Picture of author.

Paul Gallico (1897–1976)

Author of The Snow Goose

113+ Works 9,595 Members 253 Reviews 17 Favorited

About the Author

Image credit: photographed by Carl Van Vechten, 1937 Dec. 28

Series

Works by Paul Gallico

The Snow Goose (1941) 1,554 copies, 40 reviews
Mrs. 'Arris Goes to Paris (1958) 824 copies, 34 reviews
Jennie (1950) 689 copies, 25 reviews
The Poseidon Adventure (1969) 615 copies, 9 reviews
The Silent Miaow (1964) 521 copies, 8 reviews
Thomasina (1957) 402 copies, 7 reviews
Mrs Harris goes to New York (1960) 334 copies, 13 reviews
The Snow Goose and the Small Miracle (1941) 331 copies, 14 reviews
Love of Seven Dolls (1954) 249 copies, 7 reviews
The Small Miracle (1951) 228 copies, 2 reviews
The Man Who Was Magic (1966) 227 copies, 11 reviews
Too Many Ghosts (1959) 219 copies, 2 reviews
Snowflake (1952) 164 copies, 3 reviews
Honorable Cat (1972) 147 copies, 4 reviews
Scruffy (1962) 146 copies, 2 reviews
Ludmila: A Story of Liechtenstein (1955) 133 copies, 3 reviews
Mrs Harris MP (1965) 132 copies, 5 reviews
The Boy Who Invented the Bubble Gun (1974) 130 copies, 3 reviews
The Foolish Immortals (1953) 122 copies, 1 review
The Zoo Gang (1973) 114 copies, 3 reviews
Coronation (1962) 114 copies, 2 reviews
Mrs. 'Arris goes to Moscow (1974) 111 copies, 3 reviews
Manxmouse (1968) 105 copies, 1 review
Trial by Terror (1951) 103 copies, 1 review
Love, Let Me Not Hunger (1974) 99 copies, 1 review
The Hand of Mary Constable (1964) 96 copies, 1 review
The Lonely (1947) 85 copies
The Hurricane Story (2015) 72 copies, 2 reviews
Miracle in the Wilderness (1975) 69 copies, 4 reviews
Matilda (1970) 65 copies, 1 review
The Adventures of Hiram Holliday (1967) 64 copies, 3 reviews
The Story of Silent Night (1967) 64 copies, 3 reviews
Ludmila [and] The Lonely (1967) 63 copies, 2 reviews
Lou Gehrig, Pride of the Yankees (2015) 55 copies, 1 review
Farewell to Sport (1977) 33 copies
Gallico Magic [7-in-1] (1967) 32 copies, 1 review
The Clock [1945 film] (1945) — Writer — 28 copies, 1 review
Ada Harris omnibus (1994) 16 copies
The Best of Paul Gallico (1988) 13 copies
The golden people (2011) 9 copies
Die silbernen Schwäne (1980) 4 copies
Omnibus 3 copies, 1 review
La principessa smarrita (1993) 2 copies
Pigen og marionetterne (1979) 2 copies
Gallico on Sport (1945) 2 copies
Golf Is a Friendly Game (1942) 2 copies, 1 review
Man Story (1950) 1 copy
A Cat Affair 1 copy
Die spanische Tournee (1979) 1 copy
Mooltiki 1 copy
The Best of 21 Years (1960) 1 copy
Pepino. Die Schneegans (2006) 1 copy
Белая Гусыня (2015) 1 copy, 1 review

Associated Works

Baseball: A Literary Anthology (2002) — Contributor — 360 copies, 4 reviews
The Literary Cat (1977) — Contributor — 259 copies
Murder on the Menu: Cordon Bleu Stories of Crime and Mystery, Volume 1 (1984) — Contributor — 213 copies, 2 reviews
The Poseidon Adventure [1972 film] (1972) — Original book — 205 copies, 1 review
Poseidon [2006 film] (2006) — Original book — 175 copies, 1 review
The Saturday Evening Post Treasury (1954) — Contributor — 152 copies, 1 review
30 Stories to Remember (1962) — Contributor — 149 copies, 3 reviews
Read With Me (1965) — Contributor — 146 copies, 2 reviews
Saints for Now (1952) — Contributor — 134 copies
The Pulps: Fifty Years of American Pop Culture (1970) — Contributor — 120 copies, 2 reviews
The Book of Cats (1976) — Contributor — 118 copies
The Pride of the Yankees [1942 film] (1942) — Original book — 89 copies, 1 review
Richard Adams' Favourite Animal Stories (1981) — Contributor — 83 copies, 2 reviews
The Three Lives of Thomasina [1963 film] (1963) — Original story — 68 copies
The lucifer society;: Macabre tales by great modern writers (1972) — Contributor — 51 copies, 1 review
The Bedside Tales: A Gay Collection (1945) — Contributor — 45 copies
Patterns of Exposition, Alternate Edition (1976) — Contributor — 31 copies
Vogue's First Reader (1944) — Contributor — 28 copies
The Best of Both Worlds: An Anthology of Stories for All Ages (1968) — Contributor — 25 copies, 1 review
Eastern Ghosts (1990) — Contributor — 24 copies
Stories to Remember: Literary Heritage Series (1967) — Contributor — 22 copies
The Reader's Digest Teen-Age Treasury: Four Volumes (1957) — Contributor — 22 copies
The Girls from Esquire (1952) — Contributor — 19 copies
New Stories for Men (1941) — Contributor — 17 copies
Western Ghosts (1990) — Contributor — 17 copies
Great American Detective Stories (1945) — Contributor — 17 copies
Beyond the Poseidon Adventure [1979 film] (1979) — Author — 16 copies
Reader's Digest Condensed Books 1959 v01 (1959) — Contributor — 16 copies
The Reader's Digest Teen-Age Treasury Vol. III / Action (1957) — Contributor — 12 copies
Americans All: Stories of American Life To-Day (1920) — Contributor, some editions — 5 copies
1935 Essay Annual — Contributor — 4 copies
A reader for writers — Contributor — 2 copies
The Bedside Bonanza (A Lodestone of Love and Laughter) (1944) — Contributor — 2 copies
Horror (1978) — Contributor — 2 copies

Tagged

20th century (69) adventure (56) American literature (57) animals (133) cats (324) children (73) children's (124) children's fiction (38) children's literature (67) Dunkirk (64) England (82) fantasy (102) fiction (1,330) First Edition (62) France (54) Gallico (46) hardcover (49) humor (143) literature (89) London (38) mystery (50) non-fiction (54) novel (148) Paris (41) read (101) Roman (59) short stories (63) to-read (209) war (40) WWII (142)

Common Knowledge

Canonical name
Gallico, Paul
Legal name
Gallico, Paul William
Birthdate
1897-07-26
Date of death
1976-07-15
Gender
male
Education
Columbia University (BSc|1921)
Occupations
sports reporter
longshoreman
foreign correspondent
novelist
short story writer
founder of Golden Gloves amateur boxing competition (show all 7)
children's book author
Organizations
New York Daily News
Agent
Ober, Harold
Relationships
Gallico, Paolo (father)
Short biography
Paul Gallico was born in New York City, the son of immigrants from Italy and Austria. His father was a concert pianist and composer and his mother had studied to be a singer. Paul attended public school and worked his way through Columbia University with jobs as a tutor and longshoreman. He got a job with the New York Daily News, originally as the movie critic, but more successfully in the sports department. His first big break came when he was sent to cover the training camp of Jack Dempsey, and decided to ask the boxer if he could spar with him. Gallico was knocked out within two minutes, but he had a great story, and from then on his sportswriting career took off. He became editor of the Sport Section of the Daily News in 1923, and had a daily sports column. He also created and organized the Golden Gloves competition for amateur boxers. He became one of the best-known sports writers in the USA and a minor celebrity. But he was always drawn to writing fiction. In 1937, he went to live in Europe to devote himself to this new career. He produced short stories and articles that were published in magazines such as The New Yorker, Vanity Fair, and the Saturday Evening Post. In 1941, he published the novella The Snow Goose, which made him well-known. Apart from a short spell as a war correspondent between 1943 and 1946, Gallico was a full-time freelance writer for the rest of his life. He continued to live outside the USA, mostly in England, Monaco, and the Antibes. He was a first-class fencer, and a keen deep-sea fisherman. He was married four times, and had several children. Among his more than 40 books for adults and children were Manxmouse (1968), cited by J.K. Rowling as one of her favorite books; Mrs. ’Arris Goes to Paris (1958) and its four sequels; and The Poseidon Adventure (1969), the basis for the hugely successful 1972 film.
Nationality
USA
Birthplace
New York, New York, USA
Places of residence
New York, New York, USA
South Devon, England
Mexico
Liechtenstein
Monaco
Place of death
Antibes, France
Map Location
New York, USA

Members

Discussions

best cat book ever!!! in Cats, books, life is good. (April 2024)
Group Read, December 2020: Mrs. ‘Arris Goes to Paris in 1001 Books to read before you die (December 2020)

Reviews

273 reviews
Overly sappy and emotionally manipulative story of a hunchback, ugly-on-the-outside-but-heart-of-gold-on-the-inside dude squatting in a lighthouse with his menagerie of wild birds, who ‘befriends’ and equally wild little girl as they ‘bond’ over a wounded goose. Over the years she visits the bird despite clearly feeling uncomfortable around the creeper who looks at her differently as she grows up. I think it’s meant to be deep and beautiful, but it just comes off as pedophilic and show more gross. show less
"Wild spirit called to wild spirit..."

Take the most minimal of ingredients—a deformed reclusive man, a skittish young English lass, a snow goose flown far off course.

Then add time. And war.

Those are natural ingredients (humans are natural, baffling, but natural), sometimes bitter wilds, from which Paul Gallico gathered to make a stunningly eloquent and clear-eyed tale that has every right to be a classic.

In one small hour, I fell in love with it.

I'll be bequeathing my tiny hardback copy show more to my quiet oldest grandson, soon to be 18, already himself a talented professional artist. It speaks of everything I'd wish to tell him about the world.

I would read it to him, except he's now too grown up, soon a man, and too ready for the world.
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"Just magic," said Adam, "the ordinary kind."

This nearly 60 year old YA novel has a surprising number of reviews, the majority five star! Unlike the magic of Penn and Teller, or of Harry Potter, I am drawn to that ageless quest for "ordinary" magic.

This is a 1966 fable about an unassuming man, Adam, capable of true magic. He travels to a fantastical place, Mageia, where he hopes to be accepted into their Guild of Magicians and with their help, learn more about magic, rating himself as only a show more modest beginner. When the town's master magicians witness his real magic, ironically, they consider it cheating and in their sleight-of-hand hearts and minds, they also covet his secret. He is now a threat to them and is in mortal danger.

Luckily author Gallico cleverly gives Adam a companion and sidekick, Mopsy, a talking dog. We all know dogs are fiercely loyal and have that near magical intuition about humans. With Adam's utterly trusting nature, he could never have survived without the cynic Mopsy.

In Mageia, he also meets a young resident, an 11 year old girl, Jane, who doesn't care to grow up to be a magician's assistant as is traditional. No, she wants to be a magician herself! That touch of early feminism tickled my female heart. She will be the only one in Mageia who learns some of the "ordinary magic" from him.

The novella Jonathan Livingston Seagull came to my mind, a book I read at around 12, another tale of transcendence. Many GR reviewers read The Man Who Was Magic at around 12, too, and kept it as a life-long memory. I think we treasured being introduced--at the perfect age--to the magic of possibility.

I added an extra star in comradery.
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This book surprised me. It's about a small circus that falls onto hard times. Entertainment shifting towards the new invention of television, the circus owner decides to take his tour to Spain, where nobody in the small villages has tv yet and his performers will still be appreciated. But when they get there, after a promising start, disaster strikes. The locals are equally devastated by natural disaster, and can't offer any help. When the owner and most of the circus hands return to England show more to seek redress and assistance, just a few people are left behind to care for the animals. Pretty soon their money runs out, they are all starving, and turn to rather desperate measures to keep the valuable livestock - and themselves- alive.

I was surprised on several fronts. Surprised at the turns the story took- nothing was as I expected, yet I could imagine all this really happening. Surprised at how well it was told, how tender and brutally realistic at the same time. Most of all, surprised at how much this book was about sexuality. Not in a sordid way (although one amazon reviewer thought so- I couldn't find opinions elsewhere online of this book- it seems pretty obscure). But, I thought, in an honest depiction. There's a young girl Rose, grown up in poverty, who comes along with the circus as companion to one of the clowns- she keeps house for him in his little caravan, and becomes enamoured of the animals in the menagerie. There's the strict moral code among the circus people- they reject her as an outsider, and assume that because of her background she's just selling herself (which is untrue). For her part, Rose accepted the old clown simply as a matter of course and a measure of comfort, but she finds herself attracted to the young horseback performer Toby. He is drawn to her even more, having never been with a girl before, but at the same time despising her because of gossip and agonizing over things he doesn't know. When (as is obviously inevitable) these two finally get together, Toby is disappointed that his first experience doesn't live up to wild expectations. More stuff happens, there's estrangement and rejection and forgiveness, and in the end Toby finds what he had been looking for- the difference between needing and using someone, and truly loving them. I think that was the most tender, delicate moment in the whole book.

It was Rose and Toby's story that touched me most, but everyone else in the novel also has their needs and desires- in different forms. Some abandon the circus to try and survive elsewhere, some make promises and fail to keep them, some turn to violence and petty revenge. Some care most for the animals, others for their own skills and opportunities, others for their family's approval and so on. They all do what they can to get what they want, but those who go out of their way to assist the others and keep their integrity really shine through the dross. One of the strangest passages in the book occurs when the old man who is caretaker for the menagerie approaches a vastly wealthy woman in the hope of some charity. The enclosed world that was her walled estate such a very different place, with its own rules and codes. There is a shocking scene near the end that suggests this woman too, had her own needs, but she forced others to meet them, able to do so with her vast power and the fear she instilled in people. I didn't know what to make of this at first. It was disturbing to say the least. What a bald contrast this selfish manipulation, to the free tenderness shared between Toby and Rose. And yet in the end I just found it hideously sad.

I've just mentioned what stood out most to me when I turned the final pages, but the novel is full of other details and characters. There's a woman-hating elephant. A beautiful, wild tiger. The complexity and frustration of dealing with laws and regulations in a foreign land, where none of them speak the language. The ins and outs of the performers, animals and property changing hands as the status of the circus changes. The difficult decisions the manager faced. The social hierarchy within the circus. How they played the crowd, work behind the scenes, attitudes towards the animals, the public, their fellow circus workers. Close on the heels of Bad Elephant, Far Stream, this was another look at circus life that says a lot about love and need, the generosity and mean-spiritedness of human nature, all hand-in-hand.

from the Dogear Diary
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Associated Authors

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Joseph Schrank Screenwriter

Statistics

Works
113
Also by
60
Members
9,595
Popularity
#2,501
Rating
3.9
Reviews
253
ISBNs
395
Languages
17
Favorited
17

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