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Fyodor Dostoyevsky (1821–1881)

Author of Crime and Punishment

1,472+ Works 180,367 Members 2,157 Reviews 1,137 Favorited

About the Author

One of the most powerful and significant authors in all modern fiction, Fyodor Dostoevsky was the son of a harsh and domineering army surgeon who was murdered by his own serfs (slaves), an event that was extremely important in shaping Dostoevsky's view of social and economic issues. He studied to show more be an engineer and began work as a draftsman. However, his first novel, Poor Folk (1846), was so well received that he abandoned engineering for writing. In 1849, Dostoevsky was arrested for being a part of a revolutionary group that owned an illegal printing press. He was sentenced to be executed, but the sentence was changed at the last minute, and he was sent to a prison camp in Siberia instead. By the time he was released in 1854, he had become a devout believer in both Christianity and Russia - although not in its ruler, the Czar. During the 1860's, Dostoevsky's personal life was in constant turmoil as the result of financial problems, a gambling addiction, and the deaths of his wife and brother. His second marriage in 1887 provided him with a stable home life and personal contentment, and during the years that followed he produced his great novels: Crime and Punishment (1886), the story of Rodya Raskolnikov, who kills two old women in the belief that he is beyond the bounds of good and evil; The Idiots (1868), the story of an epileptic who tragically affects the lives of those around him; The Possessed (1872), the story of the effect of revolutionary thought on the members of one Russian community; A Raw Youth (1875), which focuses on the disintegration and decay of family relationships and life; and The Brothers Karamazov (1880), which centers on the murder of Fyodor Karamazov and the effect the murder has on each of his four sons. These works have placed Dostoevsky in the front rank of the world's great novelists. Dostoevsky was an innovator, bringing new depth and meaning to the psychological novel and combining realism and philosophical speculation in his complex studies of the human condition. (Bowker Author Biography) show less

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Достоевский, Fidor Mijilovich Dostoyevski, Fëdor Mihajlovič Dostoevskij, Fedor Dostoevski (Dosteovskij), Fëdor Mihajlovič Dostoevskji, Fedor Mikhailovich Dostoevskii, Fjodor Mihajlovič Dostoevskij, Fiyodor Mihaylovic Dostoyevski, Dostojevski Fjodor Mihajlovič, Fyodor Mihayloviç Dostoyevski, Fjodor Mihailovich Dostojevsky, Fiodor Mijailovich Dostoievski, Fiodor Mihajlovič Dostojewski, Fedor Mikhailovici Dostoievski, Fëdor Mijailovich Dostoievski, Fiodor Mijailovich Dostoievsky, Dostoevskij Fedor Mikhajlovich, Fedor Mikhailovich Dostoevksii, Fiodor Mijailovich Dostoyevsky, Dostoyevsky Fyodor Dostoyevsky, Fyodor Mihailoviç Dostoyevski, Fydor Mikhailovich Dostoyevsky, Dostoyevski (Fyodor Dostoevsky), Fedor Mikhailovich Dostoeivskii, Fiodor Mikhailovich Dostoievsky, Fëdor Michajlovič Dostoevskij, Fyodor Mijáilovich Dostoyevsky, Fjodor Mikhajlovitj Dostojevski, Fëdor Michajlovi? Dostoevskkij, Fiódor Mijáilovich Dostoevsky, Dostoevskij Fëdor, Fiódor Mijailovich Dostoyevski, Fiódor Dostoievski, Fiodor Mijáilovich Dostoevskii, Fiodor Mikhailovich Dostoevskii, FIODOR MIJAÏLOVICH DOSTOEVSKÏ, Fyodor Mikhailovich Dostoevesky, Fëdor Michajlovič Dostoveskij, Fëdor Michajlovič Dostoevskij, feodor mikhailovich dostoievsky, Fyodor Mikhailovich Dostoievski, Fyodor Michailovitch Dostoevsky, Fyodor Mikhailovich Dostoyevsky, Fedor Michajlovitj Dostojevskij, Fyodor Mikhailovich Dostoyevsky, Fedor Michajlovitj Dostojevskij, Fjodor Michajlovič Dostoevský, Fedor Mikhailovitch Dostoievski, Fedor Mikha?lovitch Dostoyevski, Fedor Mikhailovich Dostoyevskii, Feodor Mikailovitch Dostoievski, Fyodor Mihailoviđc Dostoyevski, فيدور ديستويفسكي, Michajlovič Dostoevskij, Fëdor, Fiodor Michajłowicz Dostoevskij, Fjodor Mihajlovics Doszojevszkij, Fiodor Mukhailovitch Dostoievski, Fíodor Mijáilovich Dostoievski, Fjodor Michajlovič Dostojevskij, Dostoyevsky Fyodor, Mikhailovich, Fjodr Michailowitsch Dostojewski, Fyodor Mikhajlovich Dostoyevskij, Fiódor Dostoiévski, Fyodor Dostoyesvsky (Dostoevsky), Fjodor Mikhajlovitsj Dostoevskij, Fiodor Mikhailovitch Dostoievski, Fedor Michailowitsch Dostojewski, Fiódor Mijaílovich Dostoyevski, Fiódor Mikhailovitx Dostoievski, Fyodor or Dostoevsky Dostoyevsky, Fiodor Mijaïlovich Dostoevskiï, Feodor Mikhailovitch Dostoyevsky, Fjodor Michailovich Dostoievskij, Fyodor Mikhailovich Dostoyevskiy, Fiodor Michajlovič Dostojevskij, Fjodr Michailowitsch Dostojewski, Fyodor Mikhailovitsy Dostoyevski, Fëdor Michajlovič Dostoevskiij, Fiódor Mijáilovich Dostoievski, Fiodor Mijaïlovich Dostoevskiï, Fedor Mikhaiilovich Dostoevskiii, FEADOR MIKHAILOVITCH DOSTOIEVSKI, Fjodor Michajlovitsj Dostojevski, Fiódor Mijáilovich Dostoyevski, Dostoievski Fiódor Mijaílovich, Fiodor Mijaïlovich Dostoevskiï, Fedor Mihajlovics Dosztojevszkij, Fiodor Mikhailovitch Dostoievski, Fyodor Mikhailovitch Dostoievsky, Fjodor Mikhajlovitsj Dostojevkij, Fedor Mikaïlovitch Dostoïevski, Фёдор Достоевский, Fjodor Mikhajlovitsj Dostojevskij, Feodor Michailowitsch Dostojewski, Fédor Mikhaïlovitch Dostoievski, Fjodor Maichailowitsch Dostojewki, Fyodor Dostoyevsky ( Dostoevsky ), Fiódor Mikhailovich Dostoiévski, Fedor Mikhaïlovitch Dostoïevski, Fjodor Mikhajlovitsj Dostojevskij, Fedor Michailowitsch Dostojewskij, فئودور داستایفسکی, Fjodor Michailowitsch Dostojewski, Fjodor Mihajlovics Dosztojevszkij, Фёдор Достоевский, Fíodor Mijáilovich Dostojevskij, Fjodor Mihajlovics Dosztojevszkij, Достоевский Федор, Федор Достоевский, Fjodor Mikhajlovitsj Dostojevskij, Федор Достоевский, Dostojewski Fjodor Michailowitsch, Fjodor Michailowitsch Dostoevskij, فيودور دوستويفسكي, Fiódor Mijáilovich Dostoievskï, Fiodor Mikhailovitch Dolstoievski, פיודור דוסטויבסקי, ДОСТОЕВСКИЙ Федор, Фьодор Достоевски, Fjorod Mihajlovics Dosztojevszkij, Fédor Mikhaïlovith Dostoïevski, Fedor Mickhaïlovitch Dostoïevski, Fjodor Michailowitsch Dostojewskij, Fjodor Mikhájlovitj Dostojévskij, Fëdor Mihajlovič Dostoevskij, Feódor Mikhailovitch Dostoiévski, Fédor Mikhaïlovitch Dostoïevski, Fjodor: Dostojewskij (Dostojewski), Fiodor Mikhaïlovitch Dostoïevski, Dostoïevski Fiodor Mikhaïlovitch, Fiódor Mikhailovitch Dostoiévski, Feodor Mikhaïlovitch Dostoïevski, Fjodor Mihajlovics Dosztojevszkíj, فیودور داستایوفسکی, Фёдр М. Достоевский, Фёдор Достое́вский, פיודור דוסטוייבסקי, فيودور دوستويفيسكي, Fiodor Mikhaïlovitch Dostoïevski,, Фёдор M Достоевский, Fiódor Mikháilovitch Dostoiévski, Фёдор M. Достоевский, Fjodor Mihajlovič Dostojevski, Fëdor Michajlovič Dostojevskij, Фёдор M. Достоевский, Fyodor Mihayloviç Dostoyevski, Фьодор М. Достоевски, Фёдор М. Достоевский, Fiodor Mijáilovich Dostoyevski, פיודור מ. דוסטויבסקי, forf. Fjodor Mikhajlovitsj Dostojevskij, Dostojevskij Fédor Michajlovich., Φιοντόρ Ντοστογέφσκι, Fiodor Mijaïlovich Dostoevskiï, Fedor Mijailovich Dostoyevski, 1821-1881, Fedor Dostoiesffsky (Gyodor Dostoyevsky), Fiodor Mijaïlovich Dostoevskiï, Φιοντορ Ντοστογιέφσκη, TEODORO [DOSTOYEWSKI DOSTOIEUSKI, FIODOR], Φίοντορ Ντοστογιέφσκι, Fedor Mikhaïlovitch Dostoïevski, Fyodor Mihaylovic Dostoyevski Metin Ilkin, Fiódor Dostoiévski e 1 mais, Fyodor Mihaylovic Dostoyevski Sabri Gurses, F�?DOR M. DOSTOIEVSKI, Fiodor Mikhaïlovitch Dostoïevski, Fiodor Mikhaïlovitch Dostoïevski, Fyodor M. Dostoevsky/ Fedor M. Dostoyevski, FÈedor MichajloviÏc Dostoevskij, Федор Достоевский, 1821-1881, Fyodor Mihaylovic Dostoyevski Hasan Ali Ediz, Dostoievski Fedor (Fiodor) Mikhaïlovitch, Schriftsteller Fedor Michajlovič Dostoevskij, Emre Murat Bozer Fyodor Mihaylovic Dostoyevski, Fyodor Mihaylovic Dostoyevski Nihal Yalaza Taluy, Fiodor Dostoievsky, (aut.); Vidal, Augusto, (tr.), Достоевс Федор Михайлович, F. [ Fyodor 1821 - 1881]. Dostoievski [Dostoevsky, Fedor Mikhailovich Fyodor; Dostoevsky Dostoyevsky, F. [ Fyodor 1821 - 1881]. Dostoievski [Dostoevsky, Fedor Ed. Ángeles Cardona de Gilbert Dostoyevski, Fedor M. Dostoevskij Fjodor M. Dostojewskij F. M., Федор Михайлович Достоевск, Fyodor [Translated By Constance Garnett Dostoevsky, Dostoyevsky (Fedor/Fyodor Mikhailovich Dostoevsky/, Фёдор Михайлович Достоевск, פיודור מיכלוביץ דוסטויבסקי, ФЕДОР МИХАЙЛОВИЧ ДОСТОЕВСК, Федор Д&, פיודור מיכאלוביץ דוסטויבסק, Fedor. Dostoyevski Fiodor Mijailovich. Dostoyevski, Федор Михаилович Достоевск, Fyodor Dostoievski (Trans. by Pevear & Volokhonsky, Достоевский Федор Михайлов, داستایفسکی ، فدور میخائیلو, Федор Достоевский (Fedor Dostoyevs, פיודור מיכאילוביץ דוסטויבס, ফিওদর দস্তোয়েভস্কি, Fjodor Michailowitsch Dostojewski / Fyodor Dostoyevsky, Федор Михаилович Достоевский, פיודור מיכאילוביץ דוסטויבסקי, Фёдор Михайлович Достоевский, פיודור מיכאילוביץ' דוסטויבסקי, Федор (Fedor) Достоевский (Dostoevskij), פיודור מיכאילוביץ דוסטוייבסקי, פיודור מיכאילוביץ' דוסטויבסקי, ফিয়োদর দস্তইয়েভ্‌স্কি, Φεοντόρ [Dostoyevsky Ντοστογιέβσκη, Fyodor], フョードル・ミハイロヴィチ ドストエフスキー, פ[יודור] מ[יכאילוביץ׳] דוֹסטוֹיֶבסקי, Dostoyevsky (Dostoievski, Dostoevsky, Dostoyevsk Fiodor (Fyodor) M. Dostoyevski, ფიოდორ დოსტოევსკი Федор Достоевский, Fedor Estudio preliminar de Ángeles Cardona de Gibert. Trad. Julio C. Acerete Dostoyevski, [Федор Михайлович Достоевский = Fʲodor Mixajlovič Dostoʲevskij], Fdor Dostoevskij ; traduzione di Alfredo Polledro ; introduzione di Leonid Grossman ; illustrazioni originali di Philippe Jullian

Image credit: Fyodor Dostoevsky 1880

Series

Works by Fyodor Dostoyevsky

Crime and Punishment (1866) 51,770 copies, 576 reviews
The Brothers Karamazov (1880) 34,509 copies, 395 reviews
The Idiot (1869) 18,947 copies, 197 reviews
Notes from Underground (1864) 14,906 copies, 188 reviews
Demons (1872) 9,414 copies, 84 reviews
The Gambler (1866) 4,841 copies, 66 reviews
The House of the Dead (1861) — Author — 3,738 copies, 37 reviews
White Nights (1848) 3,318 copies, 84 reviews
The Double (1846) 2,066 copies, 33 reviews
Notes from Underground / The Double (1846) 2,014 copies, 17 reviews
The Adolescent (Vintage Classics) (1875) 1,994 copies, 21 reviews
Poor Folk (1846) 1,459 copies, 39 reviews
The Insulted and Injured (1861) 1,386 copies, 17 reviews
The Grand Inquisitor (1880) 1,349 copies, 15 reviews
The Best Short Stories of Fyodor Dostoevsky (1979) 1,203 copies, 8 reviews
The Eternal Husband (1870) — Author — 1,036 copies, 28 reviews
The Double / The Gambler (1846) 889 copies, 11 reviews
The Gentle Spirit (1876) 851 copies, 18 reviews
Great Short Works of Dostoyevsky (1968) 834 copies, 10 reviews
Netochka Nezvanova (1849) 677 copies, 9 reviews
The Gambler/Bobok/A Nasty Story (1867) 676 copies, 5 reviews
The Village of Stepanchikovo (1859) 668 copies, 15 reviews
The Brothers Karamazov (2/3) (1958) — Author — 606 copies, 5 reviews
The Brothers Karamazov (1/2) (1880) 595 copies, 9 reviews
Notes from Underground / The Grand Inquisitor (1960) 559 copies, 3 reviews
The Eternal Husband and Other Stories (1997) 553 copies, 2 reviews
The Dream of a Ridiculous Man (1877) 472 copies, 17 reviews
Diary of a writer (1876) 461 copies, 3 reviews
Crime and Punishment [Abridged] (1994) 449 copies, 8 reviews
Poor Folk and Other Stories (1988) 411 copies, 1 review
The Idiot (Bantam Classic) (1983) 343 copies, 3 reviews
The House of the Dead and Poor Folk (2004) 339 copies, 3 reviews
Crime and Punishment (1/2) (1867) 329 copies, 9 reviews
Crime and Punishment (2/2) (1867) 299 copies, 12 reviews
Uncle's Dream (1859) 282 copies, 10 reviews
Winter Notes on Summer Impressions (1863) 249 copies, 6 reviews
The Idiot (1/2) (1868) — Author — 248 copies, 2 reviews
White Nights and Other Stories (1962) 245 copies, 5 reviews
The Crocodile (1865) — Author — 242 copies, 10 reviews
The Idiot (2/2) (1972) — Author — 214 copies, 1 review
The Landlady (1847) — Author — 179 copies, 3 reviews
A Writer's Diary [Volume 1: 1873-1876] (1993) 166 copies, 3 reviews
The Gambler / The House of the Dead (2008) 161 copies, 1 review
Poor Folk / The Gambler (1956) 153 copies, 2 reviews
A Nasty Story (1862) 152 copies, 3 reviews
The Gambler and Other Stories (1845) 149 copies, 2 reviews
Uncle's Dream and Other Stories (1983) 133 copies, 1 review
The Gentle Spirit / The Dream of a Ridiculous Man (1992) — Author — 120 copies, 2 reviews
Netochka Nezvanova (1848) 118 copies, 4 reviews
A little hero (1857) — Author — 112 copies, 3 reviews
Stories (1978) 112 copies, 4 reviews
Demons (Part 1 of 2) (1982) — Author — 108 copies
A Weak Heart (1848) — Author — 105 copies, 3 reviews
Another Man's Wife and a Husband under the Bed (1860) — Author — 103 copies, 3 reviews
Crime and Punishment (Illustrated Classics): A Graphic Novel (2008) — Creator — 102 copies, 3 reviews
Demons (Part 2 of 2) (1871) — Author — 99 copies
Bobok (1873) — Author — 90 copies, 6 reviews
An Honest Thief and Other Stories (1971) 74 copies, 3 reviews
Four Great Russian Short Novels (1961) — Contributor — 74 copies
Poor People / A Little Hero (1846) 72 copies, 1 review
The Brothers Karamazov (3/3) (1979) — Author — 70 copies, 1 review
Short Stories (2015) 70 copies, 2 reviews
Cuentos (2003) 68 copies
Mr. Prokharchin (1846) — Author — 66 copies, 1 review
The Brothers Karamazov (1/3) (1973) — Author — 64 copies
An Honest Thief (1848) — Author — 61 copies, 2 reviews
Stavrogin's Confession (1974) 52 copies
The Notebooks for the Idiot (1968) 52 copies
Classics Illustrated: Crime and Punishment (1867) 50 copies, 2 reviews
Contos Reunidos (2017) 49 copies, 1 review
A Bad Business: Essential Stories (2022) 48 copies, 1 review
The Brothers Karamazov (Abridged) (2011) 46 copies, 1 review
The Double: Two Versions (1900) 42 copies
The Gambler / Poor People / The Landlady (2004) 42 copies, 1 review
Demons (1/3) (1871) 40 copies, 1 review
White Nights / The Adolescent (1982) — Author — 38 copies
Demons (Part 3 of 3) (1871) 35 copies, 1 review
Demons (2/3) (1973) — Author — 34 copies
Racconti (1990) 33 copies
L'adolescent et d'autres romans (1956) 30 copies, 1 review
Two Crocodiles (1865) 28 copies, 2 reviews
Diario de un escritor (2007) 28 copies
Valkeat yöt (1981) 27 copies
The Christmas Tree and the Wedding (1848) — Author — 27 copies, 1 review
Obras Completas, Tomo II (1975) 26 copies
Crônicas de Petersburgo (2012) 26 copies
[unidentified works] (1995) 24 copies
The Heavenly Christmas Tree (1876) — Author — 22 copies, 1 review
A Novel In Nine Letters (1847) — Author — 22 copies
White Nights / Poor Folk (1952) 21 copies, 1 review
Obras completas (2003) 21 copies
Notebooks for a Raw Youth (1969) 21 copies
Satiriske fortellinger (1993) 20 copies
The Adolescent (Part 2 of 2) (1991) — Author — 19 copies
The Adolescent (Part 1 of 2) (1991) — Author — 19 copies
Obras completas : 1879-1881 (1991) 18 copies
Our Story Ends Here (2017) 18 copies
Opowieści fantastyczne (1979) — Contributor — 17 copies
Sämtliche Erzählungen (1972) 17 copies
The Peasant Marey (1876) 17 copies, 1 review
Beyaz Geceler - Bir Hayalperestin Anilari (2009) 16 copies, 1 review
Gente pobre e A anfitriã (2021) 16 copies
Lettere sulla creatività (2005) 15 copies
Russian Authors (1981) 15 copies
Récits, chroniques et polémiques (1969) 14 copies, 1 review
Idioten. Bd 3 (1980) 14 copies
Polzunkov (1848) 14 copies
Novelas (1988) 13 copies
Meistererzählungen. (1982) 12 copies
Syv ungdomsfortellinger (1992) 12 copies
1 - Delitto e Castigo (1969) 12 copies
2 - Delitto e Castigo (1969) 12 copies
5 Russian Masters (2003) 11 copies
Brev. (II) 1867-1881 (1994) 10 copies
Russische misdaadverhalen (1969) — Contributor — 10 copies
Valitut kertomukset (1998) 10 copies
The Pushkin Speech (1992) 10 copies
Omnibus der Russische groten (1965) — Contributor — 9 copies
Dostoevsky: Letters and Reminiscences (1977) 9 copies, 1 review
Worte wie Spiegel (1988) 9 copies
Spilleren ; Krokodillen (2006) 9 copies
Brev (I), 1834 - 1866 (1993) 9 copies
Classic Russian Short Stories, Vol. 1 (2002) 9 copies, 1 review
Noveller (2022) 9 copies
Obra Completa (2004) 8 copies
Dernières miniatures (2000) 8 copies
Premières miniatures (-0001) 8 copies
Spilleren og Den evige ektemann (1973) — Author — 8 copies
Crime and Punishment / The Gambler / The Idiot (1999) — Author — 8 copies
Manyaga (2021) 7 copies
Humilies et offenses tome 2 (1968) — Author — 7 copies
Mutlulugun Kiyisinda (2007) 7 copies
The Brothers Karamazov (4/4) — Author — 6 copies
Les frères Karamazov II (2013) 6 copies
El sueño del príncipe (2004) 6 copies, 1 review
Three Tales (1945) 6 copies
Relatos 3 (1977) 6 copies, 1 review
Correspondncias 1838-1880 (2009) 6 copies
Le Bourgeois de Paris (2006) 6 copies
Der Spieler und andere Romane (1976) 6 copies, 1 review
Novelas y cuentos (1919) 5 copies
Une sale histoire et autres nouvelles (1997) — Author — 5 copies
Romanzi vol. II: Delitto e castigo - L'idiota (2008) — Author — 5 copies
Beyaz geceler, uysal kız (2010) 5 copies
Carnets (2005) 5 copies
The Brothers Karamazov (3/4) (1994) — Author — 5 copies
Werdejahre (1986) — Author — 5 copies
Opowieści (2020) 5 copies
The Brothers Karamazov (1/4) (2004) — Author — 5 copies
Çocuklar Arasında (2006) 4 copies
Briefwechsel: 1866-1880 (1987) 4 copies
Novelas (2015) 4 copies
Dostojewski-omnibus (1964) 4 copies
Cartes (1838-67) (2023) 4 copies, 1 review
Karamazov Kardesler 1 (2005) 4 copies
The Brothers Karamazov (2/4) — Author — 4 copies
Aforyzmy 4 copies
Romanzi 4 copies
Tre matti (2014) 4 copies
Bytná : novela (1999) 4 copies
Crime et châtiment (2019) 4 copies
Die kleineren Romane (1976) 4 copies
Über Literatur. (1976) 4 copies
Ontsnapping uit Siberië (1996) — Author — 4 copies
Top class omnibus (1975) 4 copies
Drei Novellen (2012) 3 copies
Prestuplenie i nakazanie (2019) 3 copies
Maloe sobranie sochinenii (2011) 3 copies
Öyküler (2009) 3 copies
Puskin Konusmasi (2015) 3 copies
Karamazov Kardesler-Takim (1996) 3 copies
Eine verfängliche Frage (1988) 3 copies
KADIN BUDALASI (2005) 3 copies
Obra completa 3 copies
Bobok E Meia Carta De Um Sujeito (2019) 3 copies, 1 review
הכפיל (2008) 3 copies
Short Stories (Complete) (2019) 3 copies
Dostojevskij udvalg (1977) 3 copies
L'adolescente (1993) 3 copies
Il sosia - Un brutto caso (1956) 3 copies
Öteki 3 copies
Il primo amore 3 copies
Dostojewskij - Brevier (1949) 2 copies
Brev i urval 2 copies
Rus Öyküleri (2017) 2 copies
Relatos/2 2 copies
Uc Novella (2014) 2 copies
Die grossen Romane (1985) 2 copies
BATI ÇIKMAZI 2 copies
Kvin rakontoj 2 copies
Polnoe sobranie socinenij 2 copies, 1 review
Recueil de récits et nouvelles (2013) — Author — 2 copies, 1 review
Z notaników (1979) 2 copies
Pensieri (2010) 2 copies
Contos 2 copies
Krokodill ja teisi jutte (2021) 2 copies
Beyaz Geceler (2017) 2 copies, 1 review
The Little Orphan (1996) 2 copies
Dostoyevsky Bilingual (2024) 2 copies
Les Carnets du sous Sol (2017) 2 copies
Zapisnye knizhki (2000) 2 copies
Besi 2 copies
O eterno marido 2 copies
F. Dostoyevsky Stories (1981) 2 copies
Contos russos (2010) 2 copies
賭博者 1 copy
La dispesera 1 copy
Krotkaya (2024) 1 copy
E URTA 1 copy
NOVELA II 1 copy
DJAJTË VI 1 copy
A fľkegyelm 1 copy
Sotul Etern 1 copy
Белые ночи (2005) 1 copy
白痴 1 copy
Il giocatore 1 copy
El cocodrilo 1 copy
Spisy XVI. 1 copy
Igrok (2012) 1 copy
Büyük Engizisyoncu (2015) 1 copy
Oteki (2015) 1 copy
Racconti 1 copy
Domu graudi (2004) 1 copy
134 Livres 1 copy
Karamazof Kardesler 1 1 copy, 1 review
Besy (zamena kartinki) (2022) 1 copy
Povesti i rasskazy (2020) 1 copy
Crime & Punishment (2024) 1 copy
Memorias Del Subsuelo (2000) 1 copy
Karamazof Kardesler 2 1 copy, 1 review
הכפיל : 1 copy
Cocuklarla Beraber (2017) 1 copy
Vaikams 1 copy
Apsakymai (2012) 1 copy
The Idiot [Tantor] (2011) 1 copy
İNSANCIKLAR 1 copy
FOUR STORIES 1 copy
The Wedding 1 copy
Jogador, O 1 copy
Liuscha 1 copy
Vječni muž 1 copy
JEVREJSKO PITANJE (1994) 1 copy
Romanzi brevi (2001) 1 copy
Prosa poesia 1 copy
The Jealous Husband (1948) — Author — 1 copy
Saggi (1997) 1 copy
O umetnosti 1 copy
Pripovjetke 1 copy
Odabrana pisma (1982) 1 copy
Le feste di Natale (2007) 1 copy, 1 review
L'idiota 4 (2019) 1 copy
L'idiota 3 (2019) 1 copy
L'idiota 2 (2019) 1 copy
O miłości 1 copy
Budala 1 copy
L' Idiota 1 copy
[No title] 1 copy
Une sale affaire (2009) 1 copy
Les démons tome 3 (2017) 1 copy
L'Adolescent 1 copy
The gambler 1 copy
The Idoit 1 copy
Novelas I 1 copy
ladolescent 1 copy
Novelas II 1 copy
Netochka 1 copy
L'idiota 1 copy
Der idiot 1 copy
Obra completa (1963) 1 copy
o crocodilo 1 copy
Le Joueur 1 copy
Tres novelas cortas (1976) 1 copy
Uncle?s Dream (2013) 1 copy
Gracz (2025) 1 copy
الجارة 1 copy, 1 review
Karamazov 1 1 copy
Karamazov 2 1 copy
The Iditot 1 copy
The Devils 1 copy
Demons & A Raw Youth (2020) 1 copy
Výrastok 1 copy
المراهق 2 1 copy, 1 review
1 المراهق (2010) 1 copy, 1 review
Pripovetke I 1 copy
La inferno 1 copy
Getrouwd! 1 copy
I grandi romanzi russi: Nuove traduzioni (2015) — Author — 1 copy
Bei Tichon. (1996) 1 copy
Kindergeschichten (1958) 1 copy
ILIUSCHA 1 copy
Müfettis (Rusca) (2019) 1 copy

Associated Works

Existentialism from Dostoevsky to Sartre (1956) — Contributor — 2,320 copies, 21 reviews
Best Russian Short Stories (1917) — Contributor — 369 copies, 7 reviews
75 Short Masterpieces: Stories from the World's Literature (1961) — Contributor — 319 copies, 2 reviews
Russian Short Stories from Pushkin to Buida (2005) — Contributor — 259 copies, 2 reviews
The Portable Nineteenth-Century Russian Reader (1993) — Author, some editions — 224 copies, 1 review
Sixteen Short Novels (1986) — Contributor — 208 copies, 1 review
The Moral Life: An Introductory Reader in Ethics and Literature (1999) — Contributor — 205 copies, 2 reviews
Great Russian Short Stories (1958) — Contributor — 201 copies, 3 reviews
A Modern Introduction to Philosophy (1957) — Contributor — 200 copies, 2 reviews
100 Eternal Masterpieces of Literature, Volume 1 (2017) — Contributor — 177 copies
Short Novels of the Masters (1989) — Contributor — 167 copies, 1 review
Great Short Stories of the World (1925) — Contributor — 163 copies, 1 review
Dystopia Utopia: Short Stories (2016) — Contributor — 161 copies, 1 review
Great Russian Short Stories (Dover Thrift Editions) (2003) — Contributor — 155 copies, 2 reviews
Man Alone: Alienation in Modern Society (1962) — Contributor — 150 copies
The Oxford Book of Villains (1992) — Contributor — 150 copies
The Anarchists (2005) — Contributor — 118 copies, 1 review
The Portable Russian Reader (1947) — Contributor, some editions — 61 copies
Pearl S. Buck's Book of Christmas (1974) — Contributor — 50 copies, 1 review
A Cross of Centuries: Twenty-five Imaginative Tales About the Christ (2007) — Contributor — 32 copies, 2 reviews
Great Short Stories of the World: 30 Classic Tales (1991) — Contributor — 29 copies
The Lock and Key Library (Volume 1: North Europe) (1909) — Contributor — 28 copies, 1 review
The Book Lovers (1976) — Contributor — 27 copies, 1 review
Great Russian Short Novels (1969) — Contributor — 26 copies, 1 review
Studies in Fiction (1965) — Contributor — 23 copies, 1 review
Urban Crime Short Stories (2019) — Contributor — 22 copies
The Idiot [1951 film] (1951) — Original book — 17 copies
The Brothers Karamazov [1958 film] (1993) — Original novel — 16 copies
All verdens fortellere (1990) — Contributor, some editions — 16 copies, 1 review
Selected Russian Short Stories (1928) — Contributor — 14 copies
15 Great Russian Short Stories (1965) — Contributor — 14 copies
Great Russian Short Novels (1953) — Contributor — 14 copies
Story to Anti-Story (1979) — Contributor — 13 copies
Great Short Stories from the World's Literature (1950) — Contributor — 13 copies
The modern short novel (1965) — Contributor — 11 copies
Russische verhalen (1965) — Contributor — 11 copies
De 43ste april : zeven verhalen op één thema (1961) — Contributor — 6 copies
Crime and Punishment [2002 TV miniseries] — Original book — 6 copies, 1 review
Great Love Scenes from Famous Novels (1943) — Contributor — 6 copies
Russische Meistererzählungen. Russisch- Deutsch. (1989) — Contributor — 5 copies
Twelve Stories of Christmas (2020) — Contributor — 5 copies
Christmas Stories (2003) — Contributor — 5 copies
Bronnen van stilte en bezinning (1976) — Author — 5 copies
Russland (2017) — Contributor — 5 copies
The Gambler [screenplay] (1997) — original work — 4 copies
The Greatest Christmas Stories & Poems in One Volume (2015) — Contributor — 4 copies
The humour of Russia — Contributor — 4 copies
Twelve Short Novels (1976) — Contributor — 3 copies
Dostoievski Par Lui-Meme (1962) — Contributor — 3 copies
The Crocodile (2016) — Original story — 2 copies
American Aphrodite (Volume Two, Number Five) (1952) — Contributor — 2 copies
Partner [1968 film] — Original book — 2 copies
Russische Käuze (1968) — Contributor — 2 copies
Christmas Short Works Collection 2020 (2020) — Contributor — 2 copies
Crime and Punishment U.S.A. [1959 film] (1959) — Orginal novel — 2 copies
Christmas Short Works Collection 2025 (2025) — Contributor — 1 copy
Tales of Christmas (2015) — Contributor — 1 copy
Der Spieler [Staatsoper Stuttgart, 15-III-2025] (2025) — Contributor — 1 copy
Famous Russian Stories (Little Blue Book No. 948) (1947) — Contributor — 1 copy

Tagged

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Common Knowledge

Canonical name
Dostoyevsky, Fyodor
Legal name
Достое́вский, Фёдор Миха́йлович
Other names
Dostoyevsky, Fyodor Mikhaylovich
Dostoevsky, Fyodor
Dostoevsky, Fyodor Mikhailovich
Birthdate
1821-11-11
Date of death
1881-02-09
Gender
male
Education
Saint Petersburg Academy of Military Engineering
Occupations
journalist
novelist
short story writer
Relationships
Dostoevskaja, Ljubov Fedorovna (daughter)
Dostoevsky, Anna (wife)
Short biography
Fyodor Mikhailovich Dostoevsky Russian: 11 November 1821 – 9 February 1881, sometimes transliterated Dostoyevsky, was a Russian novelist, short story writer, essayist and journalist. Dostoevsky's literary works explore human psychology in the troubled political, social, and spiritual atmospheres of 19th-century Russia, and engage with a variety of philosophical and religious themes. His most acclaimed works include Crime and Punishment (1866), The Idiot (1869), Demons (1872), and The Brothers Karamazov (1880). Dostoevsky's body of works consists of 12 novels, four novellas, 16 short stories, and numerous other works. Many literary critics rate him as one of the greatest psychological novelists in world literature. His 1864 novella Notes from Underground is considered to be one of the first works of existentialist literature.

Born in Moscow in 1821, Dostoevsky was introduced to literature at an early age through fairy tales and legends, and through books by Russian and foreign authors. His mother died in 1837 when he was 15, and around the same time, he left school to enter the Nikolayev Military Engineering Institute. After graduating, he worked as an engineer and briefly enjoyed a lavish lifestyle, translating books to earn extra money. In the mid-1840s he wrote his first novel, Poor Folk, which gained him entry into St. Petersburg's literary circles. Arrested in 1849 for belonging to a literary group that discussed banned books critical of Tsarist Russia, he was sentenced to death but the sentence was commuted at the last moment. He spent four years in a Siberian prison camp, followed by six years of compulsory military service in exile. In the following years, Dostoevsky worked as a journalist, publishing and editing several magazines of his own and later A Writer's Diary, a collection of his writings. He began to travel around western Europe and developed a gambling addiction, which led to financial hardship. For a time, he had to beg for money, but he eventually became one of the most widely read and highly regarded Russian writers.

Dostoevsky was influenced by a wide variety of philosophers and authors including Pushkin, Gogol, Augustine, Shakespeare, Dickens, Balzac, Lermontov, Hugo, Poe, Plato, Cervantes, Herzen, Kant, Belinsky, Hegel, Schiller, Solovyov, Bakunin, Sand, Hoffmann, and Mickiewicz.

His writings were widely read both within and beyond his native Russia and influenced an equally great number of later writers including Russians like Aleksandr Solzhenitsyn and Anton Chekhov, philosophers Friedrich Nietzsche and Jean-Paul Sartre and the emergence of Existentialism and Freudianism. His books have been translated into more than 170 languages.
Nationality
Russia
Birthplace
Moscow, Russia
Places of residence
Moscow, Russia
St. Petersburg, Russia
Siberia, Russia
Tver, Russia
Place of death
St. Petersburg, Russia
Burial location
Tikhvin Cemetery, Alexander Nevsky Monastery, Saint Petersburg, Russia
Map Location
Russia

Members

Discussions

Dostoevsky: Crime and Punishment in Author Theme Reads (May 2025)
Crime and Punishment in Someone explain it to me... (May 2025)
Century Press - The Crocodile in Fine Press Forum (November 2024)
Easton Press Crime and Punishment LE 1975 in Book talk (February 2022)
Group Read, February 2018: The Idiot in 1001 Books to read before you die (March 2018)
Group Read, July 2014: Notes from the Underground in 1001 Books to read before you die (July 2014)
April 2014: Fyodor Dostoevsky in Monthly Author Reads (April 2014)
Dostoevsky: Notes from Underground in Author Theme Reads (December 2013)
Obscure Dostoevsky short stories in Fans of Russian authors (November 2011)
KARAMAZOV: Who's in? in Le Salon Littéraire du Peuple pour le Peuple (October 2010)
BROTHERS KARAMAZOV Group Read in Fans of Russian authors (October 2010)
Dostoevsky: The Brothers Karamazov in Author Theme Reads (August 2009)
Dostoyevsky: The House of the Dead in Author Theme Reads (June 2009)
Dostoevsky: Poor Folk in Author Theme Reads (March 2009)
Best translation of The Brothers Karamazov? in Fans of Russian authors (March 2008)

Reviews

2,401 reviews
"Crime and Punishment" is not about either, but about the space between. Little time is spent dwelling on motive before the title's crime occurs. It must be murder, to drive the story to be told, but in order to render maximum sympathy for Rodian the motive remains obscured and his efforts clumsy without personal gain. The majority of the story by far is focussed upon what comes after. Mortal paranoia works against Rodian and he contemplates every form of escape: confession, being accused of show more his crime at last, or achieving the absolute certainty of avoiding justice. It is difficult to watch him thrust away anyone who would help him, be they friends or family. Guilt drives loneliness; with whom can he share his agony before madness descends? As his straitened circumstances progress, he cannot accept being close with anyone besides those who would regard him as a benefactor, and seeks some form of kinship among society's lowest strata.

When Rodian's motive becomes more clear, half the story is already done and the reader is no longer likely to pass summary judgement. By then we know his good side through how well-regarded he is by those who have known him best, and how protective he is of others even as he scorns them at the same time. It is impossible to hope that he will get away with murder, but it is something to hope that he will find the error in his thinking that led him astray. The question then is whether corporal punishment is required to see this realization through, or can a criminal arrive at redemption independently? Dostoevsky spent time as a political prisoner and had ample time to consider the purpose and impact of criminal justice upon society and those it punished. Reading into this novel the result of those musings, it seems to me he could not satisfy himself as to the answer.
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تجربه به من ثابت کرده که آثار اگزیستنسیالیستی و آثار روسی خیلی بهم می‌چسبند و وقتی یک رمان هر دو رو داشته باشه می‌تونه خیلی خیلی بیشتر بهم بچسبه. راسکولنیکف، قهرمان جنایات و مکافات برای من یه جورایی همون مورسوی بیگانه‌ی آلبر کامو بود و تفاوت این دوتا فقط در این بود که show more مورسو به هیچ کسی اهمیت نمی‌داد اما راسکولنیکف برای دوستان و خانواده‌ی خودش اهمیت قائل بود. به همین خاطر این داستان همون فکری رو برای من به وجود آورد که قبلاً بیگانه برای من به وجود آورد... آیا وجدان به عنوان یک چیز درونی و نهادینه شده در ذات ما وجود داره یا فقط یک تعریفیه که فرهنگ به ما تحمیل می‌کنه تا از یک‌سری کارها مثل قتل دوری کنیم؟ show less
Crime and freaking Punishment. I went into this book thinking it was going to be confusing (Russian names—am I right?) and that it would either take me months to slog through or I would give up somewhere around the halfway mark. Instead, I devoured this book and hated every minute of my life that I wasn't reading it. The characters all had such depth, the story was original and fun, and while at times the decisions of some of the characters were perplexing, I'm so glad I read it.
What I show more liked: Getting to know all the characters, inside and out; the pace: I never felt like things were being glossed over, nor did I feel like it was dragging; that it took place well over 100 years ago and yet (for the most part) feels like it could have happened today; the dialogue; learning about Russia in the 19th century; the philosophy of Rashkolnakov (no idea if I spelled that right).
What I didn't like: That Russian people have so many different names.
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A sense of foreboding dominates this lengthy novel from the outset, yet like the best of mysteries, I suffered from misdirection throughout and assumed the main character was doomed until I reached the final pages. By his innocence and sincerity, he had provoked reactions that included envy and unreasoning hatred. I was sure he would be killed in the end; I was only unsure who would wield the knife or pistol; there were many possible candidates.
But no, Prince Myshkin (the “idiot” of the show more title) does not lose his life, simply his mind after spending the night shut in a room with the corpse of his runaway bride, sharing a sofa with the woman’s killer.
As many have pointed out, if one defines the novel genre based on the long tradition perfected in Britain and France, there is much wrong with many of the great Russian novels, including this one. It’s a fact the author slyly concedes when he has the prince discover the last book his missing bride was reading, Madame Bovary, and pocket it on his way out the door.
Earlier on, another book had served as a sign. From the opening pages, it’s clear that the prince is a Christ figure (the drunken scene as twelve guests greet the prince on his birthday—-a parody of the Last Supper—reinforced my conviction we were headed to Golgotha). But in Part Two, Chapter One, he writes a letter to one of the two women he loves, Aglaia Ivanovna. She doesn’t want to misplace the letter, so she puts it where she files anything important: her copy of Don Quixote. Aha, I said to myself, in addition to being the doomed innocent lamb, Prince Myshkin is also a knight errant. This also changed my understanding of Nastasya Filippovna, the other woman he loved. Until then, I had taken her as a Mary Magdalene, but from then on, she was also Dulcinea.
To say that the prince loved these two women puts it too simply, though the prince himself says he does. Especially toward the darkly beautiful Nastasya, love mingles with pity, fear, and hatred. She reciprocates this volatile mix of feelings, similar to what Aglaia feels toward the prince.
But love and its conventional outcome, marriage, seem to be things Prince Myshkin allows to happen to him (or not) rather than anything he initiates or is capable of consummating. In fact, not only in his relation to these two women but toward the vast cast of “strange and incredible characters” (as the narrator refers to them) that populate the book, he is open to all. The prince is a passive protagonist (he “acts” only in the sense a catalyst does); he seems incapable of distinguishing friend from foe. I have to qualify that: He seems aware throughout the book that Rogozhin is his nemesis, yet extends to him the same non-judgmental friendliness with which he encounters everyone.
Though the prince doesn’t judge, he nevertheless displays remarkable insight into those he meets, telling them guilelessly what he sees (this straightforwardness on his part is perhaps why, for all his understanding, he can’t recognize guile in others).
The book contains repeated references to “the woman question.” I suspect this was a topic in mid-nineteenth-century Russia, although I don’t know. Yet I was ambivalent about Dostoyevsky’s treatment of the key female characters. Laudably, the author seems to share the prince’s refusal to join in the general condemnation of Nastasya as a shameful woman but views her as the victim of sexual abuse instead. Yet the prince’s alacrity to conclude she is crazy hardly seems more progressive—-particularly since her counterpart, Aglaia, with her violent mood swings and irrational behavior, seems another exemplar of an alien species that confounds the author.
As with any long Russian masterpiece, keeping the characters straight is challenging. Not only are there so many, but they’re referred to interchangeably by their family surname, by given name plus patronymic, and by familiar name. For the most part, I was able to keep them apart. Still, in one scene, two families, the Eplanchins and the Igolvins, are present in full, along with assorted other characters, including a new suitor for Aglaia’s hand, Yevgeny Pavlovich. He is newly introduced into the story, and I failed to take much note of him and thought his interjections were those of General Igolvin. I had to go back over the scene again when I realized my error. It happened again in a crucial scene toward the end when Aglaia drags the prince to confront Nastasya and Rogozhin. Though only four are present, there is so much use of pronouns rather than names that I got lost.
Despite these difficulties, I enjoyed the book. Part of the pleasure was the story itself. Much of the text is dialogue, and much of what is not seems like extended stage directions; there is little interiority in the characters. I imagined what a great six-hour miniseries this would make, with nothing cut. Had I been able to film it in the 1930s, I’d have loved to cast Garbo (with dyed hair) as Nastasya and Jean Harlow (playing against type) as Aglaia. For the prince, perhaps Peter Lorre; once again, against type.
Beyond the plot, I also enjoyed technical aspects. Along with the symbolic references to key works in the novel tradition, there are several cases of twinning. Among them are the poor girl Marie, whom the prince befriended during his sanatorium stay in Switzerland, as a counterpart to Nastasya, and Ferdyshtenko, who claims for himself Prince Myshkin’s virtue of speaking the truth but does so with a vindictiveness foreign to the prince. And at times, the narrator intrudes, such as in his reflection on the employment of outrageous characters in novels rather than the ordinary people of daily life, or (also in Part 4), when he confesses to being a less than omniscient narrator.
I read the widely-available Constance Garnett translation. Apart from getting off to an inauspicious start, which due to an unclear antecedent seems to say the train is thawing—an error every other translation I checked avoided—it was readable.
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Associated Authors

Michael R. Katz Editor, Translator
George Gibian Editor, Contributor
Hermann Röhl Übersetzer, Translator
Andrew R. MacAndrew Translator and Afterword, Translator
Leo Tolstoy Author, Contributor
Ralph E. Matlaw Contributor, Editor
Mirra Ginsburg Translator
Susan McReynolds Oddo Editor, Translation revision
Alain Korkos Illustrator
Anton Chekhov Contributor
Thomas Mann Introduction
Beatrice Scott Translator
Bastien Loukia Illustrator
Metin Ilkin Translator
Paulo Bezerra Translator
David McDuff Translator, Introduction
Richard Freeborn Translator
Jane Kentish Translator
David Magarshack Translator
Jessie Coulson Translator
Ernest J. Simmons Contributor, Introduction
Juhani Konkka Translator
S. van Praag Translator
Joseph Frank Introduction, Editor, Contributor
Arthur Langeveld Translator
Alberto Moravia Contributor, Introduction
Philip Rahv Contributor
V. Pereverzev Contributor
Berna Contributor
George Chulkov Contributor
F. I. Evnin Contributor
Leonid P. Grossman Contributor
Vyacheslav Ivanov Contributor
N. Strakhov Contributor
Nicholas Berdyaev Contributor
Mikhail Bakhtin Contributor
K. Mochulsky Contributor
Karen Horney Contributor
Czesław Miłosz Contributor
Michael Holquist Contributor
Michael T. Kaufman Contributor
Sergei V. Belov Contributor
Richard Weisberg Contributor
Maurice Beebe Contributor
Simon Karlinsky Contributor
Gary Saul Morson Introduction, Foreword, Contributor
Tiina Kartano Translator
Edward Wasiolek Editor, Contributor
Robin Feuer Miller Contributor
Vissarion Belinsky Contributor
Vladimir Kantor Contributor
Vladimir Golstein Contributor
Ulrich Schmid Contributor
Roger B. Anderson Contributor
Nathan Rosen Contributor
William Mills Todd Contributor
Robert L. Belknap Contributor
Ralph Matlaw Contributor
Ruth Mortimer Contributor
N. Obolonsky Translator, Foreword
Edward Gorey Cover artist
Peter van Eysden Translator
M Ferguson Translator
Oscar Wilde Contributor
Anatole France Contributor
Honoré Balzac Contributor
Henry James Contributor
Wilkie Collins Contributor
Théophile Gautier Contributor
Walter De la Mare Contributor
H. G. Wells Contributor
Edgar Allan Poe Contributor
Prosper Mérimée Contributor
Aleksy Tołstoj Contributor
M. Koesmin Contributor
I. Toergenjev Contributor
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A. Tsjechov Contributor
J. Leclée Translator
René de Vries Translator
L.N. Tolstoj Contributor
H.J. Been Translator
Nikolaj Gogol Contributor
Anton Tsjechov Contributor
D. Latzko Translator
Donia Nachshen Illustrator
A. C. Niemeijer Translator
Jan van der Eng Translator
James Avati Cover artist
Marian Larer Illustrator
Josef Lesowsky Translator
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Mirjam van Hengel Interviewer
Willem Jan Otten Introduction
Richard Pevear Translator
Swetlana Geier Übersetzer, Translator
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Ignat Avsey Translator, Contributor
Ellen Rydelius Translator
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Harry Brockway Illustrator
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Henri Mongault Translator
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Avrahm Yarmolinsky Introduction
Hans Leerink Translator
Oliver Ready Translator
Lourens Reedijk Translator
Corinne Borja Illustrator
Zohar Lazar Cover artist
J. A. Hollo Translator
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Raymond R. Canon Introduction
Hans Björkegren Translator
Robert Borja Illustrator
Julius Katzer Translator
Philippe Jullian Illustrator
Richard Hoffmann Translator
M. Vuori Translator
Anthony Heald Narrator
Jan Brodal Translator
Jan Meijer Translator
Priscilla Meyer Introduction
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Jamie Keenan Cover designer
Geir Kjetsaa Translator
O.H. Rudzik Introduction
T N R Rogers Introduction
Anna Kosloff Translator
V. K. Trast Translator
Lea Pyykkö Translator
Marko Fondse Translator
Boris Kustodiev Cover artist
Simon Vance Narrator
Jan van der Eng Translator
Joan Sales Translator
George Steiner Foreword, Introduction
Kyril FitzLyon Translator
Avrahm Yarmolinsky Introduction
Eva M. Martin Translator
Olga Carlisle Translator
Ana Miranda Narrator
Norman Dietz Narrator
Staffan Dahl Translator
J. Jac. Thomson Translator
Susanna Witt Foreword
Elina Yuffa Translator
Henry Carlisle Translator
Martin Geeson Narrator
James Hill Cover artist
Michael Sheen Narrator
Hermann Röhl Übersetzer, Translator
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Will Self Foreword
Leone Ginzburg Contributor
Jenny Hughes Translator
Esa Adrian Translator
Paul E. Kennedy Cover designer
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Hans Boland Translator
Marc Slonim Afterword
Lynd Ward Cover artist
Archie Ferguson Cover designer
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E. K. Rahsin Translator
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Bengt Samuelson Translator
Peter Glas Afterword
Vadim Belov Traductor
Michel Parfenov Introduction et chronologie et collaboration à la traduction française
Oleg Almeida Translator
Victoire Feuillebois Mise à jour de la bibliographie
Nina Guerra Translator
Nurşen Özkan Translator
Armando Luiz Translator
Bas Heijne Afterword
Hartmut Herboth Translator
Hermann Roehl Translator
Ergin Altay Translator
Evelyn Harden Translator
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Arja van den Berg Illustrator
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Michael Hagemann Cover designer
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Pierre Pascal Contributor
Milos Ivkovic Translator
Dora O'Brien Translator
Emma Beniuc Translator
Maria Leto Leto Translator
Josep M. Güell Translator
Ion Ianosi Foreword
Maria Franco Translator
Janko Moder Translator
Elmo Totti Editor
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Robert Dessaix Translator
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Julia Emlen Narrator
Gregor Jarcho Übersetzer
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Arthur Luther Afterword
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Geir Kjetsaa Translator
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Javier Sologuren Introduction
J. I. Packer Contributor
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Stefan Lindgren Translator
H.W. Sandberg Translator
R. Snapper Illustrator
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Nadai L. V. Translator
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