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Leslie A. Fiedler (1917–2003)

Author of Love and Death in the American Novel

46+ Works 1,390 Members 8 Reviews 1 Favorited

About the Author

Leslie A. Fiedler, a literary critic, was a professor of English at the State University of New York, at Buffalo. His well-known preoccupation with social and psychological issues emerged with Love and Death in the American Novel (1960), which became a major critical text of the 1960s. In this book show more he argued that American writing has been shaped by an inability to portray mature sexual relationships and by an underlying fear of death. Fiedler admonished critics, teachers, and readers of literature to connect text and context-to consider a poem, for example, as the sum of many contexts, including its genre, the other works of the author, the other works of his time, and so forth. Fiedler's notions of moral ambiguity echo Matthew Arnold's focus on art as criticism of life, but with an energy and style peculiar to himself. Fiedler depended greatly on generalizations (usually unexpected), making his critical remarks reflect broader considerations. (Bowker Author Biography) show less
Image credit: lifeinlegacy.com

Works by Leslie A. Fiedler

Love and Death in the American Novel (1960) 483 copies, 3 reviews
The Stranger in Shakespeare (1972) 82 copies
Waiting for the End (1964) 58 copies
End to Innocence (1972) 57 copies
In Dreams Awake (1975) — Editor — 46 copies
Olaf Stapledon: A Man Divided (1983) 35 copies, 1 review
No! in Thunder (1972) 33 copies
A New Fiedler Reader (1977) 33 copies
Being Busted (1970) 20 copies
Nude Croquet (1969) 13 copies
The last Jew in America (1966) 12 copies
To the Gentiles (1972) 10 copies
Cross the Border-Close the Gap (1972) 9 copies, 1 review
The art of the essay (1958) 9 copies
Unfinished Business (1972) 6 copies
Back to China 3 copies

Associated Works

Leaves of Grass (1855) — Editor, some editions — 12,088 copies, 100 reviews
The Innocents Abroad; or, The New Pilgrim's Progress (1869) — Afterword, some editions — 4,354 copies, 60 reviews
The Good Soldier Švejka (1921) — Foreword, some editions — 3,955 copies, 72 reviews
The Deerslayer (1841) — Introduction, some editions — 3,212 copies, 36 reviews
Literature: An Introduction to Fiction, Poetry, and Drama (1995) — Contributor, some editions — 1,011 copies, 7 reviews
Odd John (1935) — Introduction, some editions — 541 copies, 10 reviews
Adventures of Huckleberry Finn [Norton Critical Edition, 2nd ed.] (1977) — Contributor — 329 copies, 4 reviews
The Book of Philip Jose Farmer (1973) — Afterword, some editions — 244 copies, 2 reviews
Beyond the Looking Glass: Extraordinary Works of Fairy Tale & Fantasy (1985) — Introduction — 182 copies, 7 reviews
The Quaker City; or, The Monks of Monk Hall (1845) — Editor, some editions — 115 copies, 1 review
Whitman [ed. Fielder] (1959) — Editor, some editions — 99 copies
Arguing Comics: Literary Masters on a Popular Medium (2004) — Contributor — 78 copies
Great Esquire Fiction (1983) — Contributor — 73 copies, 2 reviews
Alger Hiss, Whittaker Chambers, and the Schism in the American Soul (2002) — Contributor — 25 copies, 1 review
The Bedside Playboy (1963) — Contributor — 24 copies
James Branch Cabell: Centennial Essays (1983) — Contributor — 22 copies
Wonders: Writings and Drawings for the Child in Us All (1980) — Contributor — 19 copies
The Cosmos Reader (1971) — Editor — 18 copies
Leaves of Grass One Hundred Years After (1955) — Contributor — 14 copies
Buffalo Bill and the Wild West (1982) — Contributor — 8 copies
Perspectives on poetry (1968) — Contributor — 7 copies
Mark Twain, Selected Writing American Skeptic (1983) — Foreword — 5 copies
Themes in American Literature (1972) — Contributor — 5 copies
Playboy Magazine ~ May 1963 (1963) — Contributor — 4 copies
The Best American Short Stories 1950 (1950) — Contributor — 4 copies

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Reviews

12 reviews
Fiedler argues that American literature is immature because, instead of dealing with the mature themes of European literature -- love and death, it concentrates on friendship and terror, and, perhaps most immature of all, the friendships are between men. Women are almost entirely excluded. Despite the fact that this book has the reek of pre-Stonewall Freudianism, I still find much of what it has to say very compelling. There does seem to be a tendency of American novels to eschew women and show more to embrace the homosocial, and this does seem to have something to do with the wilderness and our attitudes towards race. However, even if you reject his overall argument, his homosocial readings of Huck Finn and the Leatherstocking tales is so bang on and explains so much about American television, that you really need to at least skim it if you want to delve into American literature or popular culture in any serious way. show less
Fiedler is contentious, egotistical, and lively. He sees the literary establishment as so jealous of the popular novelists’ wealth and fame that they systematically undermine the reputations of novelists whose work has the good fortune to sell.
I remember being quite impressed by this book 35 years ago. I wonder if it would seem quite as ground-breaking today?
Fiedler references rarely expressed desires, such as wanting to kill the disabled, un-sex the elderly, or torture children, noting how frequently this has been ritualized, made "normal".

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Statistics

Works
46
Also by
26
Members
1,390
Popularity
#18,497
Rating
4.0
Reviews
8
ISBNs
63
Languages
2
Favorited
1

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