Fyodor Dostoyevsky (1821–1881)
Author of Crime and Punishment
About the Author
One of the most powerful and significant authors in all modern fiction, Fyodor Dostoevsky was the son of a harsh and domineering army surgeon who was murdered by his own serfs (slaves), an event that was extremely important in shaping Dostoevsky's view of social and economic issues. He studied to show more be an engineer and began work as a draftsman. However, his first novel, Poor Folk (1846), was so well received that he abandoned engineering for writing. In 1849, Dostoevsky was arrested for being a part of a revolutionary group that owned an illegal printing press. He was sentenced to be executed, but the sentence was changed at the last minute, and he was sent to a prison camp in Siberia instead. By the time he was released in 1854, he had become a devout believer in both Christianity and Russia - although not in its ruler, the Czar. During the 1860's, Dostoevsky's personal life was in constant turmoil as the result of financial problems, a gambling addiction, and the deaths of his wife and brother. His second marriage in 1887 provided him with a stable home life and personal contentment, and during the years that followed he produced his great novels: Crime and Punishment (1886), the story of Rodya Raskolnikov, who kills two old women in the belief that he is beyond the bounds of good and evil; The Idiots (1868), the story of an epileptic who tragically affects the lives of those around him; The Possessed (1872), the story of the effect of revolutionary thought on the members of one Russian community; A Raw Youth (1875), which focuses on the disintegration and decay of family relationships and life; and The Brothers Karamazov (1880), which centers on the murder of Fyodor Karamazov and the effect the murder has on each of his four sons. These works have placed Dostoevsky in the front rank of the world's great novelists. Dostoevsky was an innovator, bringing new depth and meaning to the psychological novel and combining realism and philosophical speculation in his complex studies of the human condition. (Bowker Author Biography) show less
Image credit: Fyodor Dostoevsky 1880
Series
Works by Fyodor Dostoyevsky
Notes from Underground; White Nights; The Dream of a Ridiculous Man; and: White Nights Dream Ridiculous Man and selections from The House of the Dead (Signet classics) (1961) 978 copies, 13 reviews
Three Short Novels of Dostoevsky: The Double, Notes From the Underground, The Eternal Husband (1959) 365 copies, 3 reviews
A Gentle Creature and Other Stories: White Nights; A Gentle Creature; The Dream of a Ridiculous Man (Oxford World's Classics) (1995) 265 copies, 1 review
Crime and Punishment (Illustrated Classics): A Graphic Novel (2008) — Creator — 102 copies, 3 reviews
Verzamelde werken. Dl. IV: Een nare geschiedenis ; Winterse opmerkingen over zomerse indrukken ; Aantekeningen uit het ondergrondse ; De krokodil ; De speler ; De eeuwige… (1995) 74 copies, 2 reviews
The Complete Works of Fyodor Dostoyevsky: Novels, Short Stories and Autobiographical Writings: The Entire Opus of the Great Russian Novelist, Journalist ... from Underground, The… (2015) — Author — 47 copies
Works of Fyodor Dostoevsky: Crime and Punishment, The Idiot, The Brothers Karamazov, The Gambler, The Devils, The Adolescent & more (2007) 37 copies, 2 reviews
Noites Brancas. Romance Sentimental. Das Memorias de Um Sonhador (Em Portugues do Brasil) (2001) 33 copies, 1 review
Grolier Classics: Crime and Punishment, Diary of Samuel Pepys, Confessions of Saint Augustine, Paradise Lost (1955) 29 copies
Aufzeichnungen aus einem Totenhaus - Njetotschka Neswanowa - Eine dumme Geschichte - Winteraufzeichnungen über Sommereindrücke (1992) 23 copies
Il giocatore-Le notti bianche-La mite-Il sogno di un uomo ridicolo. Ediz. integrale (2015) 19 copies
Cuentos Clasicos Juveniles/Classic Stories for Young People (Short Stories) (Spanish Edition) (1997) 16 copies
Le notti bianche - Il giocatore 12 copies
STAVROGIN'S CONFESSION and THE PLAN OF THE LIFE OF A GREAT SINNER: With Introductory and Explanatory Notes, (1972) 10 copies
El sueño de un hombre ridículo - Bobok - La sumisa (El libro de bolsillo - Bibliotecas de autor - Biblioteca Dostoyevski) (Spanish Edition) (2011) 9 copies
Schweigen ist Schuld : ein Lesebuch der Verlagsinitiative gegen Gewalt und Fremdenhass (1999) 9 copies
Aus dem Dunkel der Großstadt. Aufzeichnungen. ( Sämtliche Romane und Erzählungen, 7). (1998) 8 copies
i fratelli karamazov. Volume 2 8 copies
The Idiot & The Possessed 7 copies
The Brothers Karamazov (4/4) — Author — 6 copies
I capolavori: Le notti bianche. Memorie dal sottosuolo. Il giocatore. Delitto e castigo. I demoni (2002) 6 copies
The Unpublished Dostoevsky : Diaries & Notebooks 1860-81 (Vol. 3 / III) [Dostoyevsky] (1976) 6 copies
I capolavori: Le notti bianche-Delitto e castigo-Il giocatore-L'idiota-I demoni. Ediz. integrale (2016) 6 copies
Box - Fiodor Dostoievski: Memorias da casa dos mortos e O idiota (Em Portugues do Brasil) (2018) 5 copies
Fyodor Dostoevsky: Collection of 30 Classic Works with analysis and historical background (Annotated and Illustrated) (Annotated Classics) (2013) 5 copies
Racconti e romanzi brevi 5 copies
Sobranie sochinenii v desiati tomakh 5 copies
The double ; Poor folk 5 copies
Verzamelde werken 5 copies
Grandi romanzi: Le notti bianche-Delitto e castigo-Il giocatore-l'idiota-I demoni. Ediz. integrali (2010) 5 copies, 2 reviews
I fratelli Karamàzov, 3 4 copies
The Crocodile and Other Stories (riverrun Editions): Dostoevsky’s finest short stories in the timeless translations of Constance Garnett (2019) 4 copies
The Brothers Karamazov (2/4) — Author — 4 copies
Aforyzmy 4 copies
Romanzi 4 copies
Der Spieler und andere Erzählungen 4 copies
Dostojefskis Breve i Udvalg 4 copies
Politieke geschriften 4 copies
Il giocatore: L'eterno marito 4 copies
Dostojevskij : en samlingsvolym 4 copies
Noites Brancas e outras novelas 3 copies
Fedor M. Dostoevski 1821-1881 Seleccion = Fedor M. Dostoevski 1821-1881 Selection (Autore Selectos) (Spanish Edition) (2010) 3 copies
Humilhados E Ofendidos, & Um Jogador (Obras Completas E Ilustradas De F.M. Dostoievski) (1960) 3 copies
Fjodor Dostojewski - Gesammelte Werke. Die Erzählungen (Leinen-Ausgabe mit Goldprägung) (Anaconda Gesammelte Werke, Band 24) (2016) 3 copies
Min onkel og hans excellense 3 copies
Los hermanos Karamazov ; Crimen y castigo ; Stepanchikovo y sus habitantes ; El jugador (1983) 3 copies
Dostoevsky Collection 200 Years 3 copies
Obra completa 3 copies
El pequeño héroe 3 copies
GREAT SHORT STORIES: The Book Bag; Guilty; The Christmas Tree and the Wedding (Quick Reader 106) (1945) 3 copies
Tutti i romanzi, vol. 1 - Memorie da una casa di morti; Umiliati e offesi; Delitto e castigo; L'idiota (1993) 3 copies
Poor folk ; Uncle's dream 3 copies
o sosia Ed. 2022 3 copies
El gran inquisidor y otros cuentos / The Grand Inquisitor and other stories (Escolar) (Spanish Edition) (2010) 3 copies
الإخوة كارامازوف - المجلدات الأربعة 3 copies
Crime and Punishment With selected excerpts from the Notebooks for Crime and Punishment Wordsworth Classics Paperback Illustrated 5 May 2000 (2000) 3 copies
In difesa di me stesso: deposizioni e verbali del processo del 1849 contro il "circolo di Petrasevskij" (1989) 3 copies
Öteki 3 copies
Three Short Stories 3 copies
The Fyodor Dostoevsky Novels and Novellas Collection: The Brothers Karamazov, Crime and Punishment, and 11 Other Classics (2013) 3 copies
A nagyváros homályából ; A kis hős 3 copies
Il primo amore 3 copies
Humillados y ofendidos 2 copies
Il giocatore; Fedor M. Dostoevskij 2 copies
Os Melhores Contos de Dostoi[eviski 2 copies
Brev i urval 2 copies
Helle Nächte: vier Novellen 2 copies
Stepančikovo, Srečkar, Večni mož 2 copies
Petrohradská kronika ; Literární sny 2 copies
Öyküler; Beyaz Geceler - Bir Yufka Yürek - Dürüst Hirsiz - Bobok - Baskasinin Karisi (2018) 2 copies
Delitto e castigo III 2 copies
Повести и рассказы 2 copies
Братья Карамазовы. Части 3-4 2 copies
Relatos/2 2 copies
Pobre gente ; O duplo 2 copies
Un Hombre Ridículo y Otros Relatos 2 copies
BATI ÇIKMAZI 2 copies
Sämtliche Werke 2 copies
Kellariloukko ja Vieras rouva 2 copies
Complete Novellas: Notes from Underground, Poor Folk, The Gambler, Uncle's Dream, The Eternal Husband, The Double, and The Landlady (2020) 2 copies
Romanzi e taccuini III 2 copies
Kvin rakontoj 2 copies
Les Frères Karamazov 2 copies
The brothers Karamazov / 1 2 copies
Преступление и наказание: Russian Language Edition (Мировая Классика) (Russian Edition) (2014) 2 copies
Drei humoristische Romane: Onkelchens Traum / Das Gut Stepantschikowo / Der ewige Gatte (1984) 2 copies
Der Spieler : Roman und anderes 2 copies
Discorso su Puskin 2 copies
Crime and Punishment 2 copies
L'eterno marito - La moglie di un altro e il marito sotto il letto (Italian Edition) (2019) 2 copies
Les frères Karamazov, tome 1 2 copies
الرسائل 1 2 copies
Dziela wybrane-5 2 copies
La confession de stravroguine complétée par une partie inédite du journal d'un écrivain (1922) 2 copies
Contos 2 copies
Corazones sencillos 2 copies
Bröderna Karamasov : tredje volymen 2 copies
First-person in Russia's golden age : Notes From the Underground : Diary of a Madman : Diary of a Superfluous Man : Lucerne (2012) 2 copies
Dziennik Pisarza - Tom I - 1847-1874 2 copies
Bele noći // Kockar // Dvojnik 2 copies
Memorias del subsuelo & Las noches blancas & El jugador/ Notes from Underground & White Nights & The player (Grandes Clasicos) (Spanish Edition) (2006) 2 copies
Notes from the Underground (Dover Thrift Editions) by Fyodor Dostoyevsky Dover Thrift edition [Paperback(1992)] (1972) 2 copies
Den ærlige Tyv og andre Fortællinger 2 copies
Les Nits blanques : La dispesera 2 copies
Les Frères Karamazov, volume III 2 copies
Delitto e castigo 2 copies
Crimen y castigo tomo I y II 2 copies
Racconti e romanzi brevi. Volume 1 2 copies
Modern Library College Editions 2 copies
Besi 2 copies
Fyodor Dostoevsky: Complete Letters, 1878-1881 (Dostoevsky, Fyodor//Complete Letters) (1991) 2 copies
The Possessed, Volume 2 2 copies
Album Pleiade Dostoievski. Iconographie réunie et commentée par Gustave Aucouturier et Claude Menuet 2 copies
Souvenirs de la maison des morts. Une fâcheuse histoire. Notes d'hiver sur des impressions d'été 2 copies
O eterno marido 2 copies
O literaturze i sztuce 2 copies
МАЛАЯ ПРОЗА 1 copy
地下生活者の手記 (1955年) (新潮文庫) 1 copy
Федор Достоевский. Сочинения, романы, повести, рассказы: Преступление и наказание, Идиот, Игрок,… (2021) 1 copy
カラマアゾフの兄弟 1 1 copy
Ο αιώνιος σύζυγος 1 copy
カラマアゾフの兄弟 2 1 copy
カラマアゾフの兄弟 4 1 copy
カラマアゾフの兄弟 5 1 copy
賭博者 1 copy
Μια αξιοθρήνητη ιστορία 1 copy
Τὸ ὑπόγειο 1 copy
Δαιμονισμένοι - τόμος 3ος 1 copy
Δαιμονισμένοι - τόμος 2ος 1 copy
The Complete Novels 1 copy
カラマーゾフの兄弟 下 新潮文庫 ト 1-11 1 copy
Федор Достоевский. Романы. Иллюстрированное издание: Бесы, Братья Карамазовы, Записки из… (2021) 1 copy
10 Шедевров Русской классики. Том 1: Мастер и Маргарита, Анна Каренина, Евгений Онегин, Двенадцать… (2021) 1 copy
Fyodor Dostoyevsky 3-Book Boxed Set: Crime and Punishment; The Idiot; The Brothers Karamazov (Penguin Clothbound Classics) (2026) 1 copy
Zapisnye tetradi 1 copy
TREGIME DHE NOVELA 1 copy
VËLLEZËRIT KARAMAZOVË V-1 XI 1 copy
La dispesera 1 copy
РАННЯЯ ПРОЗА 1 copy
Krotka i druge priče 1 copy
NJË ZEMËR E DOBËT 1 copy
Fyrst Myschkin 1 copy
Die Brüder Karamasow Bd. 1 1 copy
ZEMRA E DOBËT 1 copy
E URTA 1 copy
Bele noći-Jadni ljudi 1 copy
Собрание сочинений в пятнадцати томах. Записки из Мертвого дома ; Петербургские сновидения в… (1988) 1 copy
histórias dramáticas 1 copy
Omul din subterană 1 copy
La dulce y otros relatos 1 copy
Daridra Narayan 1 copy
Complete novels 1 copy
Está morta e Coração débil 1 copy
Игрок (Russian Edition) 1 copy
Notes from Underground 1 copy
NOVELA II 1 copy
Crime and Punishment: Classic Psychological Novel of Guilt and Redemption by Fyodor Dostoevsky 1 copy
I PANJOHURI X 1 copy
Знакомимся с русской и советской литературой Выпуск 3 — Contributor — 1 copy
KRIM DHE NDËSHKIM III 1 copy
KRIM DHE NDËSHKIM III 1 copy
DJAJTË VI 1 copy
TË FYER E TË POSHTËRUAR VII 1 copy
Maling yang Jujur 1 copy
DUAS NARRATIVAS FANTÁSTICA 1 copy
Karamazov testvrek 1 copy
A Karamazov testvrek 1 copy
A fľkegyelm 1 copy
Sotul Etern 1 copy
Amintiri din casa mortilor 1 copy
Bűn és bűnhődés I-II. 1 copy
Повести и рассказы 1848-1859 1 copy
白痴 1 copy
Le notti bianche 1 copy
Il giocatore 1 copy
Die Brüder Karamasow - 1 1 copy
Die Brüder Karamasow - 2 1 copy
El jugador (Spanish Edition) 1 copy
El cocodrilo 1 copy
Obras selectas 1 copy
Delitto e castigo. Vol III 1 copy
Spisy XVI. 1 copy
Ragazzi: le pagine de I fratelli Karamazov che narrano la vicenda di iljusca e dei suoi compagni 1 copy
Бесы. Записки из подполья 1 copy
الفقر - المثل - قلب ضعيف 1 copy
المقامر - الزوج الأبدي 1 copy
I fratelli Karamazov 1 copy
Racconti 1 copy
МАЛАЯ ПРОЗА. КНИГА ВТОРАЯ 1 copy
Hráč, Večný manžel 1 copy
BİR YUFKA YÜREKLİ 1 copy
" Ob iskusstve". 1 copy
134 Livres 1 copy
Crime e Castigo - Volume I 1 copy
Crime e Castigo - Volume II 1 copy
مذلون مهانون 1 copy
I fratelli Karamazov 1 copy
El Autor y su Obra 1 copy
The Brothers Karamazoff: Six Scenes from the Novel (The Moscow Art Theatre Series of Russian Plays) (1924) 1 copy
הכפיל : 1 copy
אשתו של אחר : סיפורים 1 copy
Zbrodnia i kara 1 copy
החטא וענשו 1 copy
nienottchka niezvannovna 1 copy
Достоевский Ф. Собрание сочинений в одной книге (Dostoevskij F. Sobranie sochinenij v odnoj knige) (2012) 1 copy
তিনটি উপন্যাস 1 copy
Belye nochi: Sentimental'nyj roman: Iz vospominanij mechtatelya (vstup. st. i primech. Manna Yu.V.) 1 copy
הכפיל - פואימה פטרבורגיתול 1 copy
Собрание сочинений. Том четвертый. Униженные и оскорбленные. Повести и рассказы. 1862–1866. Игрок 1 copy
Пушкин (Russian Edition) 1 copy
Vaikams 1 copy
Собрание сочинений. Том третий. Село Степанчиково и его обитатели. Записки из Мертвого дома.… 1 copy
Идиот : роман : в 4-х частях 1 copy
Статьи и заметки, 1845-1861 1 copy
Misdaad en Straaf 1 copy
Verzamelde werken - 4 1 copy
Fehér éjszakák - Szende 1 copy
Crimen y castigo T1 1 copy
I fratelli Karamazov 1 - 4 1 copy
Братья Карамазовы Кн. 1-10 1 copy
Письма, 1875-1877 1 copy
Статьи и заметки, 1861 1 copy
Статьи и заметки, 1862-1865 1 copy
Письма, 1832-1859 1 copy
Письма, 1860-1868 1 copy
Письма, 1869-1874 1 copy
Obras completas. Tomo V 1 copy
Полное собрание сочинений в тридцати томах: Художественные произведения тома I - XVIII (1972) 1 copy
The Idiot & The Insulted and the Injured (The Humiliated and Wronged) (Two Books With Active Table of Contents) (2011) 1 copy
Noches blancas. El jugador. 1 copy
Obras completas. Tomo VI 1 copy
Obras completas. Tomo VIII 1 copy
Obras completas. Tomo IX 1 copy
BATI,BATI DEDİKLERİ... 1 copy
İNSANCIKLAR 1 copy
FOUR STORIES 1 copy
Prințul Valkovsky 1 copy
The Wedding 1 copy
Novelas y cuentos 1 copy
Jogador, O 1 copy
الرسائل 2 1 copy
Demetrio Donskoi 1 copy
L'adolescente: vol. 1 1 copy
L'adolescente: vol. 2 1 copy
L'adolescente: vol. 3 1 copy
אידיוט [ב] 1 copy
אידיוט [א] 1 copy
Гражданин 1 copy
Бедные люди. Игрок 1 copy
Liuscha 1 copy
Best Short Stories 1 copy
House of the Dead 1 copy
Braća Karamazovi 1 copy
L'idiota (Italian Edition) 1 copy
I fratelli Karamazov 1 copy
Memorie di una casa di morti 1 copy
Vecni muz i druge price 1 copy
Vječni muž 1 copy
Drei Erzählungen 1 copy
Politički natpisi 1 copy
La neve disciolta 1 copy
Forbytelse og straff, bind 1 1 copy
Prosa poesia 1 copy
L'orfana: Le notti bianche 1 copy
Contos de Dostoievski 1 copy
Os irmãos Karamazov I 1 copy
Os irmãos Karamazov II 1 copy
Os irmãos Karamazov III 1 copy
Saggi critici 1 copy
Maatstaf: Dostojevski nummer 1 copy
O umetnosti 1 copy
Pripovjetke 1 copy
Samlede værker bd.1-24 1 copy
Romanzi e taccuini 1 copy
L' idiota 4 - 6 1 copy
Tutte le Opere 1 copy
Verzamelde werken 1 copy
Helle Nächte 1 copy
O miłości 1 copy
Budala 1 copy
Dziela wybrane-6i 1 copy
Dziela wybrane-6ii 1 copy
HRÁČ A JINÉ PRÓZY 1 copy
Dobbeltgn̆geren 1 copy
Malý hrdina a jiné povídky 1 copy
Deník spisovatele I 1 copy
Deník spisovatele II 1 copy
L' Idiota 1 copy
Dvojník a jiné prózy 1 copy
Un cuore debole 1 copy
Brott och Straff I 1 copy
Brott och Straff II 1 copy
L' idiota 1 - 3 1 copy
I fratelli Karamazov 5 - 7 1 copy
[No title] 1 copy
Obras completas Tomo III 1 copy
Crimen y castigo I 1 copy
L'Adolescent 1 copy
L'éternel mari 1 copy
The gambler 1 copy
Il romanzo del sottosuolo 1 copy
3: I fratelli Karamazov 1 copy
Fédor Dostoïevski: Oeuvres Majeures - 32 titres (L'édition intégrale): Crime et Châtiment L'Idiot Les Possédés Les… (2015) 1 copy
1: I fratelli Karamazov 1 copy
L'idiot - Tomes 1 et 2. 1 copy
The Idoit 1 copy
O jogador e outras obras 1 copy
Novelas I 1 copy
Crimen y castigo 1 copy
ladolescent 1 copy
Novelas II 1 copy
2: I fratelli Karamazov 1 copy
Obras completas Tomo I 1 copy
Netochka 1 copy
L'idiota 1 copy
Der idiot 1 copy
Obras completas, 6 vols. 1 copy
o crocodilo 1 copy
Os professores vol. III 1 copy
LES FRERES KARAMASOV TOME I 1 copy
Le Joueur 1 copy
Politische Schriften 1 copy
Pobre gente e outras novelas 1 copy
Bűn és bünhödés 1 copy
Racconti di Natale: LIbro dell'avvento. Aspettando il Natale. La notte di Natale vista da due grandi scrittori Russi (Italian Edition) (2021) 1 copy, 1 review
Fávitinn - II 1 copy
Крокодил 1 copy
Crime and Punishment (Norton Critical Editions) 3rd edition by Fyodor Dostoevsky (1989) Paperback 1 copy
Wspomnienia z martwego domu 1 copy
Collection of Stories 1 copy
The Grand Inquisitor: with related chapters from The Brothers Karamazov (Translated & Annotated) (2010) 1 copy
عجوز تجاوز عمرها مائة سنة 1 copy
Дядюшкин сон 1 copy
الجريمة والعقاب 1-2 1 copy
Crime et châtiment 2 1 copy
Karamazov 1 1 copy
Karamazov 2 1 copy
Dostoyevsky Compilation 1 copy
Les Possédés 1 copy
The Iditot 1 copy
The Devils 1 copy
Início E Fim 1 copy
Tuy Hai Mà Một 1 copy
الجريمة والعقاب، الجزء الأول 1 copy
Suç ve Ceza, Cilt #1 1 copy
The Judgement 1 copy
℗La ℗mite: Il *coccodrillo: un avvenimento straordinario ovvero Un pasticcio nel Passage (2022) 1 copy
Novel in Nine Letters 1 copy
The Priest & the Devil 1 copy
003: Fyodor Dostoevsky Complete Letters: 1868-1871 (DOSTOEVSKY, FYODOR//COMPLETE LETTERS) (1990) 1 copy
Breve I udvalg 1 1 copy
Breve I udvalg 2 1 copy
Výrastok 1 copy
ΟΙ ΔΑΙΜΟΝΙΣΜΕΝΟΙ ΤΟΜΟΣ Α 1 copy
Great Short Stories Of Fyodor Dostoevsky (Turtleback School & Library Binding Edition) (2004) 1 copy
Мальчик у Христа на ёлке 1 copy
الاخوة كارامازوف 3 1 copy
ΠΑΙΚΤΗΣ / ΣΩΣΙΑΣ / ΜΠΟΜΠΟΚ 1 copy
ΟΙ ΔΑΙΜΟΝΙΣΜΕΝΟΙ ΤΟΜΟΣ Β 1 copy
Ο ΗΛΙΘΙΟΣ ΤΟΜΟΣ Β 1 copy
Ο ΗΛΙΘΙΟΣ ΤΟΜΟΣ Α 1 copy
ΑΔΕΛΦΟΙ ΚΑΡΑΜΑΖΩΦ ΤΟΜΟΣ Β 1 copy
Искания и размышления 1 copy
The Brothers Karamazov (vhs) 1 copy
ΑΔΕΛΦΟΙ ΚΑΡΑΜΑΖΩΦ ΤΟΜΟΣ Α 1 copy
Pripovetke III 1 copy
Pripovetke II 1 copy
Pripovetke I 1 copy
Dünyayı Güzellik Kurtaracak 1 copy
La inferno 1 copy
Briefe: Erster Band 1 copy
Belye Nochi Krotkaia 1 copy
Helle Nächte / Die Sanfte. Ein empfindsamer Roman / Eine phantastische Erzählung. (1993) 1 copy, 1 review
Briefe: Zweiter Band 1 copy
Getrouwd! 1 copy
Sobranie socheniˆi 1 copy
Die große Hörspiel-Edition: Hörspiele mit Eva Garg, Ignaz Kirchner, Leslie Malton u.v.a. (10 CDs) (2021) 1 copy
Erzählungen: I Die Legende vom Großinquisitor. II Aus dem Leben des im Herrn entschlafenen ... 1 copy
{Delitto e castigo} 1 1 copy
Die fremde Frau und der Mann unter dem Bett: Ungekürzte Lesung mit Dieter Mann (1 mp3-CD) (2019) 1 copy
Schuld und Shne 1 copy
Autobiographische Schriften. 1 copy
Liebesgeschichten aus aller Welt II. Weiße Nächte / Der Flaschenteufel / Immensee: 3 Bde. (1996) 1 copy
L'eterno marito 1 copy
Weiße Nächte. Mit der Erzählung "Die Sanfte" (Anacondas besondere Klassiker 26) (German Edition) 1 copy
ILIUSCHA 1 copy
Bir yufka yürekli, Soytarı 1 copy
Die Brüder Karamasow Bd. 2 1 copy
Relatos fantásticos 1 copy
Gesammelte Werke 1 copy
Ein unangenehmes Erlebnis 1 copy
Entscheide dich für die Liebe. Fjodor M. Dostojewskij. Aus d. Russ. übertr. von Fred Ottow, Claudius-Bücherei (1956) 1 copy
Fjodor M. Dostojewskij - Die Box: Der Spieler / Der Großinquisitor / Die Sanfte / Helle Nächte (2006) 1 copy
L' Adolescent 1 copy
I fratelli Karamazov vol.2 1 copy
Associated Works
75 Short Masterpieces: Stories from the World's Literature (1961) — Contributor — 319 copies, 2 reviews
The Portable Nineteenth-Century Russian Reader (1993) — Author, some editions — 224 copies, 1 review
The Graphic Canon, Vol. 2: From "Kubla Khan" to the Brontë Sisters to The Picture of Dorian Gray (2012) — Contributor — 213 copies, 2 reviews
The Moral Life: An Introductory Reader in Ethics and Literature (1999) — Contributor — 205 copies, 2 reviews
The Greatest Christmas Stories of All Time: Timeless Classics That Celebrate the Season (2006) — Contributor — 50 copies
A Very Russian Christmas: The Greatest Russian Holiday Stories of All Time (2016) — Contributor — 47 copies, 1 review
The Graphic Canon of Crime & Mystery, Vol. 1: From Sherlock Holmes to A Clockwork Orange to Jo Nesbø (2017) — Contributor — 39 copies, 2 reviews
Great Short Stories: Russian, Japanese, American, Irish, French, English (2007) — Contributor — 36 copies
A Cross of Centuries: Twenty-five Imaginative Tales About the Christ (2007) — Contributor — 32 copies, 2 reviews
Eclipse Series 7: Postwar Kurosawa (No Regrets for Our Youth / One Wonderful Sunday / Scandal / The Idiot / I Live in Fear) (2008) — Author — 22 copies
Oogst Der Tijden. keur uit de werken van schrijvers en dichters aller volken en eeuwen (1940) — Contributor — 12 copies
10 Penguin Classics on 45 CDs (The Mayor of Casterbridge, Pride & Prejudice, Great Expectations, Frankenstein, Jane Eyre, Crime & Punishment, Wuthering Heights, Northanger Abbey,… (2007) — Contributor — 9 copies, 1 review
Eine kleine Weihnachtsgeschichte (5915 430) und andere Erzählungen um die Heilige Nacht. (1981) — Contributor — 7 copies
Acht vrouwen klassieke Russische verhalen van Poesjkin, Toergenjev, Leskov, Dostojevski en Tsjechov (1983) — Contributor — 6 copies
Bijt me toch, bijt me! De mooiste dierenverhalen uit de Russische Bibliotheek (2013) — Contributor — 5 copies
Uncanny Tales: Horror and the Uncanny in Russian Prose of the 19th and Early 20th Centuries (1975) — Contributor — 5 copies
The humour of Russia — Contributor — 4 copies
International Collectors Library; Anna Karenina; Don Quixote; the Brothers Karamazov; War& Peace (1960) — Contributor — 2 copies
Partner [1968 film] — Original book — 2 copies
Tagged
Common Knowledge
- Canonical name
- Dostoyevsky, Fyodor
- Legal name
- Достое́вский, Фёдор Миха́йлович
- Other names
- Dostoyevsky, Fyodor Mikhaylovich
Dostoevsky, Fyodor
Dostoevsky, Fyodor Mikhailovich - Birthdate
- 1821-11-11
- Date of death
- 1881-02-09
- Gender
- male
- Education
- Saint Petersburg Academy of Military Engineering
- Occupations
- journalist
novelist
short story writer - Relationships
- Dostoevskaja, Ljubov Fedorovna (daughter)
Dostoevsky, Anna (wife) - Short biography
- Fyodor Mikhailovich Dostoevsky Russian: 11 November 1821 – 9 February 1881, sometimes transliterated Dostoyevsky, was a Russian novelist, short story writer, essayist and journalist. Dostoevsky's literary works explore human psychology in the troubled political, social, and spiritual atmospheres of 19th-century Russia, and engage with a variety of philosophical and religious themes. His most acclaimed works include Crime and Punishment (1866), The Idiot (1869), Demons (1872), and The Brothers Karamazov (1880). Dostoevsky's body of works consists of 12 novels, four novellas, 16 short stories, and numerous other works. Many literary critics rate him as one of the greatest psychological novelists in world literature. His 1864 novella Notes from Underground is considered to be one of the first works of existentialist literature.
Born in Moscow in 1821, Dostoevsky was introduced to literature at an early age through fairy tales and legends, and through books by Russian and foreign authors. His mother died in 1837 when he was 15, and around the same time, he left school to enter the Nikolayev Military Engineering Institute. After graduating, he worked as an engineer and briefly enjoyed a lavish lifestyle, translating books to earn extra money. In the mid-1840s he wrote his first novel, Poor Folk, which gained him entry into St. Petersburg's literary circles. Arrested in 1849 for belonging to a literary group that discussed banned books critical of Tsarist Russia, he was sentenced to death but the sentence was commuted at the last moment. He spent four years in a Siberian prison camp, followed by six years of compulsory military service in exile. In the following years, Dostoevsky worked as a journalist, publishing and editing several magazines of his own and later A Writer's Diary, a collection of his writings. He began to travel around western Europe and developed a gambling addiction, which led to financial hardship. For a time, he had to beg for money, but he eventually became one of the most widely read and highly regarded Russian writers.
Dostoevsky was influenced by a wide variety of philosophers and authors including Pushkin, Gogol, Augustine, Shakespeare, Dickens, Balzac, Lermontov, Hugo, Poe, Plato, Cervantes, Herzen, Kant, Belinsky, Hegel, Schiller, Solovyov, Bakunin, Sand, Hoffmann, and Mickiewicz.
His writings were widely read both within and beyond his native Russia and influenced an equally great number of later writers including Russians like Aleksandr Solzhenitsyn and Anton Chekhov, philosophers Friedrich Nietzsche and Jean-Paul Sartre and the emergence of Existentialism and Freudianism. His books have been translated into more than 170 languages. - Nationality
- Russia
- Birthplace
- Moscow, Russia
- Places of residence
- Moscow, Russia
St. Petersburg, Russia
Siberia, Russia
Tver, Russia - Place of death
- St. Petersburg, Russia
- Burial location
- Tikhvin Cemetery, Alexander Nevsky Monastery, Saint Petersburg, Russia
- Map Location
- Russia
Members
Discussions
Which edition should I choose? [Crime and Punishment] in Fine Press Forum (June 2025)
Dostoevsky: Crime and Punishment in Author Theme Reads (May 2025)
Crime and Punishment in Someone explain it to me... (May 2025)
Century Press - The Crocodile in Fine Press Forum (November 2024)
150. Notes from Under the Floorboards by Fyodor Dostoyevsky in Backlisted Book Club (March 2022)
Easton Press Crime and Punishment LE 1975 in Book talk (February 2022)
Group Read, February 2018: The Idiot in 1001 Books to read before you die (March 2018)
Group Read, July 2014: Notes from the Underground in 1001 Books to read before you die (July 2014)
April 2014: Fyodor Dostoevsky in Monthly Author Reads (April 2014)
Dostoevsky: Notes from Underground in Author Theme Reads (December 2013)
Obscure Dostoevsky short stories in Fans of Russian authors (November 2011)
KARAMAZOV: Who's in? in Le Salon Littéraire du Peuple pour le Peuple (October 2010)
BROTHERS KARAMAZOV Group Read in Fans of Russian authors (October 2010)
Dostoevsky: The Brothers Karamazov in Author Theme Reads (August 2009)
Dostoyevsky: The House of the Dead in Author Theme Reads (June 2009)
Dostoevsky: Poor Folk in Author Theme Reads (March 2009)
Best translation of The Brothers Karamazov? in Fans of Russian authors (March 2008)
Reviews
"Crime and Punishment" is not about either, but about the space between. Little time is spent dwelling on motive before the title's crime occurs. It must be murder, to drive the story to be told, but in order to render maximum sympathy for Rodian the motive remains obscured and his efforts clumsy without personal gain. The majority of the story by far is focussed upon what comes after. Mortal paranoia works against Rodian and he contemplates every form of escape: confession, being accused of show more his crime at last, or achieving the absolute certainty of avoiding justice. It is difficult to watch him thrust away anyone who would help him, be they friends or family. Guilt drives loneliness; with whom can he share his agony before madness descends? As his straitened circumstances progress, he cannot accept being close with anyone besides those who would regard him as a benefactor, and seeks some form of kinship among society's lowest strata.
When Rodian's motive becomes more clear, half the story is already done and the reader is no longer likely to pass summary judgement. By then we know his good side through how well-regarded he is by those who have known him best, and how protective he is of others even as he scorns them at the same time. It is impossible to hope that he will get away with murder, but it is something to hope that he will find the error in his thinking that led him astray. The question then is whether corporal punishment is required to see this realization through, or can a criminal arrive at redemption independently? Dostoevsky spent time as a political prisoner and had ample time to consider the purpose and impact of criminal justice upon society and those it punished. Reading into this novel the result of those musings, it seems to me he could not satisfy himself as to the answer. show less
When Rodian's motive becomes more clear, half the story is already done and the reader is no longer likely to pass summary judgement. By then we know his good side through how well-regarded he is by those who have known him best, and how protective he is of others even as he scorns them at the same time. It is impossible to hope that he will get away with murder, but it is something to hope that he will find the error in his thinking that led him astray. The question then is whether corporal punishment is required to see this realization through, or can a criminal arrive at redemption independently? Dostoevsky spent time as a political prisoner and had ample time to consider the purpose and impact of criminal justice upon society and those it punished. Reading into this novel the result of those musings, it seems to me he could not satisfy himself as to the answer. show less
تجربه به من ثابت کرده که آثار اگزیستنسیالیستی و آثار روسی خیلی بهم میچسبند و وقتی یک رمان هر دو رو داشته باشه میتونه خیلی خیلی بیشتر بهم بچسبه. راسکولنیکف، قهرمان جنایات و مکافات برای من یه جورایی همون مورسوی بیگانهی آلبر کامو بود و تفاوت این دوتا فقط در این بود که show more مورسو به هیچ کسی اهمیت نمیداد اما راسکولنیکف برای دوستان و خانوادهی خودش اهمیت قائل بود. به همین خاطر این داستان همون فکری رو برای من به وجود آورد که قبلاً بیگانه برای من به وجود آورد... آیا وجدان به عنوان یک چیز درونی و نهادینه شده در ذات ما وجود داره یا فقط یک تعریفیه که فرهنگ به ما تحمیل میکنه تا از یکسری کارها مثل قتل دوری کنیم؟ show less
Crime and freaking Punishment. I went into this book thinking it was going to be confusing (Russian names—am I right?) and that it would either take me months to slog through or I would give up somewhere around the halfway mark. Instead, I devoured this book and hated every minute of my life that I wasn't reading it. The characters all had such depth, the story was original and fun, and while at times the decisions of some of the characters were perplexing, I'm so glad I read it.
What I show more liked: Getting to know all the characters, inside and out; the pace: I never felt like things were being glossed over, nor did I feel like it was dragging; that it took place well over 100 years ago and yet (for the most part) feels like it could have happened today; the dialogue; learning about Russia in the 19th century; the philosophy of Rashkolnakov (no idea if I spelled that right).
What I didn't like: That Russian people have so many different names. show less
What I show more liked: Getting to know all the characters, inside and out; the pace: I never felt like things were being glossed over, nor did I feel like it was dragging; that it took place well over 100 years ago and yet (for the most part) feels like it could have happened today; the dialogue; learning about Russia in the 19th century; the philosophy of Rashkolnakov (no idea if I spelled that right).
What I didn't like: That Russian people have so many different names. show less
A sense of foreboding dominates this lengthy novel from the outset, yet like the best of mysteries, I suffered from misdirection throughout and assumed the main character was doomed until I reached the final pages. By his innocence and sincerity, he had provoked reactions that included envy and unreasoning hatred. I was sure he would be killed in the end; I was only unsure who would wield the knife or pistol; there were many possible candidates.
But no, Prince Myshkin (the “idiot” of the show more title) does not lose his life, simply his mind after spending the night shut in a room with the corpse of his runaway bride, sharing a sofa with the woman’s killer.
As many have pointed out, if one defines the novel genre based on the long tradition perfected in Britain and France, there is much wrong with many of the great Russian novels, including this one. It’s a fact the author slyly concedes when he has the prince discover the last book his missing bride was reading, Madame Bovary, and pocket it on his way out the door.
Earlier on, another book had served as a sign. From the opening pages, it’s clear that the prince is a Christ figure (the drunken scene as twelve guests greet the prince on his birthday—-a parody of the Last Supper—reinforced my conviction we were headed to Golgotha). But in Part Two, Chapter One, he writes a letter to one of the two women he loves, Aglaia Ivanovna. She doesn’t want to misplace the letter, so she puts it where she files anything important: her copy of Don Quixote. Aha, I said to myself, in addition to being the doomed innocent lamb, Prince Myshkin is also a knight errant. This also changed my understanding of Nastasya Filippovna, the other woman he loved. Until then, I had taken her as a Mary Magdalene, but from then on, she was also Dulcinea.
To say that the prince loved these two women puts it too simply, though the prince himself says he does. Especially toward the darkly beautiful Nastasya, love mingles with pity, fear, and hatred. She reciprocates this volatile mix of feelings, similar to what Aglaia feels toward the prince.
But love and its conventional outcome, marriage, seem to be things Prince Myshkin allows to happen to him (or not) rather than anything he initiates or is capable of consummating. In fact, not only in his relation to these two women but toward the vast cast of “strange and incredible characters” (as the narrator refers to them) that populate the book, he is open to all. The prince is a passive protagonist (he “acts” only in the sense a catalyst does); he seems incapable of distinguishing friend from foe. I have to qualify that: He seems aware throughout the book that Rogozhin is his nemesis, yet extends to him the same non-judgmental friendliness with which he encounters everyone.
Though the prince doesn’t judge, he nevertheless displays remarkable insight into those he meets, telling them guilelessly what he sees (this straightforwardness on his part is perhaps why, for all his understanding, he can’t recognize guile in others).
The book contains repeated references to “the woman question.” I suspect this was a topic in mid-nineteenth-century Russia, although I don’t know. Yet I was ambivalent about Dostoyevsky’s treatment of the key female characters. Laudably, the author seems to share the prince’s refusal to join in the general condemnation of Nastasya as a shameful woman but views her as the victim of sexual abuse instead. Yet the prince’s alacrity to conclude she is crazy hardly seems more progressive—-particularly since her counterpart, Aglaia, with her violent mood swings and irrational behavior, seems another exemplar of an alien species that confounds the author.
As with any long Russian masterpiece, keeping the characters straight is challenging. Not only are there so many, but they’re referred to interchangeably by their family surname, by given name plus patronymic, and by familiar name. For the most part, I was able to keep them apart. Still, in one scene, two families, the Eplanchins and the Igolvins, are present in full, along with assorted other characters, including a new suitor for Aglaia’s hand, Yevgeny Pavlovich. He is newly introduced into the story, and I failed to take much note of him and thought his interjections were those of General Igolvin. I had to go back over the scene again when I realized my error. It happened again in a crucial scene toward the end when Aglaia drags the prince to confront Nastasya and Rogozhin. Though only four are present, there is so much use of pronouns rather than names that I got lost.
Despite these difficulties, I enjoyed the book. Part of the pleasure was the story itself. Much of the text is dialogue, and much of what is not seems like extended stage directions; there is little interiority in the characters. I imagined what a great six-hour miniseries this would make, with nothing cut. Had I been able to film it in the 1930s, I’d have loved to cast Garbo (with dyed hair) as Nastasya and Jean Harlow (playing against type) as Aglaia. For the prince, perhaps Peter Lorre; once again, against type.
Beyond the plot, I also enjoyed technical aspects. Along with the symbolic references to key works in the novel tradition, there are several cases of twinning. Among them are the poor girl Marie, whom the prince befriended during his sanatorium stay in Switzerland, as a counterpart to Nastasya, and Ferdyshtenko, who claims for himself Prince Myshkin’s virtue of speaking the truth but does so with a vindictiveness foreign to the prince. And at times, the narrator intrudes, such as in his reflection on the employment of outrageous characters in novels rather than the ordinary people of daily life, or (also in Part 4), when he confesses to being a less than omniscient narrator.
I read the widely-available Constance Garnett translation. Apart from getting off to an inauspicious start, which due to an unclear antecedent seems to say the train is thawing—an error every other translation I checked avoided—it was readable. show less
But no, Prince Myshkin (the “idiot” of the show more title) does not lose his life, simply his mind after spending the night shut in a room with the corpse of his runaway bride, sharing a sofa with the woman’s killer.
As many have pointed out, if one defines the novel genre based on the long tradition perfected in Britain and France, there is much wrong with many of the great Russian novels, including this one. It’s a fact the author slyly concedes when he has the prince discover the last book his missing bride was reading, Madame Bovary, and pocket it on his way out the door.
Earlier on, another book had served as a sign. From the opening pages, it’s clear that the prince is a Christ figure (the drunken scene as twelve guests greet the prince on his birthday—-a parody of the Last Supper—reinforced my conviction we were headed to Golgotha). But in Part Two, Chapter One, he writes a letter to one of the two women he loves, Aglaia Ivanovna. She doesn’t want to misplace the letter, so she puts it where she files anything important: her copy of Don Quixote. Aha, I said to myself, in addition to being the doomed innocent lamb, Prince Myshkin is also a knight errant. This also changed my understanding of Nastasya Filippovna, the other woman he loved. Until then, I had taken her as a Mary Magdalene, but from then on, she was also Dulcinea.
To say that the prince loved these two women puts it too simply, though the prince himself says he does. Especially toward the darkly beautiful Nastasya, love mingles with pity, fear, and hatred. She reciprocates this volatile mix of feelings, similar to what Aglaia feels toward the prince.
But love and its conventional outcome, marriage, seem to be things Prince Myshkin allows to happen to him (or not) rather than anything he initiates or is capable of consummating. In fact, not only in his relation to these two women but toward the vast cast of “strange and incredible characters” (as the narrator refers to them) that populate the book, he is open to all. The prince is a passive protagonist (he “acts” only in the sense a catalyst does); he seems incapable of distinguishing friend from foe. I have to qualify that: He seems aware throughout the book that Rogozhin is his nemesis, yet extends to him the same non-judgmental friendliness with which he encounters everyone.
Though the prince doesn’t judge, he nevertheless displays remarkable insight into those he meets, telling them guilelessly what he sees (this straightforwardness on his part is perhaps why, for all his understanding, he can’t recognize guile in others).
The book contains repeated references to “the woman question.” I suspect this was a topic in mid-nineteenth-century Russia, although I don’t know. Yet I was ambivalent about Dostoyevsky’s treatment of the key female characters. Laudably, the author seems to share the prince’s refusal to join in the general condemnation of Nastasya as a shameful woman but views her as the victim of sexual abuse instead. Yet the prince’s alacrity to conclude she is crazy hardly seems more progressive—-particularly since her counterpart, Aglaia, with her violent mood swings and irrational behavior, seems another exemplar of an alien species that confounds the author.
As with any long Russian masterpiece, keeping the characters straight is challenging. Not only are there so many, but they’re referred to interchangeably by their family surname, by given name plus patronymic, and by familiar name. For the most part, I was able to keep them apart. Still, in one scene, two families, the Eplanchins and the Igolvins, are present in full, along with assorted other characters, including a new suitor for Aglaia’s hand, Yevgeny Pavlovich. He is newly introduced into the story, and I failed to take much note of him and thought his interjections were those of General Igolvin. I had to go back over the scene again when I realized my error. It happened again in a crucial scene toward the end when Aglaia drags the prince to confront Nastasya and Rogozhin. Though only four are present, there is so much use of pronouns rather than names that I got lost.
Despite these difficulties, I enjoyed the book. Part of the pleasure was the story itself. Much of the text is dialogue, and much of what is not seems like extended stage directions; there is little interiority in the characters. I imagined what a great six-hour miniseries this would make, with nothing cut. Had I been able to film it in the 1930s, I’d have loved to cast Garbo (with dyed hair) as Nastasya and Jean Harlow (playing against type) as Aglaia. For the prince, perhaps Peter Lorre; once again, against type.
Beyond the plot, I also enjoyed technical aspects. Along with the symbolic references to key works in the novel tradition, there are several cases of twinning. Among them are the poor girl Marie, whom the prince befriended during his sanatorium stay in Switzerland, as a counterpart to Nastasya, and Ferdyshtenko, who claims for himself Prince Myshkin’s virtue of speaking the truth but does so with a vindictiveness foreign to the prince. And at times, the narrator intrudes, such as in his reflection on the employment of outrageous characters in novels rather than the ordinary people of daily life, or (also in Part 4), when he confesses to being a less than omniscient narrator.
I read the widely-available Constance Garnett translation. Apart from getting off to an inauspicious start, which due to an unclear antecedent seems to say the train is thawing—an error every other translation I checked avoided—it was readable. show less
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