Picture of author.

Gellu Naum (1915–2001)

Author of Zenobia

45+ Works 188 Members 5 Reviews 2 Favorited

About the Author

Includes the name: Gellu Naum

Disambiguation Notice:

(yid) VIAF:17264992

Works by Gellu Naum

Zenobia (1985) 78 copies
My Tired Father (1999) 18 copies
Cartea cu Apolodor (2003) 16 copies
A doua carte cu Apolodor (2011) 7 copies
De andere kant : pohemen (2020) 4 copies
L'ekzakto de l'ombro (1995) 3 copies
Poeme alese 2 copies, 2 reviews
Athanor (2018) 2 copies
Teatru 2 copies
Copacul-animal 2 copies
Le Voyage avec Apollodore (2009) 2 copies

Associated Works

The Hunchback of Notre Dame (1831) — Translator, some editions — 16,359 copies, 204 reviews
Rumänien erzählt. 17 Erzählungen. (1991) — Contributor — 5 copies

Tagged

Common Knowledge

Canonical name
Naum, Gellu
Legal name
Naum, Gellu
Birthdate
1915
Date of death
2001-09-21
Gender
male
Education
Sorbonne (mezepoka filozofio)
Short biography
Gellu Naum estas centra figuro de la rumana surrealismo kaj "unu inter la plej gravaj vivantaj poetoj surrealismaj" (kiel karakterizite en la franca literatura magazino Opus en 1991).
Nationality
Romania
Birthplace
Boekarest, Roemenië
Place of death
Boekarest, Roemenië
Disambiguation notice
VIAF:17264992
Associated Place (for map)
Romania

Members

Reviews

5 reviews
I've read this. It's just an anthology, but I think it's his best anthology. "Despre identic şi felurit" (About the Same and the Different, 2004) is more complete and the big poems like "Tatăl meu obosit" are present in their original version, but this is more coherent - the poems from the next volumes make slight changes to the style, more obvious in "Malul albastru", for instance, where the poems seem much less spectacular than on "Athanor", but more profound. Anyways, this book has show more changed my life. It's my introduction to Gellu Naum and while it didn't clicked with me the first time, this and other books by Gellu Naum have grown considerabily on me. He is truly one of the greatest poets Romania has seen, although not as genius as Eminescu (personally, Eminescu still doesn't appeal to me as much as Gellu Naum, but I don't deny his talent anymore) and so far it has to go a long way to be fully accepted by the schools' canon, but then pupils would easily make fun of him. But really, Gellu Naum was, is and will be a truly free person. show less
This manifesto is a piece of prose poetry that ought to be mouth-watering for about anyone into Surrealism. It has a lush, baroque-like overloaded style like most of the writings of the Romanian Surrealist group, a style that probably isn't very different from the style in Breton's manifestos (unfortunately, I've barely read anything by the French Surrealists, as there's seldom any translation in Romanian available, for instance none of Breton's books has been translated in Romanian, or at show more least published as a book). The ending sounds a bit different and questions the "two-faced cages of the world", saying that "poetry, love, revolution are one and the same". After you finished reading it, you might get the feeling of regret that the movement didn't lasted longer. (Actually, the members of the group continued to write on through mails for a couple of years, but they couldn't put out together books and expozitions anymore...) show less
I've read this. It's just an anthology, but I think it's his best anthology. "Despre identic şi felurit" (About the Same and the Different, 2004) is more complete and the big poems like "Tatăl meu obosit" are present in their original version, but this is more coherent - the poems from the next volumes make slight changes to the style, more obvious in "Malul albastru", for instance, where the poems seem much less spectacular than on "Athanor", but more profound. Anyways, this book has show more changed my life. It's my introduction to Gellu Naum and while it didn't clicked with me the first time, this and other books by Gellu Naum have grown considerabily on me. He is truly one of the greatest poets Romania has seen, although not as genius as Eminescu (personally, Eminescu still doesn't appeal to me as much as Gellu Naum, but I don't deny his talent anymore) and so far it has to go a long way to be fully accepted by the schools' canon, but then pupils would easily make fun of him. But really, Gellu Naum was, is and will be a truly free person. show less
Almost everything after "Culoarul somnului" (The Corridor of Sleep, 1944) is gold, but most notably "Athanor", with its combination of seducing metaphore nebulas and spiritual force. But Gellu Naum's finest volume when it comes to spirituality is, without a doubt, "Faţa şi suprafaţa" (Face and Surface, 1994) - which contains few of the best poems by Gellu Naum, "Faţa şi suprafaţa" (almost an "ars poetica"), "Eftihia" or "Călătoria cu Stelică" (The Journey With Stelică), and also show more let's mention the mysterious pictopoem "Nigredo". This is actually Gellu Naum's last poetry volume before "Ascet la baraca de tir" (Recluse in the Firing Range Shack, 2000), which is still an anthology, although with a very fine set of new poems. From that point, numerous big-sized anthologies would follow, like "Sora fântână" (Fountain Sister, 1995), "Focul negru" (Black Fire, 1995) or the posthumous "Despre identic şi felurit" (About the Same and the Different, 2003). But it doesn't matter which one you pick: each of them is absolutely five stars. show less

Lists

You May Also Like

Associated Authors

Statistics

Works
45
Also by
2
Members
188
Popularity
#115,782
Rating
3.9
Reviews
5
ISBNs
45
Languages
5
Favorited
2

Charts & Graphs