Philip Reeve
Author of Mortal Engines
About the Author
Philip Reeve was born in Brighton, England, and worked in a bookshop for many years before breaking out and becoming the illustrator of children's book He has also produced and directed several no-budget theater productions, and cowrote a musical, The Ministry of Biscuits. Mr. Reeve and his wife show more and son now live in a hamlet high above the moorland in Devon, England show less
Series
Works by Philip Reeve
Larklight: A Rousing Tale of Dauntless Pluck in the Farthest Reaches of Space (2006) 1,178 copies, 47 reviews
Starcross: A Stirring Adventure of Spies, Time Travel and Curious Hats (2007) 423 copies, 16 reviews
Oxford Reading Tree Treetops Greatest Stories: Oxford Level 16: Gawain and the Green Knight (2016) 7 copies
Olivier en de dwaaleilanden 2 copies
Adventuremice: Mice, Camera, Action! 2 copies
Máquinas Mortais 1 copy
Adventuremice: Of Mice and Mummies - from bestselling creative dream team, Reeve and McIntyre (2026) 1 copy
The Ghost Wood 1 copy
The Exeter Riddles 1 copy
Adventure Mice 4 Books Collection Set by Reeve & McIntyre (Mice on the Ice, Otter Chaos, Mermouse Mystery, Mice on the Moon) (2024) 1 copy
Ragadozó városok - Vannak örök sebek - a Ragadozó városok krónikája sorozat első kötete (2018) 1 copy
Duendes Contra Anões 1 copy
Duendes 1 copy
Bolos no Espaço 1 copy
Goblini 1 copy
Goblini versus trpaslíci 1 copy
Astra en de astrotaartjes 1 copy
Associated Works
Professor Fiendish's Book of Diabolical Brain-benders (2002) — Illustrator, some editions — 59 copies
The Future of Horror: The Collected Solaris Horror Anthologies, featuring House of Fear, Magic and End of the Road (2015) — Contributor — 8 copies
Tagged
Common Knowledge
- Birthdate
- 1966-02-28
- Gender
- male
- Education
- Cambridgeshire College of Arts and Technology
Brighton Polytechnic - Occupations
- bookstore clerk
illustrator
science fiction writer - Short biography
- Philip Reeve (born 28 February 1966) is a British author and illustrator of children's books, primarily known for the 2001 book Mortal Engines and its sequels. His 2007 novel, Here Lies Arthur, based on the legendary King Arthur, won the Carnegie Medal, which sets out to choose the year's best children's book published in the UK.
Born on 28 February 1966 in Brighton, Reeve studied illustration, first at Cambridgeshire College of Arts and Technology (CCAT – now Anglia Ruskin University), where he contributed a comic strip to the Student Union magazine, and later at Brighton Polytechnic (now the University of Brighton). Before becoming an illustrator he worked at a bookshop in Brighton for several years. During his student years and for a few years afterwards he wrote for and performed in comedy sketch shows with a variety of collaborators under various group names, among them The Charles Atlas Sisters. He lives on Dartmoor with his wife Sarah and their son Sam.
With Brian Mitchell, Reeve is the author of a 1998 dystopian comic musical,The Ministry of Biscuits. "Stop! Think before you eat that biscuit! Is it in any way fancy? If so, then you are a criminal! In Post-War London, The Ministry of Biscuits casts its sinister shadow over every tea-time and elevenses in the land. Established to 'control biscuits, and to control the idea of biscuits', it prohibits decadent sweetmeats, such as the Gypsy Cream." This was performed at the Pavilion Theatre, Brighton, the Yvonne Arnaud Theatre, Guildford, and the 1999 Edinburgh Fringe Festival. It underwent a revival in 2005 at the Sallis Benney, Brighton, and began playing at Brighton's Lantern Theatre in November 2017. It has also toured to various other locations throughout the United Kingdom. - Nationality
- UK
- Birthplace
- Brighton, Sussex, England, UK
- Places of residence
- Dartmoor, Devon, England, UK
- Map Location
- England, UK
Members
Reviews
Why did I wait so long to read this book (actually listen to Barnaby Edwards' marvelous audio rendition)??? I LOVE THIS BOOK! Funny, arresting, with great characters and a plot that, like the enormous treads of the traction city London, barrels along at a thrilling pace. There is so much to love, not the least the concept of movable mega-cities literally gobbling up smaller burbs and the suburban engines that live in fear. I was mesmerized by the chapters mentioning Panzerstadt-Bayreuth, show more which roams the Great Hunting Ground that was Europe in search of cities and towns to devour. Totally absorbing and wonderful. Reeve has a real talent with names and building his world in a way that totally serves the story. show less
This is a special entry in the dragon genre, I think, especially for kids. It's about a boy realizing that the terrifying creature he's afraid of is really just an animal. I think there's a line toward the end, "nod the devil's animal, but just an animal." I loved the way it dealt with that, with the old-fashioned "Christian knight going to fight an evil beast" narrative, without making the dragon really any [i]less[/i] for being an animal. It's still magnificent and strange.
All the emotions show more were surprisingly realistic -- the boy calling himself "selfish" because he saved someone to avoid having to live with running away, rather than because it's a noble or heroic or right thing to do. All the feelings he has were slightly unexpected for me, not just what you'd expect, but rang very true. I'm not sure how I feel about the situational mutism plot, I think that's a bit overdone, but it does do some work in the story, not really for Ansel's character arc but to allow him deeper observations and limit his ability to affect others, keeping the story fairly short. It's a good length for younger readers, not any longer than it needs to be, but feels really complete as a story. show less
All the emotions show more were surprisingly realistic -- the boy calling himself "selfish" because he saved someone to avoid having to live with running away, rather than because it's a noble or heroic or right thing to do. All the feelings he has were slightly unexpected for me, not just what you'd expect, but rang very true. I'm not sure how I feel about the situational mutism plot, I think that's a bit overdone, but it does do some work in the story, not really for Ansel's character arc but to allow him deeper observations and limit his ability to affect others, keeping the story fairly short. It's a good length for younger readers, not any longer than it needs to be, but feels really complete as a story. show less
"Mortal Engines" is filled with original ideas, is visually stunning and manages to follow multiple action-packed threads while maintaining a clear storyline and a high level of drama.
All of that explains why I made it eighty-five per cent of the way through the book before I abandoned it.
Faced with listening to the final hour and a half of audiobook before I reached what I'm fairly sure will be an explosive cliff-hanger ending, I realised that I just didn't care what happened and I was very show more .unlikely to read the next book in the series.
The problem I have is that the young people in this book, who are the prime movers of the action all seem like an adult's idealised or tidied up view of the young. I don't find them either believable or interesting.
I feel like I've been dropped into a futuristic version of an Enid Blyton story. That's perhaps a little harsh. The children are probably no more implausible than the ones in C.S. Lewis' "Narnia" but "The Lion, The Witch And The Wardrobe" was published in 1950. I think expectations around how young adults are depicted have changed since then. My expectations certainly have.
"Mortal Engines" makes me realise what a good job Pullman did with "The Golden Compass". This book needed a Lara to hold my attention. Instead, I got nice but bland young people, powered by outrage and betrayal but with no real understanding of hate or rage. show less
Well this was a surprise and a delight. We borrowed it from the library for Matthew, and he asked me to read part of it aloud as it was a bit scary. Having tried a bit I started at the beginning and read the whole thing for myself. The story is fun, the characters delightful, but it's the language and the playful imagery that really struck me. Even Matthew was reading snippets out loud when they made him laugh. We're still giggling at the idea of evil muesli. Thoroughly recommended for fans show more of kids books, and for kids around 8-10 (possibly more! I only have a 9 year old to try it on). show less
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Statistics
- Works
- 102
- Also by
- 18
- Members
- 16,850
- Popularity
- #1,332
- Rating
- 3.9
- Reviews
- 535
- ISBNs
- 699
- Languages
- 22
- Favorited
- 33

















































































