Picture of author.

William Faulkner (1897–1962)

Author of The Sound and the Fury

465+ Works 99,446 Members 1,218 Reviews 503 Favorited

About the Author

Born in an old Mississippi family, William Faulkner made his home in Oxford, seat of the University of Mississippi. After the fifth grade he went to school only off and on-lived, read, and wrote much as he pleased. In 1918, refusing to enlist with the "Yankees," he joined the Canadian Air Force, show more and was transferred to the British Royal Air Force. After the war he studied a little at the University, did house painting, worked as a night superintendent at a power plant, went to New Orleans and became a friend of Sherwood Anderson, then to Europe and back home to Oxford. By this time he had written two novels. The Sound and the Fury followed in 1929. Financial success came with Sanctuary in 1931, which he assisted in filming. Faulkner 's novels are intense in their character portrayals of disintegrating Southern aristocrats, poor whites, and African Americans. A complex stream-of-consciousness rhetoric often involves Faulkner in lengthy sentences of anguished power. Most of his tales are set in the mythical Yoknapatawpha County, Mississippi, and are characterized by the use of many recurring characters from families of different social levels spanning more than a century. His best subjects are the old, dying South and the newer materialistic South. As I Lay Dying (1930), is a grotesquely tragicomic story about a family of poor southern whites. With Absalom, Absalom! (1936); the difficult parts of his famous short novel "The Bear" (published in Go Down, Moses, 1942); and the allegorical A Fable (1954), a non-Yoknapatawpha novel set in France during World War I; Faulkner returned to an innovative and difficult style that most readers have trouble with. Yet, interspersed among such works are collections of easily read stories originally published in popular magazines. There seems to be a growing sentiment among critics that the Snopes trilogy-The Hamlet (1940), The Town (1957), and The Mansion (1959)-for the most part an example of Faulkner's "moderate" style, could well be among his most important works. Faulkner was awarded the 1949 Nobel Prize for literature "for his powerful and artistically independent contribution to the new American novel," but it would appear now that he also deserved to win that honor for his contribution to world literature. When reporting his death, the Boston Globe quoted Faulkner's having once told an interviewer: "Since man is mortal, the only immortality for him is to leave something behind him that is immortal since it will always move. That is the artist's way of scribbling "Kilroy was here" on the wall of the final and irrevocable oblivion through which he must some day pass." In addition to the Nobel Prize, Faulkner received the Howells Medal of the American Academy of Arts and Letters in 1950, and in 1951 he was given the National Book Award for his Collected Stories Collected Stories. For his novel A Fable he received the National Book Award for the second time, as well as the Pulitzer Prize in 1955. The Reivers (1962) was awarded the Pulitzer Prize in 1963. In 1957 and 1958, he was the University of Virginia's first writer-in-residence, and in January 1959 he accepted an appointment as consultant on contemporary literature to the Alderman Library of that university. Although Faulkner was not without honors in his lifetime and has received world recognition since then, it is surprising to learn that, when Malcolm Cowley edited The Portable Faulkner in 1946, he found that almost all of Faulkner's books were out of print. By arranging selections from the works to form a continuous chronicle, Cowley deserves much of the credit for making readers aware of the way in which Faulkner was creating a fictive world on a scale grander than that of any novelist since Balzac. William Faulkner died in Oxford, Mississippi, in 1962. (Bowker Author Biography) show less
Disambiguation Notice:

This is not the same person as William Falkner (d. 1682), English theologian. Do not combine the two.

Image credit: William Faulkner, 1954

Series

Works by William Faulkner

The Sound and the Fury (1929) — Author — 19,566 copies, 247 reviews
As I Lay Dying (1930) 16,899 copies, 238 reviews
Light in August (1932) 10,414 copies, 113 reviews
Absalom, Absalom! (1936) 8,656 copies, 115 reviews
Sanctuary (1931) 4,202 copies, 47 reviews
Go Down, Moses (1942) 3,705 copies, 37 reviews
The Reivers (1962) 2,625 copies, 32 reviews
Intruder in the Dust (1948) 2,352 copies, 36 reviews
The Unvanquished (1938) 2,218 copies, 17 reviews
Collected Stories of William Faulkner (1950) 2,178 copies, 10 reviews
The Hamlet (1940) 2,059 copies, 21 reviews
The Sound and the Fury, A Norton Critical Edition (1929) — Author — 2,057 copies, 22 reviews
The Wild Palms (1939) 1,495 copies, 18 reviews
A Fable (1954) 963 copies, 9 reviews
Soldiers' Pay (1926) 816 copies, 17 reviews
The Town (1957) — Author — 806 copies, 6 reviews
The Mansion (1959) — Author — 801 copies, 2 reviews
Requiem for a Nun (1951) 738 copies, 3 reviews
Selected Short Stories of William Faulkner (1961) 721 copies, 2 reviews
Sartoris (1929) 692 copies, 4 reviews
Mosquitoes (1927) 618 copies, 11 reviews
As I Lay Dying [Norton Critical Edition] (2009) 600 copies, 6 reviews
Pylon (1935) 589 copies, 8 reviews
The Sound and the Fury / As I Lay Dying (1976) 548 copies, 4 reviews
As I Lay Dying / The Sound and the Fury / Light in August (2005) — Author — 545 copies, 4 reviews
Knight's Gambit (1949) 532 copies, 10 reviews
Flags in the Dust (1929) — Author — 490 copies, 14 reviews
Novels, 1957-1962: The Town / The Mansion / The Reivers (1999) — Author — 407 copies, 2 reviews
Uncollected Stories of William Faulkner (1979) 395 copies, 1 review
The Faulkner Reader (1959) 367 copies, 1 review
The Big Sleep [1946 film] (1946) — Screenwriter — 322 copies, 4 reviews
Six Great Modern Short Novels (1954) — Contributor — 320 copies, 2 reviews
A Rose for Emily [short story] (1970) 311 copies, 5 reviews
The Portable Faulkner (1946) 307 copies, 5 reviews
New Orleans Sketches (1968) 260 copies, 1 review
Big Woods (1955) 246 copies, 3 reviews
To Have and Have Not [1944 film] (1944) — Screenwriter — 231 copies, 8 reviews
A Rose for Emily {Tale Blazers} (2007) 220 copies, 12 reviews
The Wishing Tree (1927) — Author — 181 copies, 4 reviews
The Bear (1942) 150 copies, 4 reviews
Sanctuary and Requiem for a Nun (1951) — Author — 131 copies, 1 review
These Thirteen (1931) 85 copies
The Old Man (1978) 77 copies, 5 reviews
Barn Burning (1979) 74 copies, 4 reviews
A Rose for Emily and Other Stories (1990) 68 copies, 1 review
Relatos (1984) 53 copies, 2 reviews
Smoke [short story] (1993) 46 copies
Vision in Spring (1984) 44 copies
Mayday (1980) 37 copies
Ghosts of Rowan Oak: William Faulkner's Ghost Stories for Children (1980) — Contributor — 34 copies, 1 review
Father Abraham (1983) 32 copies
William Faulkner: early prose and poetry (1962) 31 copies, 1 review
A Rose for Emily {book} (1996) 28 copies, 2 reviews
Essays, Speeches & Public Letters {1965} (1966) — Author — 26 copies
Faulkner : Oeuvres romanesques, tome 1 (1977) — Author — 25 copies, 1 review
Dry September (2014) 24 copies, 12 reviews
Helen: A Courtship and Mississippi Poems (1981) 23 copies, 1 review
The Essential Faulkner (2013) 23 copies, 1 review
Si yo amaneciera otra vez (1997) 21 copies
The Long Hot Summer (1958) 20 copies
Barn Burning {story} (1997) — Author — 18 copies
Una rosa per Emily (1997) — Author — 16 copies, 1 review
That Evening Sun {story} (1931) 15 copies, 2 reviews
The William Faulkner Audio Collection (2003) — Author — 14 copies, 1 review
Miss Zilphia Gant (1980) 14 copies
Eine Rose für Emily (1930) 13 copies
The Indispensable Faulkner (1950) 13 copies
Faulkner. Oeuvres romanesques. Tome 2/5 (La Pléiade) (2016) — Author — 13 copies, 1 review
All the Dead Pilots (2002) 13 copies
William Faulkner Reads (1992) 13 copies
Light in August / Sanctuary (1978) — Author — 12 copies, 1 review
Two Soldiers (1983) 12 copies
Stories from six authors (2000) — Contributor — 12 copies, 1 review
Obras completas (2004) 12 copies
Red Leaves: Stories (1972) — Author — 11 copies, 1 review
The Best of Faulkner (1955) 11 copies
The Marionettes (1975) 11 copies
Noveller (1992) 11 copies
Turnabout (1932) 11 copies
Meistererzählungen (1970) 11 copies
Contes (2024) 10 copies, 1 review
Barn Burning and Other Stories (1971) — Author — 10 copies, 1 review
Faulkner's Mgm Screenplays (1982) 10 copies
Faulkner : Oeuvres romanesques, tome 3 (1977) — Author — 10 copies
Seasons of Light in the Atchafalaya Basin (1983) — Author — 9 copies, 1 review
As I Lay Dying [2013 film] (2013) — Author — 8 copies, 1 review
Obras completas . I (2004) 8 copies
Obras escogidas. Tomo I (2005) 8 copies
Lo! 8 copies
Schwarze Musik. (1994) 8 copies
Privacy (2003) 8 copies
Karhu ja muita novelleja (1969) 7 copies
Cartas escogidas (1983) 7 copies
Essential Faulkner (1967) 7 copies
Mountain Victory (2002) 7 copies
Faulkner : Oeuvres romanesques, tome 4 (1977) — Author — 7 copies
Wash (2012) 7 copies
Red Leaves {story} — Author — 6 copies
Gdy leżę, konając (2024) 6 copies
Spotted Horses (1989) 6 copies, 1 review
Rose for Emily and Wash (1984) — Author — 6 copies, 1 review
Faulkner at Nagano (1956) 5 copies
Romanzi (1995) 5 copies
Obras escogidas 5 copies
Douglas Sirk: Filmmaker Collection [videorecording] (2018) — Screenwriter — 5 copies
Yenilmeyenler (2018) 4 copies
Ad Astra (2006) 4 copies
A Justice 4 copies
Obras Completas V (2005) 4 copies
A Aldeia (2015) 4 copies
A Bear Hunt 4 copies
Pantaloon in Black (1942) 4 copies
Nouvelles (2017) 4 copies
Koy (2018) 3 copies
Strange Love (1963) 3 copies
Faulkner op West Point (1990) 3 copies
The Old People (1942) 3 copies
Santuario; Absalón, Absalón. (1993) 3 copies, 1 review
2 (2004) 3 copies
Obras completas. VII (2005) 3 copies
Ensayos y discursos (2012) 3 copies
Mississippi Poems (1979) 3 copies
Mirrors of Chartres Street (1925) 3 copies, 1 review
Hair (1968) 3 copies
Honor 3 copies
Mistral 3 copies
Stary 3 copies
Elly 3 copies
The Tall Men 3 copies
Opere scelte (1995) 3 copies
The Broach 3 copies
A Courtship 3 copies
The Fire and the Hearth (1942) 3 copies
Delta Autumn (1942) 2 copies
Death Drag 2 copies
Werkausgabe 28 Briefe (1997) 2 copies
Dilek Agaci (2016) 2 copies
Els invictes 2 copies
Mosquitoes 2 copies
Mississippi (2000) 2 copies
Obras completas . VI (2004) 2 copies
The Hill (1922) 2 copies
Was (1942) 2 copies
Carcassonne — Author — 2 copies
The Leg 2 copies
Artist at Home 2 copies
os desgarrados 2 copies
Faulkner's County: Tales of Yoknapatawpha County (1955) — Author — 2 copies
Golden Land 2 copies
Crevasse 2 copies
Evangeline (1998) — Author — 2 copies
Beyond 2 copies
Suchy wrzesień (1993) 2 copies
Fox Hunt 2 copies
Victory 2 copies
Ruido e a furia, o (2007) 1 copy
Buka i bes (1977) 1 copy
Sartoris 1 copy
Svetiliste (2017) 1 copy
En canto agonizo (2025) 1 copy
Keď som umierala (2016) 1 copy
BJÖRNEN 1 copy
Põrmu häirija (2024) 1 copy
The Marble Faun (2009) 1 copy
Sartoris nrf (1949) 1 copy
Santuário 1 copy
Humphrey Bogart Classics: Volume 2 — Writer — 1 copy
Old Man [1997 TV movie] (1997) — Author — 1 copy
Welcome to USA (2012) — Contributor — 1 copy
O Akşam Güneşi 1 copy, 1 review
Lekeli Günler 1 copy, 1 review
DUMAN 1 copy
Dosegimde Olurken - Ayi 1 copy, 1 review
TYMI 1 copy
Moskity 1 copy
The Hamlet ( 1st/1st ) (1940) 1 copy
İki Hamlede Zafer (2020) 1 copy
L' Intrus 1 copy
mansión, La 1 copy
Amerikaanse verhalen — Contributor — 1 copy
Cavalli pezzati (1997) 1 copy
12 סיפורים (2018) 1 copy
The Waifs 1 copy
Histoires diverses (1967) 1 copy
Elmer (1987) 1 copy
Opere 1 copy
Mosquitoes (Dell ed.) (1930) 1 copy
Smásögur 1 copy
Le opere 1 copy
Snobovi 1 copy
Desce, Moisés (1995) 1 copy
Bygda (1996) 1 copy
Mink 1 copy
Road to Glory (1964) 1 copy
Collected Storeies Vol. II 1 copy, 1 review
Duman 1 copy
Mektuplar (2014) 1 copy
Fumo 1 copy
Zascianek (1981) 1 copy
Wielki las (1997) 1 copy
Rezydencja (1983) 1 copy
Smasogur 1 copy
Konjicki gambit (1967) 1 copy
Divlje palme (1966) 1 copy

Associated Works

The Best American Short Stories of the Century (2000) — Contributor — 1,730 copies, 10 reviews
The Norton Anthology of Short Fiction (1978) — Author, some editions — 1,591 copies, 4 reviews
50 Great Short Stories (1952) — Contributor — 1,485 copies, 11 reviews
Literature: An Introduction to Fiction, Poetry, and Drama (1995) — Contributor, some editions — 1,017 copies, 7 reviews
Perrine's Literature: Structure, Sound, and Sense (1970) — Contributor, some editions — 896 copies, 4 reviews
The Oxford Book of American Short Stories (1992) — Contributor — 841 copies, 3 reviews
My Mistress's Sparrow Is Dead (2008) — Contributor — 808 copies, 21 reviews
The Dark Descent (1987) — Contributor — 805 copies, 14 reviews
Short Story Masterpieces (1954) — Contributor — 784 copies, 3 reviews
Great Tales of Terror and the Supernatural (1944) — Contributor — 739 copies, 12 reviews
The Oxford Book of Gothic Tales (1992) — Contributor — 608 copies, 6 reviews
The Oxford Book of Short Stories (1981) — Contributor — 564 copies, 4 reviews
Great American Short Stories (1957) — Contributor — 550 copies, 3 reviews
American Gothic Tales (William Abrahams) (1996) — Contributor — 527 copies, 5 reviews
The Best American Mystery Stories of the Century (2000) — Contributor — 517 copies, 7 reviews
The World of the Short Story: A 20th Century Collection (1986) — Contributor — 513 copies, 4 reviews
Fifty Great American Short Stories (1965) — Contributor — 479 copies, 3 reviews
Great Detectives: A Century of the Best Mysteries from England and America (1984) — Contributor — 408 copies, 4 reviews
100 Years of the Best American Short Stories (2015) — Contributor — 370 copies, 5 reviews
Best Short Stories of the Modern Age (1962) — Contributor, some editions — 352 copies, 4 reviews
Men at War: The Best War Stories of All Time (1942) — Contributor — 342 copies
A Treasury of Short Stories (1947) — Contributor — 334 copies
Americans in Paris: A Literary Anthology (2004) — Contributor — 327 copies, 3 reviews
A World of Great Stories (1947) — Contributor — 300 copies, 4 reviews
The Treasury of American Short Stories (1981) — Contributor — 294 copies, 1 review
Nobel Prize Library: Faulkner, O'Neill, Steinbeck (1971) — Author; Contributor — 228 copies
The Arbor House Treasury of Horror and the Supernatural (1981) — Contributor — 220 copies, 3 reviews
Sixteen Short Novels (1986) — Contributor — 208 copies, 1 review
The Penguin Book of American Short Stories (1969) — Contributor — 208 copies, 1 review
The Oxford Book of American Detective Stories (1996) — Contributor — 200 copies, 2 reviews
Great Modern Short Stories (1955) — Contributor — 198 copies
In Another Part of the Forest: An Anthology of Gay Short Fiction (1994) — Contributor — 193 copies, 2 reviews
Growing Up in the South: An Anthology of Modern Southern Literature (1991) — Contributor — 165 copies, 1 review
A Pocket Book of Modern American Short Stories (1971) — Contributor — 162 copies, 3 reviews
Murder & Other Acts of Literature (1997) — Contributor — 157 copies, 2 reviews
The Penguin Book of Horror Stories (1984) — Contributor — 156 copies, 3 reviews
An Anthology of Famous American Stories (1953) — Contributor — 155 copies, 1 review
The Saturday Evening Post Treasury (1954) — Contributor — 152 copies, 1 review
30 Stories to Remember (1962) — Contributor — 147 copies, 3 reviews
An American Album: One Hundred and Fifty Years of Harper's Magazine (2000) — Contributor — 145 copies, 1 review
The Signet Classic Book of Southern Short Stories (1991) — Contributor — 140 copies, 1 review
The Norton Anthology of American Literature, Volume 2: 1865 to Present (1979) — Contributor, some editions — 137 copies
Magical Realist Fiction: An Anthology (1984) — Contributor — 119 copies, 1 review
Great Modern Reading (1943) — Contributor — 115 copies, 3 reviews
More Stories to Remember, Volume 2 (1958) — Contributor — 110 copies, 1 review
The Literature of the American South: A Norton Anthology (1997) — Contributor — 110 copies
American Short Stories [Pearson Longman] (1976) — Contributor, some editions — 106 copies
Norton Introduction to the Short Novel (1982) — Contributor — 105 copies, 1 review
Masterpieces of Mystery : The Prizewinners (1976) — Contributor — 100 copies
A Treasury of Civil War Stories (1985) — Contributor — 95 copies
Great Short Stories of the Masters (1995) — Contributor — 94 copies, 1 review
Great American Mystery Stories of the 20th Century (1989) — Contributor — 91 copies
Great Stories by Nobel Prize Winners (1993) — Contributor — 86 copies, 1 review
The American Mercury Reader (1979) — Contributor — 85 copies, 1 review
Ten Modern Masters: An Anthology of the Short Story (1953) — Contributor — 80 copies
200 Years of Great American Short Stories (1975) — Contributor — 79 copies, 1 review
The Bedside Book of Famous American Stories (1936) — Contributor — 78 copies
The Rinehart Book of Short Stories (1952) — Contributor — 75 copies, 1 review
The Heath Anthology of American Literature, Concise Edition (2003) — Contributor — 73 copies, 1 review
The modern tradition; an anthology of short stories (1979) — Contributor — 70 copies
The Medusa in the Shield (1990) — Contributor — 70 copies, 1 review
65 Great Tales of Horror (1981) — Contributor — 67 copies
Dark Arrows: Great Stories of Revenge (1985) — Contributor — 65 copies
Great American Short Stories (1977) — Contributor — 65 copies
More Stories to Remember, Volumes I & II (1958) — Contributor — 64 copies
Gunga Din [1939 film] (1939) — Contributor — 63 copies, 1 review
The Penguin Classic Crime Omnibus (1984) — Contributor — 58 copies
The Long, Hot Summer [1958 film] (1958) — Original story — 58 copies
The Arbor House Treasury of Mystery and Suspense (1981) — Contributor — 57 copies
Reading for Pleasure (2023) — Contributor — 56 copies
The Oxford Book of Sea Stories (1994) — Contributor — 56 copies, 1 review
Art of Fiction (1974) — Contributor — 55 copies
Eleven Modern Short Novels (1958) — Contributor — 54 copies, 1 review
Masters of the Modern Short Story (1945) — Contributor — 53 copies
The Experience of the American Woman (1978) — Contributor — 52 copies
The lucifer society;: Macabre tales by great modern writers (1972) — Contributor — 52 copies, 1 review
The Random House Book of Sports Stories (1990) — Contributor — 49 copies
The Signet Classic Book of Contemporary American Short Stories (1985) — Contributor — 47 copies, 1 review
The Bedside Tales: A Gay Collection (1945) — Contributor — 45 copies
Great Short Stories (1950) — Contributor — 44 copies, 1 review
The Oxford Book of Historical Stories (1994) — Contributor — 44 copies
A Quarto of Modern Literature (1935) — Contributor — 43 copies
Southern Dogs and Their People (2000) — Contributor — 43 copies
Murder Most Foul : A Collection of Great Crime Stories (1984) — Contributor — 42 copies
The Vintage Book of Classic Crime (1993) — Contributor — 40 copies
Best Horror Stories (1990) — Contributor — 39 copies, 2 reviews
Fifty Best American Short Stories 1915-1965 (1965) — Contributor — 39 copies, 1 review
New Stories from the South: The Year's Best, 1996 (1996) — Contributor — 38 copies
Tales of Terror (1943) — Contributor — 36 copies
Short Stories [Great American Writers] (1989) — Contributor — 32 copies, 1 review
The Greatest War Stories Ever Told: Twenty-Four Incredible War Tales (2001) — Contributor — 31 copies, 1 review
50 Best American Short Stories 1915-1939 (2013) — Contributor — 31 copies
Ten Modern Short Novels (1958) — Contributor — 31 copies
The Best Horror Stories (1977) — Contributor — 28 copies
21 Essential American Short Stories (2011) — Contributor — 28 copies, 1 review
American Short Stories: 1820 to the Present (1952) — Contributor — 28 copies
Short Stories of the Sea (1984) — Contributor — 27 copies
Trial and Error: An Oxford Anthology of Legal Stories (1998) — Contributor — 27 copies
Pulitzer Prize Reader (1961) — Contributor — 27 copies
Great Short Stories of the World (1965) — Contributor — 26 copies
Tales of Dungeons and Dragons (1986) — Contributor — 26 copies
Studies in Fiction (1965) — Contributor — 23 copies, 1 review
The Hounds of Hell: Stories of Canine Horror and Fantasy (1974) — Contributor — 23 copies
The Greatest American Short Stories: Twenty Classics of Our Heritage (1953) — Contributor — 21 copies, 1 review
Mississippi Writers: An Anthology (1991) — Contributor — 19 copies
The Best American Short Stories 1966 (1966) — Contributor — 19 copies
Modern American Short Stories (1945) — Contributor — 19 copies
Short Stories II (1961) — Contributor — 19 copies
Loaded for Bear: A Treasury of Great Hunting Stories (1990) — Contributor — 17 copies
The Tarnished Angels [1957 film] (1957) — Original book — 17 copies, 1 review
The Family Reader of American Masterpieces (1959) — Contributor — 17 copies
Air Force [1943 film] (1943) — Screenwriter — 17 copies, 1 review
All verdens fortellere (1990) — Contributor, some editions — 16 copies, 1 review
Nine Short Novels (1964) — Contributor — 16 copies
Nobel Writers on Writing (2000) — Contributor — 15 copies
Twenty-Nine Stories (1960) — Contributor — 15 copies
The Best American Short Stories 1943 (1943) — Contributor — 15 copies
The night before Chancellorsville, and other Civil War stories (1957) — Contributor — 14 copies, 1 review
The Story Pocket Book (1944) — Contributor — 14 copies
31 Stories (1960) — Contributor — 13 copies, 2 reviews
Great Short Stories from the World's Literature (1950) — Contributor — 13 copies
Intruder in the Dust [1949 film] (1949) — Original novel — 13 copies, 1 review
Sherwood Anderson and Other Famous Creoles (2018) — Foreword, some editions — 13 copies
The World of Law, Volume I : The Law in Literature (1960) — Contributor — 13 copies
Favourite Scary Stories from Graveside Al (1996) — Contributor — 13 copies
The Queen's Awards : 1946 (1946) — Contributor — 13 copies, 1 review
Land of the Pharaohs [1955 film] (1955) — Screenwriter — 11 copies, 1 review
Fiction Goes to Court (1954) — Contributor — 10 copies
A New Southern Harvest (1957) — Contributor — 10 copies
The best of the Best American short stories, 1915-1950 (1975) — Contributor — 10 copies
More Stories to Remember, Volume IV (1958) — Contributor — 9 copies
William Faulkner's Barn Burning [1980 TV movie] (1985) — Original play — 9 copies
Modern American Short Stories (1987) — Contributor — 9 copies
Writer to Writer: Readings on the Craft of Writing (1966) — Contributor — 8 copies
Modern American Short Stories (1941) — Contributor — 8 copies
The Fireside Treasury of Modern Humor (1963) — Contributor — 7 copies
Before and After Midnight (1949) — Contributor — 7 copies
The Story Survey (1939) — Contributor — 7 copies
Time to Be Young: Great Stories of the Growing Years (1945) — Contributor — 7 copies
Themes in American Literature (1972) — Contributor — 5 copies
Strange Desires (1954) — Contributor — 5 copies
American Short Stories [Globe Book Co.] (1966) — Contributor — 5 copies, 1 review
Huivering wekken : 26 onthutsende verhalen (1982) — Contributor — 4 copies
Breakdown and Other Thrillers (1968) — Contributor — 4 copies
Twenty-Three Modern Stories (1963) — Contributor — 4 copies
Best Crime Stories (1964) — Contributor — 4 copies
Modern Short Stories — Contributor — 3 copies
Short Fiction: Shape and Substance (1971) — Contributor — 3 copies
The Narrative Impulse: Short Stories for Analysis (1963) — Contributor — 3 copies
Daughters of Eve (1956) — Contributor — 3 copies
Enjoying Stories (1987) — Contributor — 2 copies
The Literary Short Story (2007) — Contributor — 2 copies
The River Reader: Introduction to Literature (2010) — Contributor — 2 copies
Strange Barriers (1955) — Contributor — 2 copies
Modern Short Stories — Contributor — 2 copies
American Short Stories (Oxford Literature Resources) (1992) — Contributor — 2 copies
A Magnum of Mysteries (1963) — Contributor — 2 copies
The Avon Annual 1945: 18 Great Modern Stories (1945) — Contributor — 1 copy
Sanctuary [1961 film] (1961) — Original novel — 1 copy
The PL book of modern American short stories (1945) — Contributor — 1 copy
Murder By Experts (1947) — Contributor — 1 copy
Introduction to Fiction (1974) — Contributor — 1 copy
15 Great Stories of Today (1946) — Contributor — 1 copy
Modern American short stories (1963) — Contributor — 1 copy
O. Henry Memorial Award Prize Stories of 1934 (1934) — Contributor — 1 copy
The Saturday Evening Post Stories 1957 — Contributor — 1 copy

Tagged

20th century (1,574) 20th century literature (531) American (1,571) American fiction (425) American literature (3,563) American South (660) classic (1,450) classics (1,599) family (321) Faulkner (1,457) fiction (10,680) Library of America (347) literature (2,898) Mississippi (820) Modern Library (297) modernism (936) Nobel Prize (470) novel (2,477) own (346) read (756) short stories (776) South (433) southern (967) southern gothic (598) southern literature (1,053) stream of consciousness (341) to-read (4,212) unread (557) USA (610) William Faulkner (441)

Common Knowledge

Legal name
Faulkner, William Cuthbert
Other names
Faulkner, Will
Birthdate
1897-09-25
Date of death
1962-07-06
Gender
male
Education
University of Mississippi
Occupations
novelist
short story writer
poet
literary critic
essayist
screenwriter (show all 14)
playwright
bank clerk
postmaster
roof painter
carpenter
deckhand
coal shoveler
pilot
Organizations
British Armed Forces
American Academy of Arts and Letters
Sigma Alpha Epsilon
University of Mississippi (postmaster)
Metro-Goldwyn-Mayer (screenwriter)
Warner Brothers (screenwriter) (show all 8)
University of Virginia (writer-in-residence)
National Institute of Arts and Letters
Awards and honors
Nobel Prize (Literature, 1949)
National Institute of Arts and Letters (1939)
American Academy of Arts and Letters (1948)
William Dean Howells Medal (1950)
Chevalier de la Legion d'honneur (1951)
Silver Medal of the Greek Academy (1957) (show all 8)
National Institute of Arts and Letters Gold Medal (1962)
Created the PEN/Faulkner Award
Relationships
Faulkner, John (brother)
Falkner, Murry C. (brother)
Faulkner, Jim (nephew)
Falkner, William Clark (great-grandfather)
Percy, William Alexander (friend)
Anderson, Sherwood (friend) (show all 9)
West, Nathanael (friend)
Franklin, Malcolm A. (stepson)
Wells, Dean Faulkner (niece)
Short biography
William Cuthbert Faulkner (September 25, 1897 – July 6, 1962) was an American writer and Nobel Prize laureate from Oxford, Mississippi. Faulkner wrote novels, short stories, screenplays, poetry, essays, and a play. He is primarily known for his novels and short stories set in the fictional Yoknapatawpha County, based on Lafayette County, Mississippi, where he spent most of his life.

Faulkner is one of the most celebrated writers in American literature generally and Southern literature specifically. Though his work was published as early as 1919 and largely during the 1920s and 1930s, Faulkner's renown reached its peak upon the publication of Malcolm Cowley's The Portable Faulkner and his 1949 Nobel Prize in Literature, making him the only Mississippi-born Nobel winner. Two of his works, A Fable (1954) and his last novel The Reivers (1962), each won the Pulitzer Prize for Fiction. In 1998, the Modern Library ranked his 1929 novel The Sound and the Fury sixth on its list of the 100 best English-language novels of the 20th century; also on the list were As I Lay Dying (1930) and Light in August (1932). Absalom, Absalom! (1936) appears on similar lists.
Cause of death
a fall (from his horse)
thrombosis
Nationality
USA
Birthplace
New Albany, Mississippi, USA
Places of residence
Oxford, Mississippi, USA
New Orleans, Louisiana, USA
Place of death
Byhalia, Mississippi, USA
Burial location
St. Peter's Cemetery, Oxford, Mississippi, USA
Map Location
USA
Disambiguation notice
This is not the same person as William Falkner (d. 1682), English theologian. Do not combine the two.

Members

Discussions

Folio Society Devotees: Sound and Fury in Book talk (October 2023)
Folio Society Devotees: Sound and Fury in Folio Society Devotees (October 2023)
The Snopes Trilogy, Volume III, The Mansion in Club Read 2023 (September 2023)
The Snopes Trilogy, Volume II, The Town in Club Read 2023 (August 2023)
The Snopes Trilogy Group Read: The Hamlet in Club Read 2023 (July 2023)
The Sound and the Fury LE in Folio Society Devotees (May 2021)
Faulkner and james Branch Cabell in William Faulkner and his Literary Kin (October 2020)
As I Lay Dying: The More You Know. in William Faulkner and his Literary Kin (November 2018)
William Faulkner- American Author Challenge in 75 Books Challenge for 2014 (March 2014)
LIGHT IN AUGUST - Group Read Discussion Thread in 75 Books Challenge for 2013 (August 2013)
The Sound and the Fury GROUP READ in 2013 Category Challenge (April 2013)

Reviews

1,318 reviews
Told through the eyes of a teenage Charles Mallison, this is a murder mystery wrapped up in race. Lucas Beauchamp, the mixed-race independent minded descendent of the white McCaslins, is arrested for murder, shooting a white man in a very closed rural community ten miles outside Jefferson Mississippi. A lynching feels imminent, leaving anxious energy throughout the un-protesting town. Lucas is one of Faulkner's best characters, and he's at his best here in the opening sections, but he's show more ultimately not really a main character. Instead we have Charles, who is largely listening to his uncle, Gavin Stevens, the Harvard educated country attorney whose strong sense of common-sense has only one problem - it's always wrong.

So, reader, we spend a lot of time listening to Gavin rant, in wordy, thick, Faulknerese. That, to me, is Faulkner as his most unpleasant. Charles and Gavin also narrate The Town, my least favorite Faulkner novel. But this is much better than The Town. As Gavin's rants roll along, he begins to lay out several of Faulkner's life-long philosophies - on race, the south, history, and the eternal presence of history here, now, always. (As Faulkner said elsewhere, "The past is never dead. It’s not even past."). Faulkner's sense of the legacy of the Civil War is fronted here in one of these rants in a very revealing way, one that feels central to all his work. Faulkner always talks around the central dramatic issues. You aren't likely to see a gun go off, but you will hear the lead up and after affects. And you aren't likely to hear about the Civil War and southern audacity, but it's woven into the text, altering and coding everything. Here, waxing on the moment before Pickett's charge, when that southern audacity had its highest promising moment, just a decision away from destruction on Gettysburg, had General Lee merely chosen not to attack...

"It's all now you see. Yesterday won't be over until tomorrow and tomorrow began ten thousand years ago. For every Southern boy fourteen years old, not once but whenever he wants it, there is the instant when it's still not yet two o'clock on that July afternoon in 1863, the brigades are in position behind the rail fence, the guns are laid and ready in the woods and the furled flags are already loosened to break out and Pickett himself with his long oiled ringlets and his hat in one hand probably and his sword in the other looking up the hill waiting for Longstreet to give the word and it's all in the balance, it hasn't happened yet, it hasn't even begun yet, it not only hasn't begun yet but there is still time for it not to begin against that position ..."

The problem with all this is, of course, it's fucking racist. The southern audacity was a white-supremacist slave culture. And Faulkner knows better. Through most of Faulkner's writing, his better writer-voice comes out, instead of his far too conservative, racism-permitting real voice. Here it wavers hard. This is a book that gets closer to Faulkner's true senses. They're way outdated. But they're presented in Gavin Steven's voice, and he's confident and always wrong. So, a game is in there.

As a moment in history, this book was published in 1948. Hiroshima was 3 years past. Gavin includes 1933 and post-War Europe in his rants. The Portable Faulkner came out in 1946, sparking Faulkner's 1st widespread sales. His previous novel, Go Down, Moses, had been published in 1942, six years earlier. And, in 1949, Faulkner would win the Nobel Prize. Whatever Faulkner's racist sense, American and European readers were fascinated and found him insightful on the southern mindset. And he was.

Like Faulkner's novel, my review has lost track of the mystery, and Lucas Beauchamp. The novel eventually comes around to them, if anticlimactically also satisfactorily enough. Not my favorite Faulkner by any means. But an interesting, thought-provoking, discomforting mixture of character and ranted-iffy ideas.

2025
https://www.librarything.com/topic/372264#8913368
show less
This is less "experimental" than Faulkner's earlier novels, The Sound and the Fury and As I Lay Dying, more linear, more "comprehensible", perhaps. The story is told mainly by an omniscient narrator, rather than through the stream of consciousness, internal monologues of his tormented characters. Faulkner may have considered himself a "failed poet", but I believe his only failure was in not realizing that his poetry was never meant to be confined to traditional forms. The writing here is show more often profoundly poetic. The story is grim, being primarily concerned with the fate of an orphan and eventual murderer named Joe Christmas, who believes himself to be carrying the "taint" of Negro blood. As a child, he is abandoned by his family, tormented by other children, harassed by staff members at the orphanage, and eventually brought up under rigid religious constraints by his adoptive parents. None of this can come to good, of course. Although he could "pass" for white (and he may be white for all the factual evidence we are given to the contrary), he chooses to wave his assumed racial identity like a red flag in the face of everyone with whom he becomes close. He hates himself, he hates the rest of the human race, and in his view there is no salvation possible. His violent death is a foregone conclusion. Framing this tragic tale is the almost innocent "love story" of Lena Grove and Byron Bunch, while underlying it all are the back stories and obsessions of Christmas's victim, Joanna Burden, and his would-be savior, the Rev. Gail Hightower. An argument has been made that every principal character in this novel is pathological. There are certainly more archetypical outcasts in this story than you are likely to find in any other single work. It can seem a bit grotesque, in retrospect, but it does not feel like that in the active reading. I would give the book 5 full stars, except that every time I read it (at least 3 times in the last 40-some years) I get mired in Hightower's final chapter, stumbling over pronouns and generations, and never completely grasping the significance of his vision.
(Read a different edition Reviewed in 2013)
show less
½
14. Flags in the Dust by William Faulkner
publication history: cut version published 1929, full version published 1973. Corrected 2006
format: 319-page Nook ebook (published 2011)
acquired: February 29 read: Mar 1-15 time reading: 16:22, 3.1 mpp
rating: 4
genre/style: Classic novel theme: Faulkner
locations: Yoknapatawpha, Mississippi, ~1920
about the author: 1897-1962. American Noble Laureate who was born in New Albany, MS, and lived most of his life in Oxford, MS.

This is an important Faulkner show more novel. It's his 3rd published novel, but it's the first he set in his fictional Yoknapatawpha county Mississippi. It sets the backdrop of the Snopes trilogy and I think much or most of his other work going forward. But is it any good?

It wasn't published as he wanted in his lifetime. The publisher of Faulkner's first two novels rejected it, saying it was “diffuse and non-integral with neither very much plot development nor character development.... The story really doesn't get anywhere and has a thousand loose ends." That's an entirely accurate description. Without plot drive or clear purpose, it walks along slowly. It opens with a breath of wonderful prose and author control on the pace, intentionally slowing us readers down without losing us. But that doesn't last. Eventually the book drifts. I spent swaths of pages wondering why Faulkner was telling me what he was telling me, and even after I set the book down, found myself mulling over this question and not able to answer it. The eventual publisher cut out a huge chunk of it, maybe 25 percent.
"After a while John Sartoris departed also, withdrawn rather to the place where the peaceful dead contemplate their glamourous frustrations"
And yet I enjoyed it. I took in these characters, and embraced with the glee the introductions to characters who are fleshed out in the Snopes trilogy, and I closed in with real affection. The novel hovers over the mythological Civil War colonel, John Sartoris, his memory and spirit hovering "like an odor, like the clean dusty smell of his faded overalls". His son, Old Bayard, runs his bank in this same Mississippi town. Old Bayard's grandson, also Bayard, has just returned from serving as a pilot in WWI, watching his own twin brother die in air combat. There are lot of missing Sartorises, moms, wifes, dads. They don't come out well. And young Bayard can't settle after his experiences, constantly pushing limits and unable to stop. Mixed in, and largely cut in 1929, is the younger Bayard's eventual spouse, inaptly named Narcissa, a beautiful warm character Faulkner created, first in love warmly with her brother (in a healthy way), also a WWI veteran. The sibling relationship is as beautiful as anything in the book.

I don't know how to approach the race aspects of this book except to say race is important to the book, and it's a racism fail. Faulkner loves his black servant characters, but he loves them as black servants playing secondary humans, not as regular people who are entirely dependent financially, with limited to no opportunities for themselves or their children. You can't overlook these aspects, the love and hard misunderstanding. It's so fundamental to the book, to everything beautiful within the book. I cringed, but also found myself open to letting Faulkner give me his own take. If you want to destroy this book on race, you have easy target.

So recommended for Faulkner pursuers, but maybe not for samplers.

2024
https://www.librarything.com/topic/358760#8473610
show less
Here, in grief, things tumble into their constituents, into inanimacy, an unknowing, or in some instances a knowing too well that supercedes reductive language. Pride and vanity bear through carrying out a woman's revenge, one metted towards all but the man upon whom it was fixed. While it is not allotted so much direct pronouncement as other concerns, the tragedy and sorrow of womanhood is perhaps the most pronounced theme, everpresent as undercurrent, rising occasionally to wash away the show more bridge or drive a rushing log through the ford. After some chapters I had to set it aside and go for a walk. Impeccably written, at times genuinely visceral. show less
½

Lists

scav (1)
el (1)
1950s (1)
1920s (1)
bound (1)
Romans (1)
Robin (1)
100 (1)
. (3)
1930s (6)
. (4)
AP Lit (4)
Reiny (2)
My TBR (2)

Awards

You May Also Like

Associated Authors

Robert Penn Warren Introduction, Contributor
Malcolm Cowley Editor & Introduction
Carson McCullers Contributor
Henry James Contributor
Nikolay Gogol Contributor
Glenway Wescott Contributor
Delmer Daves Director
John Huston Director
Graham Greene Contributor
James Joyce Contributor
Joseph Conrad Contributor
James Norman Hall Contributor
James M. Cain Contributor
MacKinlay Kantor Contributor
Charles Nordhoff Contributor
Clarence Day Contributor
Ross Hunter Producer
Raoul Walsh Director
Hans H. Skei Translator
Maurice Edgar Coindreau Contributor, Translator, Traduction
Ole Pramli Translator
Noel Polk Editor
Cleanth Brooks Introduction, Contributor
James Avati Cover artist
Olga W. Vickery Contributor
André Bleikasten Contributor
Henry Nash Smith Contributor
Calvin Bedient Contributor
John Limon Contributor
Fred Hobson Contributor
Stephen M. Ross Contributor
Eric Sundquist Contributor
Edwin Muir Contributor
Thoms D. Clark Contributor
Julia K. W. Baker Contributor
C. D. Mitchell Contributor
Henry Seidel Canby Contributor
Richard Gray Contributor
James Agee Contributor
Doreen Fowler Contributor
Patrick O'Donnell Contributor
Clifton Fadiman Contributor
Valery Larbaud Contributor
Carvel Collins Editor, Introduction
Sidney Hickox Cinematographer
Aldo Nadi Actor
Ann Blyth Actor
John Vandenbergh Translator
Kai Kaila Translator
Helmut M. Braem Translator
Rudolf Pellar Translator
Gunnar Barklund Translator
Ana Maria Chaves Translator
Emilio Tadini Introduction
Alan Phillips Illustrator
Allan Mardon Illustrator
Helge Simonsen Translator
Bernt Jonasson Illustrator
Bill Oakes Illustrator
Krastan Dyankov Translator
Steven H. Stroud Illustrator
Clarisse Tavares Translator
Josef Jařab Afterword
Elisabeth Kaiser Translator
Jordi Arbonès Translator
Richard Godden Introduction
Lorna Raver Narrator
Apie Prins Translator
Rien Verhoef Translator
Suzanne Dean Cover artist/designer
Richard H. Rovere Introduction
Susanne Höbel Übersetzer
Sigurd Hoel Translator
David Tamura Cover artist
Franz Fein Übersetzer
Edward Shenton Illustrator
Harvey Breit Introduction
James Hill Cover artist
Han B. Aalberse Translator
Johan van Keulen Translator
Mar van Keulen Translator
Erich Franzen Translator
John T. Matthews Contributor
Richard H. King Contributor
Wesley Morris Contributor
Andre Bleikasten Contributor
Irving Howe Contributor
C. Vann Woodward Contributor
Thadious M. Davis Contributor
Ben Wasson Contributor
Minrose C. Gwin Contributor
John T. Irwin Contributor
Myra Jehlen Contributor
Ralph Ellison Contributor
Jean-Paul Sartre Contributor
Warwick Wadlington Contributor
Carolyn Porter Contributor
Alex Matson Translator
George P. Garrett Introduction
Thomas Warburton Translator
Robert Cantwell Introduction
Roger Grenier Préface
Georg Goyert Translator
Mario Materassi Translator
Lorenzo Gigli Translator
G. L. Rousselet Traduction
Barye Phillips Cover artist
Mario Andreose Afterword
Carlo Prosperi Translator
Andrés Bosch Translator
Kelek Illustrations
Kaarina Ruohtula Translator
Don Bolognese Illustrator
George Garrett Afterword
Jerry Wald Writer

Statistics

Works
465
Also by
214
Members
99,446
Popularity
#92
Rating
3.9
Reviews
1,218
ISBNs
1,598
Languages
34
Favorited
503

Charts & Graphs