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George Eliot (1819–1880)

Author of Middlemarch

379+ Works 62,001 Members 957 Reviews 324 Favorited
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About the Author

George Eliot was born Mary Ann Evans on a Warwickshire farm in England, where she spent almost all of her early life. She received a modest local education and was particularly influenced by one of her teachers, an extremely religious woman whom the novelist would later use as a model for various show more characters. Eliot read extensively, and was particularly drawn to the romantic poets and German literature. In 1849, after the death of her father, she went to London and became assistant editor of the Westminster Review, a radical magazine. She soon began publishing sketches of country life in London magazines. At about his time Eliot began her lifelong relationship with George Henry Lewes. A married man, Lewes could not marry Eliot, but they lived together until Lewes's death. Eliot's sketches were well received, and soon after she followed with her first novel, Adam Bede (1859). She took the pen name "George Eliot" because she believed the public would take a male author more seriously. Like all of Eliot's best work, The Mill on the Floss (1860), is based in large part on her own life and her relationship with her brother. In it she begins to explore male-female relations and the way people's personalities determine their relationships with others. She returns to this theme in Silas Mariner (1861), in which she examines the changes brought about in life and personality of a miser through the love of a little girl. In 1863, Eliot published Romola. Set against the political intrigue of Florence, Italy, of the 1490's, the book chronicles the spiritual journey of a passionate young woman. Eliot's greatest achievement is almost certainly Middlemarch (1871). Here she paints her most detailed picture of English country life, and explores most deeply the frustrations of an intelligent woman with no outlet for her aspirations. This novel is now regarded as one of the major works of the Victorian era and one of the greatest works of fiction in English. Eliot's last work was Daniel Deronda. In that work, Daniel, the adopted son of an aristocratic Englishman, gradually becomes interested in Jewish culture and then discovers his own Jewish heritage. He eventually goes to live in Palestine. Because of the way in which she explored character and extended the range of subject matter to include simple country life, Eliot is now considered to be a major figure in the development of the novel. She is buried in Highgate Cemetery, North London, England, next to her common-law husband, George Henry Lewes. (Bowker Author Biography) show less
Image credit: George Eliot at 30 by François D'Albert Durade

Series

Works by George Eliot

Middlemarch (1872) 20,806 copies, 368 reviews
Silas Marner (1861) 12,939 copies, 172 reviews
The Mill on the Floss (1860) — Author — 9,764 copies, 131 reviews
Adam Bede (1859) 4,837 copies, 77 reviews
Daniel Deronda (1876) 4,196 copies, 61 reviews
Romola (1862) 1,659 copies, 23 reviews
Felix Holt, the Radical (1866) 1,179 copies, 9 reviews
Scenes of Clerical Life (1858) 987 copies, 18 reviews
The Lifted Veil [short fiction] (1859) 758 copies, 31 reviews
Middlemarch [Norton Critical Edition] (1977) 707 copies, 3 reviews
Silas Marner | Lifted Veil | Brother Jacob (1973) — Author — 358 copies, 4 reviews
The Lifted Veil / Brother Jacob (1999) 297 copies, 4 reviews
Brother Jacob (1878) 156 copies, 2 reviews
Middlemarch (1/2) (1994) 129 copies, 2 reviews
Impressions of Theophrastus Such (1879) 100 copies, 3 reviews
Middlemarch (2/2) (1969) 82 copies
Collected poems (1989) 71 copies, 1 review
Silas Marner [Penguin Readers] (1965) 38 copies, 2 reviews
Janet's Repentance [short story] (1857) 31 copies, 3 reviews
The Essays of "George Eliot": Complete (2007) 29 copies, 1 review
The Spanish Gypsy [poem] (1868) 27 copies
Romola (1/2) (1934) — Author — 25 copies
Romola / Theophrastus Such (2010) 23 copies
Adam Bede, Volume 2 of 2 (1999) 22 copies
How Lisa Loved the King (1878) 20 copies
Romola (2/2) (2010) — Author — 19 copies
Adam Bede, Volume 1 of 2 (2018) 19 copies
The Mill on the Floss (1/2) (2000) — Author — 19 copies
The Works of George Eliot (2010) 18 copies, 1 review
The Mill on the Floss (2/2) (2007) — Author — 16 copies
Scenes of Clerical Life (1/2) (2015) — Author — 14 copies, 1 review
Tom and Maggie Tulliver (1909) 14 copies
Middlemarch (3/3) (2009) — Author — 14 copies
Romola (1/3) (1900) 13 copies
Romola (3/3) (2015) 13 copies
Middlemarch (1/3) (2004) — Author — 11 copies
Middlemarch (2/3) (2009) — Author — 11 copies
Essays of George Eliot (1963) 11 copies
Works of George Eliot (2009) 10 copies
Romola / Silas Marner (1910) — Author — 10 copies
Scenes of Clerical Life (2/2) (2013) — Author — 10 copies
Felix Holt / Theophrastus Such (1908) — Author — 9 copies
The Poems of George Eliot (1908) 9 copies
Romola (2/3) 9 copies
Adam Bede / The Mill on the Floss / Romola (1900) — Author — 7 copies
George Eliot's Works (1887) 7 copies
Silas Marner / Middlemarch (1965) — Author — 6 copies
Silas Marner (2/2) (2003) 5 copies
Silas Marner / Brother Jacob (1970) — Author — 5 copies
Miscellaneous Essays (2012) 5 copies
Silas Marner (1/2) (2003) 4 copies
Eliot's works 4 copies
Edward Neville (1995) 4 copies
Felix Holt. Poems (1900) 3 copies
Middlemarch (Advanced) (2004) 3 copies
Middlemarch / Adam Bede / Silas Marner (1995) 3 copies, 1 review
The Mill on the Floss / Romola — Author — 3 copies
The Best of George Eliot (2016) 2 copies
Middlemarch | Romola (1886) 2 copies
Brother and Sister [poem] (1869) 2 copies
Theophrastus Such / The Spanish Gypsy — Author — 2 copies
Two Lovers (1909) 2 copies
Armgart [poem] (1870) 1 copy
Poems, Volume I (2008) 1 copy
Romola, Volume 6 (2010) 1 copy
Ensayos 1 copy
Silus Marner 1 copy
Pendennis Siles Marner (1910) 1 copy
Famous Women 1 copy
Biographie 1 copy
Early essays (1977) 1 copy
Zu Gast in Weimar (2019) 1 copy
Golden Grain 1 copy, 1 review

Associated Works

Ethics (1677) — Translator, some editions — 3,579 copies, 52 reviews
One Hundred and One Famous Poems (1916) — Contributor, some editions — 2,328 copies, 21 reviews
The Essence of Christianity (1841) — Translator, some editions — 1,040 copies, 12 reviews
The Treasure Chest (My Book House) (1932) — Contributor — 298 copies, 1 review
The Norton Anthology of English Literature, 4th Edition, Volume 2 (1979) — Contributor — 271 copies, 1 review
Wise Women: Over Two Thousand Years of Spiritual Writing by Women (1996) — Contributor — 231 copies, 1 review
Atheism: A Reader (2000) — Contributor — 195 copies, 3 reviews
The Portable Victorian Reader (1972) — Contributor — 188 copies
Erotica: Women's Writing from Sappho to Margaret Atwood (1990) — Contributor — 183 copies
100 Eternal Masterpieces of Literature, Volume 1 (2017) — Contributor — 179 copies
Classic Works from Women Writers (Leather-bound Classics) (2018) — Contributor — 177 copies
Aurora Leigh [Norton Critical Edition] (1996) — Contributor — 176 copies
A Literary Christmas: An Anthology (2013) — Contributor — 159 copies, 5 reviews
The Book of Love (1998) — Contributor — 150 copies
The Standard Book of British and American Verse (1932) — Contributor — 129 copies, 1 review
The Life of Jesus, Critically Examined (1835) — Translator, some editions — 125 copies
The Penguin Book of Women's Humour (1996) — Contributor — 124 copies
The Lifted Veil: Women's 19th Century Stories (2005) — Contributor — 116 copies
Writing Politics: An Anthology (2020) — Contributor — 46 copies
The Victorian age: prose, poetry, and drama (1938) — Contributor — 40 copies, 1 review
Silas Marner (Radio Theatre) (2001) — Original novel — 40 copies
Great English Short Stories (Dover Thrift Editions) (2005) — Contributor — 39 copies
Women on Nature (2021) — Contributor — 31 copies
Nineteenth-Century Women Poets: An Oxford Anthology (1996) — Contributor — 29 copies
Trial and Error: An Oxford Anthology of Legal Stories (1998) — Contributor — 27 copies
Silas Marner [1985 film] (2007) — Original novel — 23 copies, 1 review
Great English Short Stories (1930) — Contributor — 21 copies, 1 review
Ghosts and Marvels (1924) — Contributor — 19 copies
Thrillers: A Classic Collection (1994) — Contributor — 18 copies
Silas Marner | The Pearl (1961) 15 copies
WINGS OVER THE WORLD (1942) — Contributor — 14 copies
The Life of Jesus Critically Examined, Volume 1 (1993) — Translator, some editions — 12 copies
ESSENTIAL COLLECTION OF CLASSIC BANNED BOOKS (2014) — Contributor — 11 copies
The Banned Books Compendium: 32 Classic Forbidden Books — Contributor — 10 copies, 8 reviews
The Life of Jesus Critically Examined, Volume 2 (2014) — Translator, some editions — 10 copies
Phantastische Literatur 84 (1983) — Contributor, some editions — 9 copies
An Adult's Garden of Bloomers (1966) — Contributor — 7 copies
The Life of Jesus Critically Examined, Volume 3 (2010) — Translator, some editions — 6 copies
Great Love Scenes from Famous Novels (1943) — Contributor — 6 copies
Famous Stories of Five Centuries (1934) — Contributor — 4 copies
30 Eternal Masterpieces of Humorous Stories (2017) — Contributor — 3 copies
The Word Lives On: A Treasury of Spiritual Fiction (1951) — Contributor — 3 copies
Klassisia kauhukertomuksia (2021) — Contributor — 2 copies
A reader for writers — Contributor — 2 copies
A Book of Narratives (1917) — Contributor — 2 copies
Maestros Ingleses, Tomo III (1962) — Contributor — 2 copies
Adam Bede: A Play — Author — 1 copy

Tagged

1001 (273) 1001 books (288) 19th century (2,271) 19th century literature (298) British (1,002) British literature (1,087) classic (1,784) classic fiction (268) classic literature (309) classics (2,258) ebook (326) Eliot (244) England (949) English (493) English literature (1,201) fiction (7,040) Folio Society (235) George Eliot (545) historical fiction (270) Kindle (346) literature (1,790) novel (1,680) own (263) Penguin Classics (192) read (452) romance (203) to-read (3,000) unread (425) Victorian (1,160) Victorian literature (306)

Common Knowledge

Canonical name
Eliot, George
Legal name
Evans, Mary Ann
Other names
Evans, Marian
Cross, Mary Anne
Birthdate
1819-11-22
Date of death
1880-12-22
Gender
female
Education
Mrs. Wallington's School (Nuneaton, Warwickshire, England, UK)
Occupations
novelist
editor
poet
translator
journalist
Relationships
Cross, J. W. (husband)
Lewes, George Henry (partner)
Hennell, Sara (friend)
Spencer, Herbert (friend)
Evans, Gwyn (great-nephew)
Short biography
Mary Ann Evans (22 November 1819 – 22 December 1880; alternatively Mary Anne or Marian, known by her pen name George Eliot, was an English novelist, poet, journalist, translator and one of the leading writers of the Victorian era. She wrote seven novels, Adam Bede (1859), The Mill on the Floss (1860), Silas Marner (1861), Romola (1862–63), Felix Holt, the Radical (1866), Middlemarch (1871–72) and Daniel Deronda (1876), most of which are set in provincial England and known for their realism and psychological insight.

Although female authors were published under their own names during her lifetime, she wanted to escape the stereotype of women's writing being limited to lighthearted romances. She also wanted to have her fiction judged separately from her already extensive and widely known work as an editor and critic. Another factor in her use of a pen name may have been a desire to shield her private life from public scrutiny, thus avoiding the scandal that would have arisen because of her relationship with the married George Henry Lewes.

Middlemarch has been described by the novelists Martin Amis[3] and Julian Barnes as the greatest novel in the English language. Published under the name J. T. Colgan.
Cause of death
throat infection
Nationality
UK
Birthplace
Nuneaton, Warwickshire, England, UK
Places of residence
Nuneaton, Warwickshire, England, UK
London, Middlesex, England, UK
Place of death
London, Middlesex, England, UK
Burial location
Highgate Cemetery, Highgate, London, England, UK
Map Location
England, UK

Members

Discussions

Happy Birthday, George Eliot in Book talk (November 2025)
December 2024: George Eliot in Monthly Author Reads (February 2025)
George Eliot and George Henry Lewes in Legacy Libraries (March 2022)
March 2021: George Eliot in Monthly Author Reads (February 2022)
Group Read: Middlemarch, Second Thread in 75 Books Challenge for 2010 (October 2018)
Middlemarch: The Chatty Bits (Spoilers Go Here) in The Green Dragon (March 2015)
Group Read, September 2014: The Mill on the Floss in 1001 Books to read before you die (September 2014)
Middlemarch Group Read 2014 in 75 Books Challenge for 2014 (August 2014)
Middlemarch group read in 2014 Category Challenge (April 2014)
Daniel Deronda in Geeks who love the Classics (April 2013)
Group Read: Middlemarch, Third Thread in 75 Books Challenge for 2010 (February 2011)
Group Read: Middlemarch in 75 Books Challenge for 2010 (November 2010)
***Group Read: Middlemarch Books 7-8 in 1001 Books to read before you die (September 2010)
***Group Read: Middlemarch Books 5-6 in 1001 Books to read before you die (August 2010)
***Group Read: Middlemarch Books 3-4 in 1001 Books to read before you die (August 2010)
***Group Read: Middlemarch Prelude & Books 1-2 in 1001 Books to read before you die (August 2010)
Middlemarch in Victoriana (December 2009)
Middlemarch: Book I in Group Reads - Literature (May 2008)
Middlemarch (Spoilers Here) in Connecticut Nutmeggers (March 2008)
Middlemarch (SPOILER FREE) in Connecticut Nutmeggers (August 2007)

Reviews

1,102 reviews
George Eliot paints people in a way that brings them to life. This book, is all about the contrast of personalities, the resonating effects of prejudice, and the challenges of conflicting ties. I loved it, even as I cringed at the behavior of many of the characters.

I did not like the ending. Not because Maggie died. I had been expecting her death from the moment she woke up on the boat, fleeing with her lover. What I hated was that in the end, it was the acceptance and love of her show more emotionally abusive brother Tom that brought Maggie peace. He didn't change at all, and I have no doubt that if he hadn't died, it would have only a matter of time before he was pushing her away and condemning her excessively once again.

My happy world ending would have had Maggie eventually realize how to navigate the narrow space between severing any tie that seems onerous, as Stephen Guest would have her do, and severing those that are truly unhealthy, as Maggie herself is unable to do, and thus finding happiness. But even an ending where Maggie dies miserable because she is trying to be true to a set of conflicting demands would have been preferable to giving way before the slightest friendly look from her brother.

All that said, I don't think we're supposed to be satisfied with the ending. I think this is supposed to be a tragedy, a tragedy not just because of death, but because Maggie, in the end, is never able to overcome the weakness that has haunted her from her earliest days. Eliot does not, I think, expect us to like or forgive Tom.
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Some discouragement, some faintness of heart at the new real future which replaces the imaginary, is not unusual, and we do not expect people to be deeply moved by what is not unusual. That element of tragedy which lies in the very fact of frequency, has not yet wrought itself into the coarse emotion of mankind; and perhaps our frames could hardly bear much of it. If we had a keen vision and feeling of all ordinary human life, it would be like hearing the grass grow and the squirrel's heart show more beat, and we should die of that roar which lies on the other side of silence. As it is, the quickest of us walk about well wadded with stupidity.

Middlemarch is truly one of the greatest novel's I've ever read. With the possible exception of Moby-Dick, it's the most impressive English language novel of the 19th century. The psychological depth with which Eliot imbues her characters is unparalleled. Her wit, sophistication, and literary acumen are present on every page. Perhaps most impressively, the novel manages to express profound moral understanding without ever becoming moralizing. Eliot's philosophical insights into the nature of virtue, sympathy, and social relationships seems to me unparalleled by Dickens, Twain, Dostoevsky, James, Flaubert, or any of the other comparable writers of her era. The only criticism I can muster is that occasionally her syntax can become a bit unwieldy, but this criticism can be leveled (often more justifiably) against any novelist of the 19th century. As such, this observation does nothing to weaken my admiration for Eliot's work. In sum, Middlemarch is something special—something I would recommend to anyone who claims a love of great literature.
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Six-word review: Humanity closely observed and lovingly rendered.

Extended review:

No author has ever been so unfailingly compassionate toward her characters. Even the weak, vain, and reprehensible ones are human, their flaws and vices a matter of degree and nothing black or white. With her gift of insight, George Eliot shows us their hearts, and with her faceted mirrors she casts their reflections onto us. Her capacity for rendering inner lives that ring with truth is unsurpassed.

Middlemarch show more is the name of a fictitious small English town of the early nineteenth century. Subtitled "A Study of Provincial Life," the narrative follows several characters whose stories are intertwined. Like so many other British novels from serious to comic, it seems to focus greatest attention on two things: marriage and money. But Eliot does not use stock characters or easy clichés. The idealistic young woman, the obsessed cleric, the troubled doctor, his indulged, imprudent young wife, and all the others, both major and minor, possess the particularity that confers verisimilitude and the universality that speaks to readers across time, space, and circumstance.

Here is a small selection of quotes that illustrate Eliot's style, her wit, and her warmth. I read a Kindle edition, so I can't supply page numbers; I'll give chapter references instead.

Sane people did what their neighbors did, so that if any lunatics were at large, one might know and avoid them. (Book I, Chapter I)

"He has got no good red blood in his body," said Sir James.
"No. Somebody put a drop under a magnifying-glass and it was all semicolons and parentheses," said Mrs. Cadwallader.
(Book I, Chapter VIII)

And certainly, the mistakes that we male and female mortals make when we have our own way might fairly raise some wonder that we are so fond of it. (Book I, Chapter IX)

Mr. Bulstrode had also a deferential bending attitude in listening, and an apparently fixed attentiveness in his eyes which made those persons who thought themselves worth hearing infer that he was seeking the utmost improvement from their discourse. Others, who expected to make no great figure, disliked this kind of moral lantern turned on them. If you are not proud of your cellar, there is no thrill of satisfaction in seeing your guest hold up his wine-glass to the light and look judicial. Such joys are reserved for conscious merit. (Book II, Chapter I)

It was a principle with Mr. Bulstrode to gain as much power as possible, that he might use it for the glory of God. He went through a great deal of spiritual conflict and inward argument in order to adjust his motives, and make clear to himself what God's glory required. (Book II, Chapter IV)

• [O]ne's self-satisfaction is an untaxed kind of property which it is very unpleasant to find deprecated. (Book II, Chapter IV)

• [I]t was plain that a vicar might be adored by his womankind as the king of men and preachers, and yet be held by them to stand in much need of their direction. (Book II, Chapter V)

Besides, he was a likeable man, sweet-tempered, ready-witted, frank, without grins of suppressed bitterness or other conversational flavors which make half of us an affliction to our friends. (Book II, Chapter VI)

There are characters which are continually creating collisions and nodes for themselves in dramas which nobody is prepared to act with them. Their susceptibilities will clash against objects that remain innocently quiet. (Book II, Chapter VII)

...the red drapery which was being hung for Christmas spreading itself everywhere like a disease of the retina. (Book II, Chapter VIII)

If we had a keen vision and feeling of all ordinary human life, it would be like hearing the grass grow and the squirrel's heart beat, and we should die of that roar which lies on the other side of silence. As it is, the quickest of us walk about well wadded with stupidity. (Book II, Chapter VIII)

We are all of us born in moral stupidity, taking the world as an udder to feed our supreme selves. (Book II, Chapter IX)

These are but a sampling of the first two books of eight. I won't go on, as I could do for pages, but I must add this beautiful evocation of two people falling in love:

Each looked at the other as if they had been two flowers which had opened then and there. (Book IV, Chapter IV)

Eliot's words are, to me, the superlatively rendered expression of a sublime sensibility. I won't try to persuade anyone of that who doesn't see it the same way. I'll just say this: when I have no more than five stars to award to a novel like Middlemarch, it's hard to give that many to anything else.
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I blame BBC's adaption of Elizabeth Gaskell's North and South for my obsession with this book. You know that gorgeous green striped dress that Margaret wears at the train station? Well I was putting movies away at work and I saw that dress on the back of a cover. It was Romola Garai on the back of BBC's Daniel Deronda. Given the fact that the cover also contained Hugh Dancy (someone I have loved since my Ella Enchanted days), I took it home and was hooked.

Middlemarch had been on my list show more for a while but this Eliot novel rose in priority. I loved it. I loved Mirah and her fierce devotion to her country, culture and belief system. I loved Daniel and his staunch commitment to behaving in alignment with his beliefs. I felt for Gwendolyn in her naivety and, well, fear. Because isn't it fear that motivates her?

Eliot is a master of creating living, breathing, growing characters. I'm excited to read more of her work.
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Awards

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Associated Authors

A. S. Byatt Editor, Introduction
Jocelyn Potter Adapted by
Andy Hopkins Adapted by
Sue Saunders Adapter
Leonardo Froes Translator
R.T. Jones Introduction
J.W. Cross Editor
Tess O'Toole Introduction
Justin Rainey Activities by
Maud Jackson Adapted by
Robert Hill Ativities by
Sean Baker Narrator
Susan Jameson Narrator
Clare Corbett Narrator
ayrejoseph Narrator
Rosemary Ashton Introduction, Editor
Nadia May Narrator
Graham Handley Editor, Introduction
Beryl Gray Editor, Afterword
Robert Mathias Cover designer
Walter Ernest Allen Afterword, Introduction
George Levine Introduction
Megan McDaniel Introduction, Illustrator
Robin Jacques Illustrator
Kingsley Hart Introduction
Rick Ellis Cover Design
Mason Cooley Introduction
W. L. Taylor Illustrator
Kate Reading Narrator
Wanda Fraiken Neff Introduction
Håkan Tollet Translator
Alain Jumeau Translator
Juliet Aubrey Narrator
R. M. Hewitt Introduction
Thomas Creswick Cover artist
Max Wildi Nachwort
Margret Stevens Translator
Pierre Mornet Illustrator
Irmgard Nickel Translator
Monica Elias Illustrator
Arthur A. Dixon Illustrator
Nancy Henry Preface
Gabriel Woolf Narrator
Ilse Leisi Translator
Elsie Tollet Translator
Jessica Hische Illustrator
Alex Struik Cover Design
Jordi Arbonès Translator
Adam & Eve Illustrator
ג. אריוך Translator
Elinor S. Shaffer Introduction
Melanie Walz Herausgeber
Felicia Bonaparte Introduction
Penelope Fitzgerald Introduction
John Mullan Introduction
Frank Kermode Afterword
Quentin Anderson Introduction
Arie Storm Afterword
David Russell Introduction
Aune Tuomikoski Translator
Jennifer Egan Introduction
Carole Boyd Narrator
Simon Brett Illustrator
Ned Halley Afterword
Francine Prose Introduction
Doreen Roberts Introduction
Kristian Wachinger Herausgeber
Jerome Beaty Afterword
Rebecca Mead Foreword
Margaret Drabble Introduction
Michel Faber Introduction
Gerald Bullett Introduction
Clarence Rowe Illustrator
Anna Bentinck Narrator
Paul Montazzoli Introduction
Andrew Sachs Narrator
F.E. Bevan Editor
Robert Herrick Introduction
Albert Anker Cover artist
David G. Pitt Introduction
Q. D. Leavis Introduction
Wray Manning Illustrator
Margot Livesey Introduction
W.A. Dorsman-Vos Translator
David Daiches Introduction
Dinah Birch Introduction
J Bernard Davis Illustrator
Louis Salomon Introduction
Bel Mooney Introduction
John Constable Cover artist
Alyson Macneill Illustrator
Jane Smiley Afterword
Ian Stephens Illustrator
Curtis Dahl Foreword
W. D. Howe Editor
Flo Gibson Narrator
Jozef Israëls Illustrator
James Hill Cover artist
Jean Léon Gérôme Cover artist
Christian Bokelman Cover artist
Carole Jones Introduction
Harry Brockway Illustrator
Henry King Illustrator (photos from film version)
Frederic Leighton Cover artist
Dorothea Barrett Introduction
John Ritchie Cover artist
Kathryn Hughes Introduction
Dinny Thorold Introduction
Hugh Thomson Illustrator
Josie Billington Contributor
Jennifer Gribble Introduction
A.H. Buckland Illustrator
Charles Reid Illustrator
Grace Rhys Introduction
H. R. Millar Illustrator
Annie Matheson Introduction
Bruce Pirie Narrator
Samuel Laurence Cover artist
Ludwig Feuerbach Contributor
Frederic Harrison Contributor
Matthew Sweet Foreword
Esther Wood Contributor
Charles Lee Lewes Introduction
Rachel Lay Illustrator

Statistics

Works
379
Also by
67
Members
62,001
Popularity
#230
Rating
3.9
Reviews
957
ISBNs
2,629
Languages
26
Favorited
324

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