Author picture

Michael Turner (3) (1962–)

Author of The Pornographer's Poem

For other authors named Michael Turner, see the disambiguation page.

8 Works 351 Members 12 Reviews

About the Author

Comic book artist and writer Michael Turner was born in Crossville, Tennessee on April 21, 1971. He had been a pre-medicine student at the University of Tennessee before moving to Aspen and San Diego, where he taught martial arts. At the 1993 Comic-Con in San Diego his artistic talent was show more discovered by the staff of Top Cow Productions. Turner illustrated backgrounds for Top Cow titles before co-creating the popular comic book character Witchblade, who was named for the supernatural weapon that affixed itself to the arm of New York homicide detective Sara Pezzini. In 1998 he debuted the aquatic Fathom character, whose secret identity was marine biologist Aspen Matthews. In 2002 Turner left Top Cow to found his own entertainment publishing company, Aspen MLT Inc. In 2004 he began contributing art to DC Comics and Marvel Comics, including cover designs for issues of the Teen Titans, Superman, Identity Crisis, The Flash, Supergirl, Wolverine, Civil War, Incredible Hulk, Black Panther, and Sub-Mariner. In 2004 he provided the cover art and co-wrote the Superman "Godfall" story arc, and Soulfire began publication. Turner died at age 37 of complications from bone cancer and is survived by his family and fiancée, Kelly Carmichael. (Bowker Author Biography) show less

Works by Michael Turner

The Pornographer's Poem (2000) 155 copies, 5 reviews
Hard Core Logo (1993) 118 copies, 1 review
American Whiskey Bar (1999) 40 copies
8 X 10 (2009) 21 copies, 6 reviews
Kingsway (2002) 13 copies
Company Town (1991) 2 copies
Hammertown (2002) 1 copy

Tagged

Common Knowledge

Birthdate
1962
Gender
male
Nationality
Canada
Associated Place (for map)
Canada

Members

Reviews

15 reviews
Well Alanna, this book did make me think about you. But beyond that: the sneer, Michael Turner, the turtleneck, the twelve-year-old kids talking about Dutch Colonials immediately make me think we're gonna have trouble here. Those are not people of a kind who exist. Or if they are, they're not people of a kind whom I want to know anything about. That said, the beginning section captures cusp-of innocence quite perfectly. The middle is bullshit--I mean, whose names are you dropping, dick? This show more is a novel and they are fictional characters and you are a grown man so stop trying to sell us on punk auteur. And then the last section has a mystery but more importantly a mystical ouroboros thing where instead of letting credibility rest on the token unreliablenarratoring provided throughout by the question sections (which do not sustain that credibility on their own) you say okay, I know, this kind of thing only works by disappearing up its own asshole because once you're "The Pornographer's Poem," you either stay that forever, become it again and again, or leave it behind completely. So yeah: artists do get trapped by their personae. That, and the kids in Grade 7, and sex, gets you your 3.5. Just barely. show less
½
I found this an odd, yet disturbing read. I had in the back of my mind Room 101 from 'Nineteen Eighty Four' whilst reading this as it is unclear who those doing the interrogating are.

A weird world unfolds, completely surreal but easy to fall into. A bizarrley enjoyable read where we are made to feel (and be?) accountable for EVERYTHING we have done in life. Could this be a metaphor for our first encounter with God?

Not every going to be the best book I've read but worthwhile. If you are show more reading the book based on the blurb - 16 year old recording his neighbours - then you will be disappointed as this is a media crux I beleive to get you read it in the first place. If like me the title caught your eye you won't be disaappointed. show less
Basically 'I am the Cheese' meets 'Go ask Alice' with better prose than the latter. It seems as regrettable that the author wasted his effort on such an insipid, moralistic story as that I wasted my time reading such an insipid, moralistic story.
A collection of snippets, some stories, some just descriptions without evident story arc. Some characters vaguely echoed in other bits. Sort of a precise impressionism.
Very good. The second last one had a more conventional arc, with a satisfying ending. Probably even more satisfying because so rare. Most never arrived at the ending by the time they finished.

Awards

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Statistics

Works
8
Members
351
Popularity
#68,158
Rating
½ 3.6
Reviews
12
ISBNs
203
Languages
6

Charts & Graphs