George Eliot (1819–1880)
Author of Middlemarch
About the Author
George Eliot was born Mary Ann Evans on a Warwickshire farm in England, where she spent almost all of her early life. She received a modest local education and was particularly influenced by one of her teachers, an extremely religious woman whom the novelist would later use as a model for various show more characters. Eliot read extensively, and was particularly drawn to the romantic poets and German literature. In 1849, after the death of her father, she went to London and became assistant editor of the Westminster Review, a radical magazine. She soon began publishing sketches of country life in London magazines. At about his time Eliot began her lifelong relationship with George Henry Lewes. A married man, Lewes could not marry Eliot, but they lived together until Lewes's death. Eliot's sketches were well received, and soon after she followed with her first novel, Adam Bede (1859). She took the pen name "George Eliot" because she believed the public would take a male author more seriously. Like all of Eliot's best work, The Mill on the Floss (1860), is based in large part on her own life and her relationship with her brother. In it she begins to explore male-female relations and the way people's personalities determine their relationships with others. She returns to this theme in Silas Mariner (1861), in which she examines the changes brought about in life and personality of a miser through the love of a little girl. In 1863, Eliot published Romola. Set against the political intrigue of Florence, Italy, of the 1490's, the book chronicles the spiritual journey of a passionate young woman. Eliot's greatest achievement is almost certainly Middlemarch (1871). Here she paints her most detailed picture of English country life, and explores most deeply the frustrations of an intelligent woman with no outlet for her aspirations. This novel is now regarded as one of the major works of the Victorian era and one of the greatest works of fiction in English. Eliot's last work was Daniel Deronda. In that work, Daniel, the adopted son of an aristocratic Englishman, gradually becomes interested in Jewish culture and then discovers his own Jewish heritage. He eventually goes to live in Palestine. Because of the way in which she explored character and extended the range of subject matter to include simple country life, Eliot is now considered to be a major figure in the development of the novel. She is buried in Highgate Cemetery, North London, England, next to her common-law husband, George Henry Lewes. (Bowker Author Biography) show less
Image credit: George Eliot at 30 by François D'Albert Durade
Series
Works by George Eliot
The Best-Known Novels of George Eliot: Adam Bede, The Mill on the Floss, Silas Marner, Romola (2008) 119 copies
Silas Marner / The Lifted Veil / Brother Jacob / Scenes of Clerical Life (1880) — Author — 22 copies
Romola (2/3) 9 copies
Masterpieces from George Eliot 6 copies
Daniel Deronda, Volume 2 of 3 6 copies
Reading & Training : George Eliot : The mill on the Floss [book + sound recording] (2007) — Writer — 6 copies, 2 reviews
Miscellaneous Essays / Impressions of Theophrastus Such / The Lifted Veil / Brother Jacob (2012) 5 copies
Romance Classics: Jane Eyre / Mansfield Park / Lorna Doone / Far from the Madding Crowd / Middlemarch / Agnes Grey (2001) — Author — 5 copies
Reading & Training : George Eliot : Silas Marner [book + sound recording] (2003) — Writer — 5 copies
The Life of George Eliot (Vol. 1-3): As Related in Her Letters and Journals (Complete Edition) 4 copies
Eliot's works 4 copies
Novels of George Eliot 4 copies
Gems from George Eliot 4 copies
Works of George Eliot. The Mill on the Floss, Daniel Deronda, Adam Bede, Middlemarch, The Lifted Veil & more. (mobi) (2009) 3 copies
Classic British Fiction: Six novels by George Eliot, in a single file, improved 8/23/2010 (2008) 3 copies
George Eliot: Complete Collection of Works with analysis and historical background (Annotated and Illustrated) (Annotated Classics) (2013) 3 copies
The Complete Works of George Eliot: St. James Edition:; Volume VI:; Middlemarch Part III, Silas Marner, and Daniel Deronda Part I (1908) 3 copies
Adam Bede | Felix Holt 3 copies
George Eliot's Daniel Deronda, Abridged — Author — 3 copies
The Writings of George Eliot : Scenes of Clerical Life II and The Lifted Veil (1970) 3 copies, 1 review
The Mill on the Floss / Romola — Author — 3 copies
The Works of George Eliot, Vol. I 2 copies
George Eliot's Works: Adam Bede/Daniel Deronda/Felix Holt and Clerical Life/Middlemarch/Mill on the Floss/Romola (6 vols) (1914) 2 copies
The Mill on the Floss 2 copies
Theophrastus Such / The Spanish Gypsy — Author — 2 copies
The George Eliot BBC Radio Drama Collection: Five Full-Cast Dramatisations Including Middlemarch, The Mill on the Floss and Silas Marner (2020) 2 copies
The Works of George Eliot, Vol. XVII 2 copies
The Sad Fortunes of Rev. Amos Barton, Brother Jacob, the Lifted Veil, Impressions of Theophrastus Such (1887) 2 copies
The Mill on the Floss / Scenes of Clerical Life — Author — 2 copies
The Complete Works of George Eliot: St. James Edition:; Volume II:; The Mill on the Floss, Brother Jacob, and Leaves from a Notebook (1908) 2 copies
George Eliot's Complete Works - Silas Marner/Spanish Gypsy/Complete Poems (Illustrated) (1908) 2 copies
The Writings of George Eliot Together with the Life of J. W. Cross in Twenty-Five Volumes: Warwickshire Edition (1907) 2 copies
Silas Marner (abridged) 1 copy
The wit of Heinrich Heine 1 copy
Daniel Deronda. Vol II 1 copy
Notes on Form in Art [essay] 1 copy
Thomas Carlyle [essay] 1 copy
George Eliot Day by Day 1 copy
Silus Marner 1 copy
Daniel Deronda - Part II 1 copy
Daniel Deronda - Part I 1 copy
Romola - Part I 1 copy
Ensayos 1 copy
LETTERS AND JOURNALS III 1 copy
Wise, Witty, and Tender Sayings in Prose and Verse; Selected From the Works of George Eliot (2012) 1 copy
Poems. Clerical Life 1 copy
Essays, Volume I 1 copy
The Complete Works of George Eliot: St. James Edition:; Volume VII:; Daniel Deronda Parts II and III (1908) 1 copy
Essays, Volume II 1 copy
Do You Lose Your Temper? 1 copy
Merrill's English texts 1 copy
Famous Women 1 copy
Biographie 1 copy
The Story of Little Tom and Maggie: from The Mill on the Floss of George Eliot (Famous Children of Literature) (1903) 1 copy
Silas Marner: The Weaver of Raveloe — Amos Barton (from Scenes of Clerical Life) — The Lifted Veil 1 copy
Great work of George Eliot 1 copy
George Eliot's Works 5 Volumes Romola,The Mill On The Floss,Middlemarch,Daniel Deronda,Felix Holt (1891) 1 copy
Silas Marner; the Lifted Veil, Brother Jacob; the Impressions of Theophrastus Such & Poems (1920) 1 copy
The Mill on the Floss, (DVD) 1 copy
Associated Works
The Norton Anthology of English Literature, 4th Edition, Volume 2 (1979) — Contributor — 270 copies, 1 review
Wise Women: Over Two Thousand Years of Spiritual Writing by Women (1996) — Contributor — 229 copies, 1 review
The Graphic Canon, Vol. 2: From "Kubla Khan" to the Brontë Sisters to The Picture of Dorian Gray (2012) — Contributor — 213 copies, 2 reviews
British Women Writers: An Anthology from the Fourteenth Century to the Present (1989) — Contributor — 61 copies, 1 review
The Darker Sex: Tales of the Supernatural and Macabre by Victorian Women Writers (2009) — Contributor — 55 copies, 2 reviews
The Lifted Veil: The Book of Fantastic Literature by Women 1800-World War II (1806) — Contributor — 45 copies
Weird Women: Volume 2: 1840-1925: Classic Supernatural Fiction by Groundbreaking Female Writers (2021) — Contributor — 38 copies
Out of the Best Books: An Anthology of Literature, Vol. 3: Intelligent Family Living (1967) — Contributor — 34 copies
The Gentlewomen of Evil: An Anthology of Rare Supernatural Stories from the Pens of Victorian Ladies (1967) — Contributor — 28 copies
The Origins of Science Fiction (Oxford World's Classics Hardback Collection) (2022) — Contributor — 24 copies, 1 review
Jane Eyre/ Wuthering Heights/ Little Women/ Adam Bede/ Emma/ Pride and Prejudice (1990) — Contributor — 18 copies
A Serious Occupation: Literary Criticism by Victorian Women Writers (2003) — Contributor — 15 copies
10 Penguin Classics on 45 CDs (The Mayor of Casterbridge, Pride & Prejudice, Great Expectations, Frankenstein, Jane Eyre, Crime & Punishment, Wuthering Heights, Northanger Abbey,… (2007) — Contributor; Contributor — 9 copies, 1 review
Die englische Literatur 08 in Text und Darstellung. 19. Jahrhundert 2 (1982) — Contributor — 5 copies
A reader for writers — Contributor — 2 copies
Adam Bede: A Play — Author — 1 copy
One hundred best novels condensed: 3 of 4 see note: Adam Bede; Tess of the D'Urbervilles; Don Quixote; East Lynne; Count of Monte Cristo; Paul and Virginia; Tom Brown's School… — Contributor — 1 copy
English short stories of the nineteenth century — Contributor — 1 copy
Tagged
Common Knowledge
- Legal name
- Evans, Mary Ann
- Other names
- Evans, Marian
Cross, Mary Anne - Birthdate
- 1819-11-22
- Date of death
- 1880-12-22
- Gender
- female
- Education
- Mrs. Wallington's School (Nuneaton, Warwickshire, England, UK)
- Occupations
- novelist
editor
poet
translator
journalist - Relationships
- Cross, J. W. (husband)
Lewes, George Henry (partner)
Hennell, Sara (friend)
Spencer, Herbert (friend)
Evans, Gwyn (great-nephew) - Short biography
- Mary Ann Evans (22 November 1819 – 22 December 1880; alternatively Mary Anne or Marian, known by her pen name George Eliot, was an English novelist, poet, journalist, translator and one of the leading writers of the Victorian era. She wrote seven novels, Adam Bede (1859), The Mill on the Floss (1860), Silas Marner (1861), Romola (1862–63), Felix Holt, the Radical (1866), Middlemarch (1871–72) and Daniel Deronda (1876), most of which are set in provincial England and known for their realism and psychological insight.
Although female authors were published under their own names during her lifetime, she wanted to escape the stereotype of women's writing being limited to lighthearted romances. She also wanted to have her fiction judged separately from her already extensive and widely known work as an editor and critic. Another factor in her use of a pen name may have been a desire to shield her private life from public scrutiny, thus avoiding the scandal that would have arisen because of her relationship with the married George Henry Lewes.
Middlemarch has been described by the novelists Martin Amis[3] and Julian Barnes as the greatest novel in the English language. Published under the name J. T. Colgan. - Cause of death
- throat infection
- Nationality
- UK
- Birthplace
- Nuneaton, Warwickshire, England, UK
- Places of residence
- Nuneaton, Warwickshire, England, UK
London, Middlesex, England, UK - Place of death
- London, Middlesex, England, UK
- Burial location
- Highgate Cemetery, Highgate, London, England, UK
- Map Location
- England, UK
Members
Discussions
Happy Birthday, George Eliot in Book talk (November 2025)
December 2024: George Eliot in Monthly Author Reads (February 2025)
Group read: Curious, If True by Elizabeth Gaskell / The Lifted Veil by George Eliot in Virago Modern Classics (May 2024)
Victorian Readalong Q4: Middlemarch by George Eliot in Club Read 2022 (December 2022)
George Eliot and George Henry Lewes in Legacy Libraries (March 2022)
March 2021: George Eliot in Monthly Author Reads (February 2022)
Group Read: Middlemarch, Second Thread in 75 Books Challenge for 2010 (October 2018)
Middlemarch: The Chatty Bits (Spoilers Go Here) in The Green Dragon (March 2015)
Group Read, September 2014: The Mill on the Floss in 1001 Books to read before you die (September 2014)
Middlemarch Group Read 2014 in 75 Books Challenge for 2014 (August 2014)
Middlemarch group read in 2014 Category Challenge (April 2014)
Daniel Deronda in Geeks who love the Classics (April 2013)
Group Read: Middlemarch, Third Thread in 75 Books Challenge for 2010 (February 2011)
Group Read: Middlemarch in 75 Books Challenge for 2010 (November 2010)
***Group Read: Middlemarch Books 7-8 in 1001 Books to read before you die (September 2010)
***Group Read: Middlemarch Books 5-6 in 1001 Books to read before you die (August 2010)
***Group Read: Middlemarch Books 3-4 in 1001 Books to read before you die (August 2010)
***Group Read: Middlemarch Prelude & Books 1-2 in 1001 Books to read before you die (August 2010)
Middlemarch in Victoriana (December 2009)
Middlemarch: Book I in Group Reads - Literature (May 2008)
Middlemarch (Spoilers Here) in Connecticut Nutmeggers (March 2008)
Middlemarch (SPOILER FREE) in Connecticut Nutmeggers (August 2007)
Reviews
This was supposed to be one of my last books for 2022. Then I realized it is worth reading it a bit slower, book by book, and letting it settle a bit. I've read it before although it had been awhile - I was still in high school when I met the denizens of Middlemarch for the last time and my memories had lost most of the details (and curiously enough, some of the characters).
Published in 1871-1872, the story takes place mostly in the invented town of Middlemarch (with a quick stop in Rome, show more Italy) and is set 40 years earlier (in 1829-1832 to be exact). Using an invented town allows Eliot to set things where she needs them instead of getting all tangled in real geography and history. And yet, in a lot of ways, Middlemarch is England in the early 1830s, much more than any depiction of a real town in other novels.
On the surface, the novel is very similar to the first book by Eliot - the 1858 collection "Scenes of Clerical Life" covers a lot of the same topics and you can even see some of the later novels scenes shadows in the earlier ones. And yet, Middlemarch feels a lot more mature and complete - it is a slice of life story about 4 women and the men they marry and love (not always the same ones) and about the changing England of the 1830s. This kind of novels can end up with characters who read more like types than like real people (and the early stories did have a bit of that happening). But here, all of the characters are fully realized - even the ones we see for a few minutes only - they all are real people with both good and bad mixed into their characters.
I call it slice of life but that does not really do justice to the scope of the novel. It is a romance (or 3). It is a coming of age story. It is a chronicle of a time and place. And it is neither of those things and all of those things mixed into one glorious novel. And it is worth the reread and the time required to actually work through it - because it slows you down and makes you read slower than usual - there is such abundance of details and people that you need time to catalog and acknowledge them in your head - usually without realizing that you are doing it. That verbosity may sound unappealing but every word and detail is necessary and required. And my only problem when I closed the last page was that I had to part from the good (and not so good people) of Middlemarch. show less
Published in 1871-1872, the story takes place mostly in the invented town of Middlemarch (with a quick stop in Rome, show more Italy) and is set 40 years earlier (in 1829-1832 to be exact). Using an invented town allows Eliot to set things where she needs them instead of getting all tangled in real geography and history. And yet, in a lot of ways, Middlemarch is England in the early 1830s, much more than any depiction of a real town in other novels.
On the surface, the novel is very similar to the first book by Eliot - the 1858 collection "Scenes of Clerical Life" covers a lot of the same topics and you can even see some of the later novels scenes shadows in the earlier ones. And yet, Middlemarch feels a lot more mature and complete - it is a slice of life story about 4 women and the men they marry and love (not always the same ones) and about the changing England of the 1830s. This kind of novels can end up with characters who read more like types than like real people (and the early stories did have a bit of that happening). But here, all of the characters are fully realized - even the ones we see for a few minutes only - they all are real people with both good and bad mixed into their characters.
I call it slice of life but that does not really do justice to the scope of the novel. It is a romance (or 3). It is a coming of age story. It is a chronicle of a time and place. And it is neither of those things and all of those things mixed into one glorious novel. And it is worth the reread and the time required to actually work through it - because it slows you down and makes you read slower than usual - there is such abundance of details and people that you need time to catalog and acknowledge them in your head - usually without realizing that you are doing it. That verbosity may sound unappealing but every word and detail is necessary and required. And my only problem when I closed the last page was that I had to part from the good (and not so good people) of Middlemarch. show less
A disinterested narrator dissects and defends the interconnected lives of an 1830s English town.
This book peeled apart my brain like an orange. I can't remember any comparable reading experience to the opening chapters of Middlemarch; on every page, it acknowledged my preconceptions -- and then upended them.
My favorite character is the omniscient narrator, who is quick to solicit sympathy for the villains and question the motives of the heroes (although Will Ladislaw gets a free ride and show more occasionally threatens to transform into the Prettiest Princess Ever). If you wanted, you could probably write a decent freshman English paper identifying the narrator as God -- a tender but powerless God. show less
This book peeled apart my brain like an orange. I can't remember any comparable reading experience to the opening chapters of Middlemarch; on every page, it acknowledged my preconceptions -- and then upended them.
My favorite character is the omniscient narrator, who is quick to solicit sympathy for the villains and question the motives of the heroes (although Will Ladislaw gets a free ride and show more occasionally threatens to transform into the Prettiest Princess Ever). If you wanted, you could probably write a decent freshman English paper identifying the narrator as God -- a tender but powerless God. show less
5++
"If youth is the season of hope, it is often so only in the sense that our elders are hopeful about us; for no age is so apt as youth to think its emotions, partings and, resolves are the last of their kind. Each crisis seems final, simply because it is new. We are told that the oldest inhabitants in Peru do not cease to be agitated by earthquakes, but they probably see beyond each shock and reflect that there are plenty more to come."
A recent BBC poll of literary critics designated show more Middlemarch, George Eliot's magnum opus, as the best British Victorian novel. Virginia Woolf described it as "one of the few written for grown-ups." Frightened by its length, I allowed the book to languish on my shelves for many years. Then, a little over two weeks ago, I tore the meniscus in my left knee, and faced with the open time immobility provides, I decided to tackle Middlemarch. I loved it!
The story takes place in the 1830s, at the beginning of industrialization in the fictional English village of Middlemarch. It is a time of change. The novel examines relationships, the institution of marriage, women's roles, social class, and the impact of social norms on the interconnected lives of the village inhabitants.
For me, what stood out was the vivid characterization. George Eliot (pseudonym for Marian Evans) provides a subtle and nuanced portrait of human motivation and interaction. In his New Criterion essay, critic Myron Magnet captures the essence of skill when he states what he believes Eliot does best:
In this 1871 novel, George Eliot shows how our
inner feelings and wishes interact with our outer
circumstances, with the social-cultural climate that
surrounds us and with our personal relationships
to shape our identity and fate.
While I don't want to attempt a plot summary of a close-to 900-page novel, I must add that I felt a sense of sadness when I finished the book, as if I was saying goodbye to people I knew and had come to understand. I decided to watch the BBC adaptation of the book. It is interesting to see how others understand and portray a book I so enjoyed. show less
"If youth is the season of hope, it is often so only in the sense that our elders are hopeful about us; for no age is so apt as youth to think its emotions, partings and, resolves are the last of their kind. Each crisis seems final, simply because it is new. We are told that the oldest inhabitants in Peru do not cease to be agitated by earthquakes, but they probably see beyond each shock and reflect that there are plenty more to come."
A recent BBC poll of literary critics designated show more Middlemarch, George Eliot's magnum opus, as the best British Victorian novel. Virginia Woolf described it as "one of the few written for grown-ups." Frightened by its length, I allowed the book to languish on my shelves for many years. Then, a little over two weeks ago, I tore the meniscus in my left knee, and faced with the open time immobility provides, I decided to tackle Middlemarch. I loved it!
The story takes place in the 1830s, at the beginning of industrialization in the fictional English village of Middlemarch. It is a time of change. The novel examines relationships, the institution of marriage, women's roles, social class, and the impact of social norms on the interconnected lives of the village inhabitants.
For me, what stood out was the vivid characterization. George Eliot (pseudonym for Marian Evans) provides a subtle and nuanced portrait of human motivation and interaction. In his New Criterion essay, critic Myron Magnet captures the essence of skill when he states what he believes Eliot does best:
In this 1871 novel, George Eliot shows how our
inner feelings and wishes interact with our outer
circumstances, with the social-cultural climate that
surrounds us and with our personal relationships
to shape our identity and fate.
While I don't want to attempt a plot summary of a close-to 900-page novel, I must add that I felt a sense of sadness when I finished the book, as if I was saying goodbye to people I knew and had come to understand. I decided to watch the BBC adaptation of the book. It is interesting to see how others understand and portray a book I so enjoyed. show less
Our title character is a good man and a simple one. He sees the world in black and white. Work hard, take care of your family, and you will lead a good life. He falls in love with an impetuous young woman named Hetty. Unfortunately, Hetty has fallen for the wealthy Captain Arthur Donnithorne, a man above her station, but one who is still susceptible to the young woman’s charms.
I loved the character of Dinah. She could be perceived as a killjoy or prude, but she never cane across to me show more like that. She is Hetty’s cousin and is a Methodist preacher who travels the countryside serving in local communities. Keep in mind, this was at a time when it was unusual for a woman to travel about on her own, much less to serve as a leader in the church. She has a fierce strength and independence and doesn’t give into the pleas from her family to give up her calling.
When she is asked about being a woman preacher, this is what she says…
“When God makes His presence felt through us, we are like the burning bush: Moses never took any heed what sort of bush it was—he only saw the brightness of the Lord.”
****SPOILERS*****
Dinah: When she does finally fall for Adam, she still doesn’t agree to marry until he declares that he will never stand in the way of her duties as a preacher and he fully supports her. I was a bit heartbroken from Adam’s brother Seth, since he’s the one who originally pursued Dinah.
Hetty’s story is so heartbreaking. I can’t imagine feeling so hopeless and abandoned. In the midst of her panic about her pregnancy she didn’t trust anyone with her secret and so she was unwilling to look for other options. Even though her life was spared, her future was still going to be full of grief and guilt no matter what.
SPOILERS OVER
BOTTOM LINE: I loved it. It reminded me so much of Tess of the d’Urbervilles and The Return of the Native (both of which were published decades after this one). It’s an intense look at the desperation of one woman and the man who loved her. I appreciated the rich depth of characters like Dinah and Adam. I also liked that Arthur wasn't a one-note cad. He easily could have been, but instead we see the situation from his point of view as well.
“What destroys us most effectively is not a malign fate but our own capacity for self-deception and for degrading our own best self.”
“What greater thing is there for two human souls, than to feel that they are joined for life--to strengthen each other in all labor, to rest on each other in all sorrow, to minister to each other in all pain, to be one with each other in silent unspeakable memories at the moment of the last parting?”
“Our deeds determine us, as much as we determine our deeds.” show less
I loved the character of Dinah. She could be perceived as a killjoy or prude, but she never cane across to me show more like that. She is Hetty’s cousin and is a Methodist preacher who travels the countryside serving in local communities. Keep in mind, this was at a time when it was unusual for a woman to travel about on her own, much less to serve as a leader in the church. She has a fierce strength and independence and doesn’t give into the pleas from her family to give up her calling.
When she is asked about being a woman preacher, this is what she says…
“When God makes His presence felt through us, we are like the burning bush: Moses never took any heed what sort of bush it was—he only saw the brightness of the Lord.”
****SPOILERS*****
Dinah: When she does finally fall for Adam, she still doesn’t agree to marry until he declares that he will never stand in the way of her duties as a preacher and he fully supports her. I was a bit heartbroken from Adam’s brother Seth, since he’s the one who originally pursued Dinah.
Hetty’s story is so heartbreaking. I can’t imagine feeling so hopeless and abandoned. In the midst of her panic about her pregnancy she didn’t trust anyone with her secret and so she was unwilling to look for other options. Even though her life was spared, her future was still going to be full of grief and guilt no matter what.
SPOILERS OVER
BOTTOM LINE: I loved it. It reminded me so much of Tess of the d’Urbervilles and The Return of the Native (both of which were published decades after this one). It’s an intense look at the desperation of one woman and the man who loved her. I appreciated the rich depth of characters like Dinah and Adam. I also liked that Arthur wasn't a one-note cad. He easily could have been, but instead we see the situation from his point of view as well.
“What destroys us most effectively is not a malign fate but our own capacity for self-deception and for degrading our own best self.”
“What greater thing is there for two human souls, than to feel that they are joined for life--to strengthen each other in all labor, to rest on each other in all sorrow, to minister to each other in all pain, to be one with each other in silent unspeakable memories at the moment of the last parting?”
“Our deeds determine us, as much as we determine our deeds.” show less
Lists
. (1)
Europe (1)
Elegant Prose (1)
. (1)
Ambleside Books (1)
Women's Stories (1)
Favorites (1)
1870s (1)
100 (1)
First Novels (1)
Shaking a Leg (1)
Best First Lines (1)
bound (1)
Read These Too (1)
BBC Top Books (1)
BBC Big Read (1)
Favourite Books (4)
AP Lit (3)
Reading LIst (3)
Didactic Fiction (3)
Folio Society (3)
el (4)
19th Century (5)
Unread books (5)
Out of Copyright (5)
Victorian Period (5)
A Novel Cure (4)
Five star books (4)
1860s (4)
My TBR (4)
Female Author (4)
Classics (1)
100 knjiga (1)
Read 2026 Ranked (1)
1850s (1)
Shelf 101 (1)
Books I've read (1)
Realism (1)
United Kingdom (2)
BBC Big Read (2)
Overdue Podcast (2)
Short and Sweet (2)
Awards
You May Also Like
Associated Authors
Statistics
- Works
- 379
- Also by
- 67
- Members
- 61,749
- Popularity
- #231
- Rating
- 3.9
- Reviews
- 953
- ISBNs
- 2,629
- Languages
- 26
- Favorited
- 325











































































