Rosamond Lehmann (1901–1990)
Author of Invitation to the Waltz
About the Author
Series
Works by Rosamond Lehmann
Orion: A Miscellany Volume 1 — Editor — 6 copies
A Dream of Winter 1 copy
Poussière tome 1 1 copy
Poussière tome 2 1 copy
When the Waters Came [short story] — Author — 1 copy
Associated Works
Sylvia Plath's Tomato Soup Cake: A Compendium of Classic Authors' Favourite Recipes (2024) — Contributor — 6 copies
Tagged
Common Knowledge
- Legal name
- Lehmann, Rosamond Nina
- Birthdate
- 1901-02-03
- Date of death
- 1990-03-12
- Gender
- female
- Education
- Girton College, Cambridge (English Literature)
- Occupations
- novelist
playwright
autobiographer - Organizations
- PEN (International Vice-President)
College of Psychic Studies (Vice President) - Awards and honors
- Royal Society of Literature (Companion of Literature)
Order of the British Empire (Commander, 1982) - Relationships
- Lehmann, John (brother)
Lehmann, Beatrix (sister)
Rees, Goronwy (lover)
Day-Lewis, Cecil (lover)
Lehmann, R. C. (father) - Short biography
- A popular, beautiful and talented British female writer of the 1920s and '30s. She was known for capturing the post WWI outlook of her "lost Generation." She was very skillful at depicting the bind women of the time experienced as war and technology modernized social conventions permanently. She brought home the now eternal feminist problem of having it all: surrendering to a man versus being independent.
Rosamond Lehmann was an older sister of actress Beatrix Lehmann and writer John Lehmann. Her family lived in grand style and Rosamond and her siblings were educated by governesses and tutors. She won a scholarship to Cambridge University, where she read English literature and modern and medieval languages. She married firstly Leslie (later Lord) Runciman, but the marriage was unhappy and the couple divorced in 1927. That same year, she published her first novel, Dusty Answer, which won both critical and popular acclaim. In 1928, she married painter Wogan Philipps, who became Baron Milford. The couple had two children before they divorced.
She had a long affair in the 1940s with the poet Cecil Day-Lewis. The Literary Encyclopedia says, "Rosamond Lehmann was one of the most celebrated writers of the late 1920s and 1930s, famed as much for her beauty and elegance as for her well-crafted interwar novels. Consistently blending romance and loss, her work captures the Zeitgeist of a period much given to nostalgia. Her lasting achievement, however, lies in her acute sense of the tensions and conflicts in women's lives in the interwar years: in the portrayal of the impasse between modernity and convention, between the desire for romance and the need for independence." Lehmann was close with many members of the Bloomsbury Group. She wrote plays and short stories in addition to novels. After the death of her daughter Sally in 1958, Lehmann was emotionally shattered and grew deeply interested in spiritualism; she was elected vice-president of the College of Psychic Studies and edited its publication. In 1967, she published the autobiographical The Swan in the Evening. She also co-wrote the two-volume work Letters from Our Daughters (1971) with Cynthia, Lady Sandys. - Nationality
- UK
- Birthplace
- Bourne End, Buckinghamshire, England, UK
- Places of residence
- Fieldham, England, UK
London, Middlesex, England, UK - Place of death
- London, Middlesex, England, UK
- Map Location
- England, UK
Members
Discussions
Virago Monthly Reads: Apr 2018: Rosamond Lehmann in Virago Modern Classics (May 2018)
I've never read *******; where should I start? in Virago Modern Classics (January 2014)
Rosamond Lehmann Reading Week 23rd to 29th July 2012 in Virago Modern Classics (July 2012)
Rosamond Lehmann Reading Week, 23-29 July 2012 in Bloomsbury Group and their friends (June 2012)
Reviews
An enthusiastic 4.5 stars! Invitation to the Waltz is a 1932 novel that feels like a cross between Guard Your Daughters by Diana Tutton and a Jane Austen novel. It revolves around sisters Olivia and Kate, who are preparing to go to Olivia’s first dance, where they encounter a revolving door of every awful (and wonderful) type of boy you might meet at a dance.
Invitation to the Waltz was hilarious at times (Simpkin the Pekinese dog was the absolute highlight of this for me). Throughout the show more book, I loved the use of over the top language which perfectly captures the life or death, dramatic nature of adolescent communication and feelings.
It struck me while reading just how relatable I found this even though it was published in 1932. Olivia’s thoughts, expectations and fears were very similar to my own as a teenager. Lehmann writes so many different kinds of characters, and they all felt incredibly real to me. I realized afterwards that I could remember each individual character and practically everything about them, even ones that were only present for a little in the story, which is a testament to how good Lehmann is at writing memorable characters!
The story ends abruptly, leaving things feeling a little unresolved, which kept it from being a full 5 star read. But the journey is worth it, so I highly recommend picking this one up!
Who will like Invitation to the Walz:
- If you're the sort of person who gets a kick out of using complex vocabulary words for dramatic emphasis
- If you’ve ever been to a dance in your youth with all manner of odious boys crawling out of the woodwork and immediately wished to crawl back into the woodwork to escape them
- If you love the vastly underrated novel Guard Your Daughters
- If you tend to choose characters over plot
Apparently the audiobook version loses the humor a bit, because it’s narrated in such a straightforward way, so I’d recommend the physical version to get the most out of it! The audiobook is still good, just less funny. show less
Invitation to the Waltz was hilarious at times (Simpkin the Pekinese dog was the absolute highlight of this for me). Throughout the show more book, I loved the use of over the top language which perfectly captures the life or death, dramatic nature of adolescent communication and feelings.
It struck me while reading just how relatable I found this even though it was published in 1932. Olivia’s thoughts, expectations and fears were very similar to my own as a teenager. Lehmann writes so many different kinds of characters, and they all felt incredibly real to me. I realized afterwards that I could remember each individual character and practically everything about them, even ones that were only present for a little in the story, which is a testament to how good Lehmann is at writing memorable characters!
The story ends abruptly, leaving things feeling a little unresolved, which kept it from being a full 5 star read. But the journey is worth it, so I highly recommend picking this one up!
Who will like Invitation to the Walz:
- If you're the sort of person who gets a kick out of using complex vocabulary words for dramatic emphasis
- If you’ve ever been to a dance in your youth with all manner of odious boys crawling out of the woodwork and immediately wished to crawl back into the woodwork to escape them
- If you love the vastly underrated novel Guard Your Daughters
- If you tend to choose characters over plot
Apparently the audiobook version loses the humor a bit, because it’s narrated in such a straightforward way, so I’d recommend the physical version to get the most out of it! The audiobook is still good, just less funny. show less
A classic — and controversial in its day — coming-of-age novel about a lonely young woman who goes up to Girton a couple of years after the end of the Great War. She's in love with a boy who's in love with another boy, she has a passionate affair with a girl who leaves her for an older woman, she briefly contemplates marrying two of the cousins of the first boy. There is a quite scandalous amount of nude bathing, some dangerous driving, there is a scene where a young man and a young show more woman are alone together in a room at Girton with the door closed — in short, it's all very Bloomsbury-fringe, and you may need an icepack if you're of a sensitive disposition.
It's not really a romance, more a novel about a young woman trying to fit in with conventional models of love and sex and finding that they don't quite work for her. But it is certainly a book that you would find very irritating if you were a young person struggling to get value out of the university system. Lehmann's privileged heroine seems to go through her three years in Cambridge without ever thinking about anything other than passion, apart from the few hours when she's busy getting a high mark in her Tripos. And she doesn't seem to have any idea of what she might want to do with her education once she's got it.
Fun, in a nostalgia-for-student-days sort of way, quite naughty in places, and by no means as pernicious and sentimental as Brideshead, but very much a product of a certain overprivileged part of English society. show less
It's not really a romance, more a novel about a young woman trying to fit in with conventional models of love and sex and finding that they don't quite work for her. But it is certainly a book that you would find very irritating if you were a young person struggling to get value out of the university system. Lehmann's privileged heroine seems to go through her three years in Cambridge without ever thinking about anything other than passion, apart from the few hours when she's busy getting a high mark in her Tripos. And she doesn't seem to have any idea of what she might want to do with her education once she's got it.
Fun, in a nostalgia-for-student-days sort of way, quite naughty in places, and by no means as pernicious and sentimental as Brideshead, but very much a product of a certain overprivileged part of English society. show less
e all know that They Never Leave Their Wives, and we know from the beginning that this book is unlikely to end happily for Olivia, its charming heroine. She's a nice middle-class girl, trying to live the bohemian life on no money in 1930s London; Rollo, her lover, is the heir to a baronetcy, rich, handsome, successful- and married. She's on a losing wicket from the start, but she can't resist him; soon she's staying in on the offchance he might call round and lying to her friends and family show more in the time-honoured manner. The reader is subtly shown that there are two truths here: on the one hand there is a genuine love story- Olivia and Rollo really love each other- but on the other, this is the account of Olivia's desperate struggle for the status, wealth and social acceptance she would get as the recognised partner of an alpha male like Rollo. The materialistic aspects of the affair are described in luscious detail- the emerald ring, the weekend trips in expensive cars, the extravagant lunches and lavish gifts of books and flowers- as are the glimpses of Rollo's wealthy lifestyle that make Olivia covet the position of his wife. To conclude: this is both a touching love story and a cynical account of the relations between men and women, all in Rosamond Lehmann's crisp, poetic, humorous prose. show less
It’s the 1920s and Olivia Curtis is a shy seventeen year old who is going to her first dance. She’s lived a sheltered life and knows with a fair amount of certainty that she will be overshadowed by her older and more attractive sister. But she is looking forward to this opportunity to spread her wings and just maybe enjoy herself.
The night presents a mixed bag of results for her and the emotional roller coaster she has been on throughout the night culminates in two significant events show more that change Olivia in ways she had never anticipated and she begins to gather her emotions when she realizes that she was not prepared for the most important events of the night. This was a pretty straight forward coming of age story until she realizes the importance of the two events and that is what made this book so much more than that.
The writing itself was unlike any I’ve read recently. Lehmann would drastically change gears from short, static sentences to lovely constructions of nearly poetic prose. She describes the appearance of Olivia’s brother James along with Miss Mivart, returning from their nature walk in this way:
”Beside him stalked Miss Mivart, gaunt, refined in black velvet toque, astrakhan bolero, voluminous claret-colored skirt trimmed with rows of black braid, black galoshes: fantastic garb, persisting year in, year out, through summer heat and winter cold, proclaiming her status of gentlewoman in reduced circumstances as unmistakably as did her nose the chronic nature of her dyspepsia. Poor Miss Mivart; but poorer James, wretched little sacrifice!...incongruous pair yoked together by Mother’s implacable benevolence. For Miss Mivart and her friend Miss Toomer, relics cast up none knew whence, united none knew why---(by some past similar chronicle, one surmised, of drab reversal and disappointment, investments mismanaged, confidence misplaced, schemes miscarried, strokes, creeping deaths by cancer, drain of savings)---dwelt together in a cottage on the green, and eked out a totally inadequate income in various painful and ladylike ways.”
I just love that passage. Could it be more ironically descriptive? I don’t think so. Highly recommended. show less
The night presents a mixed bag of results for her and the emotional roller coaster she has been on throughout the night culminates in two significant events show more that change Olivia in ways she had never anticipated and she begins to gather her emotions when she realizes that she was not prepared for the most important events of the night. This was a pretty straight forward coming of age story until she realizes the importance of the two events and that is what made this book so much more than that.
The writing itself was unlike any I’ve read recently. Lehmann would drastically change gears from short, static sentences to lovely constructions of nearly poetic prose. She describes the appearance of Olivia’s brother James along with Miss Mivart, returning from their nature walk in this way:
”Beside him stalked Miss Mivart, gaunt, refined in black velvet toque, astrakhan bolero, voluminous claret-colored skirt trimmed with rows of black braid, black galoshes: fantastic garb, persisting year in, year out, through summer heat and winter cold, proclaiming her status of gentlewoman in reduced circumstances as unmistakably as did her nose the chronic nature of her dyspepsia. Poor Miss Mivart; but poorer James, wretched little sacrifice!...incongruous pair yoked together by Mother’s implacable benevolence. For Miss Mivart and her friend Miss Toomer, relics cast up none knew whence, united none knew why---(by some past similar chronicle, one surmised, of drab reversal and disappointment, investments mismanaged, confidence misplaced, schemes miscarried, strokes, creeping deaths by cancer, drain of savings)---dwelt together in a cottage on the green, and eked out a totally inadequate income in various painful and ladylike ways.”
I just love that passage. Could it be more ironically descriptive? I don’t think so. Highly recommended. show less
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Statistics
- Works
- 24
- Also by
- 9
- Members
- 3,097
- Popularity
- #8,245
- Rating
- 3.7
- Reviews
- 99
- ISBNs
- 146
- Languages
- 4
- Favorited
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