Machado de Assis (1839–1908)
Author of The Posthumous Memoirs of Brás Cubas
About the Author
Disambiguation Notice:
(dut) Joaquim Maria Machado de Assis was de zoon van Francisco José de Assis en Maria Leopoldina da Câmara Machado. Machado is dus niet zijn voornaam, maar een deel van zijn achternaam. Zie ook de Encyclopaedia Britannica en Cassell's Encyclopaedia of World Literature, waar hij te boek staat als "Machado de Assis, Joaquim Maria".
Joaquim Maria Machado de Assis signed his books as Machado de Assis, and author's profile name must be kept as its sign name. However, his books are shelved in libraries under 'M' for Machado de Assis, as it is his surname. Machado is not his first name and should not be sorted as such.
Image credit: Wikipedia Commons
Series
Works by Machado de Assis
Quem conta um conto e outros contos 9 copies
A Semana II 9 copies
A Cartomante e Outros Contos - Coleção Travessias (Em Portuguese do Brasil) (2015) 7 copies, 1 review
Onze contos de Machado de Assis: Textos integrais (Coleção Núcleo de literatura) (Portuguese Edition) (1992) 7 copies, 1 review
Crítica Literária 6 copies
Historias romanticas 6 copies
Unknown 6 copies
A palavra é... Festa 6 copies
Contos do Casmurro 5 copies
O Espelho E Outros Contos Machadianos - Coleção Literatura E Cia (Em Portuguese do Brasil) (2008) 5 copies
Contos : uma antologia 5 copies
L'alienista. Uns braços 5 copies
Crônicas Selecionadas - Volume 279. Coleção A Obra-Prima De Cada Autor (Em Portuguese do Brasil) (2009) 5 copies
Literatura Comentada 4 copies
Todos os romances e contos consagrados de Machado de Assis - vol.1 - Ressureição / A mão e a luva / Helena / Iaiá Garcia (2016) 4 copies
Ρεαλιστική τριλογία : Μεταθανάτιες αναμνήσεις του Μπρας Κούμπας. Κίνκας Μπόρμπα. Δον Κασμούρο… (2017) 4 copies
RESSURREIÇAO 4 copies
RELÍQUIAS DE CASA VELHA 3 copies
Dom Casmuro 3 copies
Várias Histórias - Machado de Assis 3 copies
Machado de Assis, Obra Completa 3 copies
Obra completa 3 copies
O velho Senado 3 copies
Memorie dall'aldilà 3 copies
Histórias do Bruxo do Cosme Velho 3 copies
Obras Ilustradas de Machado de Assis - Volume I - Helena * A Mão e a Luva * Histórias da Meia Noite 3 copies
Relíquias da Casa Velha - tomo 2 3 copies
Poesias 3 copies
Crônicas, 1º volume (1859-1863) 3 copies
Cronicas Volume IV 3 copies
Contos e crônicas 3 copies
O ALIENISTA - MACHADO DE ASSIS (Clássicos da Literatura Brasileira Livro 1) (Portuguese Edition) (2009) 2 copies
Obras Ilustradas de Machado de Assis - Volume IV - Poesias * Ressurreição * Contos Fluminenses 2 copies
Dispersos de Machado de Assis 2 copies
A Parasita Azul 2 copies
A semana Volume III 2 copies
PARA PRINCIPIANTES 2 copies
A Mão e a luva - 1º Edição 2 copies
O Mínimo e o Escondido 2 copies
Várias Histórias (Edição Especial Ilustrada): Com biografia do autor e índice activo (Portuguese Edition) (2015) 2 copies
La causa secreta y otros cuentos 2 copies
Crônicas de Lélio 2 copies
Ressurreição - Machado de Assis (Clássicos da Literatura Brasileira) (Portuguese Edition) (2012) 2 copies
A Descoberta do Amor em Prosa 2 copies
A Semana - Machado de Assis: Crônicas Machadianas do turbulento início da República Brasileira (1892-1893) (Portuguese Edition) (2020) 2 copies
Capitu e outras Evas 2 copies
Contos de Machado de Assis, vol I 2 copies
Quem Educa Quem? 2 copies
Una Signora (in Storia senza data) 2 copies
Escritor por Escritor - Machado de Assis Segundo Seus Pares 1939 - 2008 (Em Portugues do Brasil) (2019) 2 copies
Crisálidas [Ilustrado] [Com Notas, Biografia e Índice Ativo]: Poesias (Poesias de Machado de Assis Livro 1) (Portuguese Edition) (2014) 2 copies
phalenas 2 copies
Obras Ilustradas de Machado de Assis - Volume VII - Bras Cubas * A Semana * Correspondência (1881) 2 copies
Confissões de uma Viúva Moça 2 copies
Obras Completas de Machado de Assis II: Coletâneas de Contos (Edição Definitiva) (Portuguese Edition) (2015) 2 copies
MEUS PRIMEIROS CONTOS 1 copy
HISÓRIAS DE CARNAVAL 1 copy
Revista do Livro, nºs 1-2 1 copy
RETRATOS DA ESCOLA 1 copy
CONTOS EM QUADROS 1 copy
Pais que Educam, Professores que Amam Como encontrar a alegria de ensinar e o gosto de aprender 1 copy
CONTOS SAGRADOS 1 copy
O espelho 1 copy
Obras Completas de Machado de Assis III: Poesia Completa (Edição Definitiva) (Portuguese Edition) (2015) 1 copy
Dom Casmurro 1 copy
A palavra é .....MULHER 1 copy
VIDA E PENSAMENTOS 1 copy
OS MELHORES CONTOS 1 copy
FOTÓGRAFO DO INVISÍVEL 1 copy
A PALAVRA É MISTÉRIO 1 copy
De conto em conto 1 copy
HISTÓRIA DE CARNAVAL 1 copy
Quincas Borba - Apêndice 1 copy
The Alienist — Author — 1 copy
L'alienista. Uns braços 1 copy
Contos de Machado de Assis 1 copy
Quem boa cama faz... 1 copy
Contos Selecionados I 1 copy
QUINCAS BORBA DOM CASMURRO 1 copy
IAÍA GARCIA 1 copy
CONTOS SELECIONADOS II 1 copy
Ubjara 1 copy
Un hombre célebre 1 copy
o alíenista 1 copy
obras do autor 1 copy
Conto de escola 1 copy
O enfermeiro 1 copy
O alienista 1 copy
Nalet Dom Casmurro 1 copy
PRÊMIO SESC DE CONTOS 1 copy
Memorial da arte 1 copy
quincas borrba 1 copy
C0NTOS ESCOLHIDOS 1 copy
MC MELHORES CONTOS 1 copy
ONTO DE ESCOLA 1 copy
DAIÁ GARCIA 1 copy
PRÊMIO SESE DE CONTOS 1 copy
L291 - Dom Casmurro 1 copy
CRÕNICAS ESCOLHIDAS 1 copy
L292 - Papéis Avulsos 1 copy
PAPÉIS AVULSOS II 1 copy
PÁGINAS RECOLHIDAS 1 copy
ESAÚ E JACÓ 1 copy
RELÍQUIAS DE CASA VELHA II 1 copy
História do bruxo velho 1 copy
Quincas Borbas em quadrinhos 1 copy
PROFESSOR E ALUNO 1 copy
o alienista adaptado 1 copy
POESIA 1 copy
Quincas Borba - Saraiva 1 copy
Obras Completas de Machado de Assis III: Teatro Completo (Edição Definitiva) (Portuguese Edition) (2015) 1 copy
A vida de Machado de Assis 1 copy
Teatro completo 1 copy
Quando ela fala 1 copy
Clássicos: várias histórias 1 copy
Reliquias da casa velha 1 copy
Contos Sagrado de Machado 1 copy
influências inglesas 1 copy
IAIÁ 1 copy
Obras selecionadas 1 copy
Lalá Garcia 1 copy
PSIKIATRI 1 copy
ASS Don Casmurro 1 copy
Todos os romances e contos consagrados de Machado de Assis - vol.3 - Esaú e Jacó / Memorial de Aires / Contos consagrados (1900) 1 copy
O Remédio é a Crítica 1 copy
O ESPELHO - QUADRINHOS 1 copy
O ENFERMEIRO - QUADRINHO 1 copy
Poesia sempre 1 copy
A palavra é ... Criança 1 copy
Sem Olhos 1 copy
Crítica 1 copy
Romance 1 copy
Dom Casmurro (Condensado) 1 copy
Historias sem Data 1 copy
O Relógio de Ouro 1 copy
Phalenas - primeira ed. 1 copy
Contos Livro 1 1 copy
Nem Uma Nem Outra 1 copy
Machado de Assis, Memórias Póstumas de Brás Cubas e Quincas Borba (Portuguese Edition) (2021) 1 copy
LEITURA COMENTADA 1 copy
Hoje Avental, Amanhã Luva 1 copy
As Academias de Sião 1 copy
O Olhar da Platéia 1 copy
Dom Casmurro o filme 1 copy
O Alienista em quadrinhos 1 copy
Machado de Assis - Teatro 1 1 copy
Remédio é a Crítica, O 1 copy
Os Óculos de Pedro Antão 1 copy
Histórias 1 copy
Suplício de uma mulher 1 copy
O conto de Machado de Assis 1 copy
Contos : vestibular 2002 1 copy
O Corvo 1 copy
Machado de Assis - Contos Diversos [Annotated] (Contos Selecionados Livro 20) (Portuguese Edition) (1884) 1 copy
Helena em mangá LJ2154 1 copy
Contos selecionados 1 copy
Helena: obras completas 1 copy
A semana: crônicas, vol 3 1 copy
A semana: crônicas, vol 2 1 copy
A semana: crônicas, vol 1 1 copy
Liberatura luso-brasileira memórias póstumas de brás cubas oração aos moços palavras á juventudes 1 copy
"O primo Basílio" 1 copy
Quincas Borba - 1º Edição 1 copy
Machado de Assis Teatro 1 1 copy
SEM TITULO 1 copy
IAIÁ GARCIA SÉRIE BOM LIVRO 1 copy
Papeles sueltos 1 copy
CONTOS S.C.B 1 copy
Tizio (in Storia senza data) 1 copy
Un hombre célebre 1 copy
Counselor Ayres' Memorial 1 copy
Contos Esparsos 1 copy
Dušeslovec in druge zgodbe 1 copy
O ALIENISTA EM QUADRINHOS 1 copy
las acdemias de siam 1 copy
Falenas (Portuguese Edition) 1 copy
Ressurrei©ʹ©Đo 1 copy
Aquarelas e outras crônicas - 1859-1878 (Todas as crônicas de Machado de Assis Livro 1) (2021) 1 copy
Balas de estalo e outras crônicas - 1883-1889 (Box Todas as crônicas de Machado de Assis Livro 2) (2021) 1 copy
A semana e outras crônicas - 1892-1900 (Box Todas as crônicas de Machado de Assis Livro 3) (2021) 1 copy
Sete contos 1 copy
MISSA do GALO 1 copy
Hist©đrias da meia-noite 1 copy
A Tríade de Machado de Assis: Memórias Póstumas de Brás Cubas · Quincas Borba · Dom Casmurro (Portuguese Edition) (2022) 1 copy
Contos esparsos 1 copy
30 MELHORES CONTOS 1 copy
Cuentos - Prologo Alfredo Bosi. Cronologia Neusa Pinsard Caccese (Biblioteca Ayacucho N° 33) (1988) 1 copy
A Machado de Assis Anthology 1 copy
Obra completa : volume III 1 copy
Associated Works
A Hammock Beneath the Mangoes: Stories from Latin America (1991) — Contributor — 162 copies, 3 reviews
The Masterpiece Library of Short Stories Vol. XVIII: Spanish & Portuguese (1900) — Contributor — 5 copies
Quem conta um conto... e outros contos — Contributor — 1 copy
Tagged
Common Knowledge
- Canonical name
- Machado de Assis
- Legal name
- Machado de Assis, Joaquim Maria
- Other names
- Machado de Assis
- Birthdate
- 1839-06-21
- Date of death
- 1908-09-29
- Gender
- male
- Occupations
- poet
novelist
short story writer
printer's apprentice
playwright - Organizations
- Academia Brasileira de Letras
- Awards and honors
- Order of the Rose of Brazil (1888)
- Nationality
- Brazil
- Birthplace
- Rio de Janeiro, Brazil
- Places of residence
- Rio de Janeiro, Rio de Janeiro, Brazil (birth ∙ death)
- Place of death
- Rio de Janeiro, Brazil
- Burial location
- Cemitério São João Batista, Rio de Janeiro
- Map Location
- Brazil
- Disambiguation notice
- Joaquim Maria Machado de Assis signed his books as Machado de Assis, and author's profile name must be kept as its sign name.
However, his books are shelved in libraries under 'M' for Machado de Assis, as it is his surname. Machado is not his first name and should not be sorted as such.
Members
Discussions
Group Read, February 2021: The Posthumous Memoirs of Bras Cubas in 1001 Books to read before you die (February 2021)
Reviews
Epitaph of a Small Winner is worth reading much more for its innovative style than its substance. Machado de Assis manages to make a 19th century novel feel like it could have been written yesterday, and the rapid transition between chapters (there are 160 chapters in 209 pages) keeps things fresh and fun. But man, our narrator's a real doofus.
Braz Cubas, a dead guy who's decided to write his memoirs from beyond the grave, takes a pessimistic view of the world, concluding the book by saying show more the only positive he can take from his life is that he failed to father a child, thereby declining to increase the suffering in the world. But all of Braz Cubas' "suffering" amounted to a series of minor grievances and failed relationships with women he never cared about beyond a superficial level. He was born financially secure and died financially secure through no hard work of his own. I get that the human condition is difficult to handle, but I'm not interested in the complaints of a wealthy narcissist who never made much of an effort to look for happiness beyond creature comforts and boobs.
I guess his thoughts could still change, though. If he can write while he's dead now, I imagine he could alter his thoughts to fit with whatever seems to make sense in the future. As his phiolosophical mentor Quincas Borba said, "The worst philosophy of all is that of the crybaby who lies down at the edge of the river and bewails the incessant flow of the water."
I don't want to rip him too hard anyway, because he can be pretty funny sometimes. Braz Cubas is constantly changing his mind about what he wants to write and will even occasionally write chapters that ask the reader to discount the previous chapter entirely. It's nice of a dead guy to have a sense of humor about things.
Woody Allen loves this book. I wouldn't go that far, but I also wouldn't go as far with my daughter as he has with his, so I feel pretty OK about just liking this one. show less
Braz Cubas, a dead guy who's decided to write his memoirs from beyond the grave, takes a pessimistic view of the world, concluding the book by saying show more the only positive he can take from his life is that he failed to father a child, thereby declining to increase the suffering in the world. But all of Braz Cubas' "suffering" amounted to a series of minor grievances and failed relationships with women he never cared about beyond a superficial level. He was born financially secure and died financially secure through no hard work of his own. I get that the human condition is difficult to handle, but I'm not interested in the complaints of a wealthy narcissist who never made much of an effort to look for happiness beyond creature comforts and boobs.
I guess his thoughts could still change, though. If he can write while he's dead now, I imagine he could alter his thoughts to fit with whatever seems to make sense in the future. As his phiolosophical mentor Quincas Borba said, "The worst philosophy of all is that of the crybaby who lies down at the edge of the river and bewails the incessant flow of the water."
I don't want to rip him too hard anyway, because he can be pretty funny sometimes. Braz Cubas is constantly changing his mind about what he wants to write and will even occasionally write chapters that ask the reader to discount the previous chapter entirely. It's nice of a dead guy to have a sense of humor about things.
Woody Allen loves this book. I wouldn't go that far, but I also wouldn't go as far with my daughter as he has with his, so I feel pretty OK about just liking this one. show less
tempora mutantur
“…time hardens sensibility and obliterates the memory of things. It was to be supposed that the years would dull the thorns, that a removal from the events would smooth the sore spots, that a shadow of retrospective doubt would cover the nakedness of reality.”
This was great, and it’s incredible that this book was published in 1881. Probably the ultimate precursor to the modern novel. This book is composed of short fragments, which are shards of a life retold from show more beyond the grave. The book’s protagonist looks back on his life, from his perspective as a wealthy bachelor in 19th century Brazil.
Cubas is an imperfect protagonist. Part of his familial inherited wealth comes from slavery, he is a precocious and mean child, becomes a romantic as a young man drawn to poetry and art, has a long adulterous affair that lasts for years, has a failed political and publishing career as a middle-aged man, and finally dies, all these episodes infused with philosophical musings on life, love, grief, power and death. According to Cubas:
“Every season of life is an edition that corrects the one before and which will also be corrected itself until the definitive edition, which the publisher gives to the worms gratis.”
This was really good. The proverbial fourth wall is broken and smashed and basically obliterated throughout the book, and hilariously so too. This is the second De Assis book I have read, The Alienist was my first, a more sombre read which was also good, but this is certainly my favourite of the two, and I’ll hopefully be reading more from the writer. show less
“…time hardens sensibility and obliterates the memory of things. It was to be supposed that the years would dull the thorns, that a removal from the events would smooth the sore spots, that a shadow of retrospective doubt would cover the nakedness of reality.”
This was great, and it’s incredible that this book was published in 1881. Probably the ultimate precursor to the modern novel. This book is composed of short fragments, which are shards of a life retold from show more beyond the grave. The book’s protagonist looks back on his life, from his perspective as a wealthy bachelor in 19th century Brazil.
Cubas is an imperfect protagonist. Part of his familial inherited wealth comes from slavery, he is a precocious and mean child, becomes a romantic as a young man drawn to poetry and art, has a long adulterous affair that lasts for years, has a failed political and publishing career as a middle-aged man, and finally dies, all these episodes infused with philosophical musings on life, love, grief, power and death. According to Cubas:
“Every season of life is an edition that corrects the one before and which will also be corrected itself until the definitive edition, which the publisher gives to the worms gratis.”
This was really good. The proverbial fourth wall is broken and smashed and basically obliterated throughout the book, and hilariously so too. This is the second De Assis book I have read, The Alienist was my first, a more sombre read which was also good, but this is certainly my favourite of the two, and I’ll hopefully be reading more from the writer. show less
Memorias Postumas de Bras Cubas (Classicos da Literatura Brasileira) (Portuguese Edition) by Machado de Assis
This most unique novel is very well known and well regarded in Brazil, but is largely unknown elsewhere. Every once in a while it's "rediscovered" (most recently, due to a new translation) by someone who wonders how a novel from the late 19th century can be so modern.
This is my second reading (first time was back in high school), and it remains one of the most hilarious, most radical and most puzzling (in a good way) novels I've read. Like Pale Fire, which I read earlier this year, it plays show more so much with the form of the novel that it's hard to say what the novel is. It could be called postmodern, except it's not recent enough for that.
Part of it is a straightforward love story; part of it is social critique, and part of it is about philosophy and the human condition. The structure of the novel consists of hundreds of very short chapters, which means that it's constantly switching gears. Despite that the author of the memoirs is supposed to be dead, which means that he's not bound by time constraints or fear of public opinion, which would allow him to write an honest history of his life, his writing is full of twists and turns, never settling into a conventional narrative.
It's so full of energy that it's not surprising that people think of it as very current. It doesn't feel like a 19th century novel at all. Although, it might show a bit of age in the references it makes--and the book makes many, both to itself and to other literary works: a lot of them are references to 18th and 19th century works that might not be familiar to modern readers. (Some of them were not familiar to me, to be sure.) Otherwise it's as current as ever. show less
This is my second reading (first time was back in high school), and it remains one of the most hilarious, most radical and most puzzling (in a good way) novels I've read. Like Pale Fire, which I read earlier this year, it plays show more so much with the form of the novel that it's hard to say what the novel is. It could be called postmodern, except it's not recent enough for that.
Part of it is a straightforward love story; part of it is social critique, and part of it is about philosophy and the human condition. The structure of the novel consists of hundreds of very short chapters, which means that it's constantly switching gears. Despite that the author of the memoirs is supposed to be dead, which means that he's not bound by time constraints or fear of public opinion, which would allow him to write an honest history of his life, his writing is full of twists and turns, never settling into a conventional narrative.
It's so full of energy that it's not surprising that people think of it as very current. It doesn't feel like a 19th century novel at all. Although, it might show a bit of age in the references it makes--and the book makes many, both to itself and to other literary works: a lot of them are references to 18th and 19th century works that might not be familiar to modern readers. (Some of them were not familiar to me, to be sure.) Otherwise it's as current as ever. show less
The reader, like his fellows, doubtless prefers action to reflection, and doubtless he is wholly in the right. So we shall get to it. However, I must advise that this book is written leisurely, with the leisureliness of a man no longer troubled by the flight of time; that is a work supinely philosophical, but of a philosophy wanting in uniformity, now austere, now playful, a thing that neither edifies nor destroys, neither inflames nor chills, and that is at once more of a pastime and lessshow more
than a preachment.
The more I read, the more I come to understand that the trait I admire most in authors is not so much a matter of elegant prose, complex plots, characters that leap off the pages and make their home in your heads when the last page has been turned and the story has ended. Those are all very entertaining in their own right, but clever is as clever does, and rarely provokes long-lasting admiration in my mind. What I prefer is a simple matter of trust, belief, faith even if that is the direction your theological tendencies swing. Faith of the author in themselves, but more importantly, enough faith in their audience to lead them without expounding, carry them along in the pages without tending to their every need and pandering to their every expectation.
Some would disagree with me on that point. In fact, many would, all those folks who dislike books for "trying too hard" and "being too smart". Those who feel that the author did not adhere to the formula enough to guarantee formulaic enjoyment of the audience, and decry them for leading them out of their literary comfort zones and making them confront a strange beast of ink and paper. Oftentimes they look at this weird creature and see something of themselves inside it. Sometimes this bothers them. More frequently than you'd expect, this scares them.
So what does this have to do with this book here, you ask? Good question. I haven't quite figured it out myself, actually. At least, not at this exact point in time, as I type down these words in the middle of a coffee shop, the book itself on my right and a list of its quotes on the left. That's why you're here. You're joining me on this journey, the goal of which is to find the purpose of conducting in the first place. Circular, no? But true.
What this book achieves is an astounding thing in this current age, but even moreso when one takes into account the year of publication. 1880, two years after The Brothers Karamazov and four years before The Adventures of Huckleberry Finn. If you asked me which is more closely related to this particular specimen, I'd have to say TBK. But only in terms of the wealth of philosophical content, the exacting and measured analysis of the human condition, the grappling with questions of success, reputation, and mortality. TBK tells you a story in a sonorous tone, preaches from the pulpit of its well-deserved yet greatly intimidating authorial presence. This book hops up on the stand, poses with hand on hip, says a few words in a serious tone, then quickly hops down and invites you to the back table to ruminate and reminisce over a few choice bottles of the finest vintages. There is a man behind the curtain, and he doesn't bother to pretend that he doesn't know that you know that he knows it's there. Instead, he welcomes you into his humble abode, and asks if you wish to hear a story. And trust me, reader, you really should say yes.
Why? Why do we want to hear this story from this author, one who breaks off from all conventions in serving us what cannot at all be deemed a novel? One hundred and sixty bits and pieces of one, perhaps, but how could that possibly flow as strongly and as soothingly as a single entity, one that admittedly breaks off into chapters but ensures that each chapter is a well-rounded stepping stone to the next? Instead, we have this book, whose sections sometimes contain no more than a paragraph, a single sentence, even at some point a series of dots (or ellipses? Impossible to tell). How can a story possibly be told in such an erratic and incomprehensible fashion?
Through conscientious and deliberate interaction of the author with his audience, who predicts their interests and invites them to go beyond it. Through knowledgeable understatement, conveying through simple events powerful ideas on life, love, and the death that the author supposedly composes in, without once feeling the need to paint an obvious map for the reader to jerk themselves around on. Through a measured and insightful eye on the actions of the main character, creating a man that dwells on deep thoughts without realization and dismisses them for frivolities and pleasure, yet is incontrovertibly shaped by the powerful undertow. A man who is both infuriatingly obtuse and startlingly sensitive, capable of great cruelty and great understanding. A man who lived without effort, and died before making an effort. A man, now dead, writing of a life that he felt was lived without achieving any measure of great suffering, or amount of great joy.
Perhaps he never did acquire those things he longed for so long in life. He did, however, find one thing: a small amount of truth in his life, one that reconciled his mortality with his visions of success, and contented him with living in constant and clear-sighted observation of himself and of others. The character may have never realized the beauty of his thoughts, the wonderful philosophies he drew from a privileged, yet empty living. I believe, however, that the author trusted us enough to discover those for ourselves. However much he played with us during the course of the pages, flattering our sensibilities while baffling our literary conventions, he trusted us to go through his pages and discover something on our own, for our own. That something, however small, is worth everything. show less
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