
Linda Murray (1) (1913–2004)
Author of A Dictionary of Art and Artists
For other authors named Linda Murray, see the disambiguation page.
Works by Linda Murray
The High Renaissance and Mannerism: Italy, the North, and Spain. 1500-1600 (1977) 194 copies, 1 review
Associated Works
Classic Art: An Introduction to the Italian Renaissance (1899) — Translator, some editions — 200 copies, 2 reviews
Tagged
Common Knowledge
- Canonical name
- Murray, Linda
- Other names
- Bramley, Linda (birth)
- Birthdate
- 1913-10-31
- Date of death
- 2004-11-12
- Gender
- female
- Education
- Courtauld Institute of Art (BA)
Académie Royale des Beaux-Arts - Occupations
- art historian
professor - Organizations
- University of London
- Relationships
- Murray, Peter (husband)
- Nationality
- UK
- Birthplace
- Herne Bay, Kent, England, UK
- Places of residence
- Dulwich, London, England, UK
Farnborough, Hampshire, England, UK - Place of death
- Farmoor, Oxfordshire, England, UK
- Associated Place (for map)
- England, UK
Members
Reviews
Michelangelo was born in 1475 as the Renaissance was nearing its end and along with Leonardo and Raphael he provided the capstone of genius for that era. In Michelangelo's case his mastery spanned both painting and sculpture with the examples of the Sistine Chapel and the sculpture of David as two of his works that transcend the era as monuments to human civilization.
This biographical study highlights the important details of his life within the context of the society of his time. With more show more than 250 illustrations the book is an excellent introduction to one of the greatest minds of the era and greatest artists of all time. show less
This biographical study highlights the important details of his life within the context of the society of his time. With more show more than 250 illustrations the book is an excellent introduction to one of the greatest minds of the era and greatest artists of all time. show less
Excellent and extremely detailed analysis of the artist's life and work. Contains mostly black and white photos. The historical background makes for dull or beautiful reading depending on one's interest with the subject of the High Renaissance and the creative epoch which it was.
The authors have "restricted the scope to the arts of painting, sculpture, and engraving in Western Europe and North America, and to a period beginning about the year 1300 and continuing up to the present day," because they are "almost totally ignorant of the arts of other periods and places." In that case, a different title would have been preferable. The emphasis is on technical terms, processes, and movements, rather than biographies, though there are many of these, which include a useful show more list of museums holding the artist's work. The Penguin edition contains "substantially the same" text as the fully illustrated 1965 Thames & Hudson edition. Entries contain succinct remarks, like this one about Edvard Munch: "He was friendly with Strindberg, and his art, though sometimes powerful, is always neurotic and frequently hysterical." show less
Provides you with some good info but pretty dry. Wouldn't recommend this as a fun read but good for brushing up on the subject.
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Associated Authors
Statistics
- Works
- 10
- Also by
- 1
- Members
- 1,706
- Popularity
- #15,039
- Rating
- 3.5
- Reviews
- 10
- ISBNs
- 58
- Languages
- 7













