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George Eliot (1819–1880)

Author of Middlemarch

379+ Works 61,749 Members 953 Reviews 325 Favorited
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About the Author

George Eliot was born Mary Ann Evans on a Warwickshire farm in England, where she spent almost all of her early life. She received a modest local education and was particularly influenced by one of her teachers, an extremely religious woman whom the novelist would later use as a model for various show more characters. Eliot read extensively, and was particularly drawn to the romantic poets and German literature. In 1849, after the death of her father, she went to London and became assistant editor of the Westminster Review, a radical magazine. She soon began publishing sketches of country life in London magazines. At about his time Eliot began her lifelong relationship with George Henry Lewes. A married man, Lewes could not marry Eliot, but they lived together until Lewes's death. Eliot's sketches were well received, and soon after she followed with her first novel, Adam Bede (1859). She took the pen name "George Eliot" because she believed the public would take a male author more seriously. Like all of Eliot's best work, The Mill on the Floss (1860), is based in large part on her own life and her relationship with her brother. In it she begins to explore male-female relations and the way people's personalities determine their relationships with others. She returns to this theme in Silas Mariner (1861), in which she examines the changes brought about in life and personality of a miser through the love of a little girl. In 1863, Eliot published Romola. Set against the political intrigue of Florence, Italy, of the 1490's, the book chronicles the spiritual journey of a passionate young woman. Eliot's greatest achievement is almost certainly Middlemarch (1871). Here she paints her most detailed picture of English country life, and explores most deeply the frustrations of an intelligent woman with no outlet for her aspirations. This novel is now regarded as one of the major works of the Victorian era and one of the greatest works of fiction in English. Eliot's last work was Daniel Deronda. In that work, Daniel, the adopted son of an aristocratic Englishman, gradually becomes interested in Jewish culture and then discovers his own Jewish heritage. He eventually goes to live in Palestine. Because of the way in which she explored character and extended the range of subject matter to include simple country life, Eliot is now considered to be a major figure in the development of the novel. She is buried in Highgate Cemetery, North London, England, next to her common-law husband, George Henry Lewes. (Bowker Author Biography) show less
Image credit: George Eliot at 30 by François D'Albert Durade

Series

Works by George Eliot

Middlemarch (1872) 20,709 copies, 367 reviews
Silas Marner (1861) 12,874 copies, 170 reviews
The Mill on the Floss (1860) — Author — 9,739 copies, 131 reviews
Adam Bede (1859) 4,820 copies, 77 reviews
Daniel Deronda (1876) 4,181 copies, 61 reviews
Romola (1862) 1,657 copies, 23 reviews
Felix Holt, the Radical (1866) 1,179 copies, 9 reviews
Scenes of Clerical Life (1858) 981 copies, 18 reviews
The Lifted Veil [short fiction] (1859) 754 copies, 31 reviews
Middlemarch [Norton Critical Edition] (1977) 706 copies, 3 reviews
Silas Marner | Lifted Veil | Brother Jacob (1973) — Author — 353 copies, 4 reviews
The Lifted Veil / Brother Jacob (1999) 297 copies, 4 reviews
Brother Jacob (1878) 154 copies, 2 reviews
Middlemarch (1/2) (1994) 129 copies, 2 reviews
Impressions of Theophrastus Such (1879) 100 copies, 3 reviews
Middlemarch (2/2) (1969) 82 copies
Collected poems (1989) 71 copies, 1 review
Silas Marner [Penguin Readers] (1965) 38 copies, 2 reviews
Janet's Repentance [short story] (1857) 30 copies, 2 reviews
The Essays of "George Eliot": Complete (2007) 29 copies, 1 review
The Spanish Gypsy [poem] (1868) 27 copies
Romola / Theophrastus Such (2010) 23 copies
Romola (1/2) (1934) — Author — 22 copies
Adam Bede, Volume 2 of 2 (1999) 22 copies
How Lisa Loved the King (1878) 20 copies
Adam Bede, Volume 1 of 2 (2018) 19 copies
The Mill on the Floss (1/2) (2000) — Author — 19 copies
Romola (2/2) (2010) — Author — 18 copies
The Works of George Eliot (2010) 18 copies, 1 review
The Mill on the Floss (2/2) (2007) — Author — 16 copies
Scenes of Clerical Life (1/2) (2015) — Author — 14 copies, 1 review
Tom and Maggie Tulliver (1909) 14 copies
Middlemarch (3/3) (2009) — Author — 14 copies
Romola (1/3) (1900) 13 copies
Romola (3/3) (2015) 13 copies
Middlemarch (1/3) (2004) — Author — 11 copies
Middlemarch (2/3) (2009) — Author — 11 copies
Essays of George Eliot (1963) 11 copies
Works of George Eliot (2009) 10 copies
Romola / Silas Marner (1910) — Author — 10 copies
Scenes of Clerical Life (2/2) (2013) — Author — 10 copies
Felix Holt / Theophrastus Such (1908) — Author — 9 copies
The Poems of George Eliot (1908) 9 copies
Romola (2/3) 9 copies
Adam Bede / The Mill on the Floss / Romola (1900) — Author — 7 copies
George Eliot's Works (1887) 7 copies
Silas Marner / Middlemarch (1965) — Author — 6 copies
Silas Marner (2/2) (2003) 5 copies
Silas Marner / Brother Jacob (1970) — Author — 5 copies
Miscellaneous Essays (2012) 5 copies
Silas Marner (1/2) (2003) 4 copies
Eliot's works 4 copies
Edward Neville (1995) 4 copies
Felix Holt. Poems (1900) 3 copies
Middlemarch / Adam Bede / Silas Marner (1995) 3 copies, 1 review
Middlemarch (Advanced) (2004) 3 copies
The Mill on the Floss / Romola — Author — 3 copies
The Best of George Eliot (2016) 2 copies
Theophrastus Such / The Spanish Gypsy — Author — 2 copies
Middlemarch | Romola (1886) 2 copies
Brother and Sister [poem] (1869) 2 copies
Two Lovers (1909) 2 copies
Armgart [poem] (1870) 1 copy
Poems, Volume I (2008) 1 copy
Silus Marner 1 copy
Romola - Vol 2 (1900) 1 copy
Romola, Volume 6 (2010) 1 copy
Ensayos 1 copy
Pendennis Siles Marner (1910) 1 copy
Famous Women 1 copy
Biographie 1 copy
Early essays (1977) 1 copy
Zu Gast in Weimar (2019) 1 copy
Golden Grain 1 copy, 1 review

Associated Works

Ethics (1677) — Translator, some editions — 3,553 copies, 52 reviews
One Hundred and One Famous Poems (1916) — Contributor, some editions — 2,317 copies, 21 reviews
The Essence of Christianity (1841) — Translator, some editions — 1,032 copies, 12 reviews
The Treasure Chest (My Book House) (1932) — Contributor — 291 copies, 1 review
The Norton Anthology of English Literature, 4th Edition, Volume 2 (1979) — Contributor — 270 copies, 1 review
Wise Women: Over Two Thousand Years of Spiritual Writing by Women (1996) — Contributor — 229 copies, 1 review
Atheism: A Reader (2000) — Contributor — 196 copies, 3 reviews
The Portable Victorian Reader (1972) — Contributor — 187 copies
Erotica: Women's Writing from Sappho to Margaret Atwood (1990) — Contributor — 182 copies
Aurora Leigh [Norton Critical Edition] (1996) — Contributor — 176 copies
Classic Works from Women Writers (Leather-bound Classics) (2018) — Contributor — 175 copies
100 Eternal Masterpieces of Literature, Volume 1 (2017) — Contributor — 175 copies
A Literary Christmas: An Anthology (2013) — Contributor — 160 copies, 5 reviews
The Book of Love (1998) — Contributor — 151 copies
The Standard Book of British and American Verse (1932) — Contributor — 129 copies, 1 review
The Life of Jesus, Critically Examined (1835) — Translator, some editions — 125 copies
The Penguin Book of Women's Humour (1996) — Contributor — 124 copies
The Lifted Veil: Women's 19th Century Stories (2005) — Contributor — 116 copies
Writing Politics: An Anthology (2020) — Contributor — 46 copies
The Victorian age: prose, poetry, and drama (1938) — Contributor — 40 copies, 1 review
Silas Marner (Radio Theatre) (2001) — Original novel — 40 copies
Great English Short Stories (Dover Thrift Editions) (2005) — Contributor — 39 copies
Women on Nature (2021) — Contributor — 31 copies
Nineteenth-Century Women Poets: An Oxford Anthology (1996) — Contributor — 29 copies
Trial and Error: An Oxford Anthology of Legal Stories (1998) — Contributor — 27 copies
Silas Marner [1985 film] (2007) — Original novel — 23 copies, 1 review
Great English Short Stories (1930) — Contributor — 21 copies, 1 review
Ghosts and Marvels (1924) — Contributor — 19 copies
Thrillers: A Classic Collection (1994) — Contributor — 17 copies
Silas Marner | The Pearl (1961) 15 copies
WINGS OVER THE WORLD (1942) — Contributor — 14 copies
The Life of Jesus Critically Examined, Volume 1 (1993) — Translator, some editions — 12 copies
ESSENTIAL COLLECTION OF CLASSIC BANNED BOOKS (2014) — Contributor — 11 copies
The Banned Books Compendium: 32 Classic Forbidden Books — Contributor — 10 copies, 8 reviews
The Life of Jesus Critically Examined, Volume 2 (2014) — Translator, some editions — 10 copies
Phantastische Literatur 84 (1983) — Contributor, some editions — 9 copies
An Adult's Garden of Bloomers (1966) — Contributor — 7 copies
The Life of Jesus Critically Examined, Volume 3 (2010) — Translator, some editions — 6 copies
Great Love Scenes from Famous Novels (1943) — Contributor — 6 copies
Famous Stories of Five Centuries (1934) — Contributor — 4 copies
30 Eternal Masterpieces of Humorous Stories (2017) — Contributor — 3 copies
The Word Lives On: A Treasury of Spiritual Fiction (1951) — Contributor — 3 copies
Klassisia kauhukertomuksia (2021) — Contributor — 2 copies
A reader for writers — Contributor — 2 copies
A Book of Narratives (1917) — Contributor — 2 copies
Maestros Ingleses, Tomo III (1962) — Contributor — 2 copies
Adam Bede: A Play — Author — 1 copy

Tagged

1001 (273) 1001 books (288) 19th century (2,271) 19th century literature (298) British (1,002) British literature (1,087) classic (1,784) classic fiction (268) classic literature (309) classics (2,258) ebook (326) Eliot (244) England (949) English (493) English literature (1,201) fiction (7,040) Folio Society (235) George Eliot (545) historical fiction (270) Kindle (346) literature (1,790) novel (1,680) own (263) Penguin Classics (192) read (452) romance (203) to-read (3,000) unread (425) Victorian (1,160) Victorian literature (306)

Common Knowledge

Legal name
Evans, Mary Ann
Other names
Evans, Marian
Cross, Mary Anne
Birthdate
1819-11-22
Date of death
1880-12-22
Gender
female
Education
Mrs. Wallington's School (Nuneaton, Warwickshire, England, UK)
Occupations
novelist
editor
poet
translator
journalist
Relationships
Cross, J. W. (husband)
Lewes, George Henry (partner)
Hennell, Sara (friend)
Spencer, Herbert (friend)
Evans, Gwyn (great-nephew)
Short biography
Mary Ann Evans (22 November 1819 – 22 December 1880; alternatively Mary Anne or Marian, known by her pen name George Eliot, was an English novelist, poet, journalist, translator and one of the leading writers of the Victorian era. She wrote seven novels, Adam Bede (1859), The Mill on the Floss (1860), Silas Marner (1861), Romola (1862–63), Felix Holt, the Radical (1866), Middlemarch (1871–72) and Daniel Deronda (1876), most of which are set in provincial England and known for their realism and psychological insight.

Although female authors were published under their own names during her lifetime, she wanted to escape the stereotype of women's writing being limited to lighthearted romances. She also wanted to have her fiction judged separately from her already extensive and widely known work as an editor and critic. Another factor in her use of a pen name may have been a desire to shield her private life from public scrutiny, thus avoiding the scandal that would have arisen because of her relationship with the married George Henry Lewes.

Middlemarch has been described by the novelists Martin Amis[3] and Julian Barnes as the greatest novel in the English language. Published under the name J. T. Colgan.
Cause of death
throat infection
Nationality
UK
Birthplace
Nuneaton, Warwickshire, England, UK
Places of residence
Nuneaton, Warwickshire, England, UK
London, Middlesex, England, UK
Place of death
London, Middlesex, England, UK
Burial location
Highgate Cemetery, Highgate, London, England, UK
Map Location
England, UK

Members

Discussions

Happy Birthday, George Eliot in Book talk (November 2025)
December 2024: George Eliot in Monthly Author Reads (February 2025)
George Eliot and George Henry Lewes in Legacy Libraries (March 2022)
March 2021: George Eliot in Monthly Author Reads (February 2022)
Group Read: Middlemarch, Second Thread in 75 Books Challenge for 2010 (October 2018)
Middlemarch: The Chatty Bits (Spoilers Go Here) in The Green Dragon (March 2015)
Group Read, September 2014: The Mill on the Floss in 1001 Books to read before you die (September 2014)
Middlemarch Group Read 2014 in 75 Books Challenge for 2014 (August 2014)
Middlemarch group read in 2014 Category Challenge (April 2014)
Daniel Deronda in Geeks who love the Classics (April 2013)
Group Read: Middlemarch, Third Thread in 75 Books Challenge for 2010 (February 2011)
Group Read: Middlemarch in 75 Books Challenge for 2010 (November 2010)
***Group Read: Middlemarch Books 7-8 in 1001 Books to read before you die (September 2010)
***Group Read: Middlemarch Books 5-6 in 1001 Books to read before you die (August 2010)
***Group Read: Middlemarch Books 3-4 in 1001 Books to read before you die (August 2010)
***Group Read: Middlemarch Prelude & Books 1-2 in 1001 Books to read before you die (August 2010)
Middlemarch in Victoriana (December 2009)
Middlemarch: Book I in Group Reads - Literature (May 2008)
Middlemarch (Spoilers Here) in Connecticut Nutmeggers (March 2008)
Middlemarch (SPOILER FREE) in Connecticut Nutmeggers (August 2007)

Reviews

1,096 reviews
This was supposed to be one of my last books for 2022. Then I realized it is worth reading it a bit slower, book by book, and letting it settle a bit. I've read it before although it had been awhile - I was still in high school when I met the denizens of Middlemarch for the last time and my memories had lost most of the details (and curiously enough, some of the characters).

Published in 1871-1872, the story takes place mostly in the invented town of Middlemarch (with a quick stop in Rome, show more Italy) and is set 40 years earlier (in 1829-1832 to be exact). Using an invented town allows Eliot to set things where she needs them instead of getting all tangled in real geography and history. And yet, in a lot of ways, Middlemarch is England in the early 1830s, much more than any depiction of a real town in other novels.

On the surface, the novel is very similar to the first book by Eliot - the 1858 collection "Scenes of Clerical Life" covers a lot of the same topics and you can even see some of the later novels scenes shadows in the earlier ones. And yet, Middlemarch feels a lot more mature and complete - it is a slice of life story about 4 women and the men they marry and love (not always the same ones) and about the changing England of the 1830s. This kind of novels can end up with characters who read more like types than like real people (and the early stories did have a bit of that happening). But here, all of the characters are fully realized - even the ones we see for a few minutes only - they all are real people with both good and bad mixed into their characters.

I call it slice of life but that does not really do justice to the scope of the novel. It is a romance (or 3). It is a coming of age story. It is a chronicle of a time and place. And it is neither of those things and all of those things mixed into one glorious novel. And it is worth the reread and the time required to actually work through it - because it slows you down and makes you read slower than usual - there is such abundance of details and people that you need time to catalog and acknowledge them in your head - usually without realizing that you are doing it. That verbosity may sound unappealing but every word and detail is necessary and required. And my only problem when I closed the last page was that I had to part from the good (and not so good people) of Middlemarch.
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A disinterested narrator dissects and defends the interconnected lives of an 1830s English town.

This book peeled apart my brain like an orange. I can't remember any comparable reading experience to the opening chapters of Middlemarch; on every page, it acknowledged my preconceptions -- and then upended them.

My favorite character is the omniscient narrator, who is quick to solicit sympathy for the villains and question the motives of the heroes (although Will Ladislaw gets a free ride and show more occasionally threatens to transform into the Prettiest Princess Ever). If you wanted, you could probably write a decent freshman English paper identifying the narrator as God -- a tender but powerless God. show less
5++

"If youth is the season of hope, it is often so only in the sense that our elders are hopeful about us; for no age is so apt as youth to think its emotions, partings and, resolves are the last of their kind. Each crisis seems final, simply because it is new. We are told that the oldest inhabitants in Peru do not cease to be agitated by earthquakes, but they probably see beyond each shock and reflect that there are plenty more to come."

A recent BBC poll of literary critics designated show more Middlemarch, George Eliot's magnum opus, as the best British Victorian novel. Virginia Woolf described it as "one of the few written for grown-ups." Frightened by its length, I allowed the book to languish on my shelves for many years. Then, a little over two weeks ago, I tore the meniscus in my left knee, and faced with the open time immobility provides, I decided to tackle Middlemarch. I loved it!

The story takes place in the 1830s, at the beginning of industrialization in the fictional English village of Middlemarch. It is a time of change. The novel examines relationships, the institution of marriage, women's roles, social class, and the impact of social norms on the interconnected lives of the village inhabitants.

For me, what stood out was the vivid characterization. George Eliot (pseudonym for Marian Evans) provides a subtle and nuanced portrait of human motivation and interaction. In his New Criterion essay, critic Myron Magnet captures the essence of skill when he states what he believes Eliot does best:

In this 1871 novel, George Eliot shows how our
inner feelings and wishes interact with our outer
circumstances, with the social-cultural climate that
surrounds us and with our personal relationships
to shape our identity and fate.

While I don't want to attempt a plot summary of a close-to 900-page novel, I must add that I felt a sense of sadness when I finished the book, as if I was saying goodbye to people I knew and had come to understand. I decided to watch the BBC adaptation of the book. It is interesting to see how others understand and portray a book I so enjoyed.
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Our title character is a good man and a simple one. He sees the world in black and white. Work hard, take care of your family, and you will lead a good life. He falls in love with an impetuous young woman named Hetty. Unfortunately, Hetty has fallen for the wealthy Captain Arthur Donnithorne, a man above her station, but one who is still susceptible to the young woman’s charms.

I loved the character of Dinah. She could be perceived as a killjoy or prude, but she never cane across to me show more like that. She is Hetty’s cousin and is a Methodist preacher who travels the countryside serving in local communities. Keep in mind, this was at a time when it was unusual for a woman to travel about on her own, much less to serve as a leader in the church. She has a fierce strength and independence and doesn’t give into the pleas from her family to give up her calling.

When she is asked about being a woman preacher, this is what she says…

“When God makes His presence felt through us, we are like the burning bush: Moses never took any heed what sort of bush it was—he only saw the brightness of the Lord.”

****SPOILERS*****
Dinah: When she does finally fall for Adam, she still doesn’t agree to marry until he declares that he will never stand in the way of her duties as a preacher and he fully supports her. I was a bit heartbroken from Adam’s brother Seth, since he’s the one who originally pursued Dinah.

Hetty’s story is so heartbreaking. I can’t imagine feeling so hopeless and abandoned. In the midst of her panic about her pregnancy she didn’t trust anyone with her secret and so she was unwilling to look for other options. Even though her life was spared, her future was still going to be full of grief and guilt no matter what.

SPOILERS OVER

BOTTOM LINE: I loved it. It reminded me so much of Tess of the d’Urbervilles and The Return of the Native (both of which were published decades after this one). It’s an intense look at the desperation of one woman and the man who loved her. I appreciated the rich depth of characters like Dinah and Adam. I also liked that Arthur wasn't a one-note cad. He easily could have been, but instead we see the situation from his point of view as well.

“What destroys us most effectively is not a malign fate but our own capacity for self-deception and for degrading our own best self.”

“What greater thing is there for two human souls, than to feel that they are joined for life--to strengthen each other in all labor, to rest on each other in all sorrow, to minister to each other in all pain, to be one with each other in silent unspeakable memories at the moment of the last parting?”

“Our deeds determine us, as much as we determine our deeds.”
show less
½

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Awards

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Associated Authors

A. S. Byatt Editor, Introduction
Jocelyn Potter Adapted by
Andy Hopkins Adapted by
Sue Saunders Adapter
Leonardo Froes Translator
R.T. Jones Introduction
J.W. Cross Editor
Tess O'Toole Introduction
Justin Rainey Activities by
Maud Jackson Adapted by
Robert Hill Ativities by
Sean Baker Narrator
Susan Jameson Narrator
Clare Corbett Narrator
ayrejoseph Narrator
Rosemary Ashton Introduction, Editor
Nadia May Narrator
Graham Handley Editor, Introduction
Beryl Gray Editor, Afterword
Robert Mathias Cover designer
Walter Ernest Allen Afterword, Introduction
George Levine Introduction
Megan McDaniel Introduction, Illustrator
Robin Jacques Illustrator
Kingsley Hart Introduction
Rick Ellis Cover Design
Mason Cooley Introduction
W. L. Taylor Illustrator
Kate Reading Narrator
Wanda Fraiken Neff Introduction
Håkan Tollet Translator
Alain Jumeau Translator
Juliet Aubrey Narrator
R. M. Hewitt Introduction
Thomas Creswick Cover artist
Max Wildi Nachwort
Margret Stevens Translator
Pierre Mornet Illustrator
Irmgard Nickel Translator
Monica Elias Illustrator
Arthur A. Dixon Illustrator
Nancy Henry Preface
Gabriel Woolf Narrator
Ilse Leisi Translator
Elsie Tollet Translator
Jessica Hische Illustrator
Alex Struik Cover Design
Jordi Arbonès Translator
Adam & Eve Illustrator
ג. אריוך Translator
Elinor S. Shaffer Introduction
Melanie Walz Herausgeber
Felicia Bonaparte Introduction
Penelope Fitzgerald Introduction
John Mullan Introduction
Frank Kermode Afterword
Quentin Anderson Introduction
Arie Storm Afterword
David Russell Introduction
Aune Tuomikoski Translator
Jennifer Egan Introduction
Carole Boyd Narrator
Simon Brett Illustrator
Ned Halley Afterword
Francine Prose Introduction
Doreen Roberts Introduction
Kristian Wachinger Herausgeber
Jerome Beaty Afterword
Rebecca Mead Foreword
Margaret Drabble Introduction
Michel Faber Introduction
Gerald Bullett Introduction
Clarence Rowe Illustrator
Anna Bentinck Narrator
Paul Montazzoli Introduction
Andrew Sachs Narrator
F.E. Bevan Editor
Robert Herrick Introduction
Albert Anker Cover artist
David G. Pitt Introduction
Q. D. Leavis Introduction
Wray Manning Illustrator
Margot Livesey Introduction
W.A. Dorsman-Vos Translator
David Daiches Introduction
Dinah Birch Introduction
J Bernard Davis Illustrator
Louis Salomon Introduction
Bel Mooney Introduction
John Constable Cover artist
Alyson Macneill Illustrator
Jane Smiley Afterword
Ian Stephens Illustrator
Curtis Dahl Foreword
W. D. Howe Editor
Flo Gibson Narrator
Jozef Israëls Illustrator
James Hill Cover artist
Jean Léon Gérôme Cover artist
Christian Bokelman Cover artist
Carole Jones Introduction
Harry Brockway Illustrator
Henry King Illustrator (photos from film version)
Frederic Leighton Cover artist
Dorothea Barrett Introduction
John Ritchie Cover artist
Kathryn Hughes Introduction
Dinny Thorold Introduction
Hugh Thomson Illustrator
Josie Billington Contributor
Jennifer Gribble Introduction
A.H. Buckland Illustrator
Charles Reid Illustrator
Grace Rhys Introduction
H. R. Millar Illustrator
Annie Matheson Introduction
Bruce Pirie Narrator
Samuel Laurence Cover artist
Ludwig Feuerbach Contributor
Frederic Harrison Contributor
Matthew Sweet Foreword
Esther Wood Contributor
Charles Lee Lewes Introduction
Rachel Lay Illustrator

Statistics

Works
379
Also by
67
Members
61,749
Popularity
#231
Rating
3.9
Reviews
953
ISBNs
2,629
Languages
26
Favorited
325

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