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Henry de Montherlant (1895–1972)

Author of Chaos and Night

131+ Works 1,810 Members 38 Reviews 11 Favorited

About the Author

Image credit: henrydemontherlant.mes-biographies.com

Series

Works by Henry de Montherlant

Chaos and Night (1963) 217 copies, 4 reviews
La Reine morte (1942) 176 copies, 3 reviews
The Bachelors (1934) 152 copies, 1 review
Les jeunes filles (1936) 136 copies, 3 reviews
Le maître de Santiago (1947) 80 copies, 2 reviews
Pitié pour les femmes (1936) 75 copies, 1 review
Le démon du bien (1937) 65 copies, 1 review
Les lépreuses (1939) 59 copies, 2 reviews
Les bestiaires (1926) 59 copies, 3 reviews
La Ville dont le prince est un enfant (1951) 57 copies, 1 review
Port-Royal (1954) 56 copies
La Rose de sable (1954) 35 copies
The Boys (1969) 35 copies, 2 reviews
Spelen met stof (1966) 29 copies, 1 review
Le Cardinal d'Espagne (1960) 28 copies
Le songe (1922) 26 copies, 1 review
Les Olympiques (1954) 26 copies
Théâtre (1955) — Author — 26 copies, 1 review
Malatesta (1948) 25 copies, 1 review
La petite infante de Castille (1929) 20 copies, 1 review
Fils de personne (1963) 18 copies, 1 review
Henry de Montherlant : Romans, tome I (1959) 17 copies, 1 review
Les bestiaires (extraits) (1999) 16 copies
La relève du matin (1920) 15 copies
Port-Royal, and other plays (1962) — Contributor — 15 copies
Essais (1963) — Author — 14 copies, 1 review
Un assassin est mon maître (1971) 14 copies
Moustique (1986) 12 copies
Service inutile (1973) 10 copies
The Girls/Pity for Women (1969) 10 copies
Selected Essays (1960) 9 copies
Henry de Montherlant : Romans, tome II (1982) — Author — 9 copies
La guerre civile (1965) 6 copies
Carnets, 1930-1944 (1957) 6 copies
Le Fichier parisien (1974) 5 copies
L'Equinoxe de septembre 4 copies, 1 review
Brocéliande (1956) 4 copies
Pasifae (1990) 4 copies
les onze devant la porte dorée (1924) 4 copies, 1 review
The Girls (vol. 2) (1968) 3 copies
Au fontaines du désir (1927) 3 copies
L'Exil suivi de Pasiphaë (1946) 2 copies
Mariette Lydis 2 copies
Le Treizième César (1970) 2 copies
Tagebücher (1968) 2 copies
Profil D'Une Oeuvre: Montherlant: La Reine Morte (1970) — Contributor — 2 copies
La Tragédie sans masques (1972) 2 copies
LES AULIGNY (1956) 2 copies
LE DEMON DU BIEN 1 copy, 1 review
La reine morte : Analyse complète de l'oeuvre (2015) — Contributor — 1 copy
Gedichten 1 copy
Sur les Femmes. 1 copy, 1 review
Gli scapoli 1 copy
Théâtre (1958) 1 copy
Solstice de Juin 1 copy, 1 review
mors et vita 1 copy, 1 review
Romans 1 copy
L'agneau 1 copy
Visul (2007) 1 copy
Baietii 1 copy
Dívky. I 1 copy
A lányok 1 copy
Théatre 1 copy

Associated Works

Germinal (1885) — Introduction, some editions — 6,123 copies, 89 reviews
The Living Desert (1971) — Contributor — 12 copies, 1 review
From Flaubert to the Present: French Stories — Contributor — 3 copies
Meesters der Franse vertelkunst (1950) — Contributor — 2 copies
Mémoires. Tome 12/18 : 1715-1716 (1978) — Preface, some editions — 1 copy

Tagged

Common Knowledge

Legal name
Montherlant, Henry Marie Joseph Frédéric Expedite Millon de
Birthdate
1895-04-20
Date of death
1972-09-21
Gender
male
Education
Collège Sainte-Croix, Neuilly-sur-Seine
Occupations
novelist
essayist
dramatist
Organizations
Académie française (1960)
Awards and honors
Grand Prix de Littérature de l'Académie française (1934)
Short biography
Henry Marie Joseph Frédéric Expedite Millon de Montherlant est un essayiste, dramaturge et académicien français.

Henry de Montherlant est d'une famille, du côté paternel, originaire de la Catalogne. Il fait ses études au lycée Janson de Sailly et à l'école Sainte-Croix de Neuilly. Pendant les vacances il s'initie à la tauromachie, et tue des taurillons. C'est à cette occasion que son nom apparaît pour la première fois dans un journal. "Le Toréro" de Nimes, du 8 octobre 1911, donne le compte-rendu de deux mises à mort qu'il exécute à Burgos. Il a alors quinze ans.

Il se destine tôt à la littérature. Dans son enfance, sa mère lui lit "Quo vadis" de Henryk Sienkiewicz, et cette lecture lui fournit les thèmes qu'il abordera sa vie durant : l'amitié, le suicide et la Rome antique.

Pendant la guerre, classé service auxiliaire et affecté comme secrétaire à un état-major de l'intérieur, il fait une demande pour être versé dans un régiment d'infanterie du 20° corps, dans un poste du service armé. Muté au 360° régiment d'infanterie, il est grièvement blessé, en 1918.

De 1920 à 1924, il est secrétaire général de l'Oeuvre de l'Ossuaire de Douaumont, présidée par le maréchal Pétain. Rétabli, il s'adonne aux sports athlétiques. En 1925, en toréant à Albacete (Espagne), il est blessé par coup de corne. De 1925 à 1935, il fait des séjours en Espagne, Italie, Afrique du Nord et Sahara.

En 1940, réformé pour blessure de guerre, Montherlant assiste, comme correspondant de guerre, aux combats de la Somme et de l'Oise. Il y est légèrement blessé.

En 1960, il est élu à l'Académie française sans en avoir fait expressément la demande. Douze ans plus tard, devenu aveugle, il se suicide.

Parmi ses œuvres, on peut citer : "Les Bestiaires" (1926), "La Reine Morte" (1942), "Le Maître De Santiago" (1947), "Les Célibataires" (1934), "Les Jeunes Filles" (1936-39) ou encore "La Rose de sable" (1968).
Cause of death
suicide
Nationality
France
Birthplace
Paris, France
Place of death
Paris, France
Map Location
France
Associated Place (for map)
Paris, France

Members

Reviews

49 reviews
Not what I was expecting- I'm not sure what I was expecting, but it wasn't latter day Celine. Montherlant's protagonist is an anarchist who, thanks to self-obsession and an almost pathological hatred of actually existing human beings, turns into a nihilist, despite his own better judgment. HdM does a nice job mixing up omniscient third person narration and free indirect discourse. It's quite tricky, sometimes, working out whether we're reading 'Celestino,' HdM, or HdM's thoughts on show more Celestino's thoughts... and so on. Anyway, plenty of irony, which apparently a lot of readers don't pick up on, despite the author's preface (in which he denies having any of the thoughts in the book, and denies that he was trying to paint a portrait of 'The Left' in general). I don't know how much of the 'philosophy' of this book HdM truly believe; I'd like to think none of it. But who knows. Novelists aren't necessarily the brightest bulbs in the box.
Otherwise, plenty of nifty aphorisms, a killer ending, and a fabulous scene in which Celestino watches a bullfight. Also, it's short, and, pace Celine/Dostoevsky etc., nihilism is best treated quickly. And well translated.
On the down side, what's with all the typos? Get on that, NYRB.
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An aging veteran of the Spanish Civil War has been living in Paris, in exile, for many years. He is an ardent anarchist, obsessed with Spanish politics. Initially he seems somewhat ludicrous and out of touch with the times, as well as absurdly paranoid about his need to watch out for being arrested for his crimes during the war. Due to family circumstances he must risk a return to Spain. I will not spoil the plot, but the ending is excellent.

More than a story, this novel represents an show more exposition on facing mortality. The author suggests that all that is true are "chaos" (life) & "night" (that which exists before birth & after death). Much philosophical pondering occurs throughout this tale, and the combination make for an excellent reading experience.

One warning: If one does not know Paris intimately the beginning can be confusing. Eventually, however, it makes no difference.
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One of my desert island books... the novel revolves around a special friendship ("amitié particulière") between two boys in a Catholic school in Paris in 1913, its breakup due to a jealous priest and the consequences.

The storyline is based closely on de Montherlant's own experiences (he was expelled from school following such a relationship), and although the earliest drafts of parts of the novel were written by a young de Montherlant in 1913/1914, the novel was not completed until more show more than 50 years later, in 1967.

Despite the content of the story, Les garçons is neither a "gay" novel nor a confessional. Rather, Henry de Montherlant uses the novel to explore deeper questions of morality. In Les garçons, ultimate salvation seems to depend on how the individual reacts to the tyranical unfairness of life, and the realisation that true lasting love may be, in the end, an impossible dream.
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The fire that consumes. Montherlant finally published his play La Ville dont le prince est un enfant in 1951, decades after he had started writing down this autobiographical story. Montherlant himself had been expelled from the Catholic boys school Sainte-Croix de Neuilly in 1912 for his improper relationship with Philippe Giquel, a younger boy who had joined the school aged twelve. The movie is titled The Fire that Burns.

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Statistics

Works
131
Also by
6
Members
1,810
Popularity
#14,213
Rating
4.1
Reviews
38
ISBNs
167
Languages
9
Favorited
11

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