Mary Wesley (1912–2002)

Mary Wesley writes odd little novels, firmly grounded in her very British-ness, but often with twists and ambiguities that set them apart. Her characters can be unlikeable but never unsympathetic, which is something of a feat in my opinion. This one is about an older woman whose plan to kill herself is thrown into disarray when she meets a younger man hiding from the police after killing his mother. It's about aging and family and how much we really know those closest to us. In these two show more characters, Wesley explores the misunderstandings and misperceptions of life, as well as its disappointments and quiet joys. This was my fourth novel by this underappreciated author, and I am glad I have several more sitting on my shelves. show less

A strange, sweet little novel about a young woman dealing with a terrible history and a recent tragedy and her inadvertent effect on an introspective man whose wife has just left him. This is a book full of well-sketched characters, wry humor, and unexpected wisdom. Wesley may not be a profound novelist but her exploration of the everyday and commonplace is spot on and surprisingly moving. Where some authors create the equivalent of minutely-detailed oil paintings, I tend to think of Mary show more Wesley as a watercolor artist who brings forth the outline of reality in a few simple strokes. show less

Ar first I thought this was a light period piece, a novel of manners set in that ever-enticing milieu -- the British upper class. But as it progresses it turns into something deeper, darker, and certainly sexier. Most of the book is set in England during WWII, though the main narrative is interspersed with scenes around a funeral in the mid-1980's. It follows a dozen people; five young cousins, three men with whom they are involved, their aunt and uncle, and a pair of Jewish refugees. The show more permutations and combinations within this group are many, various, and sometimes startling. And so are the ways they confront the desperate perils of the war, and the more gradual pains of growing older. A terrific read: makes me want to read more by the same author. show less

Mary Wesley has become one of my favourite British female authors since I discovered her last year. This is not a happy story by any means, as it starts with our protagonist Matilda Poliport who's been widowed for a few years and having lost her cherished husband, with four grown children who refuse to visit her, has decided the best life has to offer is behind her. When the novel begins, she is just putting the last touches to a major housecleaning as she is carefully putting into execution show more her meticulously planned suicide. Her beloved pet gander Gus is sold to a farmer, where he'll ostensibly be happy with a harem of six geese, and she's off to her favourite secluded beach to have a picnic of brie and Beaujolais before taking sleeping pills and swimming into the tide. But of course her plans are foiled when she meets Hugh Warner, an attractive 30-something man on the run from the police and known all over the media as "The Matricide". She saves him before committing his own suicide attempt and brings him back to her cottage to hide away, where of course, a most unusual relationship will develop. Relationships are Wesley's strength, as is writing from a mature person's perspective on life, but mature not so much in the sense of having acquired bundles of wisdom as having lived life fully and being past caring what others think and feeling free to impose one's personality on others. Which of course makes for fascinating characters. I don't know if Matilda is necessarily a likeable character, since we learn she has mostly lived her life denying all the uncommonly unpleasant things that have been thrown her way, but thanks to Wesley's subtle skills it is impossible not to form an attachment to her AND the matricide. Of course, we're not to expect a happy ever after given the ingredients this story is made up of, but that hardly matters, as Wesley succeeds in creating another thing of messy and unruly beauty. show less