Rebecca Walker (1) (1969–)
Author of Black, White, and Jewish: Autobiography of a Shifting Self
For other authors named Rebecca Walker, see the disambiguation page.
About the Author
Rebecca Walker is the author of the memoirs Black, White, and Jewish and Baby Love and editor of the anthologies To Be Real, What Makes a Man, and One Big Happy Family. Her writing has appeared in Glamour, The Washington Post, Book-forum, BOMB, Newsweek, Vibe, Real Simple, and Interview, among many show more others. show less
Image credit: Rebecca Walker
Works by Rebecca Walker
Associated Works
Well-Read Black Girl: Finding Our Stories, Discovering Ourselves (2018) — Contributor — 467 copies, 33 reviews
We Are the Ones We Have Been Waiting For: Light in a Time of Darkness (2006) — Foreword, some editions — 297 copies, 6 reviews
The Fire This Time: Young Activists and the New Feminism (2004) — Foreword, some editions — 128 copies
New Daughters of Africa: An International Anthology of Writing by Women of African Descent (2019) — Contributor — 116 copies, 1 review
Mixed: An Anthology of Short Fiction on the Multiracial Experience (2006) — Introduction — 85 copies
Here Lies My Heart: Essays on Why We Marry, Why We Don't, and What We Find There (1999) — Contributor — 62 copies, 3 reviews
Walking Through Fire: A Life of Nawal El Saadawi (2002) — Foreword, some editions — 59 copies, 3 reviews
Shaking the Tree: A Collection of Fiction and Memoir by Black Women (2003) — Contributor — 54 copies
Are We Born Racist? New Insights from Neuroscience and Positive Psychology (2010) — Contributor — 49 copies, 1 review
Tagged
Common Knowledge
- Birthdate
- 1969-11-17
- Gender
- female
- Education
- Yale University
- Occupations
- political activist
author
editor - Relationships
- Walker, Alice (mother)
- Nationality
- USA
- Associated Place (for map)
- USA
Members
Reviews
beautiful and moving exploration of identity and belonging, of race and where we fit in and how we include/exclude each other and ourselves. the shifting memories and the changing perception and understanding of self, based on who she was around and where she was, was really poignant.
this is really well written. my only quibble is that it was often hard to know the time period she was writing about, and as she was kind of forced into maturity before her time, i never knew how old she was - i show more was constantly assuming she was much older - until she'd say so. and then i'd have to recalibrate everything i'd just read because i'd found out she was much younger than i'd thought.
other than that, the writing is fantastic and the ideas profound. i really, really liked this.
and she made me understand something i never had before:
"...and when I ask Jodi or Pam why people are sometimes quiet or reserved around me, they say that I am intimidating, which doesn't really answer my question but gives me a general idea of how I am perceived. It doesn't occur to me that intimidating might be another word for black." and then: "Instead of intimidating, the word white people have used to describe what they find unsettling about me, Michael says I am snobby, the term black people use." show less
this is really well written. my only quibble is that it was often hard to know the time period she was writing about, and as she was kind of forced into maturity before her time, i never knew how old she was - i show more was constantly assuming she was much older - until she'd say so. and then i'd have to recalibrate everything i'd just read because i'd found out she was much younger than i'd thought.
other than that, the writing is fantastic and the ideas profound. i really, really liked this.
and she made me understand something i never had before:
"...and when I ask Jodi or Pam why people are sometimes quiet or reserved around me, they say that I am intimidating, which doesn't really answer my question but gives me a general idea of how I am perceived. It doesn't occur to me that intimidating might be another word for black." and then: "Instead of intimidating, the word white people have used to describe what they find unsettling about me, Michael says I am snobby, the term black people use." show less
I love Alice Walker's writing more than my dog loves eating my rubber earplugs...and my dog is an earplug addict. So I was fascinated by this pregnancy journal written by Alice's daughter Rebecca, who is also a pretty good writer. Rebecca serves up a hot mess of unpleasant family detail - I was not happy to discover that one of my favorite authors is a pretty lousy mother who, at one point, threatens to destroy her daughter's career and reputation. Not very nice - but very, very interesting. show more It was also sort of creepily fascinating to read all Rebecca's peculiar ideas about childbirth, and how much of her New Age-y nuttiness went flying out the window once serious labor pains began. Hahaha, SPOILER: she LOVED that epidural in the end! Oh, I could certainly relate to that! show less
One Big Happy Family: 18 Writers Talk About Polyamory, Open Adoption, Mixed Marriage, Househusbandry,Single Motherhood, and Other Realities of Truly Modern Love by Rebecca Walker
Killer collection. If you're anything like me, skip the embarrassing, childish spite of Rebecca Walker herself and the in-depth tour through what it's like to be boring by Sasha Hom and enjoy the rest of these truly diverse, totally awesome essays about creating intentional family.
Never before has a book so completely spoken to my heart. I originally found this last year when I was looking around for around for women's memoirs to be put into my Diverse Books Tag focused on that genre (a book with a biracial protagonist). I recommended it to my library but got quickly absorbed in a number of other books while I waited for it to be available or for the right time to pop up. At last, my library purchased it and I was the first one to get it when it came out.
I have to say show more that waiting for the right time worked out fantastically. Some books just seem to know when you need them. As I said, this one just spoke right to my heart. That's not to suggest that I "know" what it was like for Rebecca Walker to navigate her life or what it's like to be black and white and Jewish all at the same time. What I do know is that I am quite familiar with that sense of not quite belonging to anyone, but maybe belonging enough to be claimed here and there for this or that trait. I have drifted from one home to another within my family or neighborhood or group of friends and felt that change that Walker describes as "switching radio stations". I've felt the sting of being in one group while people denigrate the other part of you, the part that they don't claim, while they insist that it's not you but you know that it is, even if only in part. I've felt it on both sides of me.
We've lived vastly different lives in different times within this country and I couldn't possibly relate to all of Walker's experiences, but I had never known anyone to describe this being and not being so well, so beautifully. The idea of being a "movement baby" sounds terrifying, like for too much to live up to. Later, I found it far easier to relate to what happened when the ideas of the movement were gone and she was treated like her existence was half-oppressor and half-oppressed, when people asked her navigate those waters and explain what it felt like. I was never able to explain what it was like to be fragmented this way and now I have someone to turn to for that.
I loved Walker's style of writing and relating everything back to memory and the way that memory shifts, that way that it can be wrong and right at the same time and the way it shapes us and perceptions of us without ever asking for permission. I loved the poetic feel that accompanies most of the book. I peaked at some other reviews and it's not the kind of book that everyone loves, but I still find it an important book to read and discuss. Perhaps it would make a great book club memoir because it does bring in questions of race on several fronts and it could open conversations about sex in adolescence, the effect of divorce and/or neglect on a child's upbringing and other important issues that Walker goes through that still plague us.
The downside to that, of course, is that using the book that way invites criticism of Walker and her parents as people who were theoretically doing the best they could. I don't mean to sound like I doubt that anyone was doing their best but I also don't want to make it sound like I'm making assumptions about what could/should have been done. The point is simply that getting judgey about someone's life and story like this would miss the point of reading the book.
Despite what others might think, I found this book engaging, even at it's lowest moments. I appreciated the way it was a little episodic, moving through periods in her life and only stopping to fit in the moments that best sums up the time-frame for her rather than dwelling on incidentals. As mentioned above, what I loved the most was the way she relates what it is like to not fit succinctly into any single category of race, to be a part of something and not a part of it at the same time, close and yet removed from it. I have felt these things so many times in life when I am in Hispanic or not Hispanic depending on the way whoever I'm talking to feels about it and it rarely seems up to me to let them know who I am and how I fit into these categories and whether or not I even want to. show less
I have to say show more that waiting for the right time worked out fantastically. Some books just seem to know when you need them. As I said, this one just spoke right to my heart. That's not to suggest that I "know" what it was like for Rebecca Walker to navigate her life or what it's like to be black and white and Jewish all at the same time. What I do know is that I am quite familiar with that sense of not quite belonging to anyone, but maybe belonging enough to be claimed here and there for this or that trait. I have drifted from one home to another within my family or neighborhood or group of friends and felt that change that Walker describes as "switching radio stations". I've felt the sting of being in one group while people denigrate the other part of you, the part that they don't claim, while they insist that it's not you but you know that it is, even if only in part. I've felt it on both sides of me.
We've lived vastly different lives in different times within this country and I couldn't possibly relate to all of Walker's experiences, but I had never known anyone to describe this being and not being so well, so beautifully. The idea of being a "movement baby" sounds terrifying, like for too much to live up to. Later, I found it far easier to relate to what happened when the ideas of the movement were gone and she was treated like her existence was half-oppressor and half-oppressed, when people asked her navigate those waters and explain what it felt like. I was never able to explain what it was like to be fragmented this way and now I have someone to turn to for that.
I loved Walker's style of writing and relating everything back to memory and the way that memory shifts, that way that it can be wrong and right at the same time and the way it shapes us and perceptions of us without ever asking for permission. I loved the poetic feel that accompanies most of the book. I peaked at some other reviews and it's not the kind of book that everyone loves, but I still find it an important book to read and discuss. Perhaps it would make a great book club memoir because it does bring in questions of race on several fronts and it could open conversations about sex in adolescence, the effect of divorce and/or neglect on a child's upbringing and other important issues that Walker goes through that still plague us.
The downside to that, of course, is that using the book that way invites criticism of Walker and her parents as people who were theoretically doing the best they could. I don't mean to sound like I doubt that anyone was doing their best but I also don't want to make it sound like I'm making assumptions about what could/should have been done. The point is simply that getting judgey about someone's life and story like this would miss the point of reading the book.
Despite what others might think, I found this book engaging, even at it's lowest moments. I appreciated the way it was a little episodic, moving through periods in her life and only stopping to fit in the moments that best sums up the time-frame for her rather than dwelling on incidentals. As mentioned above, what I loved the most was the way she relates what it is like to not fit succinctly into any single category of race, to be a part of something and not a part of it at the same time, close and yet removed from it. I have felt these things so many times in life when I am in Hispanic or not Hispanic depending on the way whoever I'm talking to feels about it and it rarely seems up to me to let them know who I am and how I fit into these categories and whether or not I even want to. show less
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Statistics
- Works
- 9
- Also by
- 17
- Members
- 1,590
- Popularity
- #16,227
- Rating
- 3.8
- Reviews
- 27
- ISBNs
- 47
- Languages
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