Ernest Hemingway (1899–1961)
Author of The Old Man and the Sea
About the Author
Ernest Miller Hemingway was born in the family home in Oak Park, Ill., on July 21, 1899. In high school, Hemingway enjoyed working on The Trapeze, his school newspaper, where he wrote his first articles. Upon graduation in the spring of 1917, Hemingway took a job as a cub reporter for the Kansas show more City Star. After a short stint in the U.S. Army as a volunteer Red Cross ambulance driver in Italy, Hemingway moved to Paris, and it was here that Hemingway began his well-documented career as a novelist. Hemingway's first collection of short stories and vignettes, entitled In Our Time, was published in 1925. His first major novel, The Sun Also Rises, the story of American and English expatriates in Paris and on excursion to Pamplona, immediately established him as one of the great prose stylists and preeminent writers of his time. In this book, Hemingway quotes Gertrude Stein, "You are all a lost generation," thereby labeling himself and other expatriate writers, including F. Scott Fitzgerald, T.S. Eliot, and Ford Madox Ford. Other novels written by Hemingway include: A Farewell To Arms, the story, based in part on Hemingway's life, of an American ambulance driver on the Italian front and his passion for a beautiful English nurse; For Whom the Bell Tolls, the story of an American who fought, loved, and died with the guerrillas in the mountains of Spain; and To Have and Have Not, about an honest man forced into running contraband between Cuba and Key West. Non-fiction includes Green Hills of Africa, Hemingway's lyrical journal of a month on safari in East Africa; and A Moveable Feast, his recollections of Paris in the Roaring 20s. In 1954, Hemingway won the Nobel Prize in Literature for his novella, The Old Man and the Sea. A year after being hospitalized for uncontrolled high blood pressure, liver disease, diabetes, and depression, Hemingway committed suicide on July 2, 1961, in Ketchum, Idaho. (Bowker Author Biography) show less
Series
Works by Ernest Hemingway
The Complete Short Stories of Ernest Hemingway: The Finca Vigía Edition (1987) 5,103 copies, 27 reviews
A Farewell to Arms / For Whom The Bell Tolls / The Old Man and the Sea / The Sun Also Rises (1926) 669 copies, 1 review
The Short Stories of Ernest Hemingway: The First Forty-Nine Stories and the Play The Fifth Column (1938) 412 copies, 1 review
Men at War: The Best War Stories of All Time (1942) — Editor; Introduction; Contributor — 341 copies
The Short Stories of Ernest Hemingway: The Hemingway Library Collector's Edition (2017) 155 copies, 1 review
The Letters of Ernest Hemingway: Volume 1: 1907-1922 (The Cambridge Edition of the Letters of Ernest Hemingway) (2011) 146 copies, 2 reviews
The Sun Also Rises & Other Writings 1918-1926 : in our time / In Our Time / The Torrents of Spring / The Sun Also Rises / Journalism / Letters (2020) 118 copies
THE SHORT STORIES OF ERNEST HEMINGWAY: The Short Happy Life of Francis Macomber; The Snows of Kilimanjaro; Up in Michigan; The Killers (1938) 85 copies
The Letters of Ernest Hemingway: Volume 2 : 1923-1925 (The Cambridge Edition of the Letters of Ernest Hemingway) (2013) — Author — 76 copies, 1 review
For Whom the Bell Tolls / The Snows of Kilimanjaro / Fiesta / The Short Happy Life of Francis Macomber / Across the River and into the Trees / The Old Man and the Sea (1977) 65 copies, 1 review
Ernest Hemingway: The Last Interview: and Other Conversations (The Last Interview Series) (2015) 55 copies, 1 review
The Short Happy Life of Francis Macomber and Other Stories. Text and Study Aids. (Lernmaterialien) (1999) 43 copies, 1 review
The Sun Also Rises / A Farewell to Arms / To Have and Have Not / The Old Man and the Sea / For Whom the Bell Tolls (-0001) 40 copies
The Letters of Ernest Hemingway: Volume 3 : 1926-1929 (The Cambridge Edition of the Letters of Ernest Hemingway) (2015) — Author — 33 copies, 1 review
The ONLY THING THAT COUNTS: The Ernest Hemingway/Maxwell Perkins Correspondence (1996) 30 copies, 1 review
The Sun Also Rises / A Farewell to Arms / For Whom the Bell Tolls / The Complete Short Stories (1993) 26 copies
The Letters of Ernest Hemingway: Volume 4 : 1929-1931 (The Cambridge Edition of the Letters of Ernest Hemingway) (2018) — Author — 25 copies
A Farewell to Arms & Other Writings 1927-1932 : Men Without Women / A Farewell to Arms / Death in the Afternoon / letters (2024) 25 copies
Short Stories of Ernest Hemingway 23 copies
The Letters of Ernest Hemingway: Volume 5 : 1932-1934 (The Cambridge Edition of the Letters of Ernest Hemingway) (2020) — Author — 18 copies
Hemingway and the Mechanism of Fame: Statements, Public Letters, Introductions, Forewords, Prefaces, Blurbs, Reviews, and Endorsements (2005) 16 copies, 1 review
The Short Stories of Ernest Hemingway: Volume II (Short Stories (Simon & Schuster Audio)) (2002) 15 copies, 1 review
1- Fiesta 2-Addio alle armi-3- Da: I quarantanove racconti 4-Il vecchio e il mare. (1978) — Author — 14 copies
Ernest Hemingway Book-of-the-Month-Club Set of 6: A Farewell to Arms, A Moveable Feast, For Whom the Bell Tolls, The Sun Also Rises, The Old Man and the Sea, The Complete Short… (1993) 14 copies, 1 review
The Collected Works of Ernest Hemingway: A Farewell to Arms, The Sun Also Rises: Nine-Book Bundle (2014) 12 copies
Die Hauptstadt der Welt: Die Hauptstadt der Welt. Schnee auf dem Kilimandscharo. Oben in Michigan (2001) 11 copies
For Whom the Bell Tolls / A Farewell to Arms / Green Hills of Africa / The Old and the Sea / In Our Time / The Sun Also Rises (2023) 11 copies
Narrativa completa 2 Aguas primaverales / Fiesta / Adios a las armas / tener y no tener (1985) 11 copies, 1 review
Elbeszélések 9 copies
Sov sødt, mine herrer 9 copies
The Letters of Ernest Hemingway: Volume 6, 1934–1936 (The Cambridge Edition of the Letters of Ernest Hemingway, Series Number 6) (2024) 8 copies
At the Hemingways: With Fifty Years of Correspondence Between Ernest and Marcelline Hemingway (1999) 7 copies
Reading & Training : Ernest Hemingway : The old man and the sea [book + sound recording] (2001) — Writer — 6 copies
Selected stories 6 copies
Motyl i czołg 6 copies
Ernest Hemingway Best Collection: The Old Man and The Sea, The Sun Also Rises and For Whom the Bell Tolls (2022) 5 copies
Stories of three continents 5 copies
Adios a las armas, Tener y no tener (Narrativa completa ii, coleccion Summa literaria 8) (1987) 4 copies, 1 review
De laatste etappe 4 copies
Che Ti Dice La Patria? 4 copies
A Farewell to Arms (Deluxe Hardcover Edition) by Ernest Hemingway – Classic Love and War Novel (2025) 4 copies
After the storm 4 copies
Titolo I quarantanove racconti vol I 3 copies
Kirjailijan työ : Saul Bellow, William Faulkner, Ernest Hemingway, Boris Pasternak, Kurt Vonnegut (1985) 3 copies
L'ADIEU AUX ARMES.LE SOLEIL SE LEVE AUSSI.POUR QUI SONNE LE GLAS.PARIS EST UNE FETE.LE VIEL HOMME ET LA MER (2011) 3 copies
Now I Lay Me 3 copies
Narrativa Completa Ernest Hemingway III: Al otro lado del río y entre los árboles; El viejo y el mar; Islas a la deriva 3 copies, 1 review
Big Two-Hearted River: Part I 3 copies
A Way You'll Never Be 3 copies
The Light Of The World 3 copies
The Sun Also Rises (Deluxe Hardcover Edition): The Timeless Classic by Ernest Hemingway, Featuring a Debossed Cover with 3-Color Foil (2025) 3 copies
[unidentified works] 3 copies
The Sea Change 3 copies
Homage to Switzerland 3 copies
49 Stories 2 3 copies
49 Stories - Die Ersten und die Letzten - In unserer Zeit - Männer ohne Frauen - Der Sieger geht leer aus. (1960) 3 copies
I quarantanove racconti vol II 3 copies
Big Two-Hearted River: Part II 3 copies
Short Story Masterpieces by Warren, Robert Penn, Erskine, Albert (1954) Mass Market Paperback 2 copies
Pozostałe opowiadania 2 copies
Fiesta. Vida de Jesús. Una aldea. 2 copies
Very Short Stories 2 copies
Noveller : andre bind 2 copies
Rzeka dwóch serc i inne opowiadania 2 copies
NUORUUTENI PARIISI. - TAMMI 2 copies
Ernest Hemingway - Caixa com 4 v. 2 copies
الشمس تشرق ايضاً 2 copies
Sämtliche Gedichte : amerikan./dt. 2 copies
A Natural History Of The Dead 2 copies
Der alte Mann und das Meer. Das kurze glückliche Leben des Francis Macomber. Schnee auf dem Kilimandscharo. (1970) 2 copies
Portrait of Hemingway 2 copies
Ken Magazine, April 21, 1938 Issue 2 copies
Райский сад; За рекой, в тени деревьев; Иметь и не иметь Романы : [Пер. с англ.] (1994) 2 copies, 1 review
Ernest Hemingway művei 2 copies
Raksti Piektais Sējums 2 copies
Raksti : 5 sējumos 2 copies
Wine Of Wyoming 2 copies
One Reader Writes 2 copies
The Mother Of A Queen 2 copies
10 סיפורים 2 copies
Nouvelles et récits. 2 copies
Julegaven 2 copies
DEBORAT 2 copies
Four great short stories 2 copies
Ernest Hemingway Reads: The Nobel Prize Acceptance Speech : In Harry's Bar in Venice and Other of His Writings (1992) 2 copies
El viejo y el mar y otros cuentos/ The Old Man and the Sea and other Stories (Spanish Edition) (2007) 2 copies
Rzeka dwóch serc 2 copies
Erzählungen 2 copies
Hemingway - Premio Nobel 1954 2 copies
Ernest Hemingway: The Short Stories 2 copies
Farväl till vapnen 1 copy
Vecais vīrs un jura 1 copy
La guerra de España 1 copy
The Defeated 1 copy
Fiesta. Roman. Aus dem Amerikanischen von Annemarie Horschitz-Horst. Mit einem Nachwort von Karl-Heinz Schönfelder. (1976) 1 copy
Raksti 3 1 copy
Raksti 4 1 copy
The Old Man and the Sea [Hardcover] Hemingway, Ernest and C. F. Tunnicliffe & Raymond Sheppard (1953) 1 copy
Raksti 5 1 copy
A avea si a nu avea 1 copy
Kam skanēs zvans 1 copy
En otro país 1 copy
The Shorts Stories 1 copy
AS ILHAS DA CORRENTE 1 copy
Selected Hemingway Stories 1 copy
Hemingway Omnibus 1 copy
LAMTUMIRË ARME 1 copy
đ Ư ð ł £ ʺ ı Ơ ł ł 1 copy
DËBORAT E KILIMANXHAROS 1 copy
TË KESH DHE TË MOS KESH 1 copy
FITIMTARI NUK MERR ASGJË 1 copy
PËR KË BIE KAMBANA 1 copy
Satt við fyrstu sýn 1 copy
In Our Time (Read & Co. Classics Edition);With the Introductory Essay 'The Jazz Age Literature of the Lost Generation ' (2022) 1 copy
Ernest Hemingway Selected Works: Three Stories & Ten Poems, In Our Time, The Torrents of Spring, The Sun Also Rises (2023) 1 copy
Иметь и не иметь 1 copy
Green Hill of Africa 1 copy
По телеграфа 1 copy
The New Yorker Vol. XCVI, No. 16 (8 and 15 June 2020) - "Pursuit as Happiness," by Ernest Hemingway 1 copy
Camping Out [American Roots] 1 copy
VERE ERREZIKSHME 1 copy
OBRAS (2 volúmenes) 1 copy
KLIMANJARO'NUN KARLARI 1 copy
Raksti 2 1 copy
Raksti 1 1 copy
THE OLD MAN AND THE SEA Ernest Hemingway 1952 Nice BOMC in dust jacket [Hardcover] Ernest Hemingway 1 copy
La guerra de Espaą 1 copy
Για ποιον χτυπα η καμπάνα 1 copy
El vell i el mar 1 copy
Избранное 1 copy
Box Ernest Hemingway 1 copy
Voor wie de klok luid 1 copy
The Old Man and the Sea 1 copy
İhtiyar Balıkçı 1 copy
The Atlantic Monthly, July 1927, Vol. 40, No. 1. Includes "Fifty Grand" by Ernest Hemingway. (1927) 1 copy
klimanjaro'nun karları 1 copy
Truyện Ngắn Hemingway 1 copy
Vecais vīrs un jūra Stāsts 1 copy
Cīņa pret lieliniekiem 1 copy
Fiesta. Ernest Hemingway. [Autor. Übers. von Annemarie Horschitz], rororo-Taschenbuch-Ausgabe ; 5 (1951) 1 copy
Men At War - An Anthology 1 copy
Truyện Cực Ngắn Hemingway 1 copy
The Sun Also Rises, A Farewell to Arms, For Whom the Bell Tolls, The Short Stories (4 Volume Set) (1968) 1 copy
Ông Già & Biển Cả 1 copy
TË KESH DHE TË MOS KESH 1 copy
O adeus s̉ armas 1 copy
Μια κινητή γιορτή: Αφήγημα 1 copy
1930 Vtg In Our Time Ernest Hemingway Second American Edition 1st Scribner Seal [Hardcover] Ernest Hemingway (1930) 1 copy
Um gato à chuva 1 copy
KADINSIZ ERKEKLER 1 copy
Various 1 copy
Short Stories Hemingway 1 copy
Pripovetke 1 copy
The Most Dangerous Game and Other Stories of Menace and Adventure (2013) — Contributor — 1 copy, 1 review
i racconti 1 copy
Ernest Hemingway papers 1 copy
L'inedito di Hemingway 1 copy
Taps at Reveille 1 copy
All the Sad Young Men 1 copy
Tales of the Jazz Age 1 copy
Flappers and Philosophers 1 copy
שירים נבחרים 1 copy
Earnest Hemingway works 1 copy
Histórias de paixão 1 copy
The Sun Also Rises / A Farewell to Arms / For Whom the Bell Tolls / The Old Man and the Sea / The Complete Short Stories (1993) 1 copy
Noveller i samling 1 copy
Nothing for Nothing 1 copy
Stories Die Ersten und die Letzten, In unserer Zeit, Männer ohne Frauen, Der Sieger geht leer aus 1 copy
Rogi byka 1 copy
Treasury for the Free World 1 copy
"An African Betrayal" 1 copy
"A Letter from Hemingway" 1 copy
Três Histórias de Guerra 1 copy
Racconti 1 copy
Raksti Ceturtais Sējums 1 copy
Raksti Otrais Sējums 1 copy
A Farewell to Arms [excerpt] 1 copy
The Sun Also Rises [excerpt] 1 copy
Selected Letters: 1914-1961 1 copy
Mojito 1 copy
A Matter of Colour 1 copy
The Old Man and the Sea 1 copy
Isn't It Pretty to Think So? 1 copy
Los asesinos y otros relatos 1 copy
París es una fiesta 1 copy
Lettere 1 copy
Il gatto. Racconti d'autore 1 copy
යුද්ධය සහ ප්රේමය 1 copy
Paris 1 copy
Muerte en tres actos (estuche con Fiesta | Muerte en la tarde | Verano peligroso) (CONTEMPORANEA) (Spanish Edition) (2011) 1 copy
Ausgewählte Werke Band I 1 copy
Ausgewählte Werke Band IV 1 copy
Ausgewählte Werke Band II 1 copy
Ausgewählte Werke Band III 1 copy
Hemingway por ele mesmo 1 copy
Look Magazine, May 4, 1954 1 copy
Stories, Ausgewählte Werke 4 1 copy
Novele 1 copy
Asla Vedalaşmayacağız 1 copy
Denizin Değiştirdiği 1 copy
Narrativa completa II 1 copy
Narrativa completa I 1 copy
Cuentos (los 49 primeros) 1 copy
Men at War (abridged) 1 copy
Associated Works
Literature: An Introduction to Fiction, Poetry, and Drama (1995) — Contributor, some editions — 1,017 copies, 7 reviews
Perrine's Literature: Structure, Sound, and Sense (1970) — Contributor, some editions — 895 copies, 4 reviews
Great American Short Stories: From Hawthorne to Hemingway (2004) — Contributor — 675 copies, 2 reviews
The World of the Short Story: A 20th Century Collection (1986) — Contributor — 512 copies, 4 reviews
Reporting World War II Part Two : American Journalism 1944-1946 (1995) — Contributor — 432 copies, 3 reviews
The American Short Story: A Collection of the Best Known and Most Memorable Stories by the Great American Authors (1994) — Contributor — 370 copies
Choice Cuts: A Savory Selection of Food Writing from Around the World and Throughout History (2002) — Contributor — 368 copies, 2 reviews
World War I and America: Told by the Americans Who Lived It (1918) — Contributor — 226 copies, 1 review
The Art of Fact: A Historical Anthology of Literary Journalism (1997) — Contributor — 225 copies, 1 review
The Outspoken Princess and the Gentle Knight: A Treasury of Modern Fairy Tales (1994) — Contributor — 209 copies, 3 reviews
First Fiction: An Anthology of the First Published Stories by Famous Writers (1994) — Contributor — 196 copies, 1 review
In Another Part of the Forest: An Anthology of Gay Short Fiction (1994) — Contributor — 192 copies, 2 reviews
The Graphic Canon, Vol. 3: From Heart of Darkness to Hemingway to Infinite Jest (2013) — Contributor — 162 copies, 1 review
The Norton Anthology of American Literature, Volume 2: 1865 to Present (1979) — Contributor, some editions — 136 copies
Adaptations: From Short Story to Big Screen: 35 Great Stories That Have Inspired Great Films (2005) — Contributor — 136 copies, 1 review
The Sophisticated Cat: A Gathering of Stories, Poems, and Miscellaneous Writings About Cats (1992) — Contributor — 112 copies, 1 review
The Heath Anthology of American Literature, Concise Edition (2003) — Contributor — 73 copies, 1 review
The Signet Classic Book of Contemporary American Short Stories (1985) — Contributor — 47 copies, 1 review
Years of Protest: A Collection of American Writings of the 1930's (1967) — Contributor — 44 copies, 1 review
Great Short Stories: Russian, Japanese, American, Irish, French, English (2007) — Contributor — 36 copies
The Greatest War Stories Ever Told: Twenty-Four Incredible War Tales (2001) — Contributor — 31 copies, 1 review
The Best of Both Worlds: An Anthology of Stories for All Ages (1968) — Contributor — 25 copies, 1 review
Great companions : critical memoirs of some famous friends (2007) — Contributor — 25 copies, 1 review
Fifty Years of the American Short Story from the O. Henry Awards 1919-1970 (1970) — Contributor — 17 copies, 1 review
MHQ: The Quarterly Journal of Military History — Spring 1989 (1989) — Author "Ernest Hemingway: On the Quai at Smyrna" — 16 copies
Gender in Modernism: New Geographies, Complex Intersections (2007) — Contributor — 12 copies, 1 review
Oogst Der Tijden. keur uit de werken van schrijvers en dichters aller volken en eeuwen (1940) — Contributor — 12 copies
Great American Short Stories: O. Henry Memorial Prize Winning Stories, 1919-1934 (1935) — Contributor — 11 copies, 1 review
Reader's Digest Condensed Books: Proof • The Old Man and the Sea • Stillwatch • The Summer of the Barshinskeys (1985) — Author — 11 copies
The Best Short Stories of 1923 and the Yearbook of the American Short Story (1924) — Contributor — 11 copies
Walt Disney's Mickey and Donald: "For Whom the Doorbell Tolls" and Other Tales Inspired by Hemingway (2023) — Contributor — 9 copies
The Best Short Stories of 1940 and the Yearbook of the American Short Story (1940) — Contributor — 8 copies
The Best Short Stories of 1937 and the Yearbook of the American Short Story (1937) — Contributor — 8 copies
20th Century Fox Studio Classics Collection: Volume 3 (Anna Karenina / A Farewell to Arms / The Sun Also Rises / Les Misérables) (2010) — Writer — 7 copies
Novellin parhaita 5 copies
Fotspår : noveller ur Sveriges radio P1:s serie Författarskap på fötter (2003) — Contributor — 5 copies
Best-in-Books Volume 48: Dodsworth; The Battler; Rain; Bernice Bobs Her Hair; The Great Impersonation; We; The Man Nobody Knows; The Royal Road to Romance; Life of Christ; The… (1961) — Contributor — 5 copies
The Macomber Affair [1947 film] — Original story — 3 copies
The Best Short Stories of 1926 and the Yearbook of the American Short Story (1926) — Contributor — 3 copies
Fifty Years of the American Short Story from the O. Henry Awards 1919-1970, Volume 1 (1970) — Contributor — 3 copies
The Best Short Stories of 1927 and the Yearbook of the American Short Story (1927) — Contributor — 3 copies
ナイトランド・クォータリーvol.21 空の幻想、蒼の都 — Contributor — 2 copies
Great tales of adventure: A selection of condensed novels and full-length short stories (1982) — Contributor — 2 copies
Best-in-Books: Squire / Quiet Under the Sun / High Wind in Jamaica / Captives / Paris / Green Hills of Africa (1955) — Contributor — 2 copies
Modern Choice 2 — Contributor — 1 copy
Contact collection of contemporary writers — Contributor — 1 copy
Twelve Great Modern Stories, A New Collection — Contributor — 1 copy
Six Stories 1 copy
The Ethnic Image in Modern American Literature, 1900-1950, Volumes 1-2 (1984) — Contributor — 1 copy
Tagged
Common Knowledge
- Canonical name
- Hemingway, Ernest
- Legal name
- Hemingway, Ernest Miller
- Other names
- Hemingway, Papa
- Birthdate
- 1899-07-21
- Date of death
- 1961-07-02
- Gender
- male
- Education
- Oak Park and River Forest High School
- Occupations
- novelist
short story writer
reporter
editor
poet
playwright (show all 7)
essayist - Organizations
- Kansas City Star
Toronto Star
North American Newspaper Alliance
Red Cross Ambulance Corps
Transatlantic Review - Awards and honors
- Italian Silver Medal of Bravery (1918)
Bronze Star (1947)
Nobel Prize (1954)
Chicago Literary Hall of Fame (2012) - Agent
- Max Perkins
- Relationships
- Hemingway, Mary (spouse)
Hemingway, Jack (son)
Hemingway, Patrick (son)
Hemingway, Gregory (son)
Hemingway, Leicester (brother)
Hemingway, Mariel (granddaughter) (show all 11)
Hemingway, Margaux (granddaughter)
Hemingway, Seán (grandson)
Hemingway, Hilary (niece)
Loeb, Harold (friend)
Gellhorn, Martha (Ex-wife) - Short biography
- Ernest Miller Hemingway (July 21, 1899 – July 2, 1961) was an American journalist, novelist, short-story writer, and sportsman. His economical and understated style—which he termed the iceberg theory—had a strong influence on 20th-century fiction, while his adventurous lifestyle and his public image brought him admiration from later generations. Hemingway produced most of his work between the mid-1920s and the mid-1950s, and he won the Nobel Prize in Literature in 1954. He published seven novels, six short-story collections, and two nonfiction works. Three of his novels, four short-story collections, and three nonfiction works were published posthumously. Many of his works are considered classics of American literature.
Hemingway was raised in Oak Park, Illinois. After high school, he was a reporter for a few months for The Kansas City Star before leaving for the Italian Front to enlist as an ambulance driver in World War I. In 1918, he was seriously wounded and returned home. His wartime experiences formed the basis for his novel A Farewell to Arms (1929).
In 1921, Hemingway married Hadley Richardson, the first of four wives. They moved to Paris where he worked as a foreign correspondent and fell under the influence of the modernist writers and artists of the 1920s' "Lost Generation" expatriate community. His debut novel The Sun Also Rises was published in 1926. He divorced Richardson in 1927 and married Pauline Pfeiffer; they divorced after he returned from the Spanish Civil War, where he had been a journalist. He based For Whom the Bell Tolls (1940) on his experience there. Martha Gellhorn became his third wife in 1940; they separated after he met Mary Welsh in London during World War II. He was present with the troops as a journalist at the Normandy landings and the liberation of Paris.
Hemingway maintained permanent residences in Key West, Florida (in the 1930s) and Cuba (in the 1940s and 1950s). He almost died in 1954 after plane crashes on successive days; injuries left him in pain and ill health for much of the rest of his life. In 1959, he bought a house in Ketchum, Idaho, where, in mid-1961, he ended his own life. - Cause of death
- suicide
- Nationality
- USA
- Birthplace
- Oak Park, Illinois, USA
- Places of residence
- Chicago, Illinois, USA
Walloon Lake, Michigan, USA
Toronto, Ontario, Canada
Paris, France
Key West, Florida, USA
Pamplona, Spain (show all 10)
Havana, Cuba
Ketchum, Idaho, USA
Oak Park, Illinois, USA
Wyoming, USA - Place of death
- Ketchum, Idaho, USA
- Burial location
- Ketchum Cemetery, Ketchum, Idaho, USA
- Map Location
- Illinois, USA
Members
Discussions
Century Press - The Sun Also Rises in Fine Press Forum (November 2023)
The Old Man and the Sea by Ernest Hemingway - LIMITED EDITIONS CLUB 1990 in George Macy devotees (September 2023)
Any Book in Hemingway's Library, $200 in Legacy Libraries (December 2015)
Hemingway's Finale. in George Macy devotees (September 2014)
Group Read, January 2014: For Whom The Bell Tolls in 1001 Books to read before you die (January 2014)
The Sun Also Rises (and Hemingway in general) in Someone explain it to me... (July 2010)
Reviews
Supposedly uncensored Estonian edition of "For Whom the Bell Tolls", but...
You'll probably wonder why an English speaker would read Ernest Hemingway in an Estonian translation. Aside from the simple answer of "because I can", the main answer is that "For Whom the Bell Tolls” has always been a problematic and awkward read in the original for me.
The reason for that is because Hemingway takes an affected stance as if he was writing in Spanish and the text was being simultaneously translated show more into English, which results in:
a. Awkward passages of broken English e.g.
"Do you come for us to do another train?" - Chapter 2
"Is the same to me. Better four good than much bad." - Chapter 11
b. Seemingly anachronistic Elizabethan English full of thous, thees and thys in an attempt to approximate the familiar form of address in Spanish e.g.
“... when thou wert wiping thy mother’s milk off thy chin.” - Chapter 11
“But did thee feel the earth move?” - Chapter 13
c. Hemingway’s self censorship with the use of the words “obscenity” & “unprintable” in place of rough language, resulting in passages such as
“Care well for thy unprintable explosive.” - Chapter 3
“I obscenity in the milk of thy tiredness.” - Chapter 9
d. The paradoxical use of those same curse words in the original Spanish, but left untranslated.
“But me cago en la leche, but I will be content when it starts.” - Chapter 39
All of those problems disappear in this supposedly uncensored 2014 edition of Enn Soosaar’s Estonian translation which was first published in 1970. (Unfortunately, I don’t own a copy of that original so I have to guess that the censorship was in the areas of both curse words and politics.) The speaking is translated normally, the Estonian familiar form is not anachronistic, logical choices of relatively minor curse words are used instead of “rõvedus” (obscenity) and the Spanish is translated in footnotes (with one exception that I noticed).
So the only catch is that they may have now printed all of Soosaar’s translation, but they don’t seem to have gone back to check whether he actually translated the entire thing in the first place. i.e. based on at least one example, I suspect Soosaar left untranslated some passages that he felt wouldn’t make it past the then Soviet censor in any case.
In chapter 27 aka "Sordo’s Last Stand" there is a paragraph:
"That they should aid us now," another man said. "That all the cruts* of Russian sucking swindlers should aid us now." He fired and said, “Me cago en tal, I missed.”
In the Estonian translation this reads as:
“Et nad aitaksid meid praegu,” ütles üks meestest. Ta tulistas ja ütles “Me cago en tal. Jälle lasksin mööda.”
You can probably tell that the middle sentence which curses the Russians has been left out in the Estonian. It would have read something like "Et kõik need sittad Vene imejad petturid peaksid aitama meid nüüd.”
Otherwise, this is a terrific translation which now made this work completely readable for me. It would be interesting to know how other international translators solve these sorts of issues.
*Hemingwayspeak for “shits” show less
You'll probably wonder why an English speaker would read Ernest Hemingway in an Estonian translation. Aside from the simple answer of "because I can", the main answer is that "For Whom the Bell Tolls” has always been a problematic and awkward read in the original for me.
The reason for that is because Hemingway takes an affected stance as if he was writing in Spanish and the text was being simultaneously translated show more into English, which results in:
a. Awkward passages of broken English e.g.
"Do you come for us to do another train?" - Chapter 2
"Is the same to me. Better four good than much bad." - Chapter 11
b. Seemingly anachronistic Elizabethan English full of thous, thees and thys in an attempt to approximate the familiar form of address in Spanish e.g.
“... when thou wert wiping thy mother’s milk off thy chin.” - Chapter 11
“But did thee feel the earth move?” - Chapter 13
c. Hemingway’s self censorship with the use of the words “obscenity” & “unprintable” in place of rough language, resulting in passages such as
“Care well for thy unprintable explosive.” - Chapter 3
“I obscenity in the milk of thy tiredness.” - Chapter 9
d. The paradoxical use of those same curse words in the original Spanish, but left untranslated.
“But me cago en la leche, but I will be content when it starts.” - Chapter 39
All of those problems disappear in this supposedly uncensored 2014 edition of Enn Soosaar’s Estonian translation which was first published in 1970. (Unfortunately, I don’t own a copy of that original so I have to guess that the censorship was in the areas of both curse words and politics.) The speaking is translated normally, the Estonian familiar form is not anachronistic, logical choices of relatively minor curse words are used instead of “rõvedus” (obscenity) and the Spanish is translated in footnotes (with one exception that I noticed).
So the only catch is that they may have now printed all of Soosaar’s translation, but they don’t seem to have gone back to check whether he actually translated the entire thing in the first place. i.e. based on at least one example, I suspect Soosaar left untranslated some passages that he felt wouldn’t make it past the then Soviet censor in any case.
In chapter 27 aka "Sordo’s Last Stand" there is a paragraph:
"That they should aid us now," another man said. "That all the cruts* of Russian sucking swindlers should aid us now." He fired and said, “Me cago en tal, I missed.”
In the Estonian translation this reads as:
“Et nad aitaksid meid praegu,” ütles üks meestest. Ta tulistas ja ütles “Me cago en tal. Jälle lasksin mööda.”
You can probably tell that the middle sentence which curses the Russians has been left out in the Estonian. It would have read something like "Et kõik need sittad Vene imejad petturid peaksid aitama meid nüüd.”
Otherwise, this is a terrific translation which now made this work completely readable for me. It would be interesting to know how other international translators solve these sorts of issues.
*Hemingwayspeak for “shits” show less
There can scarcely be any better education for a writer than to read the works of Ernest Hemingway. Clean, precise and literary, his writing makes you want to write the way looking at a finely-carpentered oak table makes you wish you could work with wood. And, what is more, he occasionally interjects his writing with salient and opinionated thoughts on writing itself, many of which Larry W. Phillips has collated into this thin volume.
It's a bracing read, and one that Hemingway himself, for show more all his pugnacity on the topic, might have approved of. Its brevity is well in keeping with the philosophy of its author, who pioneered the 'iceberg theory' of writing: this is not Hemingway abridged but Hemingway's scattered advice on writing cut down to its essence. There is practical advice (not least, the valuable tip to "stop when you are going good and when you know what will happen next" (pg. 41)) but also thoughts on the landscape of writing: the terrors and joys of it, the temptation to fake, on ambition and comparing yourself against the greats.
But while Phillips' compilation more than suffices as the crib notes, reading all of Hemingway's works, major and minor, is the true syllabus. There is no complete instruction manual to writing well that can be spoon-fed to you, not even from the Hemingways of the world. After all, "there is a mystery in all great writing and that mystery does not dis-sect out… Each time you re-read you see or learn something new" (pg. 5). Read well, and read widely, in order to stand a chance at writing well; it's a surprise how many wannabe writers feel no joy in learning this is the only advice that truly applies, and instead think there is some exam to pass, some board-approved criteria to follow. show less
It's a bracing read, and one that Hemingway himself, for show more all his pugnacity on the topic, might have approved of. Its brevity is well in keeping with the philosophy of its author, who pioneered the 'iceberg theory' of writing: this is not Hemingway abridged but Hemingway's scattered advice on writing cut down to its essence. There is practical advice (not least, the valuable tip to "stop when you are going good and when you know what will happen next" (pg. 41)) but also thoughts on the landscape of writing: the terrors and joys of it, the temptation to fake, on ambition and comparing yourself against the greats.
But while Phillips' compilation more than suffices as the crib notes, reading all of Hemingway's works, major and minor, is the true syllabus. There is no complete instruction manual to writing well that can be spoon-fed to you, not even from the Hemingways of the world. After all, "there is a mystery in all great writing and that mystery does not dis-sect out… Each time you re-read you see or learn something new" (pg. 5). Read well, and read widely, in order to stand a chance at writing well; it's a surprise how many wannabe writers feel no joy in learning this is the only advice that truly applies, and instead think there is some exam to pass, some board-approved criteria to follow. show less
Hemingway engenders strong opinions. Of late, there has been a surge in opinion that he doesn’t deserve the attention and acclaim that he garnered over the years. There are those who think that his stripped down, powerful prose is just a sign of a writer lacking in language and imagination. Others continue to hail him as a genius. If anything, Papa would be pleased to be at the center of such a debate, to have so many arguing over the worth of his work.
If nothing else, [Ernest Hemingway show more on Writing] shows us that worth was something he thought a lot about. The book excerpts Hemingway’s letters, books, and essays for comments on the craft. The man refused to reduce his own thoughts in one place for any one treatise on the topic – he said many times that it would knock the dust from the butterfly’s wings to do so. But he commented on his work many times in private correspondence and in the fiction he wrote. On nearly every page, there is a comment from Hemingway that he is constantly striving to be the best author and to produce the best writing.
“…writing is something that you can never do as well as it can be done. It is a perpetual challenge and it is more difficult than anything else that I have ever done – so I do it. And it makes me happy when I do it well.”
Passages like that are paired with rants about other authors, and how is either measures up or doesn’t. Say what you want, but I’ve read few author’s comments that anguish so over whether they’ve achieved a measure of success with their writing. Today, writing books go out of their way to make everyone feel better about themselves, to see success in the act of putting any word to paper. But Hemingway believed there was a truth to fiction that couldn’t be achieved without constant and committed work. He was not be the kind of teacher who could cultivate the midrange writer up standards, but he could inspire anyone to strive in their soul with his example.
Along the way, he comments on his writing practice, even down to how he picks up the thread from the previous day’s writing in a way that helps to create a unified narrative. He comments that on how to write from the senses, how to observe the events of the day and translate them into truth on the page. And he even comments on what a writer should be reading, providing a reading list of the authors he thinks have something to teach. He even debunks symbolism, reminding us that sometimes the boy is a boy and the fish is a fish.
I wish that Hemingway had not been worried about the butterfly, that he would have had the confidence in his own ability to share it without worry that the act would separate him from the spiritual connection he felt. And that’s the only criticism for the book. It’s not one that could be remedied, and, in a way, it makes Larry Phillips success in creating the book that much more impressive.
Bottom Line: An all too narrow glimpse into a master’s mind, but a glimpse worth taking for anyone who has the same passion.
4 bones!!!!! show less
If nothing else, [Ernest Hemingway show more on Writing] shows us that worth was something he thought a lot about. The book excerpts Hemingway’s letters, books, and essays for comments on the craft. The man refused to reduce his own thoughts in one place for any one treatise on the topic – he said many times that it would knock the dust from the butterfly’s wings to do so. But he commented on his work many times in private correspondence and in the fiction he wrote. On nearly every page, there is a comment from Hemingway that he is constantly striving to be the best author and to produce the best writing.
“…writing is something that you can never do as well as it can be done. It is a perpetual challenge and it is more difficult than anything else that I have ever done – so I do it. And it makes me happy when I do it well.”
Passages like that are paired with rants about other authors, and how is either measures up or doesn’t. Say what you want, but I’ve read few author’s comments that anguish so over whether they’ve achieved a measure of success with their writing. Today, writing books go out of their way to make everyone feel better about themselves, to see success in the act of putting any word to paper. But Hemingway believed there was a truth to fiction that couldn’t be achieved without constant and committed work. He was not be the kind of teacher who could cultivate the midrange writer up standards, but he could inspire anyone to strive in their soul with his example.
Along the way, he comments on his writing practice, even down to how he picks up the thread from the previous day’s writing in a way that helps to create a unified narrative. He comments that on how to write from the senses, how to observe the events of the day and translate them into truth on the page. And he even comments on what a writer should be reading, providing a reading list of the authors he thinks have something to teach. He even debunks symbolism, reminding us that sometimes the boy is a boy and the fish is a fish.
I wish that Hemingway had not been worried about the butterfly, that he would have had the confidence in his own ability to share it without worry that the act would separate him from the spiritual connection he felt. And that’s the only criticism for the book. It’s not one that could be remedied, and, in a way, it makes Larry Phillips success in creating the book that much more impressive.
Bottom Line: An all too narrow glimpse into a master’s mind, but a glimpse worth taking for anyone who has the same passion.
4 bones!!!!! show less
[The Sun Also Rises] was the book that changed my mind forever about Papa. Before reading it, I was fairly cold on him, thinking him the epitome of overblown classic literature – books about nothing, authors reviling in their own voices and self-abased behavior. But, at the encouragement of my wife who is a huge fan, I dipped into the book and then couldn’t put it down.
The story follows Jake Barnes and his tumultuous relationship with Lady Brett Ashley. Jake, a World War I vet, suffers show more from physical and emotional scars. Brett is promiscuous and wild, apt to seduce anyone, and her seductions break Jake and his friendships. The action of the novel is set first in bohemian Paris, then in the Pyrenees, and finally in Pamplona during the days of the running of the bulls. Hemingway based the characters on his own friends in Paris and some of their antics.
Ultimately what won me over was Papa’s deeper look at the souls and inner lives of the people who were later to be known as “The Lost Generation.” Their lives are often viewed as the very height – or perhaps depth – of depravity and debauchery. But Hemingway digs deeper into their souls to find uncommon strength and subtle nobility. The other element, of course, is the master’s spare but evocative prose. The emotion and sense that Hemingway packs into a few words is unparalleled in literature.
Bottom Line: Hemingway at his best – looking deeply where others don’t and packing a punch in just a few words
5 bones!!!!!
A Favorite of All Time show less
The story follows Jake Barnes and his tumultuous relationship with Lady Brett Ashley. Jake, a World War I vet, suffers show more from physical and emotional scars. Brett is promiscuous and wild, apt to seduce anyone, and her seductions break Jake and his friendships. The action of the novel is set first in bohemian Paris, then in the Pyrenees, and finally in Pamplona during the days of the running of the bulls. Hemingway based the characters on his own friends in Paris and some of their antics.
Ultimately what won me over was Papa’s deeper look at the souls and inner lives of the people who were later to be known as “The Lost Generation.” Their lives are often viewed as the very height – or perhaps depth – of depravity and debauchery. But Hemingway digs deeper into their souls to find uncommon strength and subtle nobility. The other element, of course, is the master’s spare but evocative prose. The emotion and sense that Hemingway packs into a few words is unparalleled in literature.
Bottom Line: Hemingway at his best – looking deeply where others don’t and packing a punch in just a few words
5 bones!!!!!
A Favorite of All Time show less
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