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Vincent van Gogh (1853–1890)

Author of The Letters of Vincent van Gogh

371+ Works 4,269 Members 53 Reviews 8 Favorited

About the Author

Vincent van Gogh was one of the great post-impressionist masters and, because of the power and accessibility of his work and the tragedy and dedication of his life, he became a legend as an artist. He was born on March 30, 1853 in the Netherlands.The son of a Dutch parson, he was largely show more self-taught as an artist. Ascetic and intensely spiritual, he viewed art as almost a religious vocation. He painted incessantly and left a vast volume of work but sold only one picture during his lifetime. In 1888, van Gogh went to Arles in search of the glowing sunlight, there breaking from the somber, earthbound realism of his early style to the brilliant color, passionate thick brushstrokes, and incredible joyousness of his later style. Some of these paintings include: The Yellow House, Bedroom in Arles, The red vineyard, and paul Gauguin's Armchair. Although he suffered a mental breakdown in his later years, he still went on to paint masterpieces like Starry Night and The Sower. On July 27, 1890 he is said to have shot himself. Many believe this was a suicide act, but others maintain it was accidental or that he was shot by neighboring kids with a "malfunctioning" gun. The gun was never found. His letters to his brother Theo are a moving and fascinating account of his working processes and the agony and drama of his daily life. Van Gogh was buried on July 30 in the municipal cemetery of Auvers-sur-Oise at a funeral attended by his brother, Theo van Gogh, who died six months later, on January 25, 1891. They are buried side by side. (Bowker Author Biography) show less
Disambiguation Notice:

(fre) Il y a d'autres Van Goghs que Vincent. Prière de ne pas combiner cette page avec les autres. Merci.

There are van Goghs other than Vincent: please don't combine this page with any of them. Thanks.

Image credit: . The description on its description page there is shown below. Vincent van Gogh, Paris, Frühjahr 1887: Selbstbildnis (Öl auf Karton, 42 x 33,7 cm) Chicago, The Art Institute of Chicago

Works by Vincent van Gogh

The Letters of Vincent van Gogh (2008) 1,571 copies, 10 reviews
Letters to His Brother Theo (1914) 457 copies, 6 reviews
Vincent's Colors (2005) 323 copies, 10 reviews
[unidentified works] (2002) 179 copies, 2 reviews
Een leven in brieven (1980) 94 copies
Van Gogh Drawings 44 Plates (1987) 48 copies
Theo'ya Mektuplar (2010) 32 copies
Van Gogh's Provence (1992) 28 copies
Cartas a van Rappard (2009) 20 copies
Van Gogh: Postcard Book (1988) 18 copies
Cartas desde la locura (1979) 14 copies
The Art of Van Gogh (1992) 13 copies
The Letters of a Post-Impressionist (2013) 13 copies, 3 reviews
Van Gogh a Paris (1988) 12 copies
Van Gogh Notebook (1998) 12 copies
Van Gogh: 16 Art Stickers (1998) 11 copies
De sista sjuttio dagarna (1890) 11 copies
Dernières lettres (1998) 8 copies
Twelve Van Gogh Bookmarks (2002) 8 copies
Irises 6 copies, 1 review
Las cartas (2007) 6 copies
Woorden als vuur (1996) 6 copies
Vincent van Gogh (2014) 4 copies
Vincent (2001) 3 copies
Lettere (2013) 3 copies
Van Gogh 1853-1890 (1995) 3 copies
Listy do brata (2002) 3 copies
Lettere a Theo 2 copies
Sunflowers 2 copies
Self-Portrait 2 copies
Vincent Van Gogh (1967) 2 copies
Sunflowers 2 copies
Van Gogh (World of Art) (1976) 2 copies
Van Gogh in Budapest (2006) 2 copies
Mon cher Theo (2009) 2 copies
Scrisori 2 copies
Van Gogh kompakt (2002) 2 copies
Cartas desde Provenza (1995) 2 copies
Weaver 1 copy
The Bedroom 1 copy
Church 1 copy
The Bedroom 1 copy
Cows 1 copy
Son Mektuplar (2016) 1 copy
Van Gogh om Vincent (1991) 1 copy
L'artista e le opere (1999) 1 copy
The Siesta 1 copy
Van Gogh Art Tattoos (2000) 1 copy
Olive Trees 1 copy
Sämtliche Briefe (1989) 1 copy
The drawings 1 copy
1886-1889 1 copy
First Steps 1 copy
Shoes 1 copy
The Sower 1 copy
Van Gogh (1978) 1 copy

Associated Works

When You Are Engulfed in Flames (2008) — Cover artist, some editions — 9,867 copies, 282 reviews
Vincent Van Gogh: The Complete Paintings (Two Volume Set) (1990) — Illustrator — 1,167 copies, 9 reviews
Theories of Modern Art: A Source Book by Artists and Critics (1968) — Contributor — 851 copies, 5 reviews
The World of Van Gogh, 1853-1890 (1969) 662 copies, 6 reviews
I'm the King of the Castle (1970) — Cover artist, some editions — 562 copies, 8 reviews
In the Garden with Van Gogh (Mini Masters) (2002) — Illustrator — 406 copies, 4 reviews
Van Gogh (Masters of Art) (1952) 338 copies, 1 review
The Identity of France, Volume 1 (1988) — Cover artist, some editions — 325 copies, 2 reviews
Van Gogh in Arles (1984) 214 copies
Van Gogh Face to Face: The Portraits (2000) 201 copies, 1 review
Van Gogh (1991) 198 copies, 1 review
A fuller understanding of the paintings at the Orsay Museum (2001) — Cover artist, some editions — 178 copies
A Documentary History of Art, Volume 3 (1986) — Contributor — 165 copies
Vincent van Gogh: The Complete Paintings, Volume 1 (1993) — Artist — 119 copies, 1 review
Vincent van Gogh : Drawings (1990) 85 copies, 1 review
Van Gogh (1951) 71 copies
Van Gogh (2005) 69 copies
Visiting Vincent van Gogh (1997) — Artist — 67 copies
Van Gogh (1953) 67 copies
Van Gogh (2004) — Artist — 64 copies
Vincent Van Gogh: A Self-Portrait in Art and Letters (2006) — Author, some editions — 53 copies, 1 review
Kunstpockets : 362 : Van Gogh (1962) 50 copies, 1 review
Van Gogh Museum: Vincent van Gogh: Life, Work and Contemporaries (2005) — Illustrator — 48 copies, 3 reviews
Van Gogh: Up Close (2012) 48 copies
Fledermäuse (1916) — Cover artist, some editions — 44 copies
Art for Children (Childcraft) (1954) — Illustrator — 40 copies
Vincent Van Gogh Masterpieces of Art (2011) 37 copies, 2 reviews
Van Gogh (1964) 32 copies
Van Gogh : Auvers-sur-Oise (1957) 32 copies
Van Gogh and Britain (2019) — Artist — 32 copies
Becoming van Gogh (2012) — Artist — 31 copies
Wisdom from The Hidden Life of Trees (2024) — Cover artist, some editions — 22 copies
Van Gogh (2004) 22 copies
Vincent van Gogh: Portrait of Provence (1959) — Artist — 17 copies
Die Judenbuche und andere Erzählungen (1985) — Cover artist, some editions — 15 copies
Van Gogh (1974) 7 copies, 1 review
Van Gogh (1949) 7 copies
Vincent van Gogh (2002) 6 copies
Vincent Van Gogh (2006) — Artist — 5 copies
The Drawings of Van Gogh (1969) 5 copies
Dichtungen (2018) — Cover artist, some editions — 3 copies
Vincent Van Gogh (1999) 2 copies
Van Gogh and Britain. March - August 2019, Tate Britain (2019) — Cover artist — 2 copies
Hymne an die Provence — Contributor — 1 copy
OZ 43, July/August 1972 (1972) — Contributor — 1 copy

Tagged

Common Knowledge

Canonical name
Gogh, Vincent van
Legal name
Gogh, Vincent Willem van
Birthdate
1853-03-30
Date of death
1890-07-29
Gender
male
Education
Willem II College
École des arts décoratifs
Occupations
painter
Relationships
Gogh, Theo van (brother)
Gogh, V. W. van (nephew)
Gogh-Bonger, Johanna van (sister-in-law)
Nationality
Netherlands
Birthplace
Groot-Zundert, Netherlands
Places of residence
Arles, France
Paris, France
Antwerp, Belgium
Place of death
Auvers-sur-Oise, France
Burial location
Auvers-sur-Oise, France
Map Location
Netherlands
Disambiguation notice
There are van Goghs other than Vincent: please don't combine this page with any of them. Thanks.

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Vincent van Goh in Legacy Libraries (December 2017)

Reviews

58 reviews
This generous selection of letters not only gives insight into Van Gogh’s aims and values as an artist, but stands as the literary record of a magnificent human soul. I was fascinated to follow him as he struggled to find his vocation. His detours as an art dealer, a bookseller, a preacher, all the while recording in his letters vivid visual descriptions of landscape and people. When he finally realized art was his calling, he had the sensibility of an artist from the start, even as he show more struggled with perspective and other matters of technique.
The hints of mania that take the form of religious fanaticism when he preached among coal miners transmuted to a personal approach to art. In a letter to his brother Theo in July 1885, Vincent contrasts his paintings of workers with earlier artists’ depiction of “types.” He is more interested in depicting work than in portraying exotic figures. When he paints faces, his ambition was to create a new kind of portrait, one that showed the mind, the soul, of the subject, rather than carefully recreating the surface facial features. To achieve what he’s after, he places less value on strict anatomical accuracy, becoming a forerunner of modernism.
Since most of his surviving letters were addressed to Theo, there is little from his hand to report his stay in Theo’s apartment in Paris. There he met the Impressionists and studied their trailblazing work. His own canvases from his time there reflect his absorption of their brighter palette. Yet when he left Paris for Arles, in the south of France, he consciously rejected many aspects of their style. He explained his decision to Theo. The Impressionists used color combinations to more accurately convey their visual impression than a direct application of color would. Van Gogh became convinced he should use vivid colors to express his emotional reaction to what he saw.
His letters not only report on his progress as an artist and his thoughts on theory, technique, and other artists. I was struck by how Vincent documents his passion for reading. It’s no surprise that he read books by and about artists, but he also devoured much contemporary literature, especially in French and English (he was good at languages).
In light of his complicated relationships (not only with Gaughin), his breakdowns, and his violent end, there is the temptation to read all his passionate outbursts and his tendency to preach condescendingly as ravings of a madman. The editor, Ronald de Leeuw, argues against this in his introduction. Yet, there are features in some of the letters that would sustain such a view. Balanced against this, however, are passages that convey his love of life and humanity and art. It took me a while to finish the book as I often stopped to copy out passages such as this one: “Anything complete and perfect renders infinity tangible.” Vincent Van Gogh’s output was impressive, both in volume and in its striking originality. Yet it is clear reading these letters that he is striving to convey the lustrous wonder of life, something far beyond what he or any other artist can achieve.
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Los pensamientos y las preocupaciones diarias de Van Gogh.
Lo que me ha sorprendido es que se preocupaba mucho sobre dinero, ya que era pobre, apenas podia pagarse comida y pasa dias enteros sin comer a veces, no me extraña.
Y le preocupaba el arte, pero no le preocupaba no triunfar, sino no hacerlo lo suficientemente pronto como para poder dejar de tener esas preocupaciones de dinero.

Yo creo que sabia que lo que hacia tenia valor pero le preocupaba no poder demostrarlo.

En todo caso, una gran show more ventana a los pensamientos de una persona muy influyente en arte. Interesantisimo. show less
Los pensamientos y las preocupaciones diarias de Van Gogh.
Lo que me ha sorprendido es que se preocupaba mucho sobre dinero, ya que era pobre, apenas podia pagarse comida y pasa dias enteros sin comer a veces, no me extraña.
Y le preocupaba el arte, pero no le preocupaba no triunfar, sino no hacerlo lo suficientemente pronto como para poder dejar de tener esas preocupaciones de dinero.

Yo creo que sabia que lo que hacia tenia valor pero le preocupaba no poder demostrarlo.

En todo caso, una gran show more ventana a los pensamientos de una persona muy influyente en arte. Interesantisimo. show less
I first began my reading of these letters as a way to learn more about the art process, the way to creation coming from the mind of such a gifted artist such as Vincent Van Gogh. I also was interested in his life, his story, and how he got to this end. Personal letters seem to be so much more profitable to me as a reader than fiction, or even a biography. Throughout the entire book I came to feel, and inhabit, his struggle, his pain, his lack of recognition for what he deemed so important in show more total to his life. I learned through almost countless correspondences that he was rarely given the respect he felt he deserved, and he had just terrible luck with women. It was so sad the difficulties he faced socially. But I never felt once he was suicidal in his thinking. He was a creator, and a sick man obviously, but his genius insisted that he live and make history. I am of the opinion that Van Gogh shot himself in order that his brother Theo’s family could once again thrive as they had fallen on hard times and were suffering. A gut shot is a slow death, and in it one has the opportunity to say what needs to be said to those around him even though the end of life is inevitable.

In regards to the art of Van Gogh, the letters presented a complete study in the use of color. I came to understand his selections based on these letters explaining in great detail why he chose specific colors to use in his paintings. The man was authentic, and that is all one might hope to become in such a short and often confusing life we are all faced with. Vincent Van Gogh was gifted in so many ways, and had such high hopes as dreamers often do. The letters are a testament to his great love for his brother, and the many works of genius he left for those of us who today appreciate it. And as good a literary work as anything I have ever read.
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Associated Authors

Theo van Gogh recipient, Author
Peter Denham Assistant Curator
Christopher Allen Contributor
Georges Charensol Sous la direction de
Marty Noble Designer
Hermann Jedding Introduction
V.W. van Gogh Introduction, Foreword
Douglas Lord Translator
Eva Schumann Translator
Vincent Price Narrator
Erika Zeise Foreword
A. M. Hammacher Introduction
Arnold Pomerans Translator
Julio Vivas Cover designer
Fayad Jamís Introduction
Antonio Rabinad Translator

Statistics

Works
371
Also by
88
Members
4,269
Popularity
#5,885
Rating
3.9
Reviews
53
ISBNs
252
Languages
18
Favorited
8

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