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Thomas Hardy (1) (1840–1928)

Author of Tess of the D'Urbervilles

For other authors named Thomas Hardy, see the disambiguation page.

468+ Works 86,126 Members 1,343 Reviews 415 Favorited
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About the Author

Thomas Hardy was born on June 2, 1840, in Higher Bockhampton, England. The eldest child of Thomas and Jemima, Hardy studied Latin, French, and architecture in school. He also became an avid reader. Upon graduation, Hardy traveled to London to work as an architect's assistant under the guidance of show more Arthur Bloomfield. He also began writing poetry. How I Built Myself a House, Hardy's first professional article, was published in 1865. Two years later, while still working in the architecture field, Hardy wrote the unpublished novel The Poor Man and the Lady. During the next five years, Hardy penned Desperate Remedies, Under the Greenwood Tree, and A Pair of Blue Eyes. In 1873, Hardy decided it was time to relinquish his architecture career and concentrate on writing full-time. In September 1874, his first book as a full-time author, Far from the Madding Crowd, appeared serially. After publishing more than two dozen novels, one of the last being Tess of the d'Urbervilles, Hardy returned to writing poetry--his first love. Hardy's volumes of poetry include Poems of the Past and Present, The Dynasts: Part One, Two, and Three, Time's Laughingstocks, and The Famous Tragedy of the Queen of Cornwall. From 1833 until his death, Hardy lived in Dorchester, England. His house, Max Gate, was designed by Hardy, who also supervised its construction. Hardy died on January 11, 1928. His ashes are buried in Poet's Corner at Westminster Abbey. (Bowker Author Biography) show less

Series

Works by Thomas Hardy

Tess of the D'Urbervilles (1891) — Author — 21,753 copies, 266 reviews
Far from the Madding Crowd (1874) 13,050 copies, 213 reviews
Jude the Obscure (1895) 11,293 copies, 158 reviews
The Mayor of Casterbridge (1886) 9,237 copies, 127 reviews
The Return of the Native (1878) 8,795 copies, 101 reviews
The Woodlanders (1887) 2,677 copies, 55 reviews
Under the Greenwood Tree (1872) — Author — 2,528 copies, 35 reviews
A Pair of Blue Eyes (1873) 1,715 copies, 27 reviews
The Trumpet Major (1880) — Author — 1,287 copies, 21 reviews
Wessex Tales (1888) 747 copies, 9 reviews
Two on a Tower (1882) 741 copies, 13 reviews
Desperate Remedies (1871) 643 copies, 23 reviews
The Hand of Ethelberta (1876) 606 copies, 15 reviews
A Laodicean (1881) 521 copies, 11 reviews
The Well-Beloved (1897) 512 copies, 9 reviews
Thomas Hardy: The Complete Poems (1976) 470 copies, 2 reviews
Selected Poems (The Penguin poets) (1979) 439 copies, 3 reviews
Life's Little Ironies (1894) 388 copies, 8 reviews
The Distracted Preacher and Other Stories (1879) 350 copies, 1 review
Woman Much Missed (2015) 253 copies, 4 reviews
A Group of Noble Dames (1891) 185 copies, 6 reviews
A Mere Interlude (2007) 153 copies, 4 reviews
Selected Poems (1993) 151 copies, 1 review
The Dynasts (0001) 150 copies, 2 reviews
Selected Shorter Poems (1972) 129 copies, 1 review
Hardy's Selected Poems (1995) 118 copies, 6 reviews
Selected Poetry (Oxford World's Classics) (1994) 89 copies, 1 review
The Withered Arm [adapted - Oxford Bookworms] (2004) 88 copies, 60 reviews
Our Exploits at West Poley (1952) 82 copies, 2 reviews
Selected Short Stories (1995) 73 copies, 1 review
Tales from Wessex (1973) 67 copies, 2 reviews
Life of Thomas Hardy (1962) — Author — 66 copies, 1 review
Tess of the d'Urbevilles (Macmillan Reader) (1891) 65 copies, 3 reviews
The Penguin Thomas Hardy (1984) 64 copies, 1 review
Selected Stories of Thomas Hardy (1975) 58 copies, 2 reviews
Chosen Poems of Thomas Hardy (1975) 53 copies, 2 reviews
Thomas Hardy: Poems Selected by Tom Paulin (2001) 52 copies, 1 review
A Changed Man and Other Tales (Dodo Press) (1984) 50 copies, 2 reviews
The Return of the Native [1994 TV movie] (1994) — Author — 50 copies
The Withered Arm [short story] (1881) 49 copies, 4 reviews
Selected Poems of Thomas Hardy (1961) 49 copies, 1 review
The Poems of Thomas Hardy (2007) 46 copies, 1 review
The Distracted Preacher (1879) 44 copies, 1 review
Poems of the Past and the Present (2004) 44 copies, 2 reviews
Late Lyrics and Earlier (2004) 40 copies, 2 reviews
The Portable Thomas Hardy (1977) 39 copies
Fellow-Townsmen (Hesperus Classics) (2003) 37 copies, 1 review
An Imaginative Woman and Other Stories (1992) 36 copies, 1 review
The Essential Hardy (1995) 36 copies
Under the Greenwood Tree [2005 TV movie] (2006) — Original book — 35 copies, 1 review
Poems by Thomas Hardy (2011) 30 copies
Collected Short Stories (1988) 29 copies, 1 review
Moments of Vision and Miscellaneous Verses (1978) 28 copies, 1 review
The Romantic Adventures of a Milkmaid (2007) 27 copies, 1 review
A Changed Man (2005) 27 copies
A Trampwoman's Tragedy (1996) 25 copies
The Famous Tragedy of the Queen of Cornwall (1923) 24 copies, 2 reviews
The Three Strangers (2009) 22 copies
Barbara of the House of Grebe [novelette] (1890) — Author — 22 copies, 1 review
[unidentified works] 19 copies, 3 reviews
Wessex Poems (1994) 19 copies, 1 review
Thomas Hardy (Faber Poetry) (2016) 18 copies
Victorian Short Stories: Stories of Successful Marriages (2007) — Contributor — 17 copies, 1 review
The bedside Thomas Hardy (1979) 13 copies
Wessex Heights (1988) 13 copies
Jude the Obscure / The Woodlanders (1997) 13 copies, 1 review
The Dynasts: Part 1 of 3 (2007) 11 copies, 2 reviews
Love Poems (1963) 10 copies
Los tres desconocidos y otros relatos (1991) 9 copies, 1 review
The Dynasts: Part 3 of 3 (2007) 9 copies, 2 reviews
Die besten englischen Schauergeschichten (1981) — Contributor — 8 copies
The Dynasts: Part 2 of 3 (2007) 7 copies, 2 reviews
Romanzi (1995) 7 copies
The Woodlanders (film) (2005) — Author — 6 copies
La risée du temps (1993) 6 copies
Green Blades (2007) 6 copies
Cuentos completos (2013) 6 copies
The Thomas Hardy Omnibus (1979) 6 copies
Poèmes du Wessex (1997) 6 copies
Short Fiction 5 copies
Stories of Wessex (1888) 5 copies
Poems: 1912-13 (Syrens) (1995) 5 copies
Meistererzählungen (1988) 5 copies
Selected Letters (1990) 4 copies
Weathers 4 copies
Herhangi Bir Jude (2024) 4 copies
The Best of Thomas Hardy (2016) 4 copies
The Son's Veto (2009) 4 copies
The poetical works (1923) 3 copies
On the Western Circuit (1999) 3 copies
Una romantica avventura (1994) 3 copies
Poemas (2002) 3 copies
Les poésies d'amour (2018) 2 copies
Alicia's Diary 2 copies
Channel Firing 2 copies
Misterios de Wessex / (1984) 2 copies
The Stories: v. 1 (1977) 2 copies
Una mujer soñadora (1991) 2 copies
Vint-i-un poemes (1988) 2 copies
I Have Lived with Shades (1999) 2 copies, 1 review
The Turning of the Year (1990) 2 copies
Egy tiszta no (1974) 1 copy
Neutral Tones [poem] 1 copy, 1 review
Under the Greenwood Tree - Elementary (1998) 1 copy, 1 review
Antología poética (2023) 1 copy
Hap 1 copy
Poesie d'amore (2006) 1 copy
55 wierszy (1993) 1 copy
Poesie 1 copy
Lesáci 1 copy

Associated Works

The Making of a Poem: A Norton Anthology of Poetic Forms (2000) — Contributor — 1,473 copies, 9 reviews
Winter Poems (1994) — Contributor — 1,465 copies, 12 reviews
The Best Poems of the English Language: From Chaucer Through Robert Frost (2004) — Contributor — 1,250 copies, 3 reviews
Literature: An Introduction to Fiction, Poetry, and Drama (1995) — Contributor, some editions — 1,017 copies, 7 reviews
Great Tales of Terror and the Supernatural (1944) — Contributor — 741 copies, 12 reviews
The Nation's Favourite Poems (1996) — Contributor — 689 copies, 8 reviews
The Oxford Book of Gothic Tales (1992) — Contributor — 608 copies, 6 reviews
Murder for Christmas (1982) — Contributor — 501 copies, 7 reviews
World Poetry: An Anthology of Verse from Antiquity to Our Time (1998) — Contributor — 500 copies, 2 reviews
The Penguin Book of War (1999) — Contributor — 498 copies, 1 review
A Pocket Book of Modern Verse (1954) — Contributor, some editions — 483 copies, 3 reviews
The Penguin Book of English Short Stories (1967) — Contributor — 472 copies, 4 reviews
World War One British Poets (1997) — Contributor — 438 copies, 4 reviews
The Spy's Bedside Book (1957) — Contributor — 402 copies, 1 review
Literature: The Human Experience (2006) — Contributor — 369 copies
The Big Book of Christmas Mysteries (2013) — Contributor — 359 copies, 10 reviews
Modern American and Modern British Poetry (1919) — Contributor — 334 copies, 4 reviews
75 Short Masterpieces: Stories from the World's Literature (1961) — Contributor — 320 copies, 2 reviews
The Phantom of the Opera and Other Gothic Tales (2018) — Contributor — 315 copies, 1 review
The Norton Anthology of English Literature, 4th Edition, Volume 2 (1979) — Contributor — 272 copies, 1 review
Damnable Tales: A Folk Horror Anthology (2021) — Contributor — 237 copies, 5 reviews
Chilling Horror Short Stories (2015) — Contributor — 236 copies, 1 review
The Oxford Book of English Short Stories (1998) — Contributor — 229 copies, 2 reviews
Vampires, Wine and Roses: Chilling Tales of Immortal Pleasure (1997) — Contributor — 170 copies, 2 reviews
The Faber Book of Beasts (1997) — Contributor — 170 copies, 1 review
Great Short Stories of the World (1925) — Contributor — 168 copies, 1 review
Poetry of the First World War: an anthology (2013) — Contributor — 167 copies, 1 review
A Literary Christmas: An Anthology (2013) — Contributor — 160 copies, 6 reviews
The Oxford Book of Villains (1992) — Contributor — 150 copies
The Book of Love (1998) — Contributor — 150 copies
An American Album: One Hundred and Fifty Years of Harper's Magazine (2000) — Contributor — 145 copies, 1 review
Above the Dreamless Dead: World War I in Poetry and Comics (2014) — Author — 141 copies, 9 reviews
The Second Penguin Book of English Short Stories (1972) — Contributor, some editions — 136 copies
Poems to See By: A Comic Artist Interprets Great Poetry (2020) — Contributor — 130 copies, 33 reviews
The Standard Book of British and American Verse (1932) — Contributor — 130 copies, 1 review
The Norton Book of Travel (1987) — Contributor — 122 copies, 1 review
Answering Back: Living Poets Reply to the Poetry of the Past (2007) — Contributor — 119 copies, 1 review
Great Modern Reading (1943) — Contributor — 115 copies, 3 reviews
Far From the Madding Crowd [2015 film] (2015) — Original book — 115 copies
World's Great Detective Stories (1928) — Contributor — 114 copies, 2 reviews
Foundations of Fear (1992) — Contributor — 107 copies, 2 reviews
The Norton Book of Friendship (1991) — Contributor — 104 copies
Murder for Christmas, Volume 2 (1982) — Contributor — 97 copies
Crime for Christmas (1991) — Contributor — 94 copies, 2 reviews
The Treasury of English Short Stories (1985) — Contributor — 93 copies
More Stories to Remember, Volume 1 (1958) — Contributor — 93 copies, 1 review
Selected Stories from the 19th Century (1998) — Contributor — 86 copies, 1 review
The Everyman Anthology of Poetry for Children (1994) — Contributor — 79 copies
The Bedside Book of Famous British Stories (1940) — Contributor — 76 copies
An Introduction to Poetry (1968) — Contributor — 73 copies, 1 review
A Book of Narrative Verse (1930) — Contributor — 71 copies, 1 review
Far from the Madding Crowd [1967 film] (1967) — Orginal novel — 70 copies, 3 reviews
Masters of the Macabre (1999) — Contributor — 70 copies
The Big Book of Victorian Mysteries (2021) — Contributor — 69 copies, 2 reviews
Modern English Readings (1942) — Contributor — 60 copies
Tess [1979 film] (2004) — Original novel — 60 copies, 4 reviews
Classic Tales of Supernatural (2000) — Contributor — 57 copies, 1 review
Mystery for Christmas [Dalby] (1990) — Contributor — 55 copies
Victorian Love Stories: An Oxford Anthology (1996) — Contributor — 53 copies, 1 review
The Faber Book of Christmas (1996) — Contributor — 49 copies, 1 review
Elegy written in a country churchyard and other poems (2009) — Contributor — 47 copies
Modern English Short Stories, First Series (1939) — Contributor — 45 copies, 1 review
The Oxford Book of Historical Stories (1994) — Contributor — 44 copies
A Quarto of Modern Literature (1935) — Contributor — 44 copies
The Oxford Book of English Love Stories (1996) — Contributor — 42 copies
Far from the Madding Crowd [1998 TV miniseries] (1998) — Original book — 41 copies
The Victorian age: prose, poetry, and drama (1938) — Contributor — 40 copies, 1 review
Great English Short Stories (Dover Thrift Editions) (2005) — Contributor — 39 copies
Best Horror Stories (1990) — Contributor — 39 copies, 2 reviews
The Best Crime Stories of the 19th Century (1988) — Contributor — 36 copies, 1 review
Famous and Curious Animal Stories (1982) — Contributor — 34 copies, 2 reviews
The Three Strangers (adapted ∙ Oxford bookworms ∙ Stage 3) (2000) — Original author — 34 copies, 11 reviews
Tess of the d'Urbervilles [1998 TV movie] (1985) — Original book — 32 copies
Poems of Hate (Signature Select Classics) (2022) — Contributor — 31 copies, 1 review
The Animals' Christmas (1944) — Contributor — 28 copies
The Ghost Story MEGAPACK®: 25 Classic Tales by Masters (2013) — Contributor — 28 copies, 1 review
The Best Horror Stories (1977) — Contributor — 28 copies
Cuentos de amor victorianos (2004) — Contributor — 27 copies
Tess of the d'Urbervilles [2008 TV mini series] (2008) — Original book — 26 copies
Chills and Thrills: Tales of Terror and Enchantment (2001) — Contributor — 26 copies
The Great Book of Humour (1935) — Contributor — 24 copies, 1 review
Masters of British Literature, Volume B (2007) — Contributor — 23 copies
Short Stories for Study (1950) — Contributor — 22 copies
Great English Short Stories (1930) — Contributor — 22 copies, 1 review
The Broadview Anthology of Victorian Short Stories (2004) — Contributor — 19 copies
Horror by Lamplight (1993) — Contributor — 19 copies
A Quaint and Curious Volume: Tales and Poems of the Gothic (2019) — Contributor — 19 copies, 1 review
Ellery Queen's Poetic Justice (1970) — Contributor, some editions — 19 copies
The Third Ghost Story Megapack: 26 Classic Ghost Stories (2013) — Contributor — 18 copies, 2 reviews
Stories by English Authors (2013) — Contributor — 17 copies, 1 review
Christmas Classics: A Treasury for Latter-Day Saints (1995) — Contributor — 16 copies
A Little Night Reading (1974) — Contributor — 16 copies, 1 review
Creatures of Another Age: Classic Visions of Prehistoric Monsters (2021) — Contributor — 15 copies, 1 review
Paha vieras (1996) 15 copies
Stories by English Authors: England (2012) — Contributor — 14 copies
Four English Novels (1960) — Contributor — 13 copies
England forteller : britiske og irske noveller (1970) — Contributor — 10 copies
Men and Women: The Poetry of Love (1970) — Contributor — 9 copies
The Gothic Terror MEGAPACK TM: 17 Classic Tales (2015) — Contributor — 9 copies, 1 review
The Trials of Love (1990) — Contributor — 9 copies
My Favorite Suspense Stories (1968) — Contributor — 8 copies, 1 review
The New Windmill Book of Stories from Different Genres (1998) — Contributor — 8 copies
The Fireside Treasury of Modern Humor (1963) — Contributor — 7 copies
The West Country Book (1981) — Contributor — 7 copies
An Adult's Garden of Bloomers (1966) — Contributor — 7 copies
The Story Survey (1939) — Contributor — 7 copies
The Mayor of Casterbridge [Real Reads] (2012) — Author — 6 copies
Thames: An Anthology of River Poems (1999) — Contributor — 6 copies
Evergreen Stories (1998) — Contributor — 6 copies
Great Love Scenes from Famous Novels (1943) — Contributor — 6 copies
The Great Modern English Stories: An Anthology (1919) — Contributor — 5 copies
Collected Classics, Vol. 2 (2000) — Contributor — 4 copies
La poesía inglesa románticos y victorianos — Contributor — 4 copies, 1 review
Six Short Stories (1991) — Contributor — 4 copies
Famous Stories of Five Centuries (1934) — Contributor — 4 copies
Let Us Be Men (1969) — Contributor — 3 copies
A Christmas Anthology (2011) — Contributor — 3 copies
Representative Modern Short Stories. (1936) — Contributor — 2 copies
Modern Short Stories — Contributor — 2 copies
Round about Eight: Poems for Today (1972) — Contributor — 2 copies
Short Stories of the Past (1960) — Contributor — 2 copies
The Children's Own Treasure Book (1947) — Contributor — 2 copies
West Country Short Stories (1949) — Contributor — 2 copies
A Book of Narratives (1917) — Contributor — 2 copies
Enjoying Stories (1987) — Contributor — 2 copies
In scarlet and grey (1896) — Contributor — 2 copies
Christmas Short Works Collection 2022 (2022) — Contributor — 1 copy
Fifty Short Stories [Red Door Consulting] (2013) — Contributor — 1 copy
A Book of Short Stories (1914) — Contributor — 1 copy
Country Living Magazine Christmas Stories (1995) — Contributor — 1 copy
Healing Poetry (2013) 1 copy, 1 review

Tagged

1001 (377) 1001 books (391) 19th century (2,478) 19th century literature (378) British (1,213) British literature (1,342) classic (2,457) classic fiction (378) classic literature (432) classics (3,029) ebook (350) England (1,247) English (591) English literature (1,725) fiction (9,677) Folio Society (574) Hardy (619) Kindle (363) literature (2,146) novel (2,233) poetry (987) read (635) romance (514) Thomas Hardy (728) to-read (3,283) tragedy (355) unread (539) Victorian (1,067) Victorian literature (351) Wessex (563)

Common Knowledge

Birthdate
1840-06-02
Date of death
1928-01-11
Gender
male
Education
King's College, London
Occupations
architect
novelist
poet
Awards and honors
Order of Merit (1910)
Royal Society of Literature (Fellow)
Short biography
Thomas Hardy (2 June 1840 – 11 January 1928) was an English novelist and poet. A Victorian realist in the tradition of George Eliot, he was influenced both in his novels and in his poetry by Romanticism, including the poetry of William Wordsworth. He was highly critical of much in Victorian society, especially on the declining status of rural people in Britain, such as those from his native South West England.

While Hardy wrote poetry throughout his life and regarded himself primarily as a poet, his first collection was not published until 1898. Initially, he gained fame as the author of novels such as Far from the Madding Crowd (1874), The Mayor of Casterbridge (1886), Tess of the d'Urbervilles (1891), and Jude the Obscure (1895). During his lifetime, Hardy's poetry was acclaimed by younger poets (particularly the Georgians) who viewed him as a mentor. After his death his poems were lauded by Ezra Pound, W. H. Auden and Philip Larkin.

Many of his novels concern tragic characters struggling against their passions and social circumstances, and they are often set in the semi-fictional region of Wessex; initially based on the medieval Anglo-Saxon kingdom, Hardy's Wessex eventually came to include the counties of Dorset, Wiltshire, Somerset, Devon, Hampshire and much of Berkshire, in southwest and south central England. Two of his novels, Tess of the d'Urbervilles and Far from the Madding Crowd, were listed in the top 50 on the BBC's survey The Big Read.
Cause of death
pleurisy
Nationality
UK
Birthplace
Higher Bockhampton, Dorsetshire, England, UK
Places of residence
Higher Bockhampton, Dorsetshire, England, UK
St. Juliot, Cornwall, England, UK
London, Middlesex, England, UK
Dorchester, Dorset, England, UK
Place of death
Dorchester, Dorset, England, UK
Burial location
Westminster Abbey, London, Middlesex, England, UK
St. Michael's churchyard, Stinsford, Dorset, England, UK (heart)
Map Location
England, UK

Members

Discussions

November 2025: Thomas Hardy in Monthly Author Reads (December 2025)
THE DEEP ONES: "The Withered Arm" by Thomas Hardy in The Weird Tradition (April 2023)
2013 Quarter 2 - Thomas Hardy in Monthly Author Reads (October 2013)
Just Joined - and my small/humble HP collection... in George Macy devotees (September 2012)
Jude the Obscure: Parts 4-6 in Group Reads - Literature (July 2011)
Jude the Obscure: Parts 1-3 in Group Reads - Literature (July 2011)

Reviews

1,458 reviews
I have a great admiration for this novel. Hardy doesn’t hold back with this one; it’s edgy, it’s dark and it’s merciless. In this allegorical tale, Tess is your loveable scapegoat, the Christ-figure if you will, that evokes our inmost pity. All she innocently desires is to do the right thing, and we martyr her because we won’t compromise our "armoured" regulations. Yes, Hardy goes way over the top here, and some may criticize him as overly romantic, but considering he was working show more within the confines of Victorian censorship and he didn't have much choice, this novel was ground-breaking for cleverly breaking the rules.

As a feminist, I consider this novel seminal to the movement in the late 19th century, much like I consider Huckleberry Finn seminal to racial awareness of the same period. They may not sound robust enough to our modern ears, but they were amongst the ideas that got the gears turning in the first place.
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From the beginning, it were the occasional dissonant comments -- very brief -- that Hardy planted in his description of an ambitious schoolmaster leaving a tiny Wessex hamlet that gripped me and dragged me into the novel, promising a mildly cynical undercurrent to an everyman’s narrative.

The novel starts there, taking its time describing curbed ambition and stunted growth amidst rural status-quo, but pretty soon it becomes interested in matters of morality and social opprobrium. Is show more marriage a socially sanctioned contract that ought to be cancellable; or is it a promise made to God, and therefore eternally fixed? At what point does social disapproval and the continuation of a community's mores turn into concerted bullying?

Hardy is so very good at the plot archetype where bad things happen to good people: his main characters are unassuming people who mainly want to be left alone to pursue their own choices. Cue a crisis of faith, and a crisis of atheism, unsatisfactory work and life prospects; their resolve to pursue love and happiness is put to stringent tests unintentionally imposed by a society that simply does not get it.

And Hardy uses this outline to examine a range of class issues as well as moral / religious disagreements in his idealized setting of rural Victorian England. Hardy reserves his most direct criticism for class differences: his tale of a working class layman with scholarly ambitions is excellent at conveying frustration with the closed mindset of a self-contained academia, at expressing the resignation of reaching university only through his children and their offspring. But in Jude, Hardy never explicitly chooses sides when it comes to the moral issues. The antagonists, embodied customs and societal taboos though they are, are never portrayed in an unfair light; everyone's behaviour is at all times understandable and (from their own perspective) entirely reasonable. Lack of education, self-interested moral shortcuts and privilege-induced blindness may be deplored, but cannot be demonized, much less personified in easy allegories.

Hardy very skilfully makes readers care about his main characters -- Jude and Sue -- and then proceeds to relentlessly pummel his protagonists with all the disapproval that society and their notions of morality can muster. In this respect, Jude the Obscure reminds me of Eliot’s The Mill on the Floss: a tragedy inflicted by moral considerations that are at least partially self-imposed and that the protagonists feel unable to abandon without betraying their sense of self.

As great as this book is in addressing moral and religious quandaries, the narrator’s voice is one of the best things about Jude. Most of the narrative is told fairly straightforwardly, without omniscient interference or explicit moralizing. But the narrator's voice sprinkles wry remarks on the text -- be they explicit comments or, more subtly, choice of words and connotations. It doesn’t often make an appearance, but when it engages in a little omniscient foreshadowing or offers a general comment about human nature, it is noticeably but not intrusively different from the surrounding narrative, and the effect is much amplified.

To sum up: Jude the Obscure was a very engaging read, and felt like a mature novel, written by an accomplished and highly skilled novelist-- it is so satisfying to feel you're in the hands of a master at their craft. It offered moral complexity, protagonists to root for, and a world with no easy, blameable antagonists. I loved every page of it, because there was so much to keep me intellectually interested as well as emotionally invested.
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½
I said this before, in another review, that Thomas Hardy is such a literary talent that you can't give him less than three stars, no matter what you may think of the story itself. And I sure didn't think much of this one. I don't mean that it wasn't thought provoking, I just didn't care for the thoughts it provoked. I think it should have had an additional title: "Sue the Absurd", because this woman was too unbelievable to be believable. She's supposed to be a modern woman yet she acts more show more like an old fashioned martyr, sacrificing herself, for no really good reason. She makes a foolish marriage to Phillotson, who physically repulses her, makes the wise choice to ask him for her freedom, but once that's granted and Jude, (whom she loves....or cares for, since I don't think she was emotionally capable of love) gets his freedom from his conniving wife, Arabella, she won't marry him, and risks the disapproval of society by just living with him. Even when they're both legally free, she prefers not to revisit the altar, (or whatever). Makes perfect sense: marry a man you hate, but don't marry one you love. Her short fiasco with Phillotson couldn't have soured her on marriage that badly, and while it's true there was plenty of hypocrisy in it back then (not to mention mercenary gains, social pressure, and plenty that has nothing to do with love), back then, if you want children it should have been clear that they'd be much better off if their parents were legally wed.

So, they live together, but can't settle anywhere, too much disapproval, (so much stupidity....how many "respectably" married people had "bits on the side", as they said back then, and yet had the nerve to judge others) and are never really happy. When a terrible tragedy results, Sue's answer is to do penance by sacrificing herself and returning to Phillotson, despite her physical repulsion. He's all too eager to remarry her (talk about a desperate man, I'm guessing he couldn't find any other woman to sleep with him, including prostitutes), makes perfect (non)sense! Why not devote yourself to good works, charities, helping orphaned children, cleaning the street of horse manure, whatever....but this was just too ABSURD to be believed!

Almost as absurd as Jude believing that Arabella's kid was his. Considering that she had lied before about being pregnant (and he fell for that trap like a real nincompoop), left him for another man, and couldn't keep her legs together if she tried, not to mention there weren't even blood tests back then, let alone DNA ones, does it really seem likely he was the boy's father? I think NOT. But then again, considering the way the kid acted....insanity does run in families!

To sum it up, neither of these fools deserved a happy ending and I'm sure glad they didn't get one.
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19th century novelists spent a lot of time thinking about relationships, and even though society has changed dramatically since then, many of their insights are still useful. My copy of this novel contains two different editions: the 1892 serialized version, and the edited 1897 novel version with a slightly different plot. Both versions offer an interesting look at the costs of obsession: we can't ever truly understand why we sometimes become fixated on certain people, but what do we do with show more that knowledge? How much do we let an obsession affect our relationships with other people, how do we analyze what specific qualities of it are meaningful, how does it relate to the uncertainty we feel about any relationship, and can anything good ever come from it? While Hardy is often too verbose in that excessively discursive Victorian English way, his keen eye for the essential irrationality of attraction makes this study of the costs of unhealthy romantic patterns quite relevant to the modern reader.

Jocelyn Pearston (Pierston in the 1897 edition) is the scion of a stoneworking dynasty who has an issue with his romantic attractions: he becomes fixated on any woman who has been inhabited by a "migratory, elusive idealization he called his Love" - the "Well-Beloved" of the title. It's the spirit that precedes the woman, so he can actually become obsessed with someone before he even sees her, but once he detects that a woman has the halo, he doesn't care about anyone else. He has several relationships in the novel, which takes place from when he is 20 to the age of 60, but most troublesome for him are his obsessions with three generations of a woman from his same isolated home town of Portland: Avice Caro. The three Avices each become the object of Pearston's attention when they reach the age of 20, which would be creepy and pathetic if it didn't have such shades of Wooderson's famous line in Dazed and Confused that "That's what I like about these high school girls; I get older, they stay the same age". Though they're all different people, his consistent infatuation with each incarnation deeply affects his ability to commit to the other women he meets in his life.

Wanting to marry a woman, her daughter, and her granddaughter in turn is a fairly extreme parody of the notion of having a "type". Some people try to date within a range while others play the field, but is one actually better than the other when it's driven by irrationality? In this case, it's clear that going back to the same well too often is the wrong choice, as Pearston chases his memories of the first Avice, who, though she at first had captivated him, is "the only woman he had NEVER loved of those who had loved him", and therefore according to the dream logic of obsession is the one he can't let go of. Try as he might to find her original magic in her descendants, he's disappointed each time by the fact that their reality doesn't measure up in some essential way to his fantasy. But obsession is usually immune to reproof, and the dramatic failure of each attempt to marry an Avice doesn't dissuade him from trying again. Pearston's a successful sculptor of statues of women, and Hardy draws the obvious metaphorical parallels between his art and his life.

Along the way he becomes involved with two other women, Marcia Bencomb and Nichola Pine-Avon. His affairs with these two women differ slightly between the two versions, but it is with both that the price of his obsession with Avice become apparent. Marcia, whose family history is entwined with his in a Romeo and Juliet-ish way, is a rebound after the first Avice rejects him whose incompatibility dooms their relationship (his eventual reconnection with her at the end is fairly ghastly in the serialized version; the novel's retelling is less depressing, but the way they "settle" for each other is not exactly joyous). Nichola is a London society woman who honestly would have been just fine for him, and Pearston's abandonment of her to chase after the various Avices leads to her deciding to marry his best friend at just the time when he decides that maybe she's not so bad after all. As life is all about choices, pursuing a fantasy means that you have to give up on something real. At least Pearston recognizes the limits of his unreason, and helps the lesser Avices find happiness when he realizes that he can't have them.

One thing I found weird about the novel is that, according to the introduction, society was scandalized by sexual content in the book, but in fact there's zero sex whatsoever: Pearston's failed attempt to sleep with the first Avice before they're married (according to "island custom", as if premarital sex hasn't been ubiquitous since forever) is what sets the whole story in motion, and he spends the entire rest of the book utterly failing to sleep with any of the other hosts of his "Well-Beloved". What gives? Perhaps the idea of a 60 year old man desperately trying to marry young girls was so shocking that society just couldn't handle it, but it's worth pointing out that in real life, about 20 years after Hardy published this novel he married his secretary, who was 40 years younger than him. Hmm. Another thing that's odd is that although marital status is taken very seriously, the process of getting married is not - Pearston proposes to half the women in the book at the drop of a hat, and most of them seem to treat it with less gravity than a decision on where to go for lunch.

Still, Hardy's exposition of the absurd lengths some people will go to in order to chase an idea instead of a person is well-done and very relevant. How do you know whether your desire is "real", as opposed the kind of phantom that Pearston can't stop chasing, and when should you give up on the ghost and embrace what you have? Unsurprisingly, Hardy is a bit less helpful on that score, but anyone who has lamented their own tendencies to excessive romanticism will find plenty to ponder here.
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