Fyodor Dostoyevsky (1821–1881)
Author of Crime and Punishment
About the Author
One of the most powerful and significant authors in all modern fiction, Fyodor Dostoevsky was the son of a harsh and domineering army surgeon who was murdered by his own serfs (slaves), an event that was extremely important in shaping Dostoevsky's view of social and economic issues. He studied to show more be an engineer and began work as a draftsman. However, his first novel, Poor Folk (1846), was so well received that he abandoned engineering for writing. In 1849, Dostoevsky was arrested for being a part of a revolutionary group that owned an illegal printing press. He was sentenced to be executed, but the sentence was changed at the last minute, and he was sent to a prison camp in Siberia instead. By the time he was released in 1854, he had become a devout believer in both Christianity and Russia - although not in its ruler, the Czar. During the 1860's, Dostoevsky's personal life was in constant turmoil as the result of financial problems, a gambling addiction, and the deaths of his wife and brother. His second marriage in 1887 provided him with a stable home life and personal contentment, and during the years that followed he produced his great novels: Crime and Punishment (1886), the story of Rodya Raskolnikov, who kills two old women in the belief that he is beyond the bounds of good and evil; The Idiots (1868), the story of an epileptic who tragically affects the lives of those around him; The Possessed (1872), the story of the effect of revolutionary thought on the members of one Russian community; A Raw Youth (1875), which focuses on the disintegration and decay of family relationships and life; and The Brothers Karamazov (1880), which centers on the murder of Fyodor Karamazov and the effect the murder has on each of his four sons. These works have placed Dostoevsky in the front rank of the world's great novelists. Dostoevsky was an innovator, bringing new depth and meaning to the psychological novel and combining realism and philosophical speculation in his complex studies of the human condition. (Bowker Author Biography) show less
Image credit: Fyodor Dostoevsky 1880
Series
Works by Fyodor Dostoyevsky
Notes from Underground; White Nights; The Dream of a Ridiculous Man; and: White Nights Dream Ridiculous Man and selections from The House of the Dead (Signet classics) (1961) 975 copies, 13 reviews
Three Short Novels of Dostoevsky: The Double, Notes From the Underground, The Eternal Husband (1959) 364 copies, 3 reviews
A Gentle Creature and Other Stories: White Nights; A Gentle Creature; The Dream of a Ridiculous Man (Oxford World's Classics) (1995) 262 copies, 1 review
Crime and Punishment (Illustrated Classics): A Graphic Novel (2008) — Creator — 102 copies, 3 reviews
Verzamelde werken. Dl. IV: Een nare geschiedenis ; Winterse opmerkingen over zomerse indrukken ; Aantekeningen uit het ondergrondse ; De krokodil ; De speler ; De eeuwige… (1995) 73 copies, 2 reviews
The Complete Works of Fyodor Dostoyevsky: Novels, Short Stories and Autobiographical Writings: The Entire Opus of the Great Russian Novelist, Journalist ... from Underground, The… (2015) — Author — 47 copies
Works of Fyodor Dostoevsky: Crime and Punishment, The Idiot, The Brothers Karamazov, The Gambler, The Devils, The Adolescent & more (2007) 37 copies, 2 reviews
Noites Brancas. Romance Sentimental. Das Memorias de Um Sonhador (Em Portugues do Brasil) (2001) 31 copies, 1 review
Grolier Classics: Crime and Punishment, Diary of Samuel Pepys, Confessions of Saint Augustine, Paradise Lost (1955) 29 copies
Aufzeichnungen aus einem Totenhaus - Njetotschka Neswanowa - Eine dumme Geschichte - Winteraufzeichnungen über Sommereindrücke (1992) 22 copies
Il giocatore-Le notti bianche-La mite-Il sogno di un uomo ridicolo. Ediz. integrale (2015) 19 copies
Cuentos Clasicos Juveniles/Classic Stories for Young People (Short Stories) (Spanish Edition) (1997) 16 copies
Le notti bianche - Il giocatore 12 copies
Schweigen ist Schuld : ein Lesebuch der Verlagsinitiative gegen Gewalt und Fremdenhass (1999) 9 copies
El sueño de un hombre ridículo - Bobok - La sumisa (El libro de bolsillo - Bibliotecas de autor - Biblioteca Dostoyevski) (Spanish Edition) (2011) 9 copies
STAVROGIN'S CONFESSION and THE PLAN OF THE LIFE OF A GREAT SINNER: With Introductory and Explanatory Notes, (1972) 9 copies
Aus dem Dunkel der Großstadt. Aufzeichnungen. ( Sämtliche Romane und Erzählungen, 7). (1998) 8 copies
i fratelli karamazov. Volume 2 8 copies
The Idiot & The Possessed 7 copies
I capolavori: Le notti bianche-Delitto e castigo-Il giocatore-L'idiota-I demoni. Ediz. integrale (2016) 6 copies
The Brothers Karamazov (4/4) — Author — 6 copies
The Unpublished Dostoevsky : Diaries & Notebooks 1860-81 (Vol. 3 / III) [Dostoyevsky] (1976) 6 copies
I capolavori: Le notti bianche. Memorie dal sottosuolo. Il giocatore. Delitto e castigo. I demoni (2002) 6 copies
Verzamelde werken 5 copies
Racconti e romanzi brevi 5 copies
The double ; Poor folk 5 copies
Box - Fiodor Dostoievski: Memorias da casa dos mortos e O idiota (Em Portugues do Brasil) (2018) 5 copies
Sobranie sochinenii v desiati tomakh 5 copies
Idiot 5 copies
Fyodor Dostoevsky: Collection of 30 Classic Works with analysis and historical background (Annotated and Illustrated) (Annotated Classics) (2013) 5 copies
Grandi romanzi: Le notti bianche-Delitto e castigo-Il giocatore-l'idiota-I demoni. Ediz. integrali (2010) 5 copies, 2 reviews
Der Spieler und andere Erzählungen 4 copies
Il giocatore: L'eterno marito 4 copies
Dostojefskis Breve i Udvalg 4 copies
I fratelli Karamàzov, 3 4 copies
Politieke geschriften 4 copies
The Crocodile and Other Stories (riverrun Editions): Dostoevsky’s finest short stories in the timeless translations of Constance Garnett (2019) 4 copies
Aforyzmy 4 copies
Dostojevskij : en samlingsvolym 4 copies
Romanzi 4 copies
The Brothers Karamazov (2/4) — Author — 4 copies
Öteki 4 copies
El gran inquisidor y otros cuentos / The Grand Inquisitor and other stories (Escolar) (Spanish Edition) (2010) 3 copies
Tutti i romanzi, vol. 1 - Memorie da una casa di morti; Umiliati e offesi; Delitto e castigo; L'idiota (1993) 3 copies
Three Short Stories 3 copies
Min onkel og hans excellense 3 copies
The Fyodor Dostoevsky Novels and Novellas Collection: The Brothers Karamazov, Crime and Punishment, and 11 Other Classics (2013) 3 copies
Los hermanos Karamazov ; Crimen y castigo ; Stepanchikovo y sus habitantes ; El jugador (1983) 3 copies
Noites Brancas e outras novelas 3 copies
Poor folk ; Uncle's dream 3 copies
Fjodor Dostojewski - Gesammelte Werke. Die Erzählungen (Leinen-Ausgabe mit Goldprägung) (Anaconda Gesammelte Werke, Band 24) (2016) 3 copies
Obra completa 3 copies
Humilhados E Ofendidos, & Um Jogador (Obras Completas E Ilustradas De F.M. Dostoievski) (1960) 3 copies
الإخوة كارامازوف - المجلدات الأربعة 3 copies
Dostoevsky Collection 200 Years 3 copies
A nagyváros homályából ; A kis hős 3 copies
In difesa di me stesso: deposizioni e verbali del processo del 1849 contro il "circolo di Petrasevskij" (1989) 3 copies
GREAT SHORT STORIES: The Book Bag; Guilty; The Christmas Tree and the Wedding (Quick Reader 106) (1945) 3 copies
Fedor M. Dostoevski 1821-1881 Seleccion = Fedor M. Dostoevski 1821-1881 Selection (Autore Selectos) (Spanish Edition) (2010) 3 copies
Il primo amore 3 copies
Crime and Punishment With selected excerpts from the Notebooks for Crime and Punishment Wordsworth Classics Paperback Illustrated 5 May 2000 (2000) 3 copies
Pobre gente ; O duplo 2 copies
Fyodor Dostoevsky: Complete Letters, 1878-1881 (Dostoevsky, Fyodor//Complete Letters) (1991) 2 copies
Contos 2 copies
Kellariloukko ja Vieras rouva 2 copies
Relatos/2 2 copies
Bele noći // Kockar // Dvojnik 2 copies
Memorias del subsuelo & Las noches blancas & El jugador/ Notes from Underground & White Nights & The player (Grandes Clasicos) (Spanish Edition) (2006) 2 copies
Drei humoristische Romane: Onkelchens Traum / Das Gut Stepantschikowo / Der ewige Gatte (1984) 2 copies
Modern Library College Editions 2 copies
Un Hombre Ridículo y Otros Relatos 2 copies
Os Melhores Contos de Dostoi[eviski 2 copies
Der Spieler : Roman und anderes 2 copies
Öyküler; Beyaz Geceler - Bir Yufka Yürek - Dürüst Hirsiz - Bobok - Baskasinin Karisi (2018) 2 copies
Les frères Karamazov, tome 1 2 copies
First-person in Russia's golden age : Notes From the Underground : Diary of a Madman : Diary of a Superfluous Man : Lucerne (2012) 2 copies
Helle Nächte: vier Novellen 2 copies
Stepančikovo, Srečkar, Večni mož 2 copies
Een lieve meid (Dutch Edition) 2 copies
Преступление и наказание: Russian Language Edition (Мировая Классика) (Russian Edition) (2014) 2 copies
Petrohradská kronika ; Literární sny 2 copies
Brev i urval 2 copies
Kvin rakontoj 2 copies
Dziela wybrane-5 2 copies
BATI ÇIKMAZI 2 copies
Les Frères Karamazov, volume III 2 copies
Delitto e castigo III 2 copies
The Possessed, Volume 2 2 copies
Crimen y castigo tomo I y II 2 copies
Notes from the Underground (Dover Thrift Editions) by Fyodor Dostoyevsky Dover Thrift edition [Paperback(1992)] (1972) 2 copies
Racconti e romanzi brevi. Volume 1 2 copies
Complete Novellas: Notes from Underground, Poor Folk, The Gambler, Uncle's Dream, The Eternal Husband, The Double, and The Landlady (2020) 2 copies
Romanzi e taccuini III 2 copies
Discorso su Puskin 2 copies
Crime and Punishment 2 copies
Corazones sencillos 2 copies
L'eterno marito - La moglie di un altro e il marito sotto il letto (Italian Edition) (2019) 2 copies
Delitto e castigo 2 copies
Den ærlige Tyv og andre Fortællinger 2 copies
Humillados y ofendidos 2 copies
Sämtliche Werke 2 copies
O literaturze i sztuce 2 copies
Dziennik Pisarza - Tom I - 1847-1874 2 copies
Album Pleiade Dostoievski. Iconographie réunie et commentée par Gustave Aucouturier et Claude Menuet 2 copies
Les Nits blanques : La dispesera 2 copies
Souvenirs de la maison des morts. Une fâcheuse histoire. Notes d'hiver sur des impressions d'été 2 copies
La confession de stravroguine complétée par une partie inédite du journal d'un écrivain (1922) 2 copies
The brothers Karamazov / 1 2 copies
Повести и рассказы 2 copies
الرسائل 1 2 copies
Братья Карамазовы. Части 3-4 2 copies
O eterno marido 2 copies
Bröderna Karamasov : tredje volymen 2 copies
Besi 2 copies
El jugador (Spanish Edition) 1 copy
I fratelli Karamazov 1 copy
El cocodrilo 1 copy
Le notti bianche 1 copy
Il giocatore 1 copy
Die Brüder Karamasow - 1 1 copy
Die Brüder Karamasow - 2 1 copy
Obras selectas 1 copy
NJË ZEMËR E DOBËT 1 copy
Bele noći-Jadni ljudi 1 copy
E URTA 1 copy
histórias dramáticas 1 copy
La dulce y otros relatos 1 copy
" Ob iskusstve". 1 copy
A fľkegyelm 1 copy
ZEMRA E DOBËT 1 copy
Bűn és bűnhődés I-II. 1 copy
Omul din subterană 1 copy
Notes from Underground 1 copy
BİR YUFKA YÜREKLİ 1 copy
Crime and Punishment: Classic Psychological Novel of Guilt and Redemption by Fyodor Dostoevsky 1 copy
Hráč, Večný manžel 1 copy
DUAS NARRATIVAS FANTÁSTICA 1 copy
カラマアゾフの兄弟 2 1 copy
Delitto e castigo. Vol III 1 copy
Fyodor Dostoyevsky 3-Book Boxed Set: Crime and Punishment; The Idiot; The Brothers Karamazov (Penguin Clothbound Classics) (2025) 1 copy
Τὸ ὑπόγειο 1 copy
Zapisnye tetradi 1 copy
Crime e Castigo - Volume II 1 copy
Crime e Castigo - Volume I 1 copy
Μια αξιοθρήνητη ιστορία 1 copy
I fratelli Karamazov 1 copy
Δαιμονισμένοι - τόμος 2ος 1 copy
Δαιμονισμένοι - τόμος 3ος 1 copy
Spisy XVI. 1 copy
134 Livres 1 copy
El Autor y su Obra 1 copy
المقامر - الزوج الأبدي 1 copy
الفقر - المثل - قلب ضعيف 1 copy
Бесы. Записки из подполья 1 copy
Ragazzi: le pagine de I fratelli Karamazov che narrano la vicenda di iljusca e dei suoi compagni 1 copy
הכפיל : 1 copy
Достоевский Ф. Собрание сочинений в одной книге (Dostoevskij F. Sobranie sochinenij v odnoj knige) (2012) 1 copy
مذلون مهانون 1 copy
הכפיל - פואימה פטרבורגיתול 1 copy
Ο αιώνιος σύζυγος 1 copy
তিনটি উপন্যাস 1 copy
אשתו של אחר : סיפורים 1 copy
nienottchka niezvannovna 1 copy
החטא וענשו 1 copy
The Brothers Karamazoff: Six Scenes from the Novel (The Moscow Art Theatre Series of Russian Plays) (1924) 1 copy
Собрание сочинений. Том четвертый. Униженные и оскорбленные. Повести и рассказы. 1862–1866. Игрок 1 copy
МАЛАЯ ПРОЗА 1 copy
Федор Достоевский. Сочинения, романы, повести, рассказы: Преступление и наказание, Идиот, Игрок,… (2021) 1 copy
Собрание сочинений. Том третий. Село Степанчиково и его обитатели. Записки из Мертвого дома.… 1 copy
10 Шедевров Русской классики. Том 1: Мастер и Маргарита, Анна Каренина, Евгений Онегин, Двенадцать… (2021) 1 copy
Федор Достоевский. Романы. Иллюстрированное издание: Бесы, Братья Карамазовы, Записки из… (2021) 1 copy
Vaikams 1 copy
Пушкин (Russian Edition) 1 copy
KRIM DHE NDËSHKIM III 1 copy
KRIM DHE NDËSHKIM III 1 copy
DJAJTË VI 1 copy
TË FYER E TË POSHTËRUAR VII 1 copy
VËLLEZËRIT KARAMAZOVË V-1 XI 1 copy
Идиот : роман : в 4-х частях 1 copy
地下生活者の手記 (1955年) (新潮文庫) 1 copy
Crimen y castigo T1 1 copy
Fehér éjszakák - Szende 1 copy
カラマーゾフの兄弟 下 新潮文庫 ト 1-11 1 copy
Misdaad en Straaf 1 copy
РАННЯЯ ПРОЗА 1 copy
白痴 1 copy
カラマアゾフの兄弟 1 1 copy
賭博者 1 copy
カラマアゾフの兄弟 5 1 copy
Письма, 1875-1877 1 copy
Письма, 1869-1874 1 copy
Письма, 1860-1868 1 copy
Письма, 1832-1859 1 copy
Статьи и заметки, 1862-1865 1 copy
Статьи и заметки, 1861 1 copy
Братья Карамазовы Кн. 1-10 1 copy
TREGIME DHE NOVELA 1 copy
La dispesera 1 copy
Está morta e Coração débil 1 copy
Prințul Valkovsky 1 copy
FOUR STORIES 1 copy
İNSANCIKLAR 1 copy
Fyrst Myschkin 1 copy
BATI,BATI DEDİKLERİ... 1 copy
Obras completas. Tomo IX 1 copy
Obras completas. Tomo VIII 1 copy
Obras completas. Tomo VI 1 copy
Obras completas. Tomo V 1 copy
Complete novels 1 copy
МАЛАЯ ПРОЗА. КНИГА ВТОРАЯ 1 copy
Daridra Narayan 1 copy
カラマアゾフの兄弟 4 1 copy
I PANJOHURI X 1 copy
אידיוט [א] 1 copy
Бедные люди. Игрок 1 copy
Гражданин 1 copy
אידיוט [ב] 1 copy
L'adolescente: vol. 3 1 copy
Знакомимся с русской и советской литературой Выпуск 3 — Contributor — 1 copy
L'adolescente: vol. 2 1 copy
L'adolescente: vol. 1 1 copy
Игрок (Russian Edition) 1 copy
NOVELA II 1 copy
Demetrio Donskoi 1 copy
Повести и рассказы 1848-1859 1 copy
Noches blancas. El jugador. 1 copy
Собрание сочинений в пятнадцати томах. Записки из Мертвого дома ; Петербургские сновидения в… (1988) 1 copy
Novelas y cuentos 1 copy
House of the Dead 1 copy
Liuscha 1 copy
Статьи и заметки, 1845-1861 1 copy
L' Idiota 1 copy
La neve disciolta 1 copy
Drei Erzählungen 1 copy
Memorie di una casa di morti 1 copy
I fratelli Karamazov 1 copy
L'idiota (Italian Edition) 1 copy
Saggi critici 1 copy
L'orfana: Le notti bianche 1 copy
Un cuore debole 1 copy
L' idiota 1 - 3 1 copy
L'eterno marito 1 copy
{Delitto e castigo} 1 1 copy
I fratelli Karamazov 5 - 7 1 copy
Romanzi e taccuini 1 copy
Tutte le Opere 1 copy
L' idiota 4 - 6 1 copy
I fratelli Karamazov 1 - 4 1 copy
O jogador e outras obras 1 copy
Novelas I 1 copy
Crimen y castigo 1 copy
L'idiot - Tomes 1 et 2. 1 copy
ladolescent 1 copy
Fédor Dostoïevski: Oeuvres Majeures - 32 titres (L'édition intégrale): Crime et Châtiment L'Idiot Les Possédés Les… (2015) 1 copy
Bűn és bünhödés 1 copy
Racconti di Natale: LIbro dell'avvento. Aspettando il Natale. La notte di Natale vista da due grandi scrittori Russi (Italian Edition) (2021) 1 copy, 1 review
Politische Schriften 1 copy
The gambler 1 copy
ΑΔΕΛΦΟΙ ΚΑΡΑΜΑΖΩΦ ΤΟΜΟΣ Β 1 copy
Fávitinn - II 1 copy
The Priest & the Devil 1 copy
Novel in Nine Letters 1 copy
℗La ℗mite: Il *coccodrillo: un avvenimento straordinario ovvero Un pasticcio nel Passage (2022) 1 copy
Výrastok 1 copy
ΑΔΕΛΦΟΙ ΚΑΡΑΜΑΖΩΦ ΤΟΜΟΣ Α 1 copy
Ο ΗΛΙΘΙΟΣ ΤΟΜΟΣ Α 1 copy
Ο ΗΛΙΘΙΟΣ ΤΟΜΟΣ Β 1 copy
ΟΙ ΔΑΙΜΟΝΙΣΜΕΝΟΙ ΤΟΜΟΣ Α 1 copy
ΟΙ ΔΑΙΜΟΝΙΣΜΕΝΟΙ ΤΟΜΟΣ Β 1 copy
ΠΑΙΚΤΗΣ / ΣΩΣΙΑΣ / ΜΠΟΜΠΟΚ 1 copy
الاخوة كارامازوف 3 1 copy
Мальчик у Христа на ёлке 1 copy
Belye nochi: Sentimental'nyj roman: Iz vospominanij mechtatelya (vstup. st. i primech. Manna Yu.V.) 1 copy
Zbrodnia i kara 1 copy
Racconti 1 copy
The Wedding 1 copy
The Idiot & The Insulted and the Injured (The Humiliated and Wronged) (Two Books With Active Table of Contents) (2011) 1 copy
Полное собрание сочинений в тридцати томах: Художественные произведения тома I - XVIII (1972) 1 copy
Best Short Stories 1 copy
الرسائل 2 1 copy
The Complete Novels 1 copy
Sobranie socheniˆi 1 copy
Suç ve Ceza, Cilt #1 1 copy
الجريمة والعقاب، الجزء الأول 1 copy
Les Possédés 1 copy
Crime et châtiment 2 1 copy
The Judgement 1 copy
Relatos fantásticos 1 copy
The Iditot 1 copy
عجوز تجاوز عمرها مائة سنة 1 copy
The Grand Inquisitor: with related chapters from The Brothers Karamazov (Translated & Annotated) (2010) 1 copy
Крокодил 1 copy
Wspomnienia z martwego domu 1 copy
Gracz 1 copy
Crime and Punishment (Norton Critical Editions) 3rd edition by Fyodor Dostoevsky (1989) Paperback 1 copy
Дядюшкин сон 1 copy
الجريمة والعقاب 1-2 1 copy
Crimen y castigo I 1 copy
Getrouwd! 1 copy
Gesammelte Werke 1 copy
Ein unangenehmes Erlebnis 1 copy
Briefe: Zweiter Band 1 copy
Entscheide dich für die Liebe. Fjodor M. Dostojewskij. Aus d. Russ. übertr. von Fred Ottow, Claudius-Bücherei (1956) 1 copy
Fjodor M. Dostojewskij - Die Box: Der Spieler / Der Großinquisitor / Die Sanfte / Helle Nächte (2006) 1 copy
Bir yufka yürekli, Soytarı 1 copy
Briefe: Erster Band 1 copy
Die Brüder Karamasow Bd. 1 1 copy
Erzählungen: I Die Legende vom Großinquisitor. II Aus dem Leben des im Herrn entschlafenen ... 1 copy
Die fremde Frau und der Mann unter dem Bett: Ungekürzte Lesung mit Dieter Mann (1 mp3-CD) (2019) 1 copy
Schuld und Shne 1 copy
Autobiographische Schriften. 1 copy
Weiße Nächte. Mit der Erzählung "Die Sanfte" (Anacondas besondere Klassiker 26) (German Edition) 1 copy
Liebesgeschichten aus aller Welt II. Weiße Nächte / Der Flaschenteufel / Immensee: 3 Bde. (1996) 1 copy
Belye Nochi Krotkaia 1 copy
Helle Nächte / Die Sanfte. Ein empfindsamer Roman / Eine phantastische Erzählung. (1993) 1 copy, 1 review
Die Brüder Karamasow Bd. 2 1 copy
ILIUSCHA 1 copy
Die große Hörspiel-Edition: Hörspiele mit Eva Garg, Ignaz Kirchner, Leslie Malton u.v.a. (10 CDs) (2021) 1 copy
The Brothers Karamazov (vhs) 1 copy
Pripovetke III 1 copy
Pripovetke II 1 copy
Pripovetke I 1 copy
003: Fyodor Dostoevsky Complete Letters: 1868-1871 (DOSTOEVSKY, FYODOR//COMPLETE LETTERS) (1990) 1 copy
Breve I udvalg 1 1 copy
Breve I udvalg 2 1 copy
Искания и размышления 1 copy
Dünyayı Güzellik Kurtaracak 1 copy
La inferno 1 copy
Karamazov 1 1 copy
Karamazov 2 1 copy
Dostoyevsky Compilation 1 copy
Collection of Stories 1 copy
Great Short Stories Of Fyodor Dostoevsky (Turtleback School & Library Binding Edition) (2004) 1 copy
o crocodilo 1 copy
Netochka 1 copy
L'idiota 1 copy
Obras completas, 6 vols. 1 copy
Os professores vol. III 1 copy
LES FRERES KARAMASOV TOME I 1 copy
Le Joueur 1 copy
Obras completas Tomo I 1 copy
Obras completas Tomo III 1 copy
Prosa poesia 1 copy
Contos de Dostoievski 1 copy
Os irmãos Karamazov II 1 copy
L'Adolescent 1 copy
L'éternel mari 1 copy
Pobre gente e outras novelas 1 copy
Os irmãos Karamazov I 1 copy
Os irmãos Karamazov III 1 copy
Deník spisovatele I 1 copy
Deník spisovatele II 1 copy
Brott och Straff I 1 copy
Brott och Straff II 1 copy
[No title] 1 copy
HRÁČ A JINÉ PRÓZY 1 copy
Budala 1 copy
Verzamelde werken 1 copy
Helle Nächte 1 copy
O miłości 1 copy
Dziela wybrane-6i 1 copy
Dziela wybrane-6ii 1 copy
Malý hrdina a jiné povídky 1 copy
Maatstaf: Dostojevski nummer 1 copy
O umetnosti 1 copy
Pripovjetke 1 copy
Politički natpisi 1 copy
Vecni muz i druge price 1 copy
Vječni muž 1 copy
Braća Karamazovi 1 copy
Forbytelse og straff, bind 1 1 copy
Samlede værker bd.1-24 1 copy
Dobbeltgn̆geren 1 copy
I fratelli Karamazov vol.2 1 copy
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Great Short Stories: Russian, Japanese, American, Irish, French, English (2007) — Contributor — 36 copies
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Eclipse Series 7: Postwar Kurosawa (No Regrets for Our Youth / One Wonderful Sunday / Scandal / The Idiot / I Live in Fear) (2008) — Author — 22 copies
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10 Penguin Classics on 45 CDs (The Mayor of Casterbridge, Pride & Prejudice, Great Expectations, Frankenstein, Jane Eyre, Crime & Punishment, Wuthering Heights, Northanger Abbey,… (2007) — Contributor — 9 copies, 1 review
Eine kleine Weihnachtsgeschichte (5915 430) und andere Erzählungen um die Heilige Nacht. (1981) — Contributor — 6 copies
Acht vrouwen klassieke Russische verhalen van Poesjkin, Toergenjev, Leskov, Dostojevski en Tsjechov (1983) — Contributor — 6 copies
Bijt me toch, bijt me! De mooiste dierenverhalen uit de Russische Bibliotheek (2013) — Contributor — 5 copies
Opowieści niesamowite : groza i niesamowitość w prozie rosyjskiej XIX i początku XX w. (1990) — Contributor — 5 copies
The humour of Russia — Contributor — 4 copies
Partner [1968 film] — Original book — 2 copies
International Collectors Library; Anna Karenina; Don Quixote; the Brothers Karamazov; War& Peace (1960) — Contributor — 2 copies
Tagged
Common Knowledge
- Canonical name
- Dostoyevsky, Fyodor
- Legal name
- Достое́вский, Фёдор Миха́йлович
- Other names
- Dostoyevsky, Fyodor Mikhaylovich
Dostoevsky, Fyodor
Dostoevsky, Fyodor Mikhailovich - Birthdate
- 1821-11-11
- Date of death
- 1881-02-09
- Gender
- male
- Education
- Saint Petersburg Academy of Military Engineering
- Occupations
- journalist
novelist
short story writer - Relationships
- Dostoevskaja, Ljubov Fedorovna (daughter)
Dostoevsky, Anna (wife) - Short biography
- Fyodor Mikhailovich Dostoevsky Russian: 11 November 1821 – 9 February 1881, sometimes transliterated Dostoyevsky, was a Russian novelist, short story writer, essayist and journalist. Dostoevsky's literary works explore human psychology in the troubled political, social, and spiritual atmospheres of 19th-century Russia, and engage with a variety of philosophical and religious themes. His most acclaimed works include Crime and Punishment (1866), The Idiot (1869), Demons (1872), and The Brothers Karamazov (1880). Dostoevsky's body of works consists of 12 novels, four novellas, 16 short stories, and numerous other works. Many literary critics rate him as one of the greatest psychological novelists in world literature. His 1864 novella Notes from Underground is considered to be one of the first works of existentialist literature.
Born in Moscow in 1821, Dostoevsky was introduced to literature at an early age through fairy tales and legends, and through books by Russian and foreign authors. His mother died in 1837 when he was 15, and around the same time, he left school to enter the Nikolayev Military Engineering Institute. After graduating, he worked as an engineer and briefly enjoyed a lavish lifestyle, translating books to earn extra money. In the mid-1840s he wrote his first novel, Poor Folk, which gained him entry into St. Petersburg's literary circles. Arrested in 1849 for belonging to a literary group that discussed banned books critical of Tsarist Russia, he was sentenced to death but the sentence was commuted at the last moment. He spent four years in a Siberian prison camp, followed by six years of compulsory military service in exile. In the following years, Dostoevsky worked as a journalist, publishing and editing several magazines of his own and later A Writer's Diary, a collection of his writings. He began to travel around western Europe and developed a gambling addiction, which led to financial hardship. For a time, he had to beg for money, but he eventually became one of the most widely read and highly regarded Russian writers.
Dostoevsky was influenced by a wide variety of philosophers and authors including Pushkin, Gogol, Augustine, Shakespeare, Dickens, Balzac, Lermontov, Hugo, Poe, Plato, Cervantes, Herzen, Kant, Belinsky, Hegel, Schiller, Solovyov, Bakunin, Sand, Hoffmann, and Mickiewicz.
His writings were widely read both within and beyond his native Russia and influenced an equally great number of later writers including Russians like Aleksandr Solzhenitsyn and Anton Chekhov, philosophers Friedrich Nietzsche and Jean-Paul Sartre and the emergence of Existentialism and Freudianism. His books have been translated into more than 170 languages. - Nationality
- Russia
- Birthplace
- Moscow, Russia
- Places of residence
- Moscow, Russia
St. Petersburg, Russia
Siberia, Russia
Tver, Russia - Place of death
- St. Petersburg, Russia
- Burial location
- Tikhvin Cemetery, Alexander Nevsky Monastery, Saint Petersburg, Russia
- Map Location
- Russia
Members
Discussions
Which edition should I choose? [Crime and Punishment] in Fine Press Forum (June 2025)
Dostoevsky: Crime and Punishment in Author Theme Reads (May 2025)
Crime and Punishment in Someone explain it to me... (May 2025)
Century Press - The Crocodile in Fine Press Forum (November 2024)
150. Notes from Under the Floorboards by Fyodor Dostoyevsky in Backlisted Book Club (March 2022)
Easton Press Crime and Punishment LE 1975 in Book talk (February 2022)
Group Read, February 2018: The Idiot in 1001 Books to read before you die (March 2018)
Group Read, July 2014: Notes from the Underground in 1001 Books to read before you die (July 2014)
April 2014: Fyodor Dostoevsky in Monthly Author Reads (April 2014)
Dostoevsky: Notes from Underground in Author Theme Reads (December 2013)
Obscure Dostoevsky short stories in Fans of Russian authors (November 2011)
KARAMAZOV: Who's in? in Le Salon Littéraire du Peuple pour le Peuple (October 2010)
BROTHERS KARAMAZOV Group Read in Fans of Russian authors (October 2010)
Dostoevsky: The Brothers Karamazov in Author Theme Reads (August 2009)
Dostoyevsky: The House of the Dead in Author Theme Reads (June 2009)
Dostoevsky: Poor Folk in Author Theme Reads (March 2009)
Best translation of The Brothers Karamazov? in Fans of Russian authors (March 2008)
Reviews
Reading Crime and Punishment feels like being locked in a really slimy, sticky, smoky dive bar with your own conscience after way too many vodkas. Dostoevsky doesn’t write a story so much as he drags you by the scruff of your soul into the sweat-soaked brain of a man who thinks he’s smarter than morality, and then shows you what happens when the hangover kicks in.
Raskolnikov is not a murderer in the cinematic sense. He’s the guy we all secretly fear we might be on a bad day — show more overthinking everything, justifying the unforgivable, then spiraling into a swamp of guilt so thick you can feel the mildew. Dostoevsky turns the act of killing into a philosophical migraine, and by the time you come up for air, you’re questioning whether you did it too.
This isn’t a crime novel. It’s an autopsy on human arrogance, performed with a dull and rusted butter knife. The punishment isn’t the Siberian gulag — it’s the relentless self-awareness that comes after.
I’ve read it a dozen times and still can’t tell if it’s a confession, a curse, or a manual for losing your mind in slow motion. But it’s brilliant. Every page smells of poverty, sweat, and existential panic — the kind of prose that makes you want to wash your hands more than once and pour another very large glass of vodka.
If you’ve ever wanted to know what madness sounds like from the inside, Crime and Punishment is one of the best write ups of the internal monkey-mind madness that none of us really want to live. show less
Raskolnikov is not a murderer in the cinematic sense. He’s the guy we all secretly fear we might be on a bad day — show more overthinking everything, justifying the unforgivable, then spiraling into a swamp of guilt so thick you can feel the mildew. Dostoevsky turns the act of killing into a philosophical migraine, and by the time you come up for air, you’re questioning whether you did it too.
This isn’t a crime novel. It’s an autopsy on human arrogance, performed with a dull and rusted butter knife. The punishment isn’t the Siberian gulag — it’s the relentless self-awareness that comes after.
I’ve read it a dozen times and still can’t tell if it’s a confession, a curse, or a manual for losing your mind in slow motion. But it’s brilliant. Every page smells of poverty, sweat, and existential panic — the kind of prose that makes you want to wash your hands more than once and pour another very large glass of vodka.
If you’ve ever wanted to know what madness sounds like from the inside, Crime and Punishment is one of the best write ups of the internal monkey-mind madness that none of us really want to live. show less
“It was a wonderful night, the kind of night which is only possible when we are young.”
I approached White Nights with curiosity and an open mind, aware of its reputation as a delicate, melancholic tale of youthful longing and the human need for connection. Yet, despite its many admirers and the recent surge in popularity—fueled largely by BookTok influencers and endless tea reels—I found myself frustrated, detached, and frankly unimpressed.
The young man is dreamy to a fault—too show more naïve, too desperate, and far too ethereal to feel like a real person. He “protests too much,” as if clinging to an ideal of love rather than experiencing it. Nastenka, on the other hand, isn’t just a fragile, weeping girl—she’s a calculated manipulator wrapped in a pretty sob story. Her tears aren’t signs of weakness but weapons aimed to entangle the dreamer in her self-centred drama. She knew exactly what she was doing all along: milking his desperation for attention and comfort, then dropping him without a second thought. No innocence here—just cold, strategic emotional theatre. Together, they form one of the most exasperating “couples” in literature—two lonely souls wrapped up in their own emotional whirlwinds but lacking genuine chemistry or empathy.
Yet, I can’t deny that Dostoevsky’s novella strips the human soul bare in its reflections on loneliness, silence, and the pain of unfulfilled dreams. His insights into how deeply we understand others’ unhappiness when we ourselves are hurt are thoughtful and timeless. But these moments are few and far between, scattered amid dialogue that often feels juvenile and melodramatic, and a narrative tone that rarely sustains a believable atmosphere.
It’s no secret that White Nights has recently become a darling of social media, especially BookTok, where emotional intensity is sometimes mistaken for literary depth. I am sceptical of the frenzy—and honestly, it feels more like romanticising a lost innocence than engaging with a fully realized story. Who am I to judge Dostoyevsky, or the legions of wannabe influencers who have likely never read another book but flood the internet with vapid tea reels? But my frustration stands: this novella didn’t move me in the way so many claim.
Let’s be real. These two characters? They don’t need to be adored; they need a reality check. The dreamer is a pathetic mess—clinging to an idea of love like a drowning man to driftwood. He’s more a ghost than a person, lost in his own desperate fantasy, incapable of genuine connection.
Nastenka? She’s a minx of the highest order—a self-serving drama queen who weaponises her tears and vulnerability like a pro. She knows exactly what she’s doing: playing the dreamer for all he’s worth, soaking up attention and comfort without giving a damn in return. She treats him like a consolation prize, a warm body to fill the void while waiting for the “real” love to come back.
Their so-called “love story” is nothing more than a masterclass in emotional manipulation and self-absorption. They’re two lonely people caught in a circle of neediness and theatrical sadness, with zero chemistry and zero growth.
And yet, thanks to social media hype and BookTok’s obsession with manufactured emotional intensity, this tired, overwrought novella has been elevated to some kind of romantic ideal.
Here’s the truth: White Nights isn’t the soaring ode to love and loneliness it’s cracked up to be. It’s a theatrical farce dressed in the guise of a poignant tale, and if you want to read something genuinely moving, you’ll have to look elsewhere.
“And you regret that the momentary beauty faded so quickly, so irretrievably, that it flashed before you so deceptively and in vain — you regret this because there was not time for you even to fall in love with her…”
In the end, White Nights is like watching a beautiful painting from a distance—there is technique and occasional tenderness, but the emotional pull never quite reaches me. It remains an important literary piece with meaningful themes, but for me, it was more an exercise in observation than immersion. I can appreciate its place in literature without sharing the hype that currently surrounds it.
My reviews can also be found on https://theopinionatedreaderblog.wordpress.com/ show less
I approached White Nights with curiosity and an open mind, aware of its reputation as a delicate, melancholic tale of youthful longing and the human need for connection. Yet, despite its many admirers and the recent surge in popularity—fueled largely by BookTok influencers and endless tea reels—I found myself frustrated, detached, and frankly unimpressed.
The young man is dreamy to a fault—too show more naïve, too desperate, and far too ethereal to feel like a real person. He “protests too much,” as if clinging to an ideal of love rather than experiencing it. Nastenka, on the other hand, isn’t just a fragile, weeping girl—she’s a calculated manipulator wrapped in a pretty sob story. Her tears aren’t signs of weakness but weapons aimed to entangle the dreamer in her self-centred drama. She knew exactly what she was doing all along: milking his desperation for attention and comfort, then dropping him without a second thought. No innocence here—just cold, strategic emotional theatre. Together, they form one of the most exasperating “couples” in literature—two lonely souls wrapped up in their own emotional whirlwinds but lacking genuine chemistry or empathy.
Yet, I can’t deny that Dostoevsky’s novella strips the human soul bare in its reflections on loneliness, silence, and the pain of unfulfilled dreams. His insights into how deeply we understand others’ unhappiness when we ourselves are hurt are thoughtful and timeless. But these moments are few and far between, scattered amid dialogue that often feels juvenile and melodramatic, and a narrative tone that rarely sustains a believable atmosphere.
It’s no secret that White Nights has recently become a darling of social media, especially BookTok, where emotional intensity is sometimes mistaken for literary depth. I am sceptical of the frenzy—and honestly, it feels more like romanticising a lost innocence than engaging with a fully realized story. Who am I to judge Dostoyevsky, or the legions of wannabe influencers who have likely never read another book but flood the internet with vapid tea reels? But my frustration stands: this novella didn’t move me in the way so many claim.
Let’s be real. These two characters? They don’t need to be adored; they need a reality check. The dreamer is a pathetic mess—clinging to an idea of love like a drowning man to driftwood. He’s more a ghost than a person, lost in his own desperate fantasy, incapable of genuine connection.
Nastenka? She’s a minx of the highest order—a self-serving drama queen who weaponises her tears and vulnerability like a pro. She knows exactly what she’s doing: playing the dreamer for all he’s worth, soaking up attention and comfort without giving a damn in return. She treats him like a consolation prize, a warm body to fill the void while waiting for the “real” love to come back.
Their so-called “love story” is nothing more than a masterclass in emotional manipulation and self-absorption. They’re two lonely people caught in a circle of neediness and theatrical sadness, with zero chemistry and zero growth.
And yet, thanks to social media hype and BookTok’s obsession with manufactured emotional intensity, this tired, overwrought novella has been elevated to some kind of romantic ideal.
Here’s the truth: White Nights isn’t the soaring ode to love and loneliness it’s cracked up to be. It’s a theatrical farce dressed in the guise of a poignant tale, and if you want to read something genuinely moving, you’ll have to look elsewhere.
“And you regret that the momentary beauty faded so quickly, so irretrievably, that it flashed before you so deceptively and in vain — you regret this because there was not time for you even to fall in love with her…”
In the end, White Nights is like watching a beautiful painting from a distance—there is technique and occasional tenderness, but the emotional pull never quite reaches me. It remains an important literary piece with meaningful themes, but for me, it was more an exercise in observation than immersion. I can appreciate its place in literature without sharing the hype that currently surrounds it.
My reviews can also be found on https://theopinionatedreaderblog.wordpress.com/ show less
Dostoevsky described Prince Lev Nikolaevich Myshkin as a 'positively beautiful man' and he succeeds in making this protagonist innocent and beautiful without being too simple or boring. He is quite a contrast to Raskolnikov, but reminded me of Alyosha Karamazov in some ways. But he's less of a holy fool and more of an idiot, which is the word constantly used to bring down Prince Myshkin, who seems to be undeserving of the harsh title. Sure he's awkward and epileptic, but he's quite show more articulate and has lots on his mind (ie. his hilarious anti-Catholic rant). Sadly, he is reduced to idiocy at the end of the novel after the shitshow involving Nastasya Filippovna, femme fatale extraordinaire. She brings down Rogozhin and the Prince- so is she crazy or just in love with her fallen woman stance? The line between sanity and craziness is quite blurry in this novel, as is the line between intelligence and idiocy. We've got both extremes in us.
As usual with Dostoevsky, this had an exciting plot and was filled with memorable characters ie. pathetic Lebedev, consumptive Ippolit, and compulsive liar General Ivolgin. I loved the Nastasya/Aglaya foil and the jealousy between them was well depicted. It's always interesting when Dostoevsky draws on his own experiences- his epilepsy and his near execution- as he discusses both within the novel. There's lots of religion too, but lots of atheism and disbelief. Some good thoughts on religion vs. rationality (spirituality doesn't fit in with reason) and on how Russian passion causes such extreme conviction in religious belief or disbelief. It's amazing how he weaves these heavy and serious subjects through the novel but still makes it so damn enjoyable to read! show less
As usual with Dostoevsky, this had an exciting plot and was filled with memorable characters ie. pathetic Lebedev, consumptive Ippolit, and compulsive liar General Ivolgin. I loved the Nastasya/Aglaya foil and the jealousy between them was well depicted. It's always interesting when Dostoevsky draws on his own experiences- his epilepsy and his near execution- as he discusses both within the novel. There's lots of religion too, but lots of atheism and disbelief. Some good thoughts on religion vs. rationality (spirituality doesn't fit in with reason) and on how Russian passion causes such extreme conviction in religious belief or disbelief. It's amazing how he weaves these heavy and serious subjects through the novel but still makes it so damn enjoyable to read! show less
Raskolnikov is a young law student with a theory: that there are certain, extraordinary men alive who can bypass both moral codes and human laws in favor of the greater good. To prove himself an extraordinary man, an ubermensch, Raskolnikov plans to test his theory by committing the ultimate transgression: murder.
Spoiler alert: he is in fact not an extraordinary man. He is a quite, quite normal man. Who has now committed homicide and is on the run from the cops.
The great thing about this show more whodunit is that you already KNOW whodunit! This fact makes this 500 page Russian classic even more interesting. As Raskolnikov breaks down, trying to hide his crime from his friends, family, and the detective in charge of the case, you get a fascinating glimpse into the human psyche in times of distress. Half of Raskolnikov desperately wants to confess. The other would prefer to take his guilt to the grave.
In my opinion, as much as I love Raskolnikov, the best part of this book are the side characters, each of whom represents a portion of Raskolnikov's mental state. There's the devout Sonia, the charismatic Razumikhin, the hedonistic Svidrigailov, the determined Porfiry, and the self-assured Dunya. They all feel so real, and they all enhance the book that much more.
This was my first full Dostoevsky novel (my actual first experience with him was "Notes from Underground" which I also highly recommend), and it made me fall in love with his view of humanity, guilt, and purity, as well as his gorgeous writing style. It's a classic for a reason. show less
Spoiler alert: he is in fact not an extraordinary man. He is a quite, quite normal man. Who has now committed homicide and is on the run from the cops.
The great thing about this show more whodunit is that you already KNOW whodunit! This fact makes this 500 page Russian classic even more interesting. As Raskolnikov breaks down, trying to hide his crime from his friends, family, and the detective in charge of the case, you get a fascinating glimpse into the human psyche in times of distress. Half of Raskolnikov desperately wants to confess. The other would prefer to take his guilt to the grave.
In my opinion, as much as I love Raskolnikov, the best part of this book are the side characters, each of whom represents a portion of Raskolnikov's mental state. There's the devout Sonia, the charismatic Razumikhin, the hedonistic Svidrigailov, the determined Porfiry, and the self-assured Dunya. They all feel so real, and they all enhance the book that much more.
This was my first full Dostoevsky novel (my actual first experience with him was "Notes from Underground" which I also highly recommend), and it made me fall in love with his view of humanity, guilt, and purity, as well as his gorgeous writing style. It's a classic for a reason. show less
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