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Fyodor Dostoyevsky (1821–1881)

Author of Crime and Punishment

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About the Author

One of the most powerful and significant authors in all modern fiction, Fyodor Dostoevsky was the son of a harsh and domineering army surgeon who was murdered by his own serfs (slaves), an event that was extremely important in shaping Dostoevsky's view of social and economic issues. He studied to show more be an engineer and began work as a draftsman. However, his first novel, Poor Folk (1846), was so well received that he abandoned engineering for writing. In 1849, Dostoevsky was arrested for being a part of a revolutionary group that owned an illegal printing press. He was sentenced to be executed, but the sentence was changed at the last minute, and he was sent to a prison camp in Siberia instead. By the time he was released in 1854, he had become a devout believer in both Christianity and Russia - although not in its ruler, the Czar. During the 1860's, Dostoevsky's personal life was in constant turmoil as the result of financial problems, a gambling addiction, and the deaths of his wife and brother. His second marriage in 1887 provided him with a stable home life and personal contentment, and during the years that followed he produced his great novels: Crime and Punishment (1886), the story of Rodya Raskolnikov, who kills two old women in the belief that he is beyond the bounds of good and evil; The Idiots (1868), the story of an epileptic who tragically affects the lives of those around him; The Possessed (1872), the story of the effect of revolutionary thought on the members of one Russian community; A Raw Youth (1875), which focuses on the disintegration and decay of family relationships and life; and The Brothers Karamazov (1880), which centers on the murder of Fyodor Karamazov and the effect the murder has on each of his four sons. These works have placed Dostoevsky in the front rank of the world's great novelists. Dostoevsky was an innovator, bringing new depth and meaning to the psychological novel and combining realism and philosophical speculation in his complex studies of the human condition. (Bowker Author Biography) show less

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Dostoevskkij, Fiódor Mijáilovich Dostoevsky, Dostoevskij Fëdor, Fiódor Mijailovich Dostoyevski, Fiódor Dostoievski, Fiodor Mijáilovich Dostoevskii, Fiodor Mikhailovich Dostoevskii, FIODOR MIJAÏLOVICH DOSTOEVSKÏ, Fyodor Mikhailovich Dostoevesky, Fëdor Michajlovič Dostoveskij, Fëdor Michajlovič Dostoevskij, feodor mikhailovich dostoievsky, Fyodor Mikhailovich Dostoievski, Fyodor Michailovitch Dostoevsky, Fyodor Mikhailovich Dostoyevsky, Fedor Michajlovitj Dostojevskij, Fyodor Mikhailovich Dostoyevsky, Fedor Michajlovitj Dostojevskij, Fjodor Michajlovič Dostoevský, Fedor Mikhailovitch Dostoievski, Fedor Mikha?lovitch Dostoyevski, Fedor Mikhailovich Dostoyevskii, Feodor Mikailovitch Dostoievski, Fyodor Mihailoviđc Dostoyevski, فيدور ديستويفسكي, Michajlovič Dostoevskij, Fëdor, Fiodor Michajłowicz Dostoevskij, Fjodor Mihajlovics Doszojevszkij, Fiodor Mukhailovitch Dostoievski, Fíodor Mijáilovich Dostoievski, Fjodor Michajlovič Dostojevskij, Dostoyevsky Fyodor, Mikhailovich, Fjodr Michailowitsch Dostojewski, Fyodor Mikhajlovich Dostoyevskij, Fiódor Dostoiévski, Fyodor Dostoyesvsky (Dostoevsky), Fjodor Mikhajlovitsj Dostoevskij, Fiodor Mikhailovitch Dostoievski, Fedor Michailowitsch Dostojewski, Fiódor Mijaílovich Dostoyevski, Fiódor Mikhailovitx Dostoievski, Fyodor or Dostoevsky Dostoyevsky, Fiodor Mijaïlovich Dostoevskiï, Feodor Mikhailovitch Dostoyevsky, Fjodor Michailovich Dostoievskij, Fyodor Mikhailovich Dostoyevskiy, Fiodor Michajlovič Dostojevskij, Fjodr Michailowitsch Dostojewski, Fyodor Mikhailovitsy Dostoyevski, Fëdor Michajlovič Dostoevskiij, Fiódor Mijáilovich Dostoievski, Fiodor Mijaïlovich Dostoevskiï, Fedor Mikhaiilovich Dostoevskiii, FEADOR MIKHAILOVITCH DOSTOIEVSKI, Fjodor Michajlovitsj Dostojevski, Fiódor Mijáilovich Dostoyevski, Dostoievski Fiódor Mijaílovich, Fiodor Mijaïlovich Dostoevskiï, Fedor Mihajlovics Dosztojevszkij, Fiodor Mikhailovitch Dostoievski, Fyodor Mikhailovitch Dostoievsky, Fjodor Mikhajlovitsj Dostojevkij, Fedor Mikaïlovitch Dostoïevski, Фёдор Достоевский, Fjodor Mikhajlovitsj Dostojevskij, Feodor Michailowitsch Dostojewski, Fédor Mikhaïlovitch Dostoievski, Fjodor Maichailowitsch Dostojewki, Fyodor Dostoyevsky ( Dostoevsky ), Fiódor Mikhailovich Dostoiévski, Fedor Mikhaïlovitch Dostoïevski, Fjodor Mikhajlovitsj Dostojevskij, Fedor Michailowitsch Dostojewskij, فئودور داستایفسکی, Fjodor Michailowitsch Dostojewski, Fjodor Mihajlovics Dosztojevszkij, Фёдор Достоевский, Fíodor Mijáilovich Dostojevskij, Fjodor Mihajlovics Dosztojevszkij, Достоевский Федор, Федор Достоевский, Fjodor Mikhajlovitsj Dostojevskij, Федор Достоевский, Dostojewski Fjodor Michailowitsch, Fjodor Michailowitsch Dostoevskij, فيودور دوستويفسكي, Fiódor Mijáilovich Dostoievskï, Fiodor Mikhailovitch Dolstoievski, פיודור דוסטויבסקי, ДОСТОЕВСКИЙ Федор, Фьодор Достоевски, Fjorod Mihajlovics Dosztojevszkij, Fédor Mikhaïlovith Dostoïevski, Fedor Mickhaïlovitch Dostoïevski, Fjodor Michailowitsch Dostojewskij, Fjodor Mikhájlovitj Dostojévskij, Fëdor Mihajlovič Dostoevskij, Feódor Mikhailovitch Dostoiévski, Fédor Mikhaïlovitch Dostoïevski, Fjodor: Dostojewskij (Dostojewski), Fiodor Mikhaïlovitch Dostoïevski, Dostoïevski Fiodor Mikhaïlovitch, Fiódor Mikhailovitch Dostoiévski, Feodor Mikhaïlovitch Dostoïevski, Fjodor Mihajlovics Dosztojevszkíj, فیودور داستایوفسکی, Фёдр М. Достоевский, Фёдор Достое́вский, פיודור דוסטוייבסקי, فيودور دوستويفيسكي, Fiodor Mikhaïlovitch Dostoïevski,, Фёдор M Достоевский, Fiódor Mikháilovitch Dostoiévski, Фёдор M. Достоевский, Fjodor Mihajlovič Dostojevski, Fëdor Michajlovič Dostojevskij, Фёдор M. Достоевский, Fyodor Mihayloviç Dostoyevski, Фьодор М. Достоевски, Фёдор М. Достоевский, Fiodor Mijáilovich Dostoyevski, פיודור מ. דוסטויבסקי, forf. Fjodor Mikhajlovitsj Dostojevskij, Dostojevskij Fédor Michajlovich., Φιοντόρ Ντοστογέφσκι, Fiodor Mijaïlovich Dostoevskiï, Fedor Mijailovich Dostoyevski, 1821-1881, Fedor Dostoiesffsky (Gyodor Dostoyevsky), Fiodor Mijaïlovich Dostoevskiï, Φιοντορ Ντοστογιέφσκη, TEODORO [DOSTOYEWSKI DOSTOIEUSKI, FIODOR], Φίοντορ Ντοστογιέφσκι, Fedor Mikhaïlovitch Dostoïevski, Fyodor Mihaylovic Dostoyevski Metin Ilkin, Fiódor Dostoiévski e 1 mais, Fyodor Mihaylovic Dostoyevski Sabri Gurses, F�?DOR M. DOSTOIEVSKI, Fiodor Mikhaïlovitch Dostoïevski, Fiodor Mikhaïlovitch Dostoïevski, Fyodor M. Dostoevsky/ Fedor M. Dostoyevski, FÈedor MichajloviÏc Dostoevskij, Федор Достоевский, 1821-1881, Fyodor Mihaylovic Dostoyevski Hasan Ali Ediz, Dostoievski Fedor (Fiodor) Mikhaïlovitch, Schriftsteller Fedor Michajlovič Dostoevskij, Emre Murat Bozer Fyodor Mihaylovic Dostoyevski, Fyodor Mihaylovic Dostoyevski Nihal Yalaza Taluy, Fiodor Dostoievsky, (aut.); Vidal, Augusto, (tr.), Достоевс Федор Михайлович, F. [ Fyodor 1821 - 1881]. Dostoievski [Dostoevsky, Fedor Mikhailovich Fyodor; Dostoevsky Dostoyevsky, F. [ Fyodor 1821 - 1881]. Dostoievski [Dostoevsky, Fedor Ed. Ángeles Cardona de Gilbert Dostoyevski, Fedor M. Dostoevskij Fjodor M. Dostojewskij F. M., Федор Михайлович Достоевск, Fyodor [Translated By Constance Garnett Dostoevsky, Dostoyevsky (Fedor/Fyodor Mikhailovich Dostoevsky/, Фёдор Михайлович Достоевск, פיודור מיכלוביץ דוסטויבסקי, ФЕДОР МИХАЙЛОВИЧ ДОСТОЕВСК, Федор Д&, פיודור מיכאלוביץ דוסטויבסק, Fedor. Dostoyevski Fiodor Mijailovich. Dostoyevski, Федор Михаилович Достоевск, Fyodor Dostoievski (Trans. by Pevear & Volokhonsky, Достоевский Федор Михайлов, داستایفسکی ، فدور میخائیلو, Федор Достоевский (Fedor Dostoyevs, פיודור מיכאילוביץ דוסטויבס, ফিওদর দস্তোয়েভস্কি, Fjodor Michailowitsch Dostojewski / Fyodor Dostoyevsky, Федор Михаилович Достоевский, פיודור מיכאילוביץ דוסטויבסקי, Фёдор Михайлович Достоевский, פיודור מיכאילוביץ' דוסטויבסקי, Федор (Fedor) Достоевский (Dostoevskij), פיודור מיכאילוביץ דוסטוייבסקי, פיודור מיכאילוביץ' דוסטויבסקי, ফিয়োদর দস্তইয়েভ্‌স্কি, Φεοντόρ [Dostoyevsky Ντοστογιέβσκη, Fyodor], フョードル・ミハイロヴィチ ドストエフスキー, פ[יודור] מ[יכאילוביץ׳] דוֹסטוֹיֶבסקי, Dostoyevsky (Dostoievski, Dostoevsky, Dostoyevsk Fiodor (Fyodor) M. Dostoyevski, ფიოდორ დოსტოევსკი Федор Достоевский, Fedor Estudio preliminar de Ángeles Cardona de Gibert. Trad. Julio C. Acerete Dostoyevski, [Федор Михайлович Достоевский = Fʲodor Mixajlovič Dostoʲevskij], Fdor Dostoevskij ; traduzione di Alfredo Polledro ; introduzione di Leonid Grossman ; illustrazioni originali di Philippe Jullian

Image credit: Fyodor Dostoevsky 1880

Series

Works by Fyodor Dostoyevsky

Crime and Punishment (1866) 51,389 copies, 572 reviews
The Brothers Karamazov (1880) 34,288 copies, 392 reviews
The Idiot (1869) 18,869 copies, 195 reviews
Notes from Underground (1864) 14,776 copies, 189 reviews
Demons (1872) 9,378 copies, 84 reviews
The Gambler (1866) 4,800 copies, 66 reviews
The House of the Dead (1861) — Author — 3,693 copies, 37 reviews
White Nights (1848) 3,213 copies, 82 reviews
The Double (1846) 2,058 copies, 33 reviews
Notes from Underground / The Double (1846) 2,000 copies, 17 reviews
The Adolescent (Vintage Classics) (1875) 1,982 copies, 21 reviews
Poor Folk (1846) 1,441 copies, 39 reviews
The Insulted and Injured (1861) 1,369 copies, 17 reviews
The Grand Inquisitor (1880) 1,340 copies, 15 reviews
The Best Short Stories of Fyodor Dostoevsky (1979) 1,199 copies, 8 reviews
The Eternal Husband (1870) — Author — 1,032 copies, 28 reviews
The Double / The Gambler (1846) 886 copies, 11 reviews
The Gentle Spirit (1876) 833 copies, 16 reviews
Great Short Works of Dostoyevsky (1968) 832 copies, 10 reviews
Netochka Nezvanova (1849) 672 copies, 9 reviews
The Gambler/Bobok/A Nasty Story (1867) 669 copies, 4 reviews
The Village of Stepanchikovo (1859) 655 copies, 15 reviews
The Brothers Karamazov (2/3) (1958) — Author — 602 copies, 5 reviews
The Brothers Karamazov (1/2) (1880) 588 copies, 9 reviews
Notes from Underground / The Grand Inquisitor (1960) 554 copies, 3 reviews
The Eternal Husband and Other Stories (1997) 549 copies, 2 reviews
The Dream of a Ridiculous Man (1877) 464 copies, 17 reviews
Diary of a writer (1876) 460 copies, 3 reviews
Crime and Punishment [Abridged] (1994) 449 copies, 8 reviews
Poor Folk and Other Stories (1988) 406 copies, 1 review
The Idiot (Bantam Classic) (1983) 342 copies, 3 reviews
The House of the Dead and Poor Folk (2004) 337 copies, 3 reviews
Crime and Punishment (1/2) (1867) 328 copies, 9 reviews
Crime and Punishment (2/2) (1867) 301 copies, 12 reviews
Uncle's Dream (1859) 278 copies, 10 reviews
The Idiot (1/2) (1868) — Author — 262 copies, 2 reviews
Winter Notes on Summer Impressions (1863) 246 copies, 6 reviews
The Crocodile (1865) — Author — 242 copies, 10 reviews
White Nights and Other Stories (1962) 239 copies, 5 reviews
The Idiot (2/2) (1972) — Author — 214 copies, 1 review
The Landlady (1847) — Author — 179 copies, 3 reviews
A Writer's Diary [Volume 1: 1873-1876] (1993) 166 copies, 3 reviews
The Gambler / The House of the Dead (2008) 157 copies, 1 review
Poor Folk / The Gambler (1956) 153 copies, 2 reviews
A Nasty Story (1862) 150 copies, 3 reviews
The Gambler and Other Stories (1845) 147 copies, 2 reviews
Uncle's Dream and Other Stories (1983) 133 copies, 1 review
The Gentle Spirit / The Dream of a Ridiculous Man (1992) — Author — 120 copies, 2 reviews
Netochka Nezvanova (1848) 115 copies, 4 reviews
Stories (1978) 112 copies, 4 reviews
A little hero (1857) — Author — 112 copies, 3 reviews
Demons (Part 1 of 2) (1982) — Author — 108 copies
A Weak Heart (1848) — Author — 104 copies, 3 reviews
Crime and Punishment (Illustrated Classics): A Graphic Novel (2008) — Creator — 102 copies, 3 reviews
Another Man's Wife and a Husband under the Bed (1860) — Author — 101 copies, 3 reviews
Demons (Part 2 of 2) (1871) — Author — 99 copies
Bobok (1873) — Author — 89 copies, 6 reviews
Four Great Russian Short Novels (1961) — Contributor — 74 copies
An Honest Thief and Other Stories (1971) 73 copies, 3 reviews
Poor People / A Little Hero (1846) 72 copies, 1 review
Short Stories (2015) 70 copies, 2 reviews
The Brothers Karamazov (3/3) (1979) — Author — 70 copies, 1 review
Cuentos (2003) 68 copies
Mr. Prokharchin (1846) — Author — 65 copies, 1 review
The Brothers Karamazov (1/3) (1973) — Author — 64 copies
An Honest Thief (1848) — Author — 60 copies, 2 reviews
The Notebooks for the Idiot (1968) 53 copies
Stavrogin's Confession (1974) 52 copies
Classics Illustrated: Crime and Punishment (1867) 50 copies, 2 reviews
Contos Reunidos (2017) 49 copies, 1 review
A Bad Business: Essential Stories (2022) 48 copies, 1 review
The Brothers Karamazov (Abridged) (2011) 45 copies, 1 review
The Double: Two Versions (1900) 44 copies
The Gambler / Poor People / The Landlady (2004) 42 copies, 1 review
Demons (1/3) (1871) 40 copies, 1 review
White Nights / The Adolescent (1982) — Author — 38 copies
Demons (Part 3 of 3) (1871) 35 copies, 1 review
Demons (2/3) (1973) — Author — 34 copies
Racconti (1990) 33 copies
L'adolescent et d'autres romans (1956) 30 copies, 1 review
Diario de un escritor (2007) 27 copies
The Christmas Tree and the Wedding (1848) — Author — 27 copies, 1 review
Obras Completas, Tomo II (1975) 26 copies
Valkeat yöt (1981) 26 copies
Two Crocodiles (1865) 26 copies, 2 reviews
Crônicas de Petersburgo (2012) 26 copies
[unidentified works] (1995) 24 copies
The Heavenly Christmas Tree (1876) — Author — 22 copies, 1 review
A Novel In Nine Letters (1847) — Author — 22 copies
Notebooks for a Raw Youth (1969) 21 copies
Obras completas (2003) 21 copies
White Nights / Poor Folk (1952) 21 copies, 1 review
Satiriske fortellinger (1993) 20 copies
The Adolescent (Part 1 of 2) (1991) — Author — 19 copies
The Adolescent (Part 2 of 2) (1991) — Author — 19 copies
Our Story Ends Here (2017) 18 copies
Obras completas : 1879-1881 (1991) 18 copies
Sämtliche Erzählungen (1972) 17 copies
Opowieści fantastyczne (1979) — Contributor — 17 copies
The Peasant Marey (1876) 17 copies, 1 review
Gente pobre e A anfitriã (2021) 16 copies
Beyaz Geceler - Bir Hayalperestin Anilari (2009) 16 copies, 1 review
Lettere sulla creatività (2005) 15 copies
Russian Authors (1981) 15 copies
Récits, chroniques et polémiques (1969) 14 copies, 1 review
Polzunkov (1848) 14 copies
Idioten. Bd 3 (1980) 14 copies
2 - Delitto e Castigo (1969) 12 copies
Novelas (1988) 12 copies
Meistererzählungen. (1982) 12 copies
1 - Delitto e Castigo (1969) 12 copies
Syv ungdomsfortellinger (1992) 12 copies
5 Russian Masters (2003) 11 copies
The Pushkin Speech (1992) 10 copies
Russische misdaadverhalen (1969) — Contributor — 10 copies
Valitut kertomukset (1998) 10 copies
Brev. (II) 1867-1881 (1994) 10 copies
Noveller (2022) 9 copies
Omnibus der Russische groten (1965) — Contributor — 9 copies
Brev (I), 1834 - 1866 (1993) 9 copies
Worte wie Spiegel (1988) 9 copies
Spilleren ; Krokodillen (2006) 9 copies
Classic Russian Short Stories, Vol. 1 (2002) 9 copies, 1 review
Dostoevsky: Letters and Reminiscences (1977) 9 copies, 1 review
Dernières miniatures (2000) 8 copies
Obra Completa (2004) 8 copies
Spilleren og Den evige ektemann (1973) — Author — 8 copies
Crime and Punishment / The Gambler / The Idiot (1999) — Author — 8 copies
Premières miniatures (-0001) 8 copies
Manyaga (2021) 7 copies
Humilies et offenses tome 2 (1968) — Author — 7 copies
Mutlulugun Kiyisinda (2007) 7 copies
Le Bourgeois de Paris (2006) 6 copies
El sueño del príncipe (2004) 6 copies, 1 review
Les frères Karamazov II (2013) 6 copies
Der Spieler und andere Romane (1976) 6 copies, 1 review
Correspondncias 1838-1880 (2009) 6 copies
Relatos 3 (1977) 6 copies, 1 review
The Brothers Karamazov (4/4) — Author — 6 copies
Three Tales (1945) 6 copies
Carnets (2005) 5 copies
The Brothers Karamazov (3/4) (1994) — Author — 5 copies
The Brothers Karamazov (1/4) (2004) — Author — 5 copies
Novelas y cuentos (1919) 5 copies
Une sale histoire et autres nouvelles (1997) — Author — 5 copies
Beyaz geceler, uysal kız (2010) 5 copies
Opowieści (2020) 5 copies
Romanzi vol. II: Delitto e castigo - L'idiota (2008) — Author — 5 copies
Idiot 5 copies
Werdejahre (1986) — Author — 5 copies
Dostojewski-omnibus (1964) 4 copies
Eine verfängliche Frage (1988) 4 copies
Ontsnapping uit Siberië (1996) — Author — 4 copies
Cartes (1838-67) (2023) 4 copies, 1 review
Crime et châtiment (2019) 4 copies
Karamazov Kardesler 1 (2005) 4 copies
Top class omnibus (1975) 4 copies
Çocuklar Arasında (2006) 4 copies
Aforyzmy 4 copies
Bytná : novela (1999) 4 copies
Die kleineren Romane (1976) 4 copies
Romanzi 4 copies
Briefwechsel: 1866-1880 (1987) 4 copies
The Brothers Karamazov (2/4) — Author — 4 copies
Öteki 4 copies
Tre matti (2014) 4 copies
Über Literatur. (1976) 4 copies
Novelas (2015) 4 copies
Drei Novellen (2012) 3 copies
Öyküler (2009) 3 copies
Bobok E Meia Carta De Um Sujeito (2019) 3 copies, 1 review
Puskin Konusmasi (2015) 3 copies
Il sosia - Un brutto caso (1956) 3 copies
Karamazov Kardesler-Takim (1996) 3 copies
Short Stories (Complete) (2019) 3 copies
Obra completa 3 copies
Maloe sobranie sochinenii (2011) 3 copies
Beyaz Geceler (2017) 3 copies, 1 review
Prestuplenie i nakazanie (2019) 3 copies
Dostojevskij udvalg (1977) 3 copies
הכפיל (2008) 3 copies
Il primo amore 3 copies
KADIN BUDALASI (2005) 3 copies
Dostoyevsky Bilingual (2024) 2 copies
Contos 2 copies
Krokodill ja teisi jutte (2021) 2 copies
Relatos/2 2 copies
Rus Öyküleri (2017) 2 copies
The Little Orphan (1996) 2 copies
Brev i urval 2 copies
Kvin rakontoj 2 copies
Z notaników (1979) 2 copies
BATI ÇIKMAZI 2 copies
Recueil de récits et nouvelles (2013) — Author — 2 copies, 1 review
Dostojewskij - Brevier (1949) 2 copies
F. Dostoyevsky Stories (1981) 2 copies
Uc Novella (2014) 2 copies
Contos russos (2010) 2 copies
Die grossen Romane (1985) 2 copies
Les Carnets du sous Sol (2017) 2 copies
Zapisnye knizhki (2000) 2 copies
Polnoe sobranie socinenij 2 copies, 1 review
L'adolescente (1993) 2 copies
Pensieri (2010) 2 copies
O eterno marido 2 copies
Besi 2 copies
El cocodrilo 1 copy
Il giocatore 1 copy
E URTA 1 copy
A fľkegyelm 1 copy
Crime & Punishment (2024) 1 copy
Povesti i rasskazy (2020) 1 copy
Besy (zamena kartinki) (2022) 1 copy
Memorias Del Subsuelo (2000) 1 copy
Spisy XVI. 1 copy
134 Livres 1 copy
Igrok (2012) 1 copy
Karamazof Kardesler 2 1 copy, 1 review
הכפיל : 1 copy
Oteki (2015) 1 copy
Domu graudi (2004) 1 copy
Apsakymai (2012) 1 copy
Vaikams 1 copy
DJAJTË VI 1 copy
白痴 1 copy
賭博者 1 copy
La dispesera 1 copy
Karamazof Kardesler 1 1 copy, 1 review
FOUR STORIES 1 copy
İNSANCIKLAR 1 copy
Krotkaya (2024) 1 copy
Cocuklarla Beraber (2017) 1 copy
Büyük Engizisyoncu (2015) 1 copy
Белые ночи (2005) 1 copy
NOVELA II 1 copy
Liuscha 1 copy
L' Idiota 1 copy
Saggi (1997) 1 copy
Romanzi brevi (2001) 1 copy
I grandi romanzi russi: Nuove traduzioni (2015) — Author — 1 copy
L'idiota 2 (2019) 1 copy
L'idiota 3 (2019) 1 copy
L'idiota 4 (2019) 1 copy
Le feste di Natale (2007) 1 copy, 1 review
Novelas I 1 copy
ladolescent 1 copy
Une sale affaire (2009) 1 copy
Les démons tome 3 (2017) 1 copy
The gambler 1 copy
Výrastok 1 copy
1 المراهق (2010) 1 copy, 1 review
المراهق 2 1 copy, 1 review
Racconti 1 copy
The Wedding 1 copy
The Idiot [Tantor] (2011) 1 copy
The Iditot 1 copy
الجارة 1 copy, 1 review
Gracz 1 copy
Uncle?s Dream (2013) 1 copy
Getrouwd! 1 copy
Müfettis (Rusca) (2019) 1 copy
Kindergeschichten (1958) 1 copy
Bei Tichon. (1996) 1 copy
ILIUSCHA 1 copy
Pripovetke I 1 copy
Demons & A Raw Youth (2020) 1 copy
La inferno 1 copy
Karamazov 1 1 copy
Karamazov 2 1 copy
o crocodilo 1 copy
Netochka 1 copy
L'idiota 1 copy
Obra completa (1963) 1 copy
Le Joueur 1 copy
Prosa poesia 1 copy
The Jealous Husband (1948) — Author — 1 copy
L'Adolescent 1 copy
Tres novelas cortas (1976) 1 copy
[No title] 1 copy
Budala 1 copy
O miłości 1 copy
O umetnosti 1 copy
Pripovjetke 1 copy
Odabrana pisma (1982) 1 copy
Vječni muž 1 copy
JEVREJSKO PITANJE (1994) 1 copy

Associated Works

Existentialism from Dostoevsky to Sartre (1956) — Contributor — 2,319 copies, 21 reviews
Best Russian Short Stories (1917) — Contributor — 368 copies, 7 reviews
75 Short Masterpieces: Stories from the World's Literature (1961) — Contributor — 316 copies, 2 reviews
Russian Short Stories from Pushkin to Buida (2005) — Contributor — 257 copies, 2 reviews
The Portable Nineteenth-Century Russian Reader (1993) — Author, some editions — 223 copies, 1 review
Sixteen Short Novels (1986) — Contributor — 207 copies, 1 review
The Moral Life: An Introductory Reader in Ethics and Literature (1999) — Contributor — 205 copies, 2 reviews
A Modern Introduction to Philosophy (1957) — Contributor — 200 copies, 2 reviews
Great Russian Short Stories (1958) — Contributor — 197 copies, 3 reviews
100 Eternal Masterpieces of Literature, Volume 1 (2017) — Contributor — 175 copies
Short Novels of the Masters (1989) — Contributor — 167 copies, 1 review
Great Short Stories of the World (1925) — Contributor — 163 copies, 1 review
Dystopia Utopia: Short Stories (2016) — Contributor — 159 copies, 1 review
Great Russian Short Stories (Dover Thrift Editions) (2003) — Contributor — 154 copies, 2 reviews
Man Alone: Alienation in Modern Society (1962) — Contributor — 151 copies
The Oxford Book of Villains (1992) — Contributor — 150 copies
The Anarchists (2005) — Contributor — 119 copies, 1 review
The Portable Russian Reader (1947) — Contributor, some editions — 61 copies
Pearl S. Buck's Book of Christmas (1974) — Contributor — 51 copies, 1 review
A Cross of Centuries: Twenty-five Imaginative Tales About the Christ (2007) — Contributor — 31 copies, 2 reviews
Great Short Stories of the World: 30 Classic Tales (1991) — Contributor — 29 copies
The Lock and Key Library (Volume 1: North Europe) (1909) — Contributor — 28 copies, 1 review
The Book Lovers (1976) — Contributor — 27 copies, 1 review
Great Russian Short Novels (1969) — Contributor — 26 copies, 1 review
Studies in Fiction (1965) — Contributor — 23 copies, 1 review
Urban Crime Short Stories (2019) — Contributor — 22 copies
The Idiot [1951 film] (1951) — Original book — 17 copies
All verdens fortellere (1990) — Contributor, some editions — 16 copies, 1 review
The Brothers Karamazov [1958 film] (1993) — Original novel — 15 copies
15 Great Russian Short Stories (1965) — Contributor — 15 copies
Selected Russian Short Stories (1928) — Contributor — 14 copies
Great Russian Short Novels (1953) — Contributor — 14 copies
Story to Anti-Story (1979) — Contributor — 13 copies
Great Short Stories from the World's Literature (1950) — Contributor — 13 copies
Russische verhalen (1965) — Contributor — 11 copies
The modern short novel (1965) — Contributor — 11 copies
De 43ste april : zeven verhalen op één thema (1961) — Contributor — 6 copies
Crime and Punishment [2002 TV miniseries] — Original book — 6 copies, 1 review
Great Love Scenes from Famous Novels (1943) — Contributor — 6 copies
Russische Meistererzählungen. Russisch- Deutsch. (1989) — Contributor — 5 copies
Twelve Stories of Christmas (2020) — Contributor — 5 copies
Christmas Stories (2003) — Contributor — 5 copies
Bronnen van stilte en bezinning (1976) — Author — 5 copies
Russland (2017) — Contributor — 5 copies
The Greatest Christmas Stories & Poems in One Volume (2015) — Contributor — 4 copies
The humour of Russia — Contributor — 4 copies
The Gambler [screenplay] (1997) — original work — 4 copies
Dostoievski Par Lui-Meme (1962) — Contributor — 3 copies
Twelve Short Novels (1976) — Contributor — 3 copies
American Aphrodite (Volume Two, Number Five) (1952) — Contributor — 2 copies
Partner [1968 film] — Original book — 2 copies
Russische Käuze (1968) — Contributor — 2 copies
Christmas Short Works Collection 2020 (2020) — Contributor — 2 copies
Crime and Punishment U.S.A. [1959 film] (1959) — Orginal novel — 2 copies
The Crocodile (2016) — Original story — 2 copies
Tales of Christmas (2015) — Contributor — 1 copy
Der Spieler [Staatsoper Stuttgart, 15-III-2025] (2025) — Contributor — 1 copy
Famous Russian Stories (Little Blue Book No. 948) (1947) — Contributor — 1 copy
Christmas Short Works Collection 2025 (2025) — Contributor — 1 copy

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Common Knowledge

Canonical name
Dostoyevsky, Fyodor
Legal name
Достое́вский, Фёдор Миха́йлович
Other names
Dostoyevsky, Fyodor Mikhaylovich
Dostoevsky, Fyodor
Dostoevsky, Fyodor Mikhailovich
Birthdate
1821-11-11
Date of death
1881-02-09
Gender
male
Education
Saint Petersburg Academy of Military Engineering
Occupations
journalist
novelist
short story writer
Relationships
Dostoevskaja, Ljubov Fedorovna (daughter)
Dostoevsky, Anna (wife)
Short biography
Fyodor Mikhailovich Dostoevsky Russian: 11 November 1821 – 9 February 1881, sometimes transliterated Dostoyevsky, was a Russian novelist, short story writer, essayist and journalist. Dostoevsky's literary works explore human psychology in the troubled political, social, and spiritual atmospheres of 19th-century Russia, and engage with a variety of philosophical and religious themes. His most acclaimed works include Crime and Punishment (1866), The Idiot (1869), Demons (1872), and The Brothers Karamazov (1880). Dostoevsky's body of works consists of 12 novels, four novellas, 16 short stories, and numerous other works. Many literary critics rate him as one of the greatest psychological novelists in world literature. His 1864 novella Notes from Underground is considered to be one of the first works of existentialist literature.

Born in Moscow in 1821, Dostoevsky was introduced to literature at an early age through fairy tales and legends, and through books by Russian and foreign authors. His mother died in 1837 when he was 15, and around the same time, he left school to enter the Nikolayev Military Engineering Institute. After graduating, he worked as an engineer and briefly enjoyed a lavish lifestyle, translating books to earn extra money. In the mid-1840s he wrote his first novel, Poor Folk, which gained him entry into St. Petersburg's literary circles. Arrested in 1849 for belonging to a literary group that discussed banned books critical of Tsarist Russia, he was sentenced to death but the sentence was commuted at the last moment. He spent four years in a Siberian prison camp, followed by six years of compulsory military service in exile. In the following years, Dostoevsky worked as a journalist, publishing and editing several magazines of his own and later A Writer's Diary, a collection of his writings. He began to travel around western Europe and developed a gambling addiction, which led to financial hardship. For a time, he had to beg for money, but he eventually became one of the most widely read and highly regarded Russian writers.

Dostoevsky was influenced by a wide variety of philosophers and authors including Pushkin, Gogol, Augustine, Shakespeare, Dickens, Balzac, Lermontov, Hugo, Poe, Plato, Cervantes, Herzen, Kant, Belinsky, Hegel, Schiller, Solovyov, Bakunin, Sand, Hoffmann, and Mickiewicz.

His writings were widely read both within and beyond his native Russia and influenced an equally great number of later writers including Russians like Aleksandr Solzhenitsyn and Anton Chekhov, philosophers Friedrich Nietzsche and Jean-Paul Sartre and the emergence of Existentialism and Freudianism. His books have been translated into more than 170 languages.
Nationality
Russia
Birthplace
Moscow, Russia
Places of residence
Moscow, Russia
St. Petersburg, Russia
Siberia, Russia
Tver, Russia
Place of death
St. Petersburg, Russia
Burial location
Tikhvin Cemetery, Alexander Nevsky Monastery, Saint Petersburg, Russia
Map Location
Russia

Members

Discussions

Dostoevsky: Crime and Punishment in Author Theme Reads (May 2025)
Crime and Punishment in Someone explain it to me... (May 2025)
Century Press - The Crocodile in Fine Press Forum (November 2024)
Easton Press Crime and Punishment LE 1975 in Book talk (February 2022)
Group Read, February 2018: The Idiot in 1001 Books to read before you die (March 2018)
Group Read, July 2014: Notes from the Underground in 1001 Books to read before you die (July 2014)
April 2014: Fyodor Dostoevsky in Monthly Author Reads (April 2014)
Dostoevsky: Notes from Underground in Author Theme Reads (December 2013)
Obscure Dostoevsky short stories in Fans of Russian authors (November 2011)
KARAMAZOV: Who's in? in Le Salon Littéraire du Peuple pour le Peuple (October 2010)
BROTHERS KARAMAZOV Group Read in Fans of Russian authors (October 2010)
Dostoevsky: The Brothers Karamazov in Author Theme Reads (August 2009)
Dostoyevsky: The House of the Dead in Author Theme Reads (June 2009)
Dostoevsky: Poor Folk in Author Theme Reads (March 2009)
Best translation of The Brothers Karamazov? in Fans of Russian authors (March 2008)

Reviews

2,367 reviews
Reading Crime and Punishment feels like being locked in a really slimy, sticky, smoky dive bar with your own conscience after way too many vodkas. Dostoevsky doesn’t write a story so much as he drags you by the scruff of your soul into the sweat-soaked brain of a man who thinks he’s smarter than morality, and then shows you what happens when the hangover kicks in.

Raskolnikov is not a murderer in the cinematic sense. He’s the guy we all secretly fear we might be on a bad day — show more overthinking everything, justifying the unforgivable, then spiraling into a swamp of guilt so thick you can feel the mildew. Dostoevsky turns the act of killing into a philosophical migraine, and by the time you come up for air, you’re questioning whether you did it too.

This isn’t a crime novel. It’s an autopsy on human arrogance, performed with a dull and rusted butter knife. The punishment isn’t the Siberian gulag — it’s the relentless self-awareness that comes after.

I’ve read it a dozen times and still can’t tell if it’s a confession, a curse, or a manual for losing your mind in slow motion. But it’s brilliant. Every page smells of poverty, sweat, and existential panic — the kind of prose that makes you want to wash your hands more than once and pour another very large glass of vodka.

If you’ve ever wanted to know what madness sounds like from the inside, Crime and Punishment is one of the best write ups of the internal monkey-mind madness that none of us really want to live.
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“It was a wonderful night, the kind of night which is only possible when we are young.”

I approached White Nights with curiosity and an open mind, aware of its reputation as a delicate, melancholic tale of youthful longing and the human need for connection. Yet, despite its many admirers and the recent surge in popularity—fueled largely by BookTok influencers and endless tea reels—I found myself frustrated, detached, and frankly unimpressed.

The young man is dreamy to a fault—too show more naïve, too desperate, and far too ethereal to feel like a real person. He “protests too much,” as if clinging to an ideal of love rather than experiencing it. Nastenka, on the other hand, isn’t just a fragile, weeping girl—she’s a calculated manipulator wrapped in a pretty sob story. Her tears aren’t signs of weakness but weapons aimed to entangle the dreamer in her self-centred drama. She knew exactly what she was doing all along: milking his desperation for attention and comfort, then dropping him without a second thought. No innocence here—just cold, strategic emotional theatre. Together, they form one of the most exasperating “couples” in literature—two lonely souls wrapped up in their own emotional whirlwinds but lacking genuine chemistry or empathy.

Yet, I can’t deny that Dostoevsky’s novella strips the human soul bare in its reflections on loneliness, silence, and the pain of unfulfilled dreams. His insights into how deeply we understand others’ unhappiness when we ourselves are hurt are thoughtful and timeless. But these moments are few and far between, scattered amid dialogue that often feels juvenile and melodramatic, and a narrative tone that rarely sustains a believable atmosphere.

It’s no secret that White Nights has recently become a darling of social media, especially BookTok, where emotional intensity is sometimes mistaken for literary depth. I am sceptical of the frenzy—and honestly, it feels more like romanticising a lost innocence than engaging with a fully realized story. Who am I to judge Dostoyevsky, or the legions of wannabe influencers who have likely never read another book but flood the internet with vapid tea reels? But my frustration stands: this novella didn’t move me in the way so many claim.

Let’s be real. These two characters? They don’t need to be adored; they need a reality check. The dreamer is a pathetic mess—clinging to an idea of love like a drowning man to driftwood. He’s more a ghost than a person, lost in his own desperate fantasy, incapable of genuine connection.
Nastenka? She’s a minx of the highest order—a self-serving drama queen who weaponises her tears and vulnerability like a pro. She knows exactly what she’s doing: playing the dreamer for all he’s worth, soaking up attention and comfort without giving a damn in return. She treats him like a consolation prize, a warm body to fill the void while waiting for the “real” love to come back.
Their so-called “love story” is nothing more than a masterclass in emotional manipulation and self-absorption. They’re two lonely people caught in a circle of neediness and theatrical sadness, with zero chemistry and zero growth.

And yet, thanks to social media hype and BookTok’s obsession with manufactured emotional intensity, this tired, overwrought novella has been elevated to some kind of romantic ideal.
Here’s the truth: White Nights isn’t the soaring ode to love and loneliness it’s cracked up to be. It’s a theatrical farce dressed in the guise of a poignant tale, and if you want to read something genuinely moving, you’ll have to look elsewhere.

“And you regret that the momentary beauty faded so quickly, so irretrievably, that it flashed before you so deceptively and in vain — you regret this because there was not time for you even to fall in love with her…”

In the end, White Nights is like watching a beautiful painting from a distance—there is technique and occasional tenderness, but the emotional pull never quite reaches me. It remains an important literary piece with meaningful themes, but for me, it was more an exercise in observation than immersion. I can appreciate its place in literature without sharing the hype that currently surrounds it.

My reviews can also be found on https://theopinionatedreaderblog.wordpress.com/
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Dostoevsky described Prince Lev Nikolaevich Myshkin as a 'positively beautiful man' and he succeeds in making this protagonist innocent and beautiful without being too simple or boring. He is quite a contrast to Raskolnikov, but reminded me of Alyosha Karamazov in some ways. But he's less of a holy fool and more of an idiot, which is the word constantly used to bring down Prince Myshkin, who seems to be undeserving of the harsh title. Sure he's awkward and epileptic, but he's quite show more articulate and has lots on his mind (ie. his hilarious anti-Catholic rant). Sadly, he is reduced to idiocy at the end of the novel after the shitshow involving Nastasya Filippovna, femme fatale extraordinaire. She brings down Rogozhin and the Prince- so is she crazy or just in love with her fallen woman stance? The line between sanity and craziness is quite blurry in this novel, as is the line between intelligence and idiocy. We've got both extremes in us.

As usual with Dostoevsky, this had an exciting plot and was filled with memorable characters ie. pathetic Lebedev, consumptive Ippolit, and compulsive liar General Ivolgin. I loved the Nastasya/Aglaya foil and the jealousy between them was well depicted. It's always interesting when Dostoevsky draws on his own experiences- his epilepsy and his near execution- as he discusses both within the novel. There's lots of religion too, but lots of atheism and disbelief. Some good thoughts on religion vs. rationality (spirituality doesn't fit in with reason) and on how Russian passion causes such extreme conviction in religious belief or disbelief. It's amazing how he weaves these heavy and serious subjects through the novel but still makes it so damn enjoyable to read!
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Raskolnikov is a young law student with a theory: that there are certain, extraordinary men alive who can bypass both moral codes and human laws in favor of the greater good. To prove himself an extraordinary man, an ubermensch, Raskolnikov plans to test his theory by committing the ultimate transgression: murder.
Spoiler alert: he is in fact not an extraordinary man. He is a quite, quite normal man. Who has now committed homicide and is on the run from the cops.
The great thing about this show more whodunit is that you already KNOW whodunit! This fact makes this 500 page Russian classic even more interesting. As Raskolnikov breaks down, trying to hide his crime from his friends, family, and the detective in charge of the case, you get a fascinating glimpse into the human psyche in times of distress. Half of Raskolnikov desperately wants to confess. The other would prefer to take his guilt to the grave.
In my opinion, as much as I love Raskolnikov, the best part of this book are the side characters, each of whom represents a portion of Raskolnikov's mental state. There's the devout Sonia, the charismatic Razumikhin, the hedonistic Svidrigailov, the determined Porfiry, and the self-assured Dunya. They all feel so real, and they all enhance the book that much more.
This was my first full Dostoevsky novel (my actual first experience with him was "Notes from Underground" which I also highly recommend), and it made me fall in love with his view of humanity, guilt, and purity, as well as his gorgeous writing style. It's a classic for a reason.
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Associated Authors

Michael R. Katz Editor, Translator
George Gibian Editor, Contributor
Hermann Röhl Übersetzer, Translator
Andrew R. MacAndrew Translator and Afterword, Translator
Leo Tolstoy Author, Contributor
Ralph E. Matlaw Contributor, Editor
Mirra Ginsburg Translator
Susan McReynolds Oddo Editor, Translation revision
Alain Korkos Illustrator
Anton Chekhov Contributor
Thomas Mann Introduction
Beatrice Scott Translator
Bastien Loukia Illustrator
Metin Ilkin Translator
Paulo Bezerra Translator
David McDuff Translator, Introduction
Richard Freeborn Translator
Jane Kentish Translator
David Magarshack Translator
Jessie Coulson Translator
Ernest J. Simmons Contributor, Introduction
Juhani Konkka Translator
S. van Praag Translator
Joseph Frank Introduction, Editor, Contributor
Arthur Langeveld Translator
Alberto Moravia Contributor, Introduction
Philip Rahv Contributor
N. Strakhov Contributor
George Chulkov Contributor
V. Pereverzev Contributor
Leonid P. Grossman Contributor
Berna Contributor
Vyacheslav Ivanov Contributor
Nicholas Berdyaev Contributor
F. I. Evnin Contributor
Richard Weisberg Contributor
Sergei V. Belov Contributor
Czesław Miłosz Contributor
Maurice Beebe Contributor
Simon Karlinsky Contributor
K. Mochulsky Contributor
Karen Horney Contributor
Michael T. Kaufman Contributor
Michael Holquist Contributor
Mikhail Bakhtin Contributor
Gary Saul Morson Introduction, Foreword, Contributor
Tiina Kartano Translator
Edward Wasiolek Editor, Contributor
Vladimir Kantor Contributor
Robin Feuer Miller Contributor
Vissarion Belinsky Contributor
Ulrich Schmid Contributor
Vladimir Golstein Contributor
Ralph Matlaw Contributor
Nathan Rosen Contributor
Robert L. Belknap Contributor
Roger B. Anderson Contributor
William Mills Todd Contributor
Ruth Mortimer Contributor
N. Obolonsky Translator, Foreword
Edward Gorey Cover artist
Peter van Eysden Translator
M Ferguson Translator
Edgar Allan Poe Contributor
Honoré Balzac Contributor
Oscar Wilde Contributor
Henry James Contributor
H. G. Wells Contributor
Wilkie Collins Contributor
Walter De la Mare Contributor
Aleksy Tołstoj Contributor
Théophile Gautier Contributor
Prosper Mérimée Contributor
Anatole France Contributor
M. Koesmin Contributor
N. Leskov Contributor
A. Tsjechov Contributor
I. Toergenjev Contributor
Anton Tsjechov Contributor
D. Latzko Translator
L.N. Tolstoj Contributor
J. Leclée Translator
Nikolaj Gogol Contributor
René de Vries Translator
H.J. Been Translator
Donia Nachshen Illustrator
Jan van der Eng Translator
A. C. Niemeijer Translator
James Avati Cover artist
Mirjam van Hengel Interviewer
Marian Larer Illustrator
Willem Jan Otten Introduction
Josef Lesowsky Translator
Valeria Lesowsky Translator
Richard Pevear Translator
Swetlana Geier Übersetzer, Translator
Fritz Eichenberg Illustrator
Ignat Avsey Translator, Contributor
Ellen Rydelius Translator
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Harry Brockway Illustrator
Hugh Aplin Translator
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Henri Mongault Translator
Alfredo Polledro Translator
Lea Pyykkö Translator
Gianlorenzo Pacini Translator, Editor, Introduction
Charles B. Timmer Translator, Contributor
Karl Nötzel Translator
Martti Anhava Translator
Avrahm Yarmolinsky Introduction
Hans Leerink Translator
Raymond R. Canon Introduction
Oliver Ready Translator
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Jamie Keenan Cover designer
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M. Vuori Translator
Michael Scammell Translator
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Philippe Jullian Illustrator
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Anthony Heald Narrator
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Priscilla Meyer Introduction
Zohar Lazar Cover artist
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Geir Kjetsaa Translator
Marko Fondse Translator
T N R Rogers Introduction
Simon Vance Narrator
Lea Pyykkö Translator
Anna Kosloff Translator
Jan van der Eng Translator
Joan Sales Translator
V. K. Trast Translator
O.H. Rudzik Introduction
Boris Kustodiev Cover artist
George Steiner Foreword, Introduction
Kyril FitzLyon Translator
Michael Sheen Narrator
Avrahm Yarmolinsky Introduction
Norman Dietz Narrator
Olga Carlisle Translator
J. Jac. Thomson Translator
Staffan Dahl Translator
Eva M. Martin Translator
Henry Carlisle Translator
Ana Miranda Narrator
Martin Geeson Narrator
Elina Yuffa Translator
Susanna Witt Foreword
James Hill Cover artist
Hermann Röhl Übersetzer, Translator
Ulla Roseen Translator
Valto Kallama Translator
Esa Adrian Translator
Paul E. Kennedy Cover designer
Will Self Foreword
Leone Ginzburg Contributor
Natasha Randall Translator
Jenny Hughes Translator
Piet Dekker Translator
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Hans Boland Translator
Lynd Ward Cover artist
Marc Slonim Afterword
Archie Ferguson Cover designer
Ronald Wilks Translator
E. K. Rahsin Translator
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Armando Luiz Translator
Nina Guerra Translator
Oleg Almeida Translator
Hermann Roehl Translator
Nurşen Özkan Translator
Bas Heijne Afterword
Peter Glas Afterword
Victoire Feuillebois Mise à jour de la bibliographie
Vadim Belov Traductor
Michel Parfenov Introduction et chronologie et collaboration à la traduction française
Bengt Samuelson Translator
Ergin Altay Translator
Evelyn Harden Translator
Ida Pekari Translator
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Arja van den Berg Illustrator
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Michael Hagemann Cover designer
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Pierre Pascal Contributor
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Henri Troyat Introduction
M. Rakowska Translator
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Elmo Totti Editor
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Maria Leto Leto Translator
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Anton Ocvirk Introduction
Atosha McCaw Cover designer
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Robert Dessaix Translator
C. J. Hogarth Translator
Julia Emlen Narrator
Gregor Jarcho Übersetzer
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Arthur Luther Afterword
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Geir Kjetsaa Translator
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Malcolm V. Jones Introduction
Ernest Simmons Introduction
A. Voogd Translator
Javier Sologuren Introduction
J. I. Packer Contributor
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Samuel D. Cioran Translator
Kenneth Lantz Translator
Stefan Lindgren Translator
H.W. Sandberg Translator
R. Snapper Illustrator
André Markowicz Translator
Nadai L. V. Translator
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Julius Bramont Introduction
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