
Edwin Morgan (1920–2010)
Author of Collected Poems
About the Author
Works by Edwin Morgan
emergent poems 3 copies
East European poets / prepared for the [Open University] Course Team by Edwin Morgan. Poetry in public / prepared for th (1976) 3 copies
Edwin Morgan: In Touch With Language: A New Prose Collection 1950-2005 (ASLS Annual Volumes) (2020) 2 copies
Baudelaire 2 copies
Helen And Desire 1 copy
Sovpoems 1 copy
Associated Works
Penguin Modern European Poets : Sándor Weöres and Ferenc Juhász : selected poems (1970) — Introduction, Translator — 28 copies, 1 review
Holding your eight hands; an anthology of science fiction verse (1970) — Contributor — 25 copies, 1 review
Where Rockets Burn Through: Contemporary Science Fiction Poems from the UK (2012) — Contributor — 10 copies
Catgut and blossom : Jonathan Williams in England — Contributor — 3 copies
Truck 21, A 50th Birthday Celebration For Jonathan Williams — Contributor — 1 copy
Tagged
Common Knowledge
- Legal name
- Morgan, Edwin George
- Birthdate
- 1920-04-27
- Date of death
- 2010-08-19
- Gender
- male
- Education
- Rutherglen Academy, Glasgow
Glasgow High School
University of Glasgow - Occupations
- professor
- Organizations
- University of Glasgow
- Awards and honors
- Order of the British Empire (officer|1982)
The Hungarian Order of Merit (1997)
Poet Laureate of Glasgow (1999)
Queen's Medal for Poetry (2000)
Scots Makar (2004-2011) - Short biography
- Morgan was a 'closet' homosexual who did not publicly admit to the fact until he was 70. From 1963 to 1978 the defining relationship in his life was with John Scott, although they never lived together. Homosexuality was a criminal offence in Scotland until 1980, two years after Scott's death.
- Nationality
- UK
- Birthplace
- Hyndland, Scotland, UK
- Places of residence
- Rutherglen, Scotland, UK
- Associated Place (for map)
- Scotland, UK
Members
Reviews
Of all the poetry collections I've read, this is probably the one in which I was engaged by the biggest percentage of the poems. There's still a lot here that just makes me do a *derp* face, but a lot of it also really struck me. For just pure awesome, you can't beat "The Loch Ness Monster's Song," and "The Video Box No. 25" is one of those rare poems (for me) that just absolutely knocked me on my arse. Recommended.
THREE SCOTTISH POETS: MacCAIG, MORGAN, LOCHHEAD edited by Roderick Watson… I ordered this book because I had read a delightful poem by Norman MacCaig called "Small Boy" and was disappointed not to find it here. I was not thrilled with the quality of the print job either (Canongate Classics, printed and bound by Clays Ltd)—and it would have helped to have the poet's name on the bottom of the page for his/her section—but I found much to love in the words. Best read in a Scottish brogue, show more these were some of my favorite lines from each:
Norman MacCaig: "The thatched roof rings like heaven where mice / Squeak small hosannahs all night long" and "a sea tin-tacked with rain" and "I love frogs that sit / like Buddha" and "The collie underneath the table / Slumps with a world-rejecting sigh."
Edwin Morgan: "After many summer dyes, the swan-white ice / glints only crystal beyond white. Even / dearest blue's not there, though poets would find it" and "half reluctant, half truculent, / half handsome, half absurd, / but let me see you forget him: not to be done."
Of course, there were entire poems that were magnificent in addition to those few select lines. My favorite voice in the collection, though, belongs to Liz Lochhead. Her observations of the smallest details take on significance (e.g., her shampoo in "The Empty Song"). The majority of her poems are about relationships along with a brilliant monologue called "Verena: Security" in which she honestly explores the pros and cons of a significant other working away from home for weeks at a time. I'll leave you and this review with the last stanza of Lochhead's "Hafiz on Danforth Avenue":
And to tell you this is easy,
scribbling this was as simple
as the shopping-list it jostles
on the next page of my notebook.
Love, as well as bread and coffee
it says eggplants, olive oil
don't forget
the nutmeg and the cinnamon. show less
Norman MacCaig: "The thatched roof rings like heaven where mice / Squeak small hosannahs all night long" and "a sea tin-tacked with rain" and "I love frogs that sit / like Buddha" and "The collie underneath the table / Slumps with a world-rejecting sigh."
Edwin Morgan: "After many summer dyes, the swan-white ice / glints only crystal beyond white. Even / dearest blue's not there, though poets would find it" and "half reluctant, half truculent, / half handsome, half absurd, / but let me see you forget him: not to be done."
Of course, there were entire poems that were magnificent in addition to those few select lines. My favorite voice in the collection, though, belongs to Liz Lochhead. Her observations of the smallest details take on significance (e.g., her shampoo in "The Empty Song"). The majority of her poems are about relationships along with a brilliant monologue called "Verena: Security" in which she honestly explores the pros and cons of a significant other working away from home for weeks at a time. I'll leave you and this review with the last stanza of Lochhead's "Hafiz on Danforth Avenue":
And to tell you this is easy,
scribbling this was as simple
as the shopping-list it jostles
on the next page of my notebook.
Love, as well as bread and coffee
it says eggplants, olive oil
don't forget
the nutmeg and the cinnamon. show less
Beyond the Sun is an interesting little book. In 2005, the Glasgow Herald ran a reader's poll to determine Scotland's favourite paintings. A short list was duly drawn up of the top ten, and this was published. Shortly after, to her surprise, the Arts Editor of the Herald received an unsolicited letter from Edwin Morgan, Scotland's Poet Laureate, offering her ten poems, one for each painting, of his thoughts as inspired by each picture. The poems were duly published in the Herald, and have show more now been released as this short book.
I am hugely fond of Morgan and his work, and this is a wonderful juxtaposition of the images, his thoughts as inspired by the pictures, and his thoughts, indirectly, on those who have voted these pictures as the favourites of a nation. It's a puzzlebox of insightful commentary, in a bitesize form, and it was a pleasure to read and digest. show less
I am hugely fond of Morgan and his work, and this is a wonderful juxtaposition of the images, his thoughts as inspired by the pictures, and his thoughts, indirectly, on those who have voted these pictures as the favourites of a nation. It's a puzzlebox of insightful commentary, in a bitesize form, and it was a pleasure to read and digest. show less
I fell in love with Edwin Morgan's poem 'When You Go' when I heard it on the BBC's Culture Show a few years ago and I've been meaning to read more of his work since. My library had this anthology which sandwiches Morgan between two other Scottish poets. My knowledge of contemporary poetry is pretty much nil, so I didn't know anything by either of the other two, but I enjoyed the collection. MacCraig's work is the most obviously Scottish with many of his poems being set in the Highlands. I show more particularly liked the sly wit of the poems Aunt Julia, My Last Word Frogs and Still Life. I was already familiar with some of Edwin Morgan's poems, but none quite matched 'When You Go', but completely different I enjoyed The Mummy and Construction for I K Brunel. The last set by Liz Lockhead appealed to me the least being a bit long for my tastes, but The Other Woman has stuck in my mind. Although the three poets were very different, each of them had a poem about missing someone that I liked, 'No Choice', 'Absense' and 'The Empty Song' show less
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- Rating
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