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9+ Works 857 Members 29 Reviews 1 Favorited

About the Author

Sylvie Simmons is an award-winning writer and one of the foremost music journalists working today. Born in London, she moved to Los Angeles in the late seventies and started writing about rock music for magazines such as Sounds, Creem, Kerrang!, and Q. She is the author of acclaimed fiction and show more nonfiction books, including the biography Serge Gainshourg: A Fistful of Gitanes and the short-story collection Too Weird for Ziggy. She has lived at various times in England, the United States, and France, and she currently lives in San Francisco, where she writes for MOJO magazine and plays the ukulele. show less
Image credit: Heck Of A Guy

Works by Sylvie Simmons

I'm Your Man: The Life of Leonard Cohen (2012) 639 copies, 23 reviews
Serge Gainsbourg: A Fistful of Gitanes (2001) 123 copies, 2 reviews
Too Weird for Ziggy (2004) 41 copies
Neil Young: Reflections in Broken Glass (2001) 28 copies, 2 reviews
Kiss (Virgin Modern Icons) (1997) — Introduction — 13 copies
Motley Crue: Lewd, Crude & Rude (1995) 10 copies, 1 review
Sylvie 1 copy
Blue on Blue 1 copy, 1 review

Associated Works

London Noir (2006) — Contributor — 104 copies, 5 reviews
Initials SG: Best of (2003) — Notes, some editions — 6 copies
Kerrang! 526 (1994) — Contributor — 2 copies, 1 review
Kerrang! 680 (1998) — Contributor — 1 copy
Kerrang! 555 (1995) — Contributor — 1 copy, 1 review
Kerrang! 543 (1995) — Contributor — 1 copy, 1 review
Kerrang! 556 (1995) — Contributor — 1 copy, 1 review
Kerrang! 502 (1994) — Contributor — 1 copy, 1 review
Kerrang! 636 (1997) — Contributor — 1 copy, 1 review
Kerrang! 640 (1997) — Contributor — 1 copy, 1 review
Kerrang! 551 (1995) — Contributor — 1 copy, 1 review
Kerrang! 474 (1993) — Contributor — 1 copy, 1 review
Kerrang! 633 (1997) — Contributor — 1 copy, 1 review
Kerrang! December 21/28 1996 (1996) — Contributor — 1 copy, 1 review

Tagged

Common Knowledge

Gender
female
Occupations
music journalist
Organizations
Sounds
Kerrang!
Mojo
Nationality
UK
Birthplace
London, England, UK
Places of residence
London, England, UK
France
San Francisco, California, USA
Los Angeles, California, USA
Associated Place (for map)
London, England, UK

Members

Reviews

31 reviews
I love Leonard Cohen's music and his voice. Guess that goes without saying since I bought and read this book!

Sylvie Simmons is clearly a fan, both of the music/poetry and of the man himself. She clearly forgives all his infidelities, drug abuse and antics because he is such a great artist and a tortured soul, which makes this book come across as slightly biased towards the good side of Leonard Cohen.

What I liked about this book is the poetic style of descriptions, the inclusion of some of show more Mr. Cohen's works, the vivid images of life on Mount Baldy. It is a style that matches all the beauty and angst of Mr. Cohen's own writings...a fitting look at such a man. show less
I love Leonard Cohen. I love his gravelly voice, which really should not be lovable and yet somehow manages to be incredibly sexy, and all the more so as he ages. More importantly, I love his lyrics. His rich, complex, darkly poetic lyrics that blend sex and spirituality and humanity and pain together in ways that touch both the intellect and the emotions. So I couldn't resist picking up this biography for a look back over Cohen's life and career, and I'm happy to say that I was not show more disappointed.

Which is interesting, actually, because I have some general preferences when it comes to biography: usually, I like it best when the writer's personality largely disappears in favor of a sharp focus on the subject, and when it's made clear in the text where the biographer is drawing all her conclusions and assertions from, even -- or perhaps especially -- when describing the thoughts and attitudes and emotional states of the person she's writing about. Sylvie Simmons isn't particularly careful about doing that, and she adds a fair amount of her own personal analysis of Cohen's work. But somehow, for this particular subject, that subjectivity feels right. And it certainly doesn't hurt that, in my opinion, at least, her thoughts on Cohen's art are apt and insightful, and often quite beautifully phrased.

Some aspects of Cohen's life -- the ones with the most relevance to his poetry and his music -- are explored in considerable detail, while others -- his relationship with his children or his sister, for instance -- are largely left private, which strikes me as appropriate. But all in all, it adds up to a portrait of a complex and fascinating person, and I found it a surprisingly compelling read. It's also a rather thought-provoking one, as I find myself pondering the extent to which knowing more about the origins of these songs and the man who wrote them does, or should, affect my own responses to them. It's also prompted me to go back and listen to a lot of his music again, and to fill in the inexcusable gaps in my album collection, which I think would be enough to justify the book's existence all by itself.
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½
From obscurity to legend status, Mandrax and promiscuity to monks and monasteries... From financial security to financial victimization to greater wealth and fame in his late years, this is a fascinating life of a self-assured poet singer traveling the more obscure corners of the world as writer and observer, Jew and Buddhist. this biography also well balances the recording and touring details for the Cohen scholars and the vivid colors of a unique life for all that go for a good bio.
This was an interesting experience because I was definitely not the intended audience - not only was I not one of Leonard Cohen's legions of fans, I'd never even heard of him until picking up the book. Why I picked up the book in the first place is a bit of a mystery, really. Maybe it was just pure voyeuristic impulse, the joy of crawling through someone's life and turning over all the stones. The position of un-anticipation, of not being able to say "well we're in 1973 so pretty soon THIS show more must happen" or "when is he finally going to write THAT ONE song", was refreshing. It left me completely open for whatever came along, at whatever pace and in whatever detail it chose.

Partway through the book I listened to one of the famous old Leonard Cohen songs, and then put on an album of his hits to understand better what the book was describing. I can't say that it did anything for me, but the book was still enjoyable through to the very last page.
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Statistics

Works
9
Also by
14
Members
857
Popularity
#29,858
Rating
½ 3.6
Reviews
29
ISBNs
55
Languages
13
Favorited
1

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