Emily Tesh

Set in a 19th(?)-century England, Silver in the Wood is a lovely, gentle novella which is part a queer romantic take on the Green Man of folklore, part a love letter to ancient woodlands. Emily Tesh's prose is understated and lovely, and I appreciated the deft way in which she showed us Tobias' gradual re-engagement with other people and with his humanity. Will definitely look out for the sequel.

I do really like when I can encounter books this way, when I can let them work upon me with no expectations or weight at all. As I say around here a lot, part of the appeal of sf is that the world itself is a mystery, and the less you know going in, the better the mystery is!

So I am going to undermine the book by telling you what it's like, but hey, if that's a problem for you, you shouldn't be reading reviews on LibraryThing. Another thing I enjoy about sf is articulating subgenre; Some show more Desperate Glory clearly comes out of the same space/movement as Ancillary Justice, Machineries of Empire, and A Memory Called Empire. Like those works, it's in the space opera zone to some extent, and it's about what makes empire equally appealing and horrifying...* although, not quite. While those other works are about a society's outward projection of power, Some Desperate Glory is more about a society's inward projection of power—facsism. How does a society exert power over its own members, shape them into the people they need to be? How does it cause us to shape ourselves, how do we become complicit in this? Our viewpoint character is a fascist who has totally bought into the rhetoric of her own people, but we can see what she cannot, the ways in which this has rendered her shortsighted and awful. This is a little frustrating at first, because it's so obvious that she's in the wrong, but kind of fascinating, too; I think Tesh did a good job inhabiting Valkyr's headspace.

Every now and again something really significant would happen in a very understated way, and this was my biggest actual problem with the book. I would end up missing something really quite important and have to go back! I don't know if these parts were done that way on purpose, or if it's just an unfortunate writing tic, but I found it frustrating. Maybe if I was reading in a less distracted environment, but I am the parent of two children five and under as well as a professor who squeezed the book in small chunks during final week so there's no much I can do about that!

Other than that, I really enjoyed the book. I was getting "this is pretty good vibes" for most of it, but then in ch. 27 (specifically, on p. 357 in my 2023 Orbit paperback) the characters make a ridiculously audacious choice that genuinely made me laugh out loud from the sheer pleasure of it. From then on, I was in love. Like those books I listed above, Some Desperate Glory is about doing the right thing in the face of a society determined to prevent it. What makes this sequence work so well is how far Kyr and the other characters end up going to make this happen, how they learn what matters is not just saving themselves from fascism, but others as well. Lots of great payoffs in the last hundred pages, making ultimately a very satisfying novel about the difficult lengths one has to go to in order to make oneself into the person one ought to have been.

There's more to talk about, harrowing stuff about gender and queerness especially. But I'll leave that for people better equipped to do so.

* The Traitor Baru Cormorant doesn't take place in space, but otherwise it overlaps with these as well; if you like all these space novels, you'll probably like Traitor as well. show less

https://fromtheheartofeurope.eu/the-incandescent-by-emily-tesh/

Emily Tesh again shows her extraordinary versatility, with a story of a queer teacher in charge of safeguarding vulnerable pupils at a magical boarding school against dark forces while securing her own back against bureaucratic enemies. This is contemporary Britain, but with demons and a professional structure for the magically talented people who control them; it’s also a Britain where our friends class and race are alive and show more well, especially in a school where some of the scholarship pupils are also orphans. There’s cracking emotional chemistry as well between Sapphire Walden, the damaged but still idealistic protagonist, and her love interests; and finely observed dynamics of how a small group of gifted teenagers interact with the outside world.

It’s brilliant stuff, and really it makes you realize how few of the well-known magic school stories, from Roke to Hogwarts to the Scholomance, tell the story from the viewpoint of the teachers rather than the pupils. (There’s Unseen University in Discworld, but it’s a third-level institution rather than school and it also seems to have very few students.) Of course there’s always mileage in a rite-of-passage story, but the children’s point of view sees only the part of the educational iceberg that is above the surface. If you see what I mean. show less

I. Loved. This. Book. Kyr is a really compelling protagonist, even though she starts out wrong about a lot of things. (In a way, she reminds me of Adora at the beginning of She-Ra and the Princesses of Power.) She's competent and dedicated and has a lot to learn about people and the world outside what she was taught from childhood. I loved watching her grapple with what to do when reality didn't match her worldview.

And then the Wisdom lets Kyr go back and change things, and OMG! That was a show more huge twist that changed everything, and gave another angle on how we're shaped by our environment and what might have been. And the ending was perfect, just perfect, seeing how Kyr has grown and changed and a chance at a different future for everyone. Yes! show less