Jean Plaidy (1906–1993)
Author of Mistress of Mellyn
About the Author
(spa) Eleanor Alice Burford Hibbert comenzó firmando sus novelas como Eleanor Burford (su nombre de soltera), y es más conocida como Jean Plaidy, Victoria Holt y Philippa Carr. Ella también escribió como Kathleen Kellow, Elbur Ford, Ellalice Tate, y Anna Percival. (Algunas de sus novelas han sido publicadas bajo diferentes títulos y seudónimos)
Eleanor Alice Burford Hibbert was a British writer who began her career signing as Eleanor Burford (her maiden name), and is well-known as Jean Plaidy, Victoria Holt and Philippa Carr. She also wrote under the pseudonyms Kathleen Kellow, Elbur Ford, Ellalice Tate, and Anna Percival. Some of her novels were later re-published under different pseudonyms or titles.
Series
Works by Jean Plaidy
Associated Works
Tagged
Common Knowledge
- Legal name
- Burford Hibbert, Eleanor Alice
- Other names
- Burford, Eleanor Alice (birth name)
Carr, Philippa
Ford, Elbur
Holt, Victoria
Kellow, Kathleen
Percival, Anna (show all 8)
Plaidy, Jean
Tate, Ellalice - Birthdate
- 1906-09-01
- Date of death
- 1993-01-18
- Gender
- female
- Education
- business college
at home - Occupations
- writer of historical romances
- Awards and honors
- Romance Writers of America (Lifetime Achievement Award, 1989)
- Short biography
- Eleanor Alice Burford was born in London. Her father, Joseph Burford, was a dock worker who passed on his great love of books to his daughter. She was an avid reader from the age of four onwards. In her early twenties, she married a leather merchant, George Percival Hibbert, about 20 years her senior, who also shared her love of books and reading. During World War II, the couple lived in Cornwall, which served as the setting for many of her works. She became one of the preeminent English authors of historical fiction for most of the 20th century. She used eight different pen names during her career and many of her readers never suspected her other identities. Her first romantic suspense novel, Mistress of Mellyn (1961), was published under the name Victoria Holt in order to keep her identity a secret as a publicity stunt – and a very effective one, as the book became an instant bestseller.
- Nationality
- UK
- Birthplace
- Canning Town, London, England, UK
- Places of residence
- London, England, UK (birth)
Looe, Cornwall, England, UK
Sandwich, Kent, England, UK - Place of death
- Mediterranean Sea (aboard Sea Princess cruise ship between Athens and Port Said)
- Burial location
- Mediterranean Sea (burial at sea)
- Map Location
- England, UK
- Disambiguation notice
- Eleanor Alice Burford Hibbert was a British writer who began her career signing as Eleanor Burford (her maiden name), and is well-known as Jean Plaidy, Victoria Holt and Philippa Carr. She also wrote under the pseudonyms Kathleen Kellow, Elbur Ford, Ellalice Tate, and Anna Percival. Some of her novels were later re-published under different pseudonyms or titles.
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Reviews
Oooh, I loved this one. A fantastic gothic romance with all sorts of Jane Eyre and Rebecca vibes. show less
Let me paint the picture for you. An old family manse, sitting on an ocean-side cliff, overlooking several galleons half-sunk in the quicksand. The family? Just a shell of a man, grieving the suicide of his wife, the death of his golden boy at the hands of his other son, and the few family-relations who remain. There's the auntie who paints and predicts the future, the vicar's wife who tries to create the future she wants for her family, oh, and the ghost. That's right. No one knows if the spirit is one of the lost family or of the Roman remains recently found on the estate. And into this framework steps our heroine, not necessarily a governess but a music teacher and she has her own secrets. Like the battle between the ocean and the sands, each interlude between the family and the pianist reveals more tragedy and more treasure.
If you enjoy Gothic romance and Byronic heroes, do yourself a favor and read The Shivering Sands. show less
That should by no means be taken as a statement about the quality of Royal Road to Fotheringay, which is textbook Jean Plaidy fictionalized biography. The novel takes us from Mary Stuart's early days as the toddler queen of Scotland, romping through various castles and monastaries show more with her "four Marys" (four little girls of noble birth, all of whom share her given name, who were raised along with her to give her company and, later on, servants) through her later upbringing in France as the intended bride of the Dauphin, the sickly boy who grew up (sort of) to be the short-reigning King Francis II, her disastrous second and third marriages, and then skips on to her infamously botched execution on the orders of her cousin Elizabeth I of England. A sequel, The Captive Queen of Scots, presumably covers the twenty or so years between the death of her third husband and Mary's own death, and will be read in due course. Probably. Once I'm done with gnashing my teeth over how much I wanted to slap Mary through most of this novel.
I had, of course, a similar experience reading Plaidy's two novels concerning Lucrezia Borgia last year. I'm not sure how similar these two heroines really were, but as Plaidy wrote them, both were spoiled, petted young things who grew up into pathological people pleasers who allowed monstrous goings on to take place all around them without even trying to do anything about said goings on, before, during or after. Of course they are also products of their age, and I'm meant to feel sympathy towards them (Plaidy seems to have made it her special mission to rehabilitate, or at least explain, Borgia), or at least try to understand them, but... man, it's rough. It's rough.
Royal Road to Fotheringay was a lot more unpleasant a read than the Borgia books, though, because so many of the characters it has to portray are, incredibly, even more unpleasant. From Mary's creepy Uncle Charles, a Roman Catholic Cardinal who helped "guide" her during her upbringing in France and who does a lot of "caressing" and engages in blatant emotional manipulation that all but amounts to abuse, to her second husband, the vain and spoilt and cranky Darnley to her womanizing, raping, pillaging jackass of a third husband, James Hepburn, to Mary's mother Mary of Guise and one-time mother-in-law Catherine de' Medici, Mary Stuart's life is like one long parade of monsters. If only she weren't so damned passive, gullible, foolishly romantic and willing to be manipulated... seriously, she is the Dobby the House Elf of European monarchs. Not that she ever stood much of a chance of being anything else.
And this chick ruled a country. Well, sort of.
Maddening as it is, though, it's a good story, impeccably told. And that counts for something. show less
This one owes a huge debt to Jane Eyre, but where Brontë's heroine is a meek little mouse, Holt's is as prickly as a hedgehog and has a spine of steel.
Martha Leigh is an impoverished gentlewoman who takes a job as governess to the daughter of Connan TreMellyn, a recently widowed wealthy Cornish landowner. As this is a gothic romance, mysterious occurrences and brooding men abound, but Miss Leigh is too level-headed and sharp-tongued show more to be a stereotypical gothic heroine: she is more of a detective than she is a wilting flower. I also award her bonus points because she actually spends a good portion of the novel with the child she is being paid to educate, something an inordinate number of literary governesses fail to do.
While Mistress of Mellyn may not be great art, it is greatly entertaining and would make one hell of a movie. show less
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- Works
- 259
- Also by
- 48
- Members
- 37,371
- Popularity
- #489
- Rating
- 3.6
- Reviews
- 840
- ISBNs
- 2,696
- Languages
- 23
- Favorited
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