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Sherwood Anderson (1876–1941)

Author of Winesburg, Ohio

173+ Works 7,978 Members 143 Reviews 14 Favorited

About the Author

Sherwood Anderson was born on September 13, 1876, in Camden, Ohio, and grew up in nearby Clyde. In 1898 he joined the U.S. Army and served in the Spanish-American War. In 1900 he enrolled in the Wittenberg Academy. The following year he moved to Chicago where he began a successful business career show more in advertising. Despite his business success, in 1912 Anderson walked away to pursue writing full time. His first novel was Windy McPherson's Son, published in 1916, and his second was Marching Men, published in 1917. The phenomenally successful Winesburg, Ohio, a collection of short stories about fictionalized characters in a small midwestern town, followed in 1919. Anderson wrote novels including The Triumph of the Egg, Poor White, Many Marriages, and Dark Laughter, but it was his short stories that made him famous. Through his short stories he revolutionized short fiction and altered the direction of the modern short story. He is credited with influencing such writers as William Faulkner, Ernest Hemingway and F. Scott Fitzgerald. Anderson died in March, 1941, of peritonitis suffered during a trip to South America. The epitaph he wrote for himself proclaims, "Life, not death, is the great adventure." (Bowker Author Biography) show less
Image credit: Courtesy of the NYPL Digital Gallery (image use requires permission from the New York Public Library)

Series

Works by Sherwood Anderson

Winesburg, Ohio (1919) 5,945 copies
Poor White (1920) 203 copies
The Egg and Other Stories (1998) 149 copies
Dark Laughter (1925) 109 copies
Death in the Woods (1933) 85 copies
The Triumph of the Egg (1921) 83 copies
A Story-Teller's Story (1924) 51 copies
Many Marriages (1923) 49 copies
Windy McPherson's Son (1914) 39 copies
Horses and Men (1923) 28 copies
Tar: A Midwest Childhood (1926) 27 copies
Marching Men (1917) 23 copies
Beyond Desire (1932) 19 copies
Cuentos reunidos (2009) 17 copies
Home Town (1940) 13 copies
Kit Brandon; (1936) 9 copies
Mid-American Chants (1918) 9 copies
I'm a Fool (2005) 9 copies
I Want to Know Why (1991) 8 copies
Puzzled America (1970) 6 copies
The Egg (2014) 6 copies
Le voci del torrente (2010) 5 copies
Perhaps Women (1970) 4 copies
A new testament 4 copies
Apsakymai: romanas (1991) 3 copies
Hello towns! (1929) 3 copies
Kasabamız (2019) 3 copies
Vader is de beste — Author — 3 copies
The American spectator year book (1934) — Editor — 3 copies
The American County Fair (1930) 3 copies
Paper Pills 3 copies
Selected short stories (1981) 3 copies
Departure 3 copies
Godliness 3 copies
Loneliness 2 copies
Unlighted Lamps 2 copies
The Teacher 2 copies
Seeds 2 copies
The modern writer (1925) 2 copies
The Philosopher 2 copies
Winesburg and Others (1937) 2 copies
Nice Girl 2 copies
Drink 1 copy
小城畸人 (2011) 1 copy
Risa negra 1 copy
An Awakening 1 copy
Ubogi belec 1 copy
Kagit Haplar (2011) 1 copy
Le Triomphe de l'oeuf (2021) 1 copy
Mørk latter 1 copy
Queer 1 copy
The Thinker 1 copy
Brothers 1 copy
Il meglio 5 1 copy
Nearer the grass roots (1977) 1 copy
Thoughts 1 copy
The Buck Fever Papers (1971) 1 copy
Kćeri 1 copy
The New Englander (1990) 1 copy
Mørk latter (2014) 1 copy
Smrt v lese 1 copy
The Contract 1 copy

Associated Works

The Best American Short Stories of the Century (2000) — Contributor — 1,564 copies
The Story and Its Writer: An Introduction to Short Fiction (1983) — Contributor — 1,134 copies
The Oxford Book of American Short Stories (1992) — Contributor — 752 copies
Short Story Masterpieces (1954) — Contributor — 682 copies
Great American Short Stories: From Hawthorne to Hemingway (2004) — Contributor — 594 copies
The Oxford Book of Short Stories (1981) — Contributor — 513 copies
Great American Short Stories (1957) — Contributor — 496 copies
American Gothic Tales (1996) — Contributor — 462 copies
Fifty Great American Short Stories (1965) — Contributor — 435 copies
Best Short Stories of the Modern Age (1962) — Contributor, some editions — 335 copies
The Penguin Book of Gay Short Stories (1994) — Contributor — 321 copies
Americans in Paris: A Literary Anthology (2004) — Contributor — 298 copies
A Treasury of Short Stories (1947) — Contributor — 292 copies
100 Years of the Best American Short Stories (2015) — Contributor — 290 copies
The Treasury of American Short Stories (1981) — Contributor — 269 copies
The Penguin Book of American Short Stories (1969) — Contributor — 189 copies
An Anthology of Famous American Stories (1953) — Contributor — 139 copies
American Short Stories (1976) — Contributor, some editions — 95 copies
Ten Modern Masters: An Anthology of the Short Story (1953) — Contributor — 73 copies
Bedside Book of Famous American Stories (1936) — Contributor — 72 copies
200 Years of Great American Short Stories (1975) — Contributor — 69 copies
10 Short Plays (1963) — Contributor — 63 copies
American Christmas Stories (2021) — Contributor — 62 copies
The Dick Francis Treasury of Great Racing Stories (1989) — Contributor — 59 copies
100 Hilarious Little Howlers (1999) — Contributor — 54 copies
Chicago Noir: The Classics (2015) — Contributor — 52 copies
Art of Fiction (1967) — Contributor — 51 copies
Modern Short Stories (1939) — Contributor — 49 copies
Masters of the Modern Short Story (1945) — Contributor — 47 copies
The Bedside Tales: A Gay Collection (1945) — Contributor — 46 copies
The Experience of the American Woman (1978) — Contributor — 46 copies
A Quarto of Modern Literature (1935) — Contributor — 39 copies
Fifty Best American Short Stories 1915-1965 (1965) — Contributor — 36 copies
An American Omnibus (1933) — Contributor — 31 copies
50 Best American Short Stories 1915-1939 (1939) — Contributor — 28 copies
American short stories, 1820 to the present (1952) — Contributor — 26 copies
Great Short Stories of the World (1965) — Contributor — 26 copies
The Seas of God: Great Stories of the Human Spirit (1944) — Contributor — 25 copies
Tell Me a Story: An Anthology (1957) — Contributor — 23 copies
Studies in Fiction (1965) — Contributor — 22 copies
A Good Man: Fathers and Sons in Poetry and Prose (1993) — Contributor — 20 copies
Uomini che non ho sposato (2016) — Contributor — 15 copies
All verdens fortellere (1990) — Contributor, some editions — 15 copies
Family: Stories from the Interior (1987) — Contributor — 15 copies
Twenty-Nine Stories (1960) — Contributor — 13 copies
Love Stories: Classic Tales of Romance (2010) — Contributor — 13 copies
Story to Anti-Story (1979) — Contributor — 13 copies
Stories of Initiation. (Lernmaterialien) (1978) — Contributor — 13 copies
31 Stories (1960) — Contributor — 12 copies
The best of the Best American short stories, 1915-1950 (1975) — Contributor — 10 copies
The American Twenties: a Literary Panorama (1952) — Contributor — 10 copies
Famous Stories (1966) — Contributor — 8 copies
Modern American Short Stories (1987) — Contributor — 7 copies
Time to Be Young: Great Stories of the Growing Years (1945) — Contributor — 7 copies
The Story Survey (1953) — Contributor — 6 copies
Our lives : American labor stories — Contributor — 6 copies
Great Love Stories (Dover Thrift Editions) (2016) — Contributor — 4 copies
Tredive mesterfortællinger — Author, some editions — 3 copies
Short Fiction: Shape and Substance (1971) — Contributor — 3 copies
American Short Stories (1978) — Contributor — 3 copies
Wives and Lovers — Contributor — 3 copies
Modern Short Stories — Contributor — 3 copies
The College Short Story Reader (1948) — Contributor — 2 copies
Enjoying Stories (1987) — Contributor — 2 copies
Eyes of Boyhood (1953) — Contributor — 2 copies
The PL book of modern American short stories (1945) — Contributor — 1 copy
Modern British and American short stories (1982) — Contributor — 1 copy
Juvenile Delinquency in Literature (1980) — Contributor — 1 copy
Stories of Sudden Truth (1953) — Contributor — 1 copy
America through the short story — Contributor — 1 copy
Modern American short stories (1963) — Contributor — 1 copy

Tagged

20th century (233) 20th century literature (39) America (51) American (291) American fiction (71) American literature (562) anthology (938) baseball (49) classic (148) classics (191) collection (101) ebook (73) essays (40) fiction (2,264) gay (55) gothic (42) Kindle (54) Library of America (124) literature (561) LOA (42) Midwest (52) Modern Library (39) non-fiction (58) novel (141) Ohio (130) own (87) owned (39) poetry (149) read (104) Sherwood Anderson (46) short fiction (107) short stories (1,948) short story (118) small town (69) stories (131) textbook (42) to-read (553) unread (134) USA (99) writing (69)

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WINESBURG, OHIO Group Read beginning in March in 75 Books Challenge for 2022 (March 2022)

Reviews

The good: I appreciate his writing style. Every so often he hits upon a phrase or paragraph that reflects humans. His ideas of situations are sometimes interesting, even though they aren't reflective of reality.

The bad: first thing, the ridiculous setting. It feels like 90% of what's referred to as "great American" works or on those top 100 lists is set in some rural, pastoral town which feels like a complete fantasy. I cannot believe for one second this town exists. I feel kind of stupid saying this, given he was born and presumably grew up in such a town, but what's shown is not a town. He describes random houses and random people. Nobody wants for money, even if they're poor. There is no town past a few houses where characters live. Characters that should exist don't. There are no consequences. Nothing makes sense. This is what killed the book for me. I'm so sick of these utopian, rural towns, the conception of which is incredibly reactionary. Maybe this is unfair on the book itself but ugh. Nobody in the town has a life, except for what's described in each person's story. It's frustrating. The artificiality of the book shone through - ostensibly it's a reflection of reality yet it feels like fantasy.

Every character's story is a sort of melancholy. The first chapter warns us that every character is going to be a "grotesque," but it's ridiculous. Everybody has some sort of obvious but ridiculous and unlikely problem and ridiculous thoughts. They don't do anything except for the one event described by the story. A sad thing happens but although it defines their life for us the events don't change how they think or how they live. Apparently nobody can get over anything. Everything is static, even when it describes an incredibly long period of time. Nobody reacts to what happens.

There feels a strong divide between the description of what people do and how they think/what they are/what's going on. One character is described as having serious trouble speaking and apparently having serious, debilitating delusions yet he has a whole load of friends and a wife. It doesn't match at all. One character apparently goes through being walked home by a dude for 2 years (!) with nothing else happening - not even inviting him in to her house - and then suddenly decides she doesn't like it. Ok sure whatever. I can't think of many specific examples, just a general pervasive sense that the characters aren't real and what we're being told once doesn't fit what we're told later.

What made me give up on the book is incredibly minor but was the straw that broke the camel's back. A minor character is called "Sugars McNutts." The rest of the book is deadly serious. Come on.

I think my strong dislike of this book is influenced by how I'm feeling right now and is pretty over the top but my frustrations are real and all too typical of this sort of book. One star is maybe too little but what I liked about it was constantly overshadowed by the problems. It quickly felt like a chore to read. I didn't feel like I was reading about humans or anything that happens in real life.

later note: As I said I think my review is probably unfair. It's at least a little better than I make out, it just hit a lot of my pet peeves
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tombomp | 119 other reviews | Oct 31, 2023 |
I love Sherwood Anderson so much. He speaks to the isolated part of me. His stories resonate with my experience of not belonging—not in the neighborhoods I grew up in, not with with my own family, not with my social circles, and not with the socio-economic class that I maneuvered my way into as an adult.

No one writes about separateness like he does. These stories touch some truth I know inside my soul every time I read them - in particular "In a Strange Town".
 
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Zoes_Human | 1 other review | Oct 1, 2023 |
Winesburg, Ohio, is often cited as one of the seminal works in modernist American literature. Some commentary states that great American writers such as Hemingway and Faulkner credit Anderson with influencing their writing styles. The book depicts small-town life with a certain darkness that is not very complimentary.

The book contains seemingly unrelated short stories, yet a common character, George Willard, is a journalist. The motley cast of characters shares their experiences and thoughts about loneliness and alienation in Winesburg. Many are hiding out in Winesburg after having had difficulties elsewhere. There are stories of missed dreams, unhappy marriages, sexual perversion, and repression. Some characters seek the truth and meaning of life, sometimes through their religious faith.
https://quipsandquotes.net/
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LindaLoretz | 119 other reviews | Aug 6, 2023 |
Every so often I come upon a 'classic' worth reading, meaning: an older book that still has something to say; a book that is of its time but not a Sweeping Epic about its time; a story whose humanity isn't lost in the Zeitgeist, then or now.
 
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Kiramke | 119 other reviews | Jun 27, 2023 |

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John Wain Author
Malcolm Cowley Introduction
Dean Koontz Afterword
Irving Howe Introduction
Ben F. Stahl Illustrator
Cristina Stella Translator

Statistics

Works
173
Also by
98
Members
7,978
Popularity
#3,039
Rating
3.8
Reviews
143
ISBNs
544
Languages
17
Favorited
14

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