Samrat Upadhyay

Real Rating: 3.75* of five

The Publisher Says: An epic tale of love and political violence set in earthquake-ravaged Darkmotherland, a dystopian reimagining of Nepal, from the Whiting Award–winning author of Arresting God in Kathmandu

In Darkmotherland, Nepali writer Samrat Upadhyay has created a novel of infinite embrace—filled with lovers and widows, dictators and dissidents, paupers, fundamentalists, and a genderqueer power player with her eyes on the throne.

At its heart are two show more intertwining narratives: one of Kranti, a revolutionary’s daughter, who marries into a plutocratic dynasty and becomes ensnared in the family’s politics. And then there is the tale of Darkmotherland’s new dictator and his mistress, Rozy, who undergoes radical body changes and grows into a figure of immense power.

Darkmotherland is a romp through the vast space of a globalized universe where personal ambitions are inextricably tied to political fortunes, where individual identities are shaped by family pressures and social reins, and where the East connects to and collides with the West in brilliant and unsettling ways.

I RECEIVED A DRC FROM THE PUBLISHER VIA NETGALLEY. THANK YOU.

My Review: There is a lot to be said for ambition in storytelling. This book, for the first third, was destined for enshrinement in my hall of fame; the second third for my favorites list; and by the end for my "you should read it if you love, or need, a full-immersion wide-angle view of what chaos really does." You should know going in that women have significant challenges regarding consensual sex here. The centering of a transfem character's experiences made for sharp commentary on gender roles in a repressive, fascistic regime, yet also made my hackles rise. I have trans folk in my life whose potential feelings about this book's explicitness I constantly found obtruding in my reading.

It's not to say this is a pure negative. I'm all for people writing uncomfortable takes on the world as we find it today. The fact that Rozy is a person with agency, albeit in a very twisted system, felt both natural and unhappy. Her choices were severely limited, and yet also used to prove the point that pressure can cause a person to become more powerful the same way water under pressure can become a weapon.

The fictionalized country in the story was a background for me, a setting; the events played out on its stage. I was unable to get deeper than that, despite the story's evident desire for me to do so, by the sheer size of the cast we're following. It is always a risk to expand a cast beyond a handful of people. The great trick of numbing people to the reality of suffering is to follow Stalin's epigrammatic maxim: "The death of one man is a tragedy. The death of millions is a statistic." Like teaching history, telling a story in novel form only becomes less involving when you dilute your message (especially when it's essentially the same message repeated) beyond a certain point. I'm not clear if that was an intentional choice of metacommentary on the author's and publisher's part.

This story of the chaos and upheaval that attend a violent ending suffers from this dilution. It also tries its best to invest you in its very deeply felt observations on how cruelty ultimately undermines itself as it metastasizes. As ever, the issue of what is celebration and/or normalization arises as repetition of violent language and behaviors continues to assault one's readerly experience. This fine balance between intention and reception is always deeply personal. It crossed my internal line shortly after midpoint; I was too deeply interested in the results the author intended to bring to quit, as I ordinarily would have done. That's why I got as close as I did to a full four stars.

I'm not doing a good job, I fear, of expressing how deeply enfolding a tale is told here. I'm very much a fan of stories that require me to think and deeply consider the places and times and inhabitants of the storyscape before me. I think a read that makes demands on my deeper cognitive resources is a fun read. This story does that. I'm very interested in tales of messy endings that are inevitable and inherent in the setup of the world being built. This story could be the poster child for that. I was, then, very much on the side of the author and his project of elucidation.

But because of certain choices he made, it began to feel like it was just that: a project.

I wanted to end the read as much, or more in love with it as I started out being. I'm bummed that I couldn't. show less

A collection of short stories set in Kathmandu during the late '90s and very early '00s, The Royal Ghosts focuses on people grappling with relationship issues against the backdrop of the Maoist insurgency and then the infamous massacre of the Nepalese royal family. Samrat Upadhyay writes emotionally convincing and complex POV characters (some question marks next to his framing of female characters, however), and provides a fascinating glimpse of a time and place I know very little about. How show more well this collection works for you probably ultimately depends on how cool you are with open/ambiguous endings—they mostly, but not entirely, worked for me here. show less

Set in Kathmandu during the Maoist insurgency of the late 1990s, these 9 stories lovingly explore the struggles of regular people dealing with the caste system, political upheaval, and weight of cultural expectations of modern Nepal. I found myself compulsively reading one story after another, finishing the book in one day and feeling as immersed by the whole as I usually do after a good novel - a mark in my book of a well-chosen collection.

Mad Country by Samrat Upadhyay puts the reader into the minds and hearts of a hodgepodge of characters while examining the social and political issues that govern their lives. These snippets of life push the reader to think about life from different perspectives perhaps even questioning the conventions of life we often accept without a moment's thought. Mad Country delves into the raw emotions and the intense dogmas held by people that create division and destroy communication while pushing show more the reader to cheer for some characters, commiserate with others, and despise others and sometimes doing all three for the one character or the other. Upadhyay writes stories that feel like snapshots of his characters' lives and drawing parallels that remind the reader just how interwoven all our lives really are. show less