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Thomas Hardy (1) (1840–1928)

Author of Tess of the D'Urbervilles

For other authors named Thomas Hardy, see the disambiguation page.

476+ Works 85,319 Members 1,332 Reviews 415 Favorited
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About the Author

Thomas Hardy was born on June 2, 1840, in Higher Bockhampton, England. The eldest child of Thomas and Jemima, Hardy studied Latin, French, and architecture in school. He also became an avid reader. Upon graduation, Hardy traveled to London to work as an architect's assistant under the guidance of show more Arthur Bloomfield. He also began writing poetry. How I Built Myself a House, Hardy's first professional article, was published in 1865. Two years later, while still working in the architecture field, Hardy wrote the unpublished novel The Poor Man and the Lady. During the next five years, Hardy penned Desperate Remedies, Under the Greenwood Tree, and A Pair of Blue Eyes. In 1873, Hardy decided it was time to relinquish his architecture career and concentrate on writing full-time. In September 1874, his first book as a full-time author, Far from the Madding Crowd, appeared serially. After publishing more than two dozen novels, one of the last being Tess of the d'Urbervilles, Hardy returned to writing poetry--his first love. Hardy's volumes of poetry include Poems of the Past and Present, The Dynasts: Part One, Two, and Three, Time's Laughingstocks, and The Famous Tragedy of the Queen of Cornwall. From 1833 until his death, Hardy lived in Dorchester, England. His house, Max Gate, was designed by Hardy, who also supervised its construction. Hardy died on January 11, 1928. His ashes are buried in Poet's Corner at Westminster Abbey. (Bowker Author Biography) show less

Series

Works by Thomas Hardy

Tess of the D'Urbervilles (1891) 21,510 copies, 265 reviews
Far from the Madding Crowd (1874) 12,951 copies, 211 reviews
Jude the Obscure (1895) 11,186 copies, 157 reviews
The Mayor of Casterbridge (1886) 9,194 copies, 124 reviews
The Return of the Native (1878) 8,704 copies, 101 reviews
The Woodlanders (1887) 2,660 copies, 54 reviews
Under the Greenwood Tree (1872) 2,503 copies, 33 reviews
A Pair of Blue Eyes (1873) 1,698 copies, 26 reviews
The Trumpet Major (1880) 1,271 copies, 21 reviews
Wessex Tales (1888) 739 copies, 9 reviews
Two on a Tower (1882) 732 copies, 13 reviews
Desperate Remedies (1871) 633 copies, 23 reviews
The Hand of Ethelberta (1876) 600 copies, 15 reviews
A Laodicean (1881) 517 copies, 11 reviews
The Well-Beloved (1897) 504 copies, 9 reviews
Thomas Hardy: The Complete Poems (1976) 469 copies, 2 reviews
Selected Poems (The Penguin poets) (1979) 437 copies, 3 reviews
Life's Little Ironies (1894) 385 copies, 8 reviews
The Distracted Preacher and Other Stories (1879) 344 copies, 1 review
Woman Much Missed (2015) 242 copies, 4 reviews
A Group of Noble Dames (1891) 183 copies, 6 reviews
A Mere Interlude (2007) 151 copies, 4 reviews
Selected Poems (1993) 150 copies, 1 review
The Dynasts (0001) 148 copies, 2 reviews
Selected Shorter Poems (1972) 129 copies, 1 review
Hardy's Selected Poems (1995) 117 copies, 6 reviews
The Withered Arm [adapted - Oxford Bookworms] (2004) 88 copies, 60 reviews
Selected Poetry (Oxford World's Classics) (1994) 86 copies, 1 review
Our Exploits at West Poley (1952) 79 copies, 2 reviews
Selected Short Stories (1995) 71 copies, 1 review
Tales from Wessex (1973) 68 copies, 2 reviews
Life of Thomas Hardy (1962) — Author — 66 copies, 1 review
The Penguin Thomas Hardy (1984) 64 copies, 1 review
Tess of the d'Urbevilles (Macmillan Reader) (1891) 64 copies, 3 reviews
Selected Stories of Thomas Hardy (1975) 56 copies, 2 reviews
Chosen Poems of Thomas Hardy (1975) 53 copies, 2 reviews
A Changed Man and Other Tales (Dodo Press) (1984) 50 copies, 2 reviews
The Return of the Native [1994 TV movie] (1994) — Author — 50 copies
Selected Poems of Thomas Hardy (1961) 49 copies, 1 review
The Withered Arm [short story] (1881) 49 copies, 4 reviews
The Poems of Thomas Hardy (2007) 45 copies, 1 review
Poems of the Past and the Present (2004) 44 copies, 2 reviews
The Distracted Preacher (1879) 44 copies, 1 review
Late Lyrics and Earlier (2004) 40 copies, 2 reviews
The Portable Thomas Hardy (1977) 39 copies
Fellow-Townsmen (Hesperus Classics) (2003) 37 copies, 1 review
An Imaginative Woman and Other Stories (1992) 36 copies, 1 review
The Essential Hardy (1995) 36 copies
Under the Greenwood Tree [2005 TV movie] (2006) — Original book — 35 copies, 1 review
Poems by Thomas Hardy (2011) 30 copies
Collected Short Stories (1988) 28 copies, 1 review
Moments of Vision and Miscellaneous Verses (1978) 28 copies, 1 review
A Changed Man (2005) 27 copies
The Romantic Adventures of a Milkmaid (2007) 27 copies, 1 review
A Trampwoman's Tragedy (1996) 25 copies
The Famous Tragedy of the Queen of Cornwall (1923) 24 copies, 2 reviews
The Three Strangers (2009) 22 copies
Barbara of the House of Grebe [novelette] (1890) — Author — 21 copies, 1 review
[unidentified works] 19 copies, 3 reviews
Wessex Poems (1994) 19 copies, 1 review
Thomas Hardy (Faber Poetry) (2016) 18 copies
Victorian Short Stories: Stories of Successful Marriages (2007) — Contributor — 17 copies, 1 review
Jude the Obscure / The Woodlanders (1997) 13 copies, 1 review
The bedside Thomas Hardy (1979) 13 copies
Wessex Heights (1988) 12 copies
The Dynasts: Part 1 of 3 (2007) 11 copies, 2 reviews
Love Poems (1963) 10 copies
Los tres desconocidos y otros relatos (1991) 9 copies, 1 review
The Dynasts: Part 3 of 3 (2007) 9 copies, 2 reviews
Die besten englischen Schauergeschichten (1981) — Contributor — 8 copies
The Dynasts: Part 2 of 3 (2007) 7 copies, 2 reviews
Romanzi (1995) 7 copies
La risée du temps (1993) 6 copies
The Woodlanders (film) (2005) — Author — 6 copies
The Thomas Hardy Omnibus (1979) 6 copies
Cuentos completos (2013) 6 copies
Poèmes du Wessex (1997) 6 copies
Green Blades (2007) 6 copies
Short Fiction 5 copies
Poems: 1912-13 (Syrens) (1995) 5 copies
Meistererzählungen (1988) 5 copies
Selected Letters (1990) 4 copies
Herhangi Bir Jude (2024) 4 copies
The Son's Veto (2009) 4 copies
Weathers 4 copies
Poemas (2002) 3 copies
Una romantica avventura (1994) 3 copies
On the Western Circuit (1999) 3 copies
The poetical works (1923) 3 copies
Stories of Wessex (1888) 3 copies
Misterios de Wessex / (1984) 2 copies
Les poésies d'amour (2018) 2 copies
Una mujer soñadora (1991) 2 copies
The Best of Thomas Hardy (2016) 2 copies
Vint-i-un poemes (1988) 2 copies
The Turning of the Year (1990) 2 copies
I Have Lived with Shades (1999) 2 copies, 1 review
Channel Firing 2 copies
The Stories: v. 1 (1977) 2 copies
Alicia's Diary 2 copies
Egy tiszta no (1974) 1 copy
Under the Greenwood Tree - Elementary (1998) 1 copy, 1 review
Hap 1 copy
(all) 1 copy
ג'וד האלמוני (2002) 1 copy
Antología poética (2023) 1 copy
Poesie d'amore (2006) 1 copy
Neutral Tones [poem] 1 copy, 1 review
55 wierszy (1993) 1 copy
[Works] 1 copy
Poesie 1 copy
Lesáci 1 copy

Associated Works

Winter Poems (1994) — Contributor — 1,462 copies, 12 reviews
The Making of a Poem: A Norton Anthology of Poetic Forms (2000) — Contributor — 1,462 copies, 9 reviews
The Best Poems of the English Language: From Chaucer Through Robert Frost (2004) — Contributor — 1,239 copies, 3 reviews
Literature: An Introduction to Fiction, Poetry, and Drama (1995) — Contributor, some editions — 1,011 copies, 7 reviews
Great Tales of Terror and the Supernatural (1944) — Contributor — 733 copies, 12 reviews
The Nation's Favourite Poems (1996) — Contributor — 686 copies, 8 reviews
The Oxford Book of Gothic Tales (1992) — Contributor — 600 copies, 6 reviews
World Poetry: An Anthology of Verse from Antiquity to Our Time (1998) — Contributor — 496 copies, 2 reviews
The Penguin Book of War (1999) — Contributor — 494 copies, 1 review
A Pocket Book of Modern Verse (1954) — Contributor, some editions — 483 copies, 3 reviews
The Penguin Book of English Short Stories (1967) — Contributor — 467 copies, 4 reviews
World War One British Poets (1997) — Contributor — 436 copies, 4 reviews
The Spy's Bedside Book (1957) — Contributor — 399 copies, 1 review
Literature: The Human Experience (2006) — Contributor — 367 copies
The Big Book of Christmas Mysteries (2013) — Contributor — 352 copies, 10 reviews
Modern American and Modern British Poetry (1919) — Contributor — 333 copies, 4 reviews
75 Short Masterpieces: Stories from the World's Literature (1961) — Contributor — 315 copies, 2 reviews
The Phantom of the Opera and Other Gothic Tales (2018) — Contributor — 300 copies, 1 review
The Norton Anthology of English Literature, 4th Edition, Volume 2 (1979) — Contributor — 269 copies, 1 review
Damnable Tales: A Folk Horror Anthology (2021) — Contributor — 229 copies, 5 reviews
The Oxford Book of English Short Stories (1998) — Contributor — 228 copies, 2 reviews
Chilling Horror Short Stories (2015) — Contributor — 227 copies, 1 review
Vampires, Wine and Roses: Chilling Tales of Immortal Pleasure (1997) — Contributor — 169 copies, 2 reviews
The Faber Book of Beasts (1997) — Contributor — 168 copies, 1 review
Great Short Stories of the World (1925) — Contributor — 163 copies, 1 review
Poetry of the First World War: an anthology (2013) — Contributor — 162 copies, 1 review
A Literary Christmas: An Anthology (2013) — Contributor — 160 copies, 5 reviews
The Book of Love (1998) — Contributor — 151 copies
The Oxford Book of Villains (1992) — Contributor — 150 copies
An American Album: One Hundred and Fifty Years of Harper's Magazine (2000) — Contributor — 145 copies, 1 review
Above the Dreamless Dead: World War I in Poetry and Comics (2014) — Author — 141 copies, 9 reviews
The Second Penguin Book of English Short Stories (1972) — Contributor, some editions — 133 copies
Poems to See By: A Comic Artist Interprets Great Poetry (2020) — Contributor — 130 copies, 33 reviews
The Standard Book of British and American Verse (1932) — Contributor — 130 copies, 1 review
The Norton Book of Travel (1987) — Contributor — 118 copies, 1 review
Answering Back: Living Poets Reply to the Poetry of the Past (2007) — Contributor — 118 copies, 1 review
Great Modern Reading (1943) — Contributor — 115 copies, 3 reviews
Far From the Madding Crowd [2015 film] (2015) — Original book — 114 copies
World's Great Detective Stories (1928) — Contributor — 112 copies, 2 reviews
Foundations of Fear (1992) — Contributor — 107 copies, 2 reviews
The Norton Book of Friendship (1991) — Contributor — 103 copies
Murder for Christmas, Volume 2 (1982) — Contributor — 97 copies
More Stories to Remember, Volume 1 (1958) — Contributor — 93 copies, 1 review
Crime for Christmas (1991) — Contributor — 92 copies, 2 reviews
The Treasury of English Short Stories (1985) — Contributor — 91 copies
Selected Stories from the 19th Century (1998) — Contributor — 84 copies, 1 review
The Everyman Anthology of Poetry for Children (1994) — Contributor — 79 copies
The Bedside Book of Famous British Stories (1940) — Contributor — 76 copies
An Introduction to Poetry (1968) — Contributor — 72 copies, 1 review
A Book of Narrative Verse (1930) — Contributor — 70 copies, 1 review
Masters of the Macabre (1999) — Contributor — 70 copies
Far from the Madding Crowd [1967 film] (1967) — Orginal novel — 69 copies, 3 reviews
The Big Book of Victorian Mysteries (2021) — Contributor — 69 copies, 2 reviews
Modern English Readings (1942) — Contributor — 60 copies
Tess [1979 film] (2004) — Original novel — 59 copies, 4 reviews
Classic Tales of Supernatural (2000) — Contributor — 56 copies, 1 review
Mystery for Christmas [Dalby] (1990) — Contributor — 53 copies
Victorian Love Stories: An Oxford Anthology (1996) — Contributor — 53 copies, 1 review
The Faber Book of Christmas (1996) — Contributor — 50 copies, 1 review
Elegy written in a country churchyard and other poems (2009) — Contributor — 47 copies
Modern English Short Stories, First Series (1939) — Contributor — 45 copies, 1 review
The Oxford Book of Historical Stories (1994) — Contributor — 44 copies
A Quarto of Modern Literature (1935) — Contributor — 43 copies
Far from the Madding Crowd [1998 TV miniseries] (1998) — Original book — 41 copies
The Oxford Book of English Love Stories (1996) — Contributor — 41 copies
The Victorian age: prose, poetry, and drama (1938) — Contributor — 40 copies, 1 review
Great English Short Stories (Dover Thrift Editions) (2005) — Contributor — 38 copies
Best Horror Stories (1990) — Contributor — 38 copies, 2 reviews
The Best Crime Stories of the 19th Century (1988) — Contributor — 36 copies, 1 review
The Three Strangers (adapted ∙ Oxford bookworms ∙ Stage 3) (2000) — Original author — 34 copies, 11 reviews
Famous and Curious Animal Stories (1982) — Contributor — 34 copies, 2 reviews
Tess of the d'Urbervilles [1998 TV movie] (1985) — Original book — 32 copies
The Best Horror Stories (1977) — Contributor — 28 copies
The Ghost Story MEGAPACK®: 25 Classic Tales by Masters (2013) — Contributor — 28 copies, 1 review
The Animals' Christmas (1944) — Contributor — 27 copies
Tess of the d'Urbervilles [2008 TV mini series] (2008) — Original book — 26 copies
Cuentos de amor victorianos (2004) — Contributor — 26 copies
Chills and Thrills: Tales of Terror and Enchantment (2001) — Contributor — 25 copies
The Great Book of Humour (1935) — Contributor — 24 copies, 1 review
Masters of British Literature, Volume B (2007) — Contributor — 22 copies
Great English Short Stories (1930) — Contributor — 21 copies, 1 review
The Broadview Anthology of Victorian Short Stories (2004) — Contributor — 20 copies
A Quaint and Curious Volume: Tales and Poems of the Gothic (2019) — Contributor — 20 copies, 1 review
Ellery Queen's Poetic Justice (1970) — Contributor, some editions — 19 copies
Horror by Lamplight (1993) — Contributor — 19 copies
The Third Ghost Story Megapack: 26 Classic Ghost Stories (2013) — Contributor — 19 copies, 2 reviews
Stories by English Authors (2013) — Contributor — 17 copies, 1 review
A Little Night Reading (1974) — Contributor — 16 copies, 1 review
Christmas Classics: A Treasury for Latter-Day Saints (1995) — Contributor — 16 copies
Paha vieras (1996) 15 copies
Creatures of Another Age: Classic Visions of Prehistoric Monsters (2021) — Contributor — 14 copies, 1 review
Stories by English Authors: England (2012) — Contributor — 14 copies
Four English Novels (1960) — Contributor — 13 copies
England forteller : britiske og irske noveller (1970) — Contributor — 10 copies
The New Windmill Book of Stories from Different Genres (1998) — Contributor — 10 copies
Men and Women: The Poetry of Love (1970) — Contributor — 9 copies
The Gothic Terror MEGAPACK TM: 17 Classic Tales (2015) — Contributor — 9 copies, 1 review
The Trials of Love (1990) — Contributor — 9 copies
My Favorite Suspense Stories (1968) — Contributor — 8 copies, 1 review
The Story Survey (1939) — Contributor — 7 copies
An Adult's Garden of Bloomers (1966) — Contributor — 7 copies
The West Country Book (1981) — Contributor — 7 copies
The Fireside Treasury of Modern Humor (1963) — Contributor — 7 copies
The Mayor of Casterbridge [Real Reads] (2012) — Author — 6 copies
Great Love Scenes from Famous Novels (1943) — Contributor — 6 copies
Evergreen Stories (1998) — Contributor — 6 copies
Thames: An Anthology of River Poems (1999) — Contributor — 6 copies
The Great Modern English Stories: An Anthology (1919) — Contributor — 5 copies
Famous Stories of Five Centuries (1934) — Contributor — 4 copies
Collected Classics, Vol. 2 (2000) — Contributor — 4 copies
La poesía inglesa románticos y victorianos — Contributor — 4 copies, 1 review
Six Short Stories (1991) — Contributor — 4 copies
A Christmas Anthology (2011) — Contributor — 3 copies
Let Us Be Men (1969) — Contributor — 3 copies
Short Stories of the Past (1960) — Contributor — 2 copies
Enjoying Stories (1987) — Contributor — 2 copies
The Children's Own Treasure Book (1947) — Contributor — 2 copies
In scarlet and grey (1896) — Contributor — 2 copies
West Country Short Stories (1949) — Contributor — 2 copies
Modern Short Stories — Contributor — 2 copies
Representative Modern Short Stories. (1936) — Contributor — 2 copies
A Book of Narratives (1917) — Contributor — 2 copies
Round about Eight: Poems for Today (1972) — Contributor — 2 copies
A Book of Short Stories (1914) — Contributor — 1 copy
Fifty Short Stories [Red Door Consulting] (2013) — Contributor — 1 copy
Country Living Magazine Christmas Stories (1995) — Contributor — 1 copy
Healing Poetry (2013) 1 copy, 1 review
Christmas Short Works Collection 2022 (2022) — Contributor — 1 copy

Tagged

1001 (377) 1001 books (391) 19th century (2,478) 19th century literature (378) British (1,213) British literature (1,342) classic (2,457) classic fiction (378) classic literature (432) classics (3,029) ebook (350) England (1,247) English (591) English literature (1,725) fiction (9,677) Folio Society (574) Hardy (619) Kindle (363) literature (2,146) novel (2,233) poetry (987) read (635) romance (514) Thomas Hardy (728) to-read (3,283) tragedy (355) unread (539) Victorian (1,067) Victorian literature (351) Wessex (563)

Common Knowledge

Birthdate
1840-06-02
Date of death
1928-01-11
Gender
male
Education
King's College, London
Occupations
architect
novelist
poet
Awards and honors
Order of Merit (1910)
Fellow, Royal Society of Literature
Short biography
Thomas Hardy (2 June 1840 – 11 January 1928) was an English novelist and poet. A Victorian realist in the tradition of George Eliot, he was influenced both in his novels and in his poetry by Romanticism, including the poetry of William Wordsworth. He was highly critical of much in Victorian society, especially on the declining status of rural people in Britain, such as those from his native South West England.

While Hardy wrote poetry throughout his life and regarded himself primarily as a poet, his first collection was not published until 1898. Initially, he gained fame as the author of novels such as Far from the Madding Crowd (1874), The Mayor of Casterbridge (1886), Tess of the d'Urbervilles (1891), and Jude the Obscure (1895). During his lifetime, Hardy's poetry was acclaimed by younger poets (particularly the Georgians) who viewed him as a mentor. After his death his poems were lauded by Ezra Pound, W. H. Auden and Philip Larkin.

Many of his novels concern tragic characters struggling against their passions and social circumstances, and they are often set in the semi-fictional region of Wessex; initially based on the medieval Anglo-Saxon kingdom, Hardy's Wessex eventually came to include the counties of Dorset, Wiltshire, Somerset, Devon, Hampshire and much of Berkshire, in southwest and south central England. Two of his novels, Tess of the d'Urbervilles and Far from the Madding Crowd, were listed in the top 50 on the BBC's survey The Big Read.
Cause of death
pleurisy
Nationality
UK
Birthplace
Higher Bockhampton, Dorsetshire, England, UK
Places of residence
Higher Bockhampton, Dorsetshire, England, UK
St. Juliot, Cornwall, England, UK
London, Middlesex, England, UK
Dorchester, Dorset, England, UK
Place of death
Dorchester, Dorset, England, UK
Burial location
Westminster Abbey, London, Middlesex, England, UK
St. Michael's churchyard, Stinsford, Dorset, England, UK (heart)
Map Location
England, UK

Members

Discussions

November 2025: Thomas Hardy in Monthly Author Reads (December 2025)
THE DEEP ONES: "The Withered Arm" by Thomas Hardy in The Weird Tradition (April 2023)
2013 Quarter 2 - Thomas Hardy in Monthly Author Reads (October 2013)
Just Joined - and my small/humble HP collection... in George Macy devotees (September 2012)
Jude the Obscure: Parts 4-6 in Group Reads - Literature (July 2011)
Jude the Obscure: Parts 1-3 in Group Reads - Literature (July 2011)

Reviews

1,444 reviews
I've seen a few adaptions but I finally sat down and read the actual book and it is amazing. I've been reading a bunch of Hardy lately and I am so struck by how well he writes women characters. They have so much agency, even though they are imbeded in the system that was already past in the time Hardy was writing. It was a hard read, knowing that it was just getting worse and worse for Tess no matter what. But of all the men who mess her over, I think I am most angry about her useless show more father. If he could possibly act like a reasonably responsible adult even a small percentage of the time, the compounding tragedies would have no starting point. What a brilliant book. show less
Rereading this classic has reminds me that no matter how timeless, it is always worth keeping in mind that every book is written in a particular time and place by someone with his or her own concerns and prejudices. Regardless how we might read (or interpret) a book today, its author composed it in circumstances and an environment that no longer exist—no matter how recent it is. So reading a book composed in England in the 1890s by a man with Hardy’s background suggests that we invest at show more least a bit of time and effort to appreciate the circumstances of its composition. Jude the Obscure was Hardy’s last novel, some have theorized, because of its often hostile reception (one very clever fellow called it Jude the Obscene). Hardy challenged received norms of sexuality, shocking many; he also criticized the fundamental pillars of society: marriage, the church, and the educational system (in part as a proxy for his criticism of class distinctions). Though the novel’s treatment of those issues can seem almost quaint today, it is critical to remember the world in which the book appeared.
Jude Fawley is an orphan with neither money, connections, nor education. He is determined to make something of himself and the novel follows his struggles, both personal and religious. He spends years studying the classics with extraordinary self-discipline, preparing himself for a university or church career, neither of which will come to pass because the institutions of English society—marriage, the church, and the educational system—are rigged against him. We witness his relationships with two women, his ideas and his ideals, his successes and, the true subject of the novel, his failures.
Thomas Hardy considered himself primarily a poet and his poetry has been quite influential, greatly praised by some critics like Pound, Auden, and Larkin. His poetic sensibility contributes to his diction (word choice), his rhythms, and his ability to evoke a mood and a place.
Hardy’s novels are known for their bleak outlook and Jude is no exception; the novel is relentlessly, depressingly bleak. This can be seen in how the characters speak, but more often in their thoughts. Hardy had an acute understanding of how people talk. He is careful to show how what they say (or choose not to say) follows their thoughts and he often explores those thoughts in detail. His observations seem unerring to me; I frequently found myself impressed by his examination of how someone’s past together with that character’s understandings and hopes combined to determine what they said. Speech really matters with Hardy: what it said, when it is said, whether anything is even said at all. Hardy is especially attentive to passing moments, particularly to gestures. He tells us how one person looks at—or away from—another, for how long, with what expression. If E.M. Forster’s motto was “only connect,” Hardy’s might well be how or even whether to connect. He uses silence to telling effect. Whatever else you may think of Hardy, it is impossible to read him without gaining a deep understanding of his characters.
All that said, I should add that there are times when the writing seems a bit awkward; for all his talent, Hardy is not a brilliant stylist. His genius lies elsewhere. Many of his usages are regional, not standard, English. And so Hardy’s English is notably different from that of his peers (such as Stevenson, Butler, or Kipling, all of whom wrote in a far more uncomplicated style). Hardy also has a stylistic tic that troubled me: characters converse in simple language reflecting their social and economic status but from time to time, Hardy, speaking as the narrator, uses pretentious words (pointedly polysyllabic and often invented) that seem out of place. In such instances, it seemed as if Hardy was using the showy, almost pompous, words to demonstrate his own learning. At other times, the narrator’s language is in a decidedly different register from that spoken by the characters. (I am using “register” here to refer to both the word choice and syntax which reflect someone’s social class.) For such different registers to be constantly woven together can be jarring.
Another reflection of these distinct worlds appears in the physical structuring of the novel. Hardy broke up each of his major novels in different ways. Sometimes he used numbered chapters, sometimes chapters with names, and sometimes no chapters at all. Jude is the only novel in which he prefaced each major section with epigraphs. These quotations Hardy drew from Esdras, Swinburne, Ovid (in untranslated Latin), Sappho (English), Milton, Antoninus (English), the Book of Esther, and Robert Browning. In addition, the book contains numerous quotations from poets who were contemporaries of Hardy’s (sometimes named, usually not), the Bible, as well as many classical authors (usually in untranslated Latin or even Greek) and even philosophers and artists (especially of the Renaissance). Is Hardy highlighting Jude’s failed ambitions by routinely quoting from canonical works that underpinned the worlds Jude would never enter…or is he doing so for another reason entirely?
It has been too many years since I first read his novels so I am reluctant to say much more but I do suspect that, with the possible exception of Tess, this may be his best novel. (It may be worth adding that Jude impressed me so much that I did something I very rarely do: pick up another book by the same author—Tess in this case—right away.) I have long thought Hardy an underappreciated master. This re-reading confirms my opinion.
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½
Tess of the D'Urbervilles is the kind of book that makes you wish you were back in one of your Brit Lit classes debating it with equally enthusiastic classmates. An erudite novel replete with Biblical, mythological and cultural references left as clues for the close reader to interpret in Thomas Hardy's exploration of whether we are defined by our actions or our intentions.

Hardy's eponymous heroine is a sixteen-year-old country girl at the story's outset, just removed from school and under show more the guidance of her uneducated parents who have recently discovered their noble ancestry. At their behest, she travels to the nearby estate of a wealthy relative to seek employment and a financially beneficial match. Unfortunately, the supposed relatives have in fact appropriated the family name, rather than being born into it, and the naive Tess is set upon and disgraced by the scoundrel son, Alec. Her self-assessed punishment is to run away from family and friends, working in anonymity as milkmaid on a faraway farm.

The remainder of Tess's story is a disheartening reminder that one's past cannot be left behind. She finds love, only to be scorned by a hypocritical husband guilty of her same crime (absent an out of wedlock birth). Her shiftless parents burden her for money in their ignorance regarding her impoverished life. Worst of all, she suffers the renewed advances of the irredeemable Alec.

Tess of the D'Urbervilles is a critical analysis of late 18th century England morals and manners with a healthy dose of Ecclesiastical philosophy thrown in: the repetitive nature of Tess's sad life is mere proof that there is nothing new under the sun.
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The hand of Ethelberta is a fairly early Hardy novel, which appeared two years after Far from the madding crowd. He classed it as one of his "novels of ingenuity" and as a "comedy in chapters", both of which give a strong hint that we're not in the world of grim, arbitrary rural tragedy that readers of Tess or Jude might expect from a Hardy novel. But neither are we in the bucolic world of Under the greenwood tree - this is a social comedy of ambition and class-differences, very much part of show more the modern world of 1870s Britain (almost in HG Wells country), even if the plot sometimes seems to owe more than a little to Moll Flanders...

Ethelberta is a clever, enterprising, young woman from a working-class background who has risen in the world by a series of accidents that would easily fill a three-volume novel in themselves, but which Hardy summarizes in a couple of paragraphs on the opening page. Unfortunately, she has acquired social standing without very much money to back it up, so she has to use all her ingenuity to earn enough to support her many siblings. She finds a niche for herself as a professional story-teller, but the novelty value of this is clearly going to be short-lived, so it's a case of maximising the opportunities her various suitors present. If possible, without hurting that very nice young musician who will never have enough money to marry her.

The plot frequently requires the complex mechanisms of French farce (not Hardy's greatest skill as a novelist) and at a couple of points drifts into a parody of bad-baronet-style melodrama so good that it's hard to realise that it is meant to be funny. Which probably explains why this isn't one of Hardy's better-known books. But what does make it interesting is his careful analysis of the pain and misunderstanding that can be caused by the rigidity of a framework for social relations based on the assumption that a person's "class" is immanent and invariable, whilst in reality, late-Victorian society provided more opportunities than ever before for people to move up and down the social ladder.

The key scene in the book is a dinner-party where the Doncastles have invited Ethelberta to meet Lord Mountclere, without being aware that Ethelberta is actually the daughter of their tactful and efficient butler. Hardy resists the temptation to produce a big revelation here, but allows us to appreciate the pain that father and daughter must both be feeling as she sits there whilst he pours her wine and neither of them can afford to give any acknowledgement of their relationship. And, of course, to make his middle-class readers pause for a moment and wonder if it's possible that some of their own servants might be human beings with private joys and sorrows...

Reading this directly after Trollope made me realise what a wonderfully three-dimensional view of society Hardy has. He's a writer who can't describe the presence of a jug of milk on a table without wondering about all the people who were involved in getting it there, and in many cases telling us something about them as individuals.

The landscape is always important in Hardy as well, of course - in this case much of the action takes place around Swanage, Corfe Castle and Bournemouth, and it always feels as though you'd have little difficulty following the journeys by land and sea he describes, if you could only find an 1870s map.
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Lists

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