Walter Savage Landor (1775–1864)
Author of Imaginary Conversations
About the Author
Landor's long life was filled with endless quarrels, lawsuits, and controversy. His temper was violent; his convictions, absolute. But his poetic writings are astonishingly serene, disciplined, and elevated. His youthful Gebir (1798) is the best of his long narrative poems, but it is with the short show more lyric that he is an enduring master. His prose Imaginary Conversations (1824--53) remains widely read. (Bowker Author Biography) show less
Image credit: Courtesy of the NYPL Digital Gallery (image use requires permission from the New York Public Library)
Works by Walter Savage Landor
Imaginary Conversations, Fourth Series: Dialogues of Literary Men [continued], Dialogues of Famous Women, and Miscellaneous Dialogues (1828) 3 copies
Delphi Collected Poetical Works of Walter Savage Landor (Illustrated) (Delphi Poets Series Book 62) (2016) 3 copies
Gebir, Count Julian, and other poems 3 copies
The Pentameron and Pentalogia 2 copies
The works and life of Walter Savage Landor : first series of imaginary conversations and examination of Shakespeare for deer stealing. Vol 2 (1876) 2 copies
Walter Savage Landor: Imaginary Conversations, Selected & Introduced By R. H. Boothroyd (1936) 2 copies
Poemata et inscriptiones 2 copies
Citation and Examination of William Shakspeare: Euseby Treen, Joseph Carnaby, and Silas Gough, Clerk (2006) 1 copy
Landor: Poetry and Prose 1 copy
Aphorisms 1 copy
Pericles and Aspasia, Vol. 1 1 copy
A poet's dream 1 copy
Associated Works
Paradise Lost [Norton Critical Edition] (1667) — Contributor, some editions — 2,425 copies, 14 reviews
The Best Poems of the English Language: From Chaucer Through Robert Frost (2004) — Contributor — 1,249 copies, 3 reviews
Literature: An Introduction to Fiction, Poetry, and Drama (1995) — Contributor, some editions — 1,012 copies, 7 reviews
World Poetry: An Anthology of Verse from Antiquity to Our Time (1998) — Contributor — 499 copies, 2 reviews
The Norton Anthology of English Literature, 4th Edition, Volume 2 (1979) — Contributor — 270 copies, 1 review
Out of the Best Books: An Anthology of Literature, Vol. 3: Intelligent Family Living (1967) — Contributor — 34 copies
Tagged
Common Knowledge
- Legal name
- Landor, Walter Savage
- Birthdate
- 1775-01-30
- Date of death
- 1864-09-17
- Gender
- male
- Education
- University of Oxford (Trinity College) (one year)
Rugby School - Relationships
- Landor, Robert Eyres (brother)
- Short biography
- Charles Dickens put Landor into Bleak House as Lawrence Boythorn.
- Nationality
- UK
- Birthplace
- Warwick, Warwickshire, England, UK
- Places of residence
- Tenby, Wales, UK
London, England, UK
Swansea, Wales, UK
Bath, Somerset, England, UK
Llanthony Abbey, Monmouthshire, Wales, UK
Como, Lombardy, Italy - Place of death
- Fiesole, Florence, Italy
- Burial location
- English Cemetery, Florence, Italy
- Associated Place (for map)
- UK
Members
Reviews
I read the first third of the book and then simply tired of it. Until then, it had its rewarding moments, despite the author’s antiquated prose---presumably designed to be old-fashioned even when Landor wrote, given that he is recording conversations between individuals from the past.
It was often clear that the sympathies of the author lay with one dialogue partner, usually the one who champions tolerance, free thought, and other liberal ideals that I share, but that doesn’t always make show more for interesting reading.
One notable expression of these values is the closing line of the conversation between John of Gaunt and Joanna of Kent: “when I hear the God of mercy invoked to massacres, and thanked for furthering what He reprobates and condemns---I look back in vain on any barbarous people for worse barbarism.”
Not only Joanna of Kent but many other women, for instance, Anne Boleyn in conversation with Henry VIII, are sympathetically-drawn.
Sometimes the least promising dialogues, such as that between Lord Brooke (Fulke Greville) and Sir Philip Sydney, turned up some of the best lines, as when Sydney observes “goodness does not more certainly make men happy than happiness makes them good.” I also enjoyed the way that Diogenes punctures Plato’s arguments for the immortal soul.
After a while, however, such insightful aphorisms didn’t offer enough reward to outweigh the tedium of the style or the lack of dramatic tension in the conversations. show less
It was often clear that the sympathies of the author lay with one dialogue partner, usually the one who champions tolerance, free thought, and other liberal ideals that I share, but that doesn’t always make show more for interesting reading.
One notable expression of these values is the closing line of the conversation between John of Gaunt and Joanna of Kent: “when I hear the God of mercy invoked to massacres, and thanked for furthering what He reprobates and condemns---I look back in vain on any barbarous people for worse barbarism.”
Not only Joanna of Kent but many other women, for instance, Anne Boleyn in conversation with Henry VIII, are sympathetically-drawn.
Sometimes the least promising dialogues, such as that between Lord Brooke (Fulke Greville) and Sir Philip Sydney, turned up some of the best lines, as when Sydney observes “goodness does not more certainly make men happy than happiness makes them good.” I also enjoyed the way that Diogenes punctures Plato’s arguments for the immortal soul.
After a while, however, such insightful aphorisms didn’t offer enough reward to outweigh the tedium of the style or the lack of dramatic tension in the conversations. show less
An epic poem composed by Landor when young under the influence of Milton and the French Revolution. The hero Gebir (supposedly the namesake of Gibraltar) invades Egypt but falls in love with an Egyptian princess. HIs brother Tamar settles more quietly for a sea-nymph. I learned of this poem from Abercrombie's The Epic. Abercrombie thought Landor tried almost too hard for classical concision --in some cases writing first in Latin, then in English. (He later published the poem with a Latin show more translation.) show less
"And may I dine, at journey's end, with Landor and John Donne" (Yeats)
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Statistics
- Works
- 82
- Also by
- 18
- Members
- 319
- Popularity
- #74,134
- Rating
- 4.2
- Reviews
- 4
- ISBNs
- 65
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