. Once again, Peekay is rescued by a mentor, Professor Karl von Vollensteen (a/k/a Doc),whom he meets on a distant mountaintop. Doc too, adopts Peekay, and teaches him about botany, especially cacti, piano, Africa, and of course, life. As a German, Doc becomes jailed as a possible spy, but becomes a popular figure in the local prison, with inmates, guards, and the Commandant. Meanwhile, Peekay visits Doc regularly, and eventually convinces the staff to allow him to train as a boxer. The downtrodden criminal, Geel Piet, teaches Peekay how to box and they develop a symbiotic relationship, as Peekay smuggles tobacco into the prison. Peekay and the local town librarian also start a postal service for the mostly black inmates. Peekay's open-minded acceptance of others, accords him a mythical status with the African people in the prison and community, and he becomes revered as the "Tadpole Angel", creating a large following as his boxing career advances.
Eventually, Peekay earns a scholarship and it sent to an exclusive prep school, where he meets his next good friend and mentor, a wealthy Jew named Morrie. Equally brilliant, the two develop businesses together, which allow them to afford getting Peekay trained at an elite boxing school. Peekay continues his unblemished record in the ring, eventually agreeing to fight a rising black champion, who has just turned professional, even though this is not legal and theoretically, a mismatch. And yet, there is great drama as this fighter's name is familiar to Peekay, he is a descendent of a tribal chief, and the legend of the Tadpole Angel is placed at risk. Peekay is a highly popular student and athlete, joining the elite leadership of the prep school, but he continues to work for the people, opening a school to teach local blacks to read and write, drawing the ire of the local white police. Morrie is accepted to Oxford, and Peekay does not win the coveted Rhodes Scholarship that would allow them to stay together. Instead, Peekay decides to take a grueling, dangerous job in the mines to build his strength and body mass. Once again, Peekay befriends a loner, in this case a huge Russian, who barely speaks English. Peekay's productivity makes him the envy of all, but he stays too long in this job, leading to disaster. My only complaint is that despite the final physical confrontation in the mine bar, with a lifelong foe, we don't know if Peekay achieves his life-long ambition so now I need to read the 900-page sequel. Given author Courtenay's gift for storytelling, I do not expect this will be too much of a chore. show less
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- 45
- Also by
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- Rating
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- Reviews
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