Marcel Pagnol (1895–1974)
Author of My Father's Glory
About the Author
Marcel Pagnol was born on February 28, 1895. He was a French novelist, playwright, and filmmaker. In 1946, he became the first filmmaker elected to the Académie Française. Pagnol died in Paris on April 18, 1974. (Bowker Author Biography)
Image credit: Marcel Pagnol In France In 1967
Series
Works by Marcel Pagnol
Marius [1931 film] — Screenwriter — 6 copies
Souvenirs d'Enfance, 4 Volumes: La Gloire de Mon Pere, Le Chateau de ma Mere, Le Temps des Secrets, Le Temps des Amours (1987) 6 copies
Confidences (suivi de) Les secrets de DIeu (suivi de) Discours a l'academie francaise (1991) 3 copies
KOHA E TË FSHEHTAVE 2 copies
Oeuvres complètes - Tome 12 - Souvenirs d'enfance : l temps des secrets - Le livre de la nature (1970) 2 copies
Oeuvres complètes tome 6 - La belle meunière - Angèle - Trois lettres de mon moulin - La prière aux étoiles (1972) 2 copies
Cigalon [1935 film] 2 copies
Angèle [1934 film] — Director/Screenwriter — 2 copies
L'eau des collines... 1 copy
a infância de um escritor 1 copy
Pigen fra kilderne 1 copy
Le Château de ma mère... 1 copy
Fiche de lecture Topaze (Analyse littéraire de référence et résumé complet) (French Edition) (2018) 1 copy
El Castillo de mi Padre 1 copy
La Gloire de mon Pere 1 copy
Manon des Sources 1 copy
Le Temps des Amours 1 copy
O Castelo de Minha Mãe 1 copy
Merlusse - bCigalon 1 copy
Jak voní tymián 1 copy
Oeuvres complètes 6 Tome 5 - Le Schpountz - La femme du boulanger - La fille du puisatier - Le rosier de Mme Husson (1970) 1 copy
Souvenirs d'enfance : Extraits de La gloire de mon père, Le château de ma mère, Le temps des secrets 1 copy
Souvenirs d' enfance de Marcel Pagnol. Extraits de 'Le chateau de ma mère', texte corrigé pour les enfants (1981) 1 copy
Catulle - Pirouettes 1 copy
Les Curés 1 copy
Shakespeare 1 copy
Marchands de Gloire - Topaze 1 copy
Na 1 copy
La Gloire De Mon PËre 1 copy
Oeuvres complètes tome 10 ( La gloire de mon père - Le château de ma mère - Cinématurgie de Paris ) 1 copy
Oeuvres complètes tome 7 ( La belle meunière - Le rosier madame Husson - Cigalon - Naïs - Merlusse ) 1 copy
Oeuvres complètes de Marcel Pagnol Tome 5 (Le Schpountz, La Femme du boulanger, La Fille du puisatier) (1978) 1 copy
Oeuvres complètes de Marcel Pagnol Tome 3 (Topaze, Fabien, Le Songe d'une nuit d'été) chez Jean de Bonnot (1978) 1 copy
מאנון חלק שני 1 copy
Associated Works
The Well-Digger's Daughter (La fille du puisatier) [2011 film] (2011) — Original screenplay — 20 copies, 3 reviews
Tagged
Common Knowledge
- Canonical name
- Pagnol, Marcel
- Legal name
- Pagnol, Marcel Paul
- Birthdate
- 1895-02-28
- Date of death
- 1974-04-18
- Gender
- male
- Education
- Lycée Thiers
Aix-en-Provence University
University of Montpellier - Occupations
- filmmaker
playwright
novelist - Organizations
- Académie française (1946)
- Awards and honors
- Best foreign film - New York Film Critics Circle Awards (1939)
Best foreign film - New York Film Critics Circle Awards (1940)
Best foreign film - New York Film Critics Circle Awards (1950)
Honorary César (1981) - Short biography
- Marcel Pagnol was born in southern France as the son of a schoolmaster and a seamstress. He studied philosophy at the university of Aix en Provence where in 1913 he founded a student literary magazine wich became the influential Les Cahiers De Sud. After graduating Pagnol began a career as a schoolteacher and began to write poetry. Pagnol's first major success as a writer was his play Les Marchands de gloire. This was followed by Jazz (1926) and Topaze ( 1928) and Marius (1929). In 1932 Pagnol started his own film production company. His first films were Marius (1931) and Joffroi (1932). Pagnol developed his own style of film making. His films were almost exclusively human dramas filmed on location in the beautiful Provencal countryside and towns were Pagnol grew up as a boy. Pagnol's most known films are the Marius-Fanny-Cesar trilogy based on his plays. In 1946 Pagnol was elected to the Academy Francaise, the first film director who became member of the Academy. In 1953 he directed the film Jean de la Florette based on his novels Jean de la Florette and Manon des Sources. He also began working for television. After a brilliant literary and film career wich made him one of the most respected creative talents in France Pagnol died in 1974.
- Nationality
- France
- Birthplace
- Aubagne, Bouche-du-Rhône, Provence-Alpes-Côte d'Azur, France
- Places of residence
- Aubagne, France (birth)
Paris, France (death)
Marseille, France - Place of death
- Paris, France
- Burial location
- Cimetière La Treille, Marseille, France
- Associated Place (for map)
- France
Members
Reviews
This was an enjoyable read. It's a well-written book, with only a few jarring moments where the author milks the villagers' narrowmindedness for comic relief. Less romantic and idealized than I had imagined, the story's slowness never descending into boredom. If you're familiar with the 1987 movie, then this book will hold enough material not included there to keep you interested: Jean's farming ploys and attempts at befriending the villagers occupy the main stage for a while, for instance, show more and plenty of the background characters in the movie get a more thorough treatment here, making the village and the surrounding beauty more real, more like genuine characters. And that's always a good thing. This book, too, feels much more like a finished story than the movie, which is very clearly a longish prologue to the second half: this is less obviously only the first part of a longer story. I would recommend reading the second half too, though, simply because Manon des sources is such a good old read. show less
Esta história é tão bonita... Marcel Pagnol tem o dom de retratar o que há de pior nos seres humanos com perdão e empatia. Através dos olhos deste escritor lemos sobre tragédia, maldade e sofrimento, e ainda assim continuamos a acreditar que há algo de lindíssimo nas pessoas e na vida.
I love this book.
Manon des sources is the grand continuation of and conclusion to Jean de Florette. It's dramatic, it's romanticized, it's full of big emotions, and it's vigorously traditional in all its pastoral glory -- but it carries a sting! In fact, the best description I can think of for Manon is that it plays out like an arcadian tale with the full force and the inevitable doom of a Greek tragedy. Because that's exactly what it is: the unforgiving maiden, wronged by a greedy tyrant; show more the magic rituals of unrequited love; and the implacable doom of unavoidable fate that is brought about by the silliest of details.
This second part of the story may be perceived as slow by some, but it wasn't so for me: rather, it reminded me of an extended folksy yarn that doesn't really work until you know the characters involved -- a you-had-to-have-been-there feel. Pagnol carefully sets up the story, taking care to draw the characters with all their quirks and humanness so that by the end the reader feels as if they really have been there. Once the scene rolls around where Manon finds out about the tacit betrayal that she's unwittingly been the victim of, the plot picks up and paces speedily towards the bittersweet tragedy at the end.
And Manon gets to speak, too! Berri's movies cast her as the demure, mostly silent maiden throwing mysterious glances over one shoulder (strikingly different from her character in Pagnol's own 1952 movie), but Manon is fully fleshed out here, with articulated hopes and dreams and internal monologues and conversations and everything that a character needs to feel real.
Even though this book has a curious simplistic 19th-century taste to it -- both the good and the bad guys might as well come colour-coded -- Pagnol manages to add some wonderful characterization. The bad guys from Jean de Florette slowly morph into a cast of beautifully gray characters, and all the while Pagnol is pretending that this is a naive folk tale with clear heroes and villains in a rustic setting, he's really setting the stage for some genuine emotional involvement.
I thought the end felt a tad over-the-top, a little too rushed and simplistic for a novel that revels in graying out its villains; but that's a minor quibble among all the loveliness that Manon des sources has on offer. Read this book (and the prequel). You won't regret it. show less
Manon des sources is the grand continuation of and conclusion to Jean de Florette. It's dramatic, it's romanticized, it's full of big emotions, and it's vigorously traditional in all its pastoral glory -- but it carries a sting! In fact, the best description I can think of for Manon is that it plays out like an arcadian tale with the full force and the inevitable doom of a Greek tragedy. Because that's exactly what it is: the unforgiving maiden, wronged by a greedy tyrant; show more the magic rituals of unrequited love; and the implacable doom of unavoidable fate that is brought about by the silliest of details.
This second part of the story may be perceived as slow by some, but it wasn't so for me: rather, it reminded me of an extended folksy yarn that doesn't really work until you know the characters involved -- a you-had-to-have-been-there feel. Pagnol carefully sets up the story, taking care to draw the characters with all their quirks and humanness so that by the end the reader feels as if they really have been there. Once the scene rolls around where Manon finds out about the tacit betrayal that she's unwittingly been the victim of, the plot picks up and paces speedily towards the bittersweet tragedy at the end.
And Manon gets to speak, too! Berri's movies cast her as the demure, mostly silent maiden throwing mysterious glances over one shoulder (strikingly different from her character in Pagnol's own 1952 movie), but Manon is fully fleshed out here, with articulated hopes and dreams and internal monologues and conversations and everything that a character needs to feel real.
Even though this book has a curious simplistic 19th-century taste to it -- both the good and the bad guys might as well come colour-coded -- Pagnol manages to add some wonderful characterization. The bad guys from Jean de Florette slowly morph into a cast of beautifully gray characters, and all the while Pagnol is pretending that this is a naive folk tale with clear heroes and villains in a rustic setting, he's really setting the stage for some genuine emotional involvement.
I thought the end felt a tad over-the-top, a little too rushed and simplistic for a novel that revels in graying out its villains; but that's a minor quibble among all the loveliness that Manon des sources has on offer. Read this book (and the prequel). You won't regret it. show less
I had a vague memory of seeing the films on TV many years ago and enjoying them, so when I saw this in a charity shop I gladly scooped it up. The translator has done an excellent job: told in a luminous, lyrical way, with a touch of fairytale or folklore, yet also with lots of sly humour rooted in the peasants' everyday life. The villains, the Papet and Ugolin, are depicted in such a way that we have compassion on them as well as Monsieur Jean and his family.
Lists
French Books (3)
Livres français (1)
My wishlist (1)
Down on the Farm (1)
Schwob Nederland (1)
french letters (1)
Awards
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Statistics
- Works
- 176
- Also by
- 11
- Members
- 5,854
- Popularity
- #4,215
- Rating
- 4.0
- Reviews
- 97
- ISBNs
- 376
- Languages
- 19
- Favorited
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