George Edgar Slusser (1939–2014)
Author of The Farthest Shores of Ursula K. Le Guin
About the Author
Series
Works by George Edgar Slusser
Fiction 2000: Cyberpunk and the Future of Narrative (Proceedings of the J. Lloyd Eaton Conference on Science Fiction and Fantasy Literature Ser.) (1992) 27 copies
Robert A. Heinlein: Stranger in His Own Land (Milford Series Popular Writers of Today) (1976) 23 copies
The Delany intersection : Samuel R. Delany considered as a writer of semi-precious words (1977) 16 copies
Associated Works
Storming the Reality Studio: A Casebook of Cyberpunk and Postmodern Science Fiction (1991) — Contributor — 263 copies
Science Fiction Writers: Critical Studies of the Major Authors From the Early Nineteenth Century to the Present Day (1982) — Contributor — 33 copies
Tagged
Common Knowledge
- Legal name
- Slusser, George Edgar
- Birthdate
- 1939-07-14
- Date of death
- 2014-11-04
- Gender
- male
- Education
- Harvard University (PhD - Literature)
- Occupations
- scholar of comparative literature
translator
university professor - Organizations
- University of California, Riverside (Curator, J. Lloyd Eaton Collection of Science Fiction and Fantasy Literature)
- Awards and honors
- SFRA Pilgrim Award (1986)
- Nationality
- USA
- Birthplace
- San Francisco, California, USA
- Place of death
- Highland, California, USA
- Associated Place (for map)
- California, USA
Members
Reviews
Definitely a book only for those who are Ellison completists or working on an English thesis. This is a heavy slog – an academic analyzing Ellison’s works – and often not worth the time. Yet, because we are looking back at this book (written in 1977) it is interesting to see how much of what the author had to say about Ellison does wind up being reflected in later works. Parts of it are also a fun way to revisit some of Ellison’s work. But, unless you really dig the deep thoughts of show more Jack Academic, not worth the time. (And, with all that said, it did pique my interest related to what the academics would now say.) show less
The Classic Years of Robert A. Heinlein (Popular Writers of Today; V. 11 the Milford) by George Edgar Slusser
Calvinistic Heinlein (NOT!): "The Classical Years of Robert A. Heinlein" by George Edgar Slusser
Published 1977 (re-edition 2012).
"Heinlein is a writer who represents a certain strain in our culture, a kind of secular Calvinist vision of the world of the elect and the damned.”
From “The Classics Years of Robert A. Heinlein” by George Edgar Slusser
“Heinlein rarely discussed his own stories at all except in shoptalk with another writer – but he made an exception here. In show more response to a question about “Coventry” and the “Calvinist” reading that had been advanced by George Edgar Slusser, he hardly needed to think about the problem. Stover and Slusser were both mistaken: they had taken different gambits written into the story that misdirected their thinking.”
From “Robert A. Heinlein: In Dialogue with His Century: 1948-1988. The Man Who Learned Better” by William H. Patterson, Jr.
I was not convinced by Slusser's circular arguments. What I needed was a balanced and objective view, one that would put Heinlein's strengths and many weaknesses into a rounded view, namely is supposed Calvinism. I did not find it here. Philip K. Dick was the only writer to “suffer” a Calvinistic canonization, where every word he ever wrote seemed (seems?) to be treated as sacred writ (e.g., his religious visions are still taken seriously in this day and age). As for Heinlein, I still think the so-called solipsism of his latter novels is much more pronounced than his supposed TULIP-Calvinism. show less
Published 1977 (re-edition 2012).
"Heinlein is a writer who represents a certain strain in our culture, a kind of secular Calvinist vision of the world of the elect and the damned.”
From “The Classics Years of Robert A. Heinlein” by George Edgar Slusser
“Heinlein rarely discussed his own stories at all except in shoptalk with another writer – but he made an exception here. In show more response to a question about “Coventry” and the “Calvinist” reading that had been advanced by George Edgar Slusser, he hardly needed to think about the problem. Stover and Slusser were both mistaken: they had taken different gambits written into the story that misdirected their thinking.”
From “Robert A. Heinlein: In Dialogue with His Century: 1948-1988. The Man Who Learned Better” by William H. Patterson, Jr.
I was not convinced by Slusser's circular arguments. What I needed was a balanced and objective view, one that would put Heinlein's strengths and many weaknesses into a rounded view, namely is supposed Calvinism. I did not find it here. Philip K. Dick was the only writer to “suffer” a Calvinistic canonization, where every word he ever wrote seemed (seems?) to be treated as sacred writ (e.g., his religious visions are still taken seriously in this day and age). As for Heinlein, I still think the so-called solipsism of his latter novels is much more pronounced than his supposed TULIP-Calvinism. show less
Interesante aunque no es una referencia del autor y como relato de terror se nota que es un libro escrito hace casi siglo y medio.
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Associated Authors
Statistics
- Works
- 29
- Also by
- 5
- Members
- 346
- Popularity
- #69,042
- Rating
- 3.6
- Reviews
- 4
- ISBNs
- 58
- Languages
- 2














