Walter Burkert (1931–2015)
Author of Greek Religion
About the Author
German-born scholar Walter Burkert currently teaches at the University of Zurich. He is the leading active scholar of the religion of early and classical Greece. Burkert's work proceeds through intense, meticulous historical and philological investigation, seeking to understand Greek religion in show more and of itself. His studies wed philology and history with methods drawn from anthropology and resemble the work of Jonathan Z. Smith. But, unlike Smith, who seems to rule out diachronic considerations categorically in favor of synchronic taxonomies or analogical comparisons, Burkert remains interested in questions of long-term historical evolution and cross-cultural influence. Burkert gives particular attention to psychological causation and the biological roots of human behavior as revealed by the science of ethology. For example, his study of Greek sacrifice, Homo necans, roots the practice of sacrifice in the biological necessity faced by prehistoric hunting groups that killed to survive. Burkert suggests that this necessary, aggressive behavior gave rise to anxiety, but through the practice of sacrifice the unavoidable aggression, which otherwise threatened to destroy society, was redirected to its promotion instead. In Structure and History Burkert's theoretical concerns are larger, including both myth and ritual. The precise relation between myth and ritual has been a vexing question for scholars of ancient religions; Burkert places them side by side and links them at a structural level. He thinks ritual is older than myth, because it is a form of behavior found even in animals. Nevertheless, ritual and myth share several important features: Both depend upon basic biological or cultural programs of action and detachment from pragmatic reality. Both serve communication. Because myth and ritual are related in this way, it is possible for them to be found together. Burkert's Greek Religion is the current, standard handbook on the religions of ancient Greece. His most recent work has been devoted to examining the influence of the ancient Near East on archaic Greek civilization. (Bowker Author Biography) show less
Series
Works by Walter Burkert
The Orientalizing Revolution: Near Eastern Influence on Greek Culture in the Early Archaic Age (1984) 148 copies, 1 review
Violent Origins: Walter Burkert, Rene Girard, and Jonathan Z. Smith on Ritual Killing and Cultural Formation (1987) 86 copies
Klassisches Altertum und antikes Christentum Probleme einer übergreifenden Religionswissenschaft (1996) 4 copies
Kleine Schriften III: Mystica, Orphica, Pythagorica (Walter Burkert. Kleine Schriften) (German Edition) (2006) 3 copies
Arktouros : Hellenic studies presented to Bernard M. W. Knox on the occasion of his 65th birthday (1979) — Editor — 3 copies
Associated Works
Mantike: Studies in Ancient Divination (Religions in the Graeco-Roman World) (2005) — Contributor — 25 copies
Philosophy and Salvation in Greek Religion (Religionsgeschichtliche Und Versuche Vorarbeiten) (Religionsgeschichtliche Versuche Und Vorarbeiten) (2013) — Contributor — 11 copies, 1 review
Philostratus's Heroikos: Religion And Cultural Identity In The Third Century C. E. (2004) — Contributor — 8 copies
Hesperos: Studies in Ancient Greek Poetry Presented to M. L. West on his Seventieth Birthday (2007) — Contributor — 7 copies
Early Greek cult practice : proceedings of the Fifth International Symposium at the Swedish Institute at Athens, 26-29 June, 1986 (1988) — Contributor — 5 copies
Secrecy and Concealment: Studies in the History of Mediterranean and Near Eastern Religions (Studies in the History of Religions) (1995) — Contributor — 4 copies
Poetry as Initiation: The Center for Hellenic Studies Symposium on the Derveni Papyrus (2014) — Contributor — 4 copies
Kykeon: Studies in Honour of H.S. Versnel (Religions in the Graeco-Roman World) (2002) — Contributor — 4 copies
Studies in the Ancient Greek Polis Studies in the Ancient Greek Polis (Historia - Einzelschriften) (1995) — Contributor — 2 copies
Antike Medizin im Schnittpunkt von Geistes- und Naturwissenschaften Internationale Fachtagung aus Anlass des 100-jährigen Bestehens des Akademienvorhabens Corpus Medicorum… (2009) — Contributor — 2 copies
Epea pteroenta : Beiträge zur Homerforschung : Festschrift für Wolfgang Kullmann zum 75. Geburtstag (2002) — Contributor — 1 copy
Tagged
Common Knowledge
- Birthdate
- 1931-02-02
- Date of death
- 2015-03-11
- Gender
- male
- Education
- University of Erlangen (Ph.D|1955)
University of Munich - Occupations
- professor of classics
- Organizations
- University of Zurich
- Awards and honors
- Richard M. Weaver Award (1992)
Gifford Lectures (1989)
Balzan Prize (1990)
Sigmund Freud Prize (2003)
American Philosophical Society (1987) - Short biography
- An Emeritus Professor of Classics at the University of Zurich, Walter Burkert was a well-known historian of Greek religion. He brought methodological innovation and keen insight to the ancient texts and materials of his field, and his work has implications for all aspects of ancient Mediterranean studies, from literature to science to philosophy to religion. Dr. Burkert received training in classical philology, history and philosophy at the Universities of Erlangen and Munich, obtained his doctorate in philosophy from the University of Erlangen in 1955 and taught there over much of the next ten years. In 1965 he served as a junior fellow at the Center for Hellenic Studies in Washington, D.C. for one year before becoming a professor of classical philology at the Technical University of Berlin. He joined the faculty of the University of Zurich in 1969 and taught there for 27 years before retiring. He had published books on the balance between lore and science in the followers of Pythagoras; on ritual and archaic cult survival; on the ritual killing at the heart of religion; and on the reception in the Hellenic world of Near Eastern and Persian culture, which sets Greek religion in its wider Aegean and Near Eastern context. Among his works are Homo Necans: The Anthropology of Ancient Greek Sacrificial Ritual and Myth (English translation, 1982), which is considered an outstanding account of concepts in Greek religion; Ancient Mystery Cults (1987); and Creation of the Sacred (1996). Walter Burkert died March 11, 2015, at the age of 84 in Zurich, Switzerland.
- Nationality
- Germany
- Birthplace
- Neuendettelsau, Bavaria, Germany
- Places of residence
- Bavaria, Germany
California, USA
Berlin, Germany - Place of death
- Uster, Zürich, Switzerland
- Associated Place (for map)
- Germany
Members
Reviews
A superb book, as long as it is taken for what it is: a series of erudite lectures, barely touching the depths of the subjects. I felt comfortable reading it, as I had solid background knowledge from elsewhere, yet I enriched myself with these erudite flakes and minutes to a satisfying degree. Highly commendable for the cognoscendi, to gather new tasty bits of variete not to be found elsewhere. Highly commendable to the amateurs - to develop a love for mysteries starting from this short show more survey.
Thank you. show less
Thank you. show less
When talking about Ancient Greek Religion, people usually mean Mythology. This is because the myths are so well known, so complex and fascinating. And they are stories; and there is something inherently fascinating about stories. But mythologies do not exist in a vacuum. They come with rituals; and hardly anyone talks about the rituals of Ancient Greece. In part because it is trickier to find the traces.
This book came out in 1977, which is quite a while ago, but it has the status of a show more classic. It considers Greek religion, including its change over time from Minoan and Mycenean up through the Classic period (which is its focus). He looks at the individual gods in the main pantheon, but also smaller gods, as well as the connection to the religions of the Near East at the time. He shows how some cults are integrated with already established Greek deities, while others (like Dionysos) are given space of their own.
Burkert also sets up an opposition between the Olympian and the Chtonic gods, which I found terribly fascinating -- especially when he finds two gods with the same name and the same cultus (there is a Chtonic Zeus as well as an Olympian, for example). I am not sure how far this dichotomy is due to an antiquated academic style, or how much to an actual tendency in Greek culture to divide things into opposites. He does have a rather wonderful discussion of Dionysos as a deity spanning both; as well as an analysis of the Dioskouroi (the brothers of Helena and Klytaimnestra: Kastor and Polludeukes, one of which was mortal and the other immortal, but who did not want to be separated by death, and so shared both states ... it is really quite fascinating). Burkert's tendency to emphasise the many gods with the same name, however, is one of my favourite aspects of the book. He solves the problem of designation by assigning them epithets.
Having distinguished the various gods from each other, he is able to look more closely at the various cultses. He notes the importance of blood, sacrifice and fire in Greek ritual while all the while tying it to myths and literature. If you know your Greek myths, this is where it gets truly fascinating. He will first describe the rituals, and then he indicates the corresponding myth -- which is when you go "aha!".
Let me give you one (only one) example (and I had a hard time choosing). He writes a very intriguing chapter on the Eleusian mysteries; not to mention the really rather appealing Anthisteria, which is also known as the Old Dionysia (the new one being the one where theatre was central), which is a bona fide wine festival with all that entails. I think I'll go with the Thesmaphoria this time: a sinister, Chtonic women's festival dedicated to Demeter.
It is one of the key festivals of the Demeter cultus, and men and virgins are excluded. I am sure men found this rather disconcerting (and I remember reading somewhere that Aristophanes' Lysistrata may be based in part on the paranoia of what women were up to outside the control of manly reason. At any rate, it has been suggested that there were mysteries associated with it, and that is not an unreasonable supposition: Demeter was, after all, one of the key deities of the Eleusian mysteries, and as a fertility- and grain-goddess, she was closely associated with death and rebirth.
During the first day of the festival, piglets were sacrificed: they were thrown into a hole in the ground, and the remnants of the sacrifice from the preceeding year would be taken out of the hole (to be used in fertilising grain). This is a very clearly Chtonic cultus, of course (According to Burkert, Olympian sacrifices were conducted on a raised altar, Chtonic ones in a pit or hole in the ground). Allow me to quote Burkert (and keep in mind that Kore, "young girl", is a name often used for Persephone, the daughter of Demeter who was kidnapped and forced to marry Hades, the ruler of the dead):
The women thus enter into contact with the subterranean, with death and decay, while at the same time phalloi, snakes, and fir-cones, sexulaity and fertility are present. The myth explains the pig sacrifice by the rape of Kore: when Demeter's daughter sank into the earth, the pigs of the swineherd Euboleus were swallowed up as well. So Demeter on her search for her daughter instituted the Tesmophoria; the death marriage is recapitulated in the sacrifice. Demeter, Kore and Zeus Euboleus are worshipped together in connection with the Thesmophoria.
You can see how Burkert makes a clear distinction of one Zeus cultus, distinct from that of Olympian Zeus.
The second day of the festival was a day of fasting and sadness, commemorating the sorrow of Demeter at the loss of her daughter. Followed, on the third day, by a banquet.
I find it interesting to see how many of these rituals correspond (certainly in the larger lines -- possibly without the hurling of piglets into dark pits) to well-known rituals of our own day. And I confess I am a bit of a nut when it comes to Greek myths. But I think others might enjoy this as well. It may be a bit detailed for easy reading, but if you have the background knowledge I think you'll find it fascinating.
Caveat: my expertise on this topic is limited to undergraduate level, and so I may be fooled as to how good his method is (I suspect his descriptions of some of the rituals are in part, at least, derived from the myths in the first place, although he covers a great deal of scholarship). I don't care. It is a lovely book, one I will not part with easily. show less
This book came out in 1977, which is quite a while ago, but it has the status of a show more classic. It considers Greek religion, including its change over time from Minoan and Mycenean up through the Classic period (which is its focus). He looks at the individual gods in the main pantheon, but also smaller gods, as well as the connection to the religions of the Near East at the time. He shows how some cults are integrated with already established Greek deities, while others (like Dionysos) are given space of their own.
Burkert also sets up an opposition between the Olympian and the Chtonic gods, which I found terribly fascinating -- especially when he finds two gods with the same name and the same cultus (there is a Chtonic Zeus as well as an Olympian, for example). I am not sure how far this dichotomy is due to an antiquated academic style, or how much to an actual tendency in Greek culture to divide things into opposites. He does have a rather wonderful discussion of Dionysos as a deity spanning both; as well as an analysis of the Dioskouroi (the brothers of Helena and Klytaimnestra: Kastor and Polludeukes, one of which was mortal and the other immortal, but who did not want to be separated by death, and so shared both states ... it is really quite fascinating). Burkert's tendency to emphasise the many gods with the same name, however, is one of my favourite aspects of the book. He solves the problem of designation by assigning them epithets.
Having distinguished the various gods from each other, he is able to look more closely at the various cultses. He notes the importance of blood, sacrifice and fire in Greek ritual while all the while tying it to myths and literature. If you know your Greek myths, this is where it gets truly fascinating. He will first describe the rituals, and then he indicates the corresponding myth -- which is when you go "aha!".
Let me give you one (only one) example (and I had a hard time choosing). He writes a very intriguing chapter on the Eleusian mysteries; not to mention the really rather appealing Anthisteria, which is also known as the Old Dionysia (the new one being the one where theatre was central), which is a bona fide wine festival with all that entails. I think I'll go with the Thesmaphoria this time: a sinister, Chtonic women's festival dedicated to Demeter.
It is one of the key festivals of the Demeter cultus, and men and virgins are excluded. I am sure men found this rather disconcerting (and I remember reading somewhere that Aristophanes' Lysistrata may be based in part on the paranoia of what women were up to outside the control of manly reason. At any rate, it has been suggested that there were mysteries associated with it, and that is not an unreasonable supposition: Demeter was, after all, one of the key deities of the Eleusian mysteries, and as a fertility- and grain-goddess, she was closely associated with death and rebirth.
During the first day of the festival, piglets were sacrificed: they were thrown into a hole in the ground, and the remnants of the sacrifice from the preceeding year would be taken out of the hole (to be used in fertilising grain). This is a very clearly Chtonic cultus, of course (According to Burkert, Olympian sacrifices were conducted on a raised altar, Chtonic ones in a pit or hole in the ground). Allow me to quote Burkert (and keep in mind that Kore, "young girl", is a name often used for Persephone, the daughter of Demeter who was kidnapped and forced to marry Hades, the ruler of the dead):
The women thus enter into contact with the subterranean, with death and decay, while at the same time phalloi, snakes, and fir-cones, sexulaity and fertility are present. The myth explains the pig sacrifice by the rape of Kore: when Demeter's daughter sank into the earth, the pigs of the swineherd Euboleus were swallowed up as well. So Demeter on her search for her daughter instituted the Tesmophoria; the death marriage is recapitulated in the sacrifice. Demeter, Kore and Zeus Euboleus are worshipped together in connection with the Thesmophoria.
You can see how Burkert makes a clear distinction of one Zeus cultus, distinct from that of Olympian Zeus.
The second day of the festival was a day of fasting and sadness, commemorating the sorrow of Demeter at the loss of her daughter. Followed, on the third day, by a banquet.
I find it interesting to see how many of these rituals correspond (certainly in the larger lines -- possibly without the hurling of piglets into dark pits) to well-known rituals of our own day. And I confess I am a bit of a nut when it comes to Greek myths. But I think others might enjoy this as well. It may be a bit detailed for easy reading, but if you have the background knowledge I think you'll find it fascinating.
Caveat: my expertise on this topic is limited to undergraduate level, and so I may be fooled as to how good his method is (I suspect his descriptions of some of the rituals are in part, at least, derived from the myths in the first place, although he covers a great deal of scholarship). I don't care. It is a lovely book, one I will not part with easily. show less
Griechische Religion der archaischen und klassischen Epoche : Die Religionen der Menschheit RM 15 by Walter Burkert
Eine fleißige Sammlung an Fakten und übersichtlich gegliedert und systematisiert, aber zum Durchlesen weniger geeignet. Es setzt Vorwissen voraus und bietet sich an als ein Nachschlagewerk zum Vertiefen, auch dank der gründlichen Quellenverweise. Der Ton ist etwas altehrwürdig, und ich war erstaunt, dass es 1977 geschrieben worden ist. Es wäre toll, einen Begleitband zu haben, in dem die ganzen Abbildungen zugeordnet sind, von denen einige zwar vor dem geistigen Auge erscheinen, aber show more für einen Normalsterblichen das Aufsuchen und Nachschlagen von Bezügen viel Zeit in Anspruch nähme, würde man sich die Mühe machen. Diese Ausgabe ist überarbeitet. Ein Vergleich mit der Erstausgabe wäre vielleicht ein spannendes Forschungsthema, weil es vielleicht Aufschlüsse über wandelnden Zeitgeist verriete. Was den hervorgehobenen Hinweis auf die auf den "Orient" gewandte Aufmerksamkeit betrifft hätte ich davon mehr Spuren erwartet als gelegentliche streifende Blicke, aber das schreibe ich als Laie. show less
This book was good in parts, but it was repetitive and wore out its welcome. For someone who has always loved to read and study Greek religions, I was disappointed. I did learn some interesting things, and perhaps could be said to have a better understanding, but I'm afraid by the end I was just ready to be done. The author writes in a scholarly style, which is not a bad thing, but when your specialty is not in that field, it can seem stilted and dry. He avoided jargon, which was good, not show more using the typical words currently used by too many philosophers of religion that seem more to obscure than to elucidate. I found it easy to understand, and perhaps would have done better to read it during a period when I don't get sleepy so soon. A good, thorough discussion for anyone interested in the origins of the Greek gods. show less
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