Picture of author.

Constance Rourke (1885–1941)

Author of Davy Crockett

8+ Works 618 Members 7 Reviews

About the Author

Includes the name: Constance Rourke

Image credit: Grand Rapids Public Library

Works by Constance Rourke

Associated Works

Stories From History (1938) — Contributor — 214 copies, 1 review

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Common Knowledge

Legal name
Rourke, Constance Mayfield
Birthdate
1885-10-04
Date of death
1941-03-29
Gender
female
Education
Sorbonne, Paris, France
Vassar College
Occupations
educator
biographer
literary critic
American studies scholar
Organizations
Vassar College
Short biography
Constance Rourke was born in Cleveland, Ohio, and raised in Grand Rapids, Michigan, by her mother, a teacher and principal who implemented progressive educational reforms and encouraged Constance to become independent-minded. In 1903, she went to Vassar College, where she learned social criticism as a method of analyzing texts. After graduation, she taught for a year, then won a scholarship to go to England and Europe to travel and engage in further study. She returned to become an English instructor at Vassar from 1910 to 1915. She left Vassar to become a professional writer, and began contributing books reviews and literary criticism to national magazines such as The Nation and The New Republic. Her first published book was Trumpets of Jubilee (1927), a study of popular figures in American culture. She went on to write individual biographies of notable Americans such as John James Audubon, P.T. Barnum, Lotta Crabtree, and Davy Crockett, and books exploring different aspects of American culture, history, and literature. Her most famous and influential book was American Humor: A Study of the National Character, first published in 1931. It is now considered essential to the creation of the scholarly field of American studies, including American popular culture and folk culture. Many of her works are regularly anthologized.

She was writing a five-volume book, The Roots of American Culture, but had completed only three unpublished volumes when she died at age 55 in 1941.
Nationality
USA
Birthplace
Cleveland, Ohio, USA
Places of residence
Grand Rapids, Michigan, USA
Place of death
Grand Rapids, Michigan, USA
Associated Place (for map)
Michigan, USA

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Reviews

7 reviews
First off: the style of this book is so lovely that it is a pleasure to read, almost regardless of the actual content. Rourke writes in a delicate and oblique fashion worthy of a good novelist. This is, of course, an old book, and the depictions of American territorial expansion and of racist caricature will likely cause the contemporary reader to cringe now and then. The subject matter of the book is more aptly summed up in the subtitle than in the primary title: "humor," narrowly defined, show more is only one among many topics covered here. What is really at issue is the search for unique characteristics of American literature and how they derive from a national collective consciousness. One complaint is that the author seemed to feel obligated to cover every major American author active in the 19th century: she gives the impression of having something to say about James and Dickinson but to hammer out a few uninspired pages about Melville. As some of the other reviews mention, this book is better at conveying insightful, pithy quotes than factual information. It will not serve as a general primer on American literature or as a hard scholarly resource, but it is a highly worthwhile read on aesthetic grounds alone. show less
I enjoyed this very much. Of course I was aware of who he was, but now I'm aware of the jaw-dropping significance of what he accomplished. It is a little difficult to read in our day of extinction of species. He lived in the days when humans did not recognize the possibility that animals could die out, there was such an abundance of them. He was an avid hunter, and killed most of the birds he drew from. So, there's that, but one must remember when we are reading about and understand the show more mentality of that time. This book was perhaps a bit cleaned up and positive as many biographies were in the 1950s, but it is still pretty thorough for all that. Reading about the scope of his plans for painting all of the birds of America, and getting them published at full size, is amazing. For the most part, he had no money, yet he traversed all over the land, to Europe and back, selling portraits and scratching up enough funds to accomplish his grand plan. I wish we knew more of Lucy, his wife, because she must have been an amazing woman as well; putting up with years of separation and working as a governess to support herself and her children when Audubon couldn't. Their devotion to one another is inspiring.

My favorite quote: (for when someone is talking smack about you)
"I care not a fig-all such stuff will soon evaporate, being mere smoke from a dunghill."
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½
My edition a 'junior deluxe' w/ illustrations by Walter Seaton.

Boring, long, filled with obscure references and dated vocabulary, and entirely too flattering of the rascal. Two wives put up with his almost near-constant absence - I wonder why he kept uprooting his family and making them start over in the wilderness if he wasn't going to be there to help them anyway. The issues of race were dealt with interestingly - non-whites were always 'lesser' but at least Crockett fought the feds to show more try to prevent the Trail of Tears and other removals.

Still, I guess it must have been a decent biography for its time, as it was a Newbery Honor selection. And there are over 20 pp of source notes, indicating that Rourke did her research and tried to be accurate and objective.
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I'd really like to rate this one star, but as I didn't finish, I won't.

I struggled through to p. 50. Painfully boring. I should have known better, after reading the same author's bio of Davy Crockett.

What is even more ridiculous is the author's infatuation with Audubon's handsomeness, with his 'look of race' -- going so far as to hint that he's the Dauphin, who went into hiding during the French Revolution. Well, according to more recent sources, he's not a blue-blood, but a mulatto, Captain show more Audubon's bastard from Haiti.

As if any of this matters, except as an indication of the overall accuracy, perhaps.

By the time I abandoned the book he's already grown and married. So, the rest of the book is going to be even more boring? Not for me; I'm moving on.
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James MacDonald Illustrator
Walter Seaton Illustrator
Edward Gorey Cover designer

Statistics

Works
8
Also by
1
Members
618
Popularity
#40,696
Rating
½ 3.6
Reviews
7
ISBNs
21

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