Picture of author.

Joe Boyd (1) (1942–)

Author of White Bicycles: Making Music in the 1960s

For other authors named Joe Boyd, see the disambiguation page.

2+ Works 452 Members 9 Reviews

About the Author

Image credit: Courtesy of Serpent's Tail Press

Works by Joe Boyd

White Bicycles: Making Music in the 1960s (2006) 429 copies, 9 reviews
Jimi Hendrix [1973 film] (2005) 23 copies

Associated Works

Unhalfbricking [sound recording] (1969) — Producer — 35 copies
What We Did on Our Holidays (1969) — Producer — 24 copies
101 Essential Rock Records (2012) — Contributor — 23 copies
Be Glad: An Incredible String Band Compendium (2004) — Foreword — 17 copies
Full House [sound recording] (1970) — Producer — 13 copies
House Full : Fairport Convention Live at the LA Troubadour {2001} (2001) — Producer, Liner notes — 5 copies
Full house {2001} [sound recording] (1970) — Producer — 3 copies
Liege and Lief {2002} [sound recording] (2002) — Producer, Remastering, Liner notes — 1 copy

Tagged

Common Knowledge

Birthdate
1942
Gender
male
Education
Harvard University
Occupations
memoirist
non-fiction author
journalist
producer
documentary filmmaker
Nationality
USA
Birthplace
Boston, Massachusetts, USA
Places of residence
London, England, UK
Associated Place (for map)
USA

Members

Reviews

9 reviews
After having read only the opening chapters I am so excited to find a book that UNDERSTANDS what lay behind the so-called sixties music phenomenon: the discovery of what black music had to say about the way we felt about living in a world ruled by the pathologically normal. And why we wanted to reclaim and transform that message.
½
As a teenager in Princeton, New Jersey, Joe Boyd started booking blues acts that he and his friends loved. After Harvard he became a tour manager and experienced the Newport Folk Festival where Bob Dylan went electric. He went to London, opened the UFO club, produced Pink Floyd, Nick Drake, Fairport Convention and The Incredible String Band.

Boyd’s love of music comes through here. He acknowledges his mistakes, mourns those fallen to drugs and misadventure, and celebrates good music and show more good friends made. Nick Drake's rise and fall is perhaps the most poignant story here. show less
A man who describes his ambition - from teenage years - as to be an 'eminence grise' is perhaps not driven as others are, but you can't argue with his success. Boyd was working at the Newport Folk Festival when Dylan went electric, founded the UFO club, produced Fairport Convention and Nick Drake (and that's just scratching the surface of the stories in the book).

This is a wonderful and well-written book about music and about the 1960s, written with insight and a self-deprecating sense of show more humour. As he puts it at the end, inverting the line about people who were really there in the 60s can't remember it: "I was there. And I do remember". show less
½
Veteran music producer Joe Boyd wrote this thoughtful memoir about his early career organizing concerts and producing albums by some of the biggest names in the music business. As a young man at Harvard in the early 1960's, Boyd was fascinated by jazz and blues and this led him to get involved booking concerts by legendary musicians like Lonnie Johnson and Mississippi John Hurt in the Boston area. From there he moved on to work the Newport Jazz and Blues festivals where he writes interesting show more accounts of musicians like Coleman Hawkins and Muddy Waters. Boyd moved to London in the mid-60's founding the legendary UFO nightclub and producing concerts and records by Pink Floyd, Fairport Convention and Nick Drake. This is an engaging and thoroughly entertaining account of the music industry during a time of great changes and great artistry. show less

Awards

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Associated Authors

Statistics

Works
2
Also by
8
Members
452
Popularity
#54,271
Rating
4.0
Reviews
9
ISBNs
34
Languages
5

Charts & Graphs