John Hawkesworth (1) (1920–2003)
Author of Upstairs Downstairs
For other authors named John Hawkesworth, see the disambiguation page.
About the Author
Image credit: arthurconandoyle.com
Series
Works by John Hawkesworth
Campion: The Complete Series — Creator — 15 copies
The Return of Sherlock Holmes, Vol. 1: The Empty House & The Abbey Grange (TV episodes) (1986) 9 copies
Upstairs Downstairs: Fourth Season - Volume IV [TV series, 1974] — Writer — 1 copy
Upstairs Downstairs: Fourth Season - Volume I [TV series, 1974] — Writer — 1 copy
Upstaris Downstairs 1 copy
Upstairs Downstairs: First Season - Volume III [TV series, 1972] — Writer — 1 copy
Upstairs Downstairs: Second Season - Volume IV [TV series, 1973] — Writer — 1 copy
Upstairs Downstairs: Fourth Season - Volume II [TV series, 1974] — Writer — 1 copy
Upstairs Downstairs: Fifth Season - Volume IV [TV series, 1975] — Writer — 1 copy
Upstairs Downstairs: Fifth Season - Volume II [TV series, 1975] — Writer — 1 copy
A familia Bellamy 1 copy
Associated Works
Sherlock Holmes: The Complete Granada Television Series (1984) — Developed for television — 96 copies, 3 reviews
The Return of Sherlock Holmes: Sign of Four [1987 TV episode] (1987) — creator — 10 copies, 1 review
Tagged
Common Knowledge
- Legal name
- Hawkesworth, John Stanley
- Birthdate
- 1920-12-07
- Date of death
- 2003-09-30
- Gender
- male
- Education
- Rugby School
University of Oxford
Sorbonne University - Occupations
- producer (film)
writer
screenwriter - Nationality
- UK
- Birthplace
- London, England, UK
- Places of residence
- London, England, UK
- Place of death
- Leicester, Leicestershire, England, UK
- Associated Place (for map)
- England, UK
Members
Reviews
A private investigator solves mysteries.
The adaptations aren't always great, and there are a few bad episodes. Characters have a tendency to tell their stories in a manner that seems like they're reading passages of the book. But most of the stories are engaging, or if they're not the characters make up for it. Burke's Watson is likable and relatable, and Brett's Holmes is a lot of fun - sort of Hannibal Lecter (minus the killing/eating people) crossed with Doctor Who. I'm no longer looking show more forward to the upcoming Sherlock Holmes movie, as I'm convinced you couldn't do better with the character than Brett did. show less
The adaptations aren't always great, and there are a few bad episodes. Characters have a tendency to tell their stories in a manner that seems like they're reading passages of the book. But most of the stories are engaging, or if they're not the characters make up for it. Burke's Watson is likable and relatable, and Brett's Holmes is a lot of fun - sort of Hannibal Lecter (minus the killing/eating people) crossed with Doctor Who. I'm no longer looking show more forward to the upcoming Sherlock Holmes movie, as I'm convinced you couldn't do better with the character than Brett did. show less
A private investigator solves mysteries.
The adaptations aren't always great, and there are a few bad episodes. Characters have a tendency to tell their stories in a manner that seems like they're reading passages of the book. But most of the stories are engaging, or if they're not the characters make up for it. Burke's Watson is likable and relatable, and Brett's Holmes is a lot of fun - sort of Hannibal Lecter (minus the killing/eating people) crossed with Doctor Who. I'm no longer looking show more forward to the upcoming Sherlock Holmes movie, as I'm convinced you couldn't do better with the character than Brett did. show less
The adaptations aren't always great, and there are a few bad episodes. Characters have a tendency to tell their stories in a manner that seems like they're reading passages of the book. But most of the stories are engaging, or if they're not the characters make up for it. Burke's Watson is likable and relatable, and Brett's Holmes is a lot of fun - sort of Hannibal Lecter (minus the killing/eating people) crossed with Doctor Who. I'm no longer looking show more forward to the upcoming Sherlock Holmes movie, as I'm convinced you couldn't do better with the character than Brett did. show less
Easy listening.
These CDs were enjoyable, easy listening, perfect for car journeys and not too riské for young childrens' ears.
I wish I had seen more of the original series, shown at a time when I was living away from home with no TV access.
Joan Marsh was an excellent narrator - she spoke very clearly and I don't think missed a single word. I initially found her very BBC accent a little difficult to get used to but once the characters overtook the narration it ceased to be a problem.
The show more action unfolds, as the title suggestes, both in the living areas of the wealthy ownwers, Lady and Mr Bellamy, and below ground amongst their servants. All sorts of intrigue takes place on both levels and although you probably won't keep driving round and round the ring road just to get to the end, it is very entertaining.
This reading is certainly interesting historically, but it was the characters that kept me listening. I was also gratified that Sarah, who disappeared early on, reappeared for her story to be wrapped up. The whole thing is an elegant time-warp soap and I would happily listen to a sequel. show less
These CDs were enjoyable, easy listening, perfect for car journeys and not too riské for young childrens' ears.
I wish I had seen more of the original series, shown at a time when I was living away from home with no TV access.
Joan Marsh was an excellent narrator - she spoke very clearly and I don't think missed a single word. I initially found her very BBC accent a little difficult to get used to but once the characters overtook the narration it ceased to be a problem.
The show more action unfolds, as the title suggestes, both in the living areas of the wealthy ownwers, Lady and Mr Bellamy, and below ground amongst their servants. All sorts of intrigue takes place on both levels and although you probably won't keep driving round and round the ring road just to get to the end, it is very entertaining.
This reading is certainly interesting historically, but it was the characters that kept me listening. I was also gratified that Sarah, who disappeared early on, reappeared for her story to be wrapped up. The whole thing is an elegant time-warp soap and I would happily listen to a sequel. show less
Upstairs Downstairs is the novelisation of the iconic LWT series from the 1970s; this is the first book in the set and focuses on series 1, which seems to cover the period 1901-07/08.
Series producer John Hawksworth essentially uses the scripts from most of the first series to make up the novel, although there are couple of notable exceptions, which makes for a bit of a gap in the running story threads when compared to the televised version. There's some attempt to flesh-out the characters, show more but by-and-large the book suffers from the same problems that most novels of original television series do, namely there's a surfeit of dialogue and very little description of the characters' inner world. This means that motivations for key actions are sometimes difficult to understand, and it often feels as though each chapter is merely a series of set piece action points, with little in the way of overall plot to link it all together. I found the habit of individual characters coincidently turning up at vital moments a bit irritating, but as I say, this reflects the drama's origins as a TV production; without a major re-write it would have been tricky for Hawksworth to get the book to flow smoothly and seamlessly.
There are also a few inconsistencies and errors, for example, at one point we are told that Richard Bellamy has been in politics for over 50 years, but this would have been chronologically impossible unless he'd become an MP at the age of five! Still, this is a quick, escapist read that will bring back many happy memories of one of British television's finest ever dramas.
© Koplowitz 2013 show less
Series producer John Hawksworth essentially uses the scripts from most of the first series to make up the novel, although there are couple of notable exceptions, which makes for a bit of a gap in the running story threads when compared to the televised version. There's some attempt to flesh-out the characters, show more but by-and-large the book suffers from the same problems that most novels of original television series do, namely there's a surfeit of dialogue and very little description of the characters' inner world. This means that motivations for key actions are sometimes difficult to understand, and it often feels as though each chapter is merely a series of set piece action points, with little in the way of overall plot to link it all together. I found the habit of individual characters coincidently turning up at vital moments a bit irritating, but as I say, this reflects the drama's origins as a TV production; without a major re-write it would have been tricky for Hawksworth to get the book to flow smoothly and seamlessly.
There are also a few inconsistencies and errors, for example, at one point we are told that Richard Bellamy has been in politics for over 50 years, but this would have been chronologically impossible unless he'd become an MP at the age of five! Still, this is a quick, escapist read that will bring back many happy memories of one of British television's finest ever dramas.
© Koplowitz 2013 show less
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Associated Authors
Statistics
- Works
- 46
- Also by
- 2
- Members
- 699
- Popularity
- #36,216
- Rating
- 4.1
- Reviews
- 10
- ISBNs
- 188
- Languages
- 4














