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Pablo Neruda (1904–1973)

Author of Twenty Love Poems and a Song of Despair

650+ Works 25,856 Members 316 Reviews 164 Favorited

About the Author

Pablo Neruda was born Ricardo Eliecer Neftalí Reyes Basoalto in Ferral, Chile on July 12, 1904. In 1923 he sold all of his possessions to finance the publication of his first book, Crepusculario (Twilight), which he published under the pseudonym Pablo Neruda. Veinte Poemas de Amor y una Cancion show more Desesperada (Twenty Love Poems and a Song of Despair), which was published the following year, made him a celebrity and allowed him to stop his studies to devote himself to poetry. His other works include España en el Corazón, Canto General, Las Uvas y el Viento, and Para Nacer He Nacido. He received numerous awards including the World Peace Prize with Paul Robeson and Pablo Picasso in 1950, the Lenin Peace Prize and the Stalin Peace Prize in 1953, and the Nobel Prize for Literature for his poetry in 1971. He died of leukemia on September 23, 1973. (Bowker Author Biography) show less
Image credit: Pablo Neruda i september 1973

Works by Pablo Neruda

Twenty Love Poems and a Song of Despair (1924) — Author — 4,361 copies, 70 reviews
100 Love Sonnets (1959) 1,760 copies, 23 reviews
Memoirs (1973) 1,594 copies, 14 reviews
The Captain's Verses (1952) 1,345 copies, 19 reviews
The Poetry of Pablo Neruda (2003) 1,127 copies, 9 reviews
Residence on Earth (1935) 1,020 copies, 9 reviews
The Essential Neruda: Selected Poems (2004) 967 copies, 7 reviews
Canto General (1950) 891 copies, 9 reviews
Love Poems (1993) 692 copies, 7 reviews
The Book of Questions (1974) 675 copies, 15 reviews
Full Woman, Fleshly Apple, Hot Moon (1998) 470 copies, 4 reviews
Odes to Common Things, Bilingual Edition (1994) 391 copies, 6 reviews
Love: Ten Poems By Pablo Neruda (1995) 389 copies, 3 reviews
The Heights of Macchu Picchu (1950) 386 copies, 3 reviews
Extravagaria (1958) 315 copies, 2 reviews
Fully Empowered (1962) 275 copies, 5 reviews
Isla Negra: A Notebook (1964) 255 copies, 4 reviews
Odes to Opposites (1995) 225 copies, 2 reviews
The sea and the bells (1976) 204 copies, 2 reviews
Elemental Odes (1954) 185 copies, 4 reviews
On the Blue Shore of Silence (2004) 171 copies, 5 reviews
Para nacer he nacido (1978) 165 copies
Antología poética (1968) 145 copies, 3 reviews
All the Odes: A Bilingual Edition (2013) 137 copies, 1 review
Then Come Back: The Lost Neruda (2016) 130 copies, 4 reviews
Selected Odes of Pablo Neruda (1990) 130 copies, 1 review
The Yellow Heart (1977) 127 copies, 3 reviews
I Explain a Few Things: Selected Poems (1977) 119 copies, 2 reviews
Pablo Neruda: Absence and Presence (1980) 118 copies, 3 reviews
Winter Garden (1974) 115 copies, 3 reviews
Stones of the Sky (1987) 104 copies, 2 reviews
The Separate Rose (1973) 99 copies, 2 reviews
Passions and Impressions (1983) 86 copies, 1 review
Complete Works I (1999) 78 copies, 3 reviews
Todo el amor (1995) 76 copies, 2 reviews
Spain in Our Hearts (1937) 76 copies, 2 reviews
Still Another Day (1901) 71 copies, 3 reviews
Crepusculario (1919) 66 copies, 2 reviews
Splendor and Death of Joaquin Murieta (1967) 62 copies, 1 review
World's End (1969) 56 copies, 3 reviews
Poesie (Italian Edition) (1996) 53 copies, 1 review
Regalo de un poeta (Spanish Edition) (2000) 51 copies, 1 review
Song of Protest (1976) 49 copies, 2 reviews
The Hands of Day (1968) 48 copies, 1 review
Andien mainingit (1972) 47 copies
Intimacies: Poems of Love (2008) 47 copies
Art of Birds (1985) 47 copies, 2 reviews
Poesia de Amor (1998) 47 copies
Tercera residencia (1947) 43 copies
La barcarola (1977) 42 copies
La solitude lumineuse (2004) 42 copies, 1 review
Ceremonial Songs (1961) 40 copies, 1 review
New Poems (1968-1970) (1970) 40 copies
Poesía (1974) 37 copies, 2 reviews
Canción de gesta (1983) 36 copies, 1 review
Navegaciones y regresos (1959) 36 copies, 3 reviews
Canto General I (1900) 33 copies, 1 review
Nuevas odas elementales (1998) 33 copies, 1 review
Canto General II (1900) 30 copies, 1 review
Antología esencial (1995) 30 copies, 1 review
De mooiste gedichten van Pablo Neruda (2007) 29 copies, 1 review
Book of Twilight (2017) 29 copies
Obras Completas II (1999) 28 copies
The Grapes and the Wind (1954) 28 copies
Antologia Fundamental (1988) 27 copies
Stones Of Chile (1960) 24 copies
Nerudiana dispersa II, 1922-1973 (1999) 23 copies, 1 review
2000 (1992) 22 copies
Maremoto (1991) 22 copies
Obras completas: I. (2005) 21 copies
La espada encendida (1977) 21 copies
Gedichte (1963) 20 copies, 1 review
Toward the Splendid City (1974) 20 copies
Twenty poems (1967) 20 copies
Complete Works III (2000) 20 copies, 1 review
Ode aan de typografie (1956) 19 copies, 1 review
We Are Many (1967) 18 copies, 1 review
Cartas de amor (2010) 18 copies
Su Mejor Poesía (1985) 16 copies
Den stora oceanen (1971) 15 copies
De mooiste van Pablo Neruda (2002) 15 copies
Obras completas (2002) 14 copies, 1 review
Neruda at Isla Negra (1998) 14 copies
Elegía (1974) 13 copies
Letzte Gedichte (1976) 13 copies
venture of the infinite man (2017) 12 copies
Pelas Praias do Mundo (2003) 12 copies
Che's Green Notebook (2007) 12 copies
España en el corazón (2004) 12 copies
Een kooi vol liederen (1974) 12 copies
The Habitant and His Hope (2003) 11 copies
Tercer libro de las odas (1995) 11 copies
Antología poética, 1 (2000) 11 copies
Poesie erotiche: il fromboliere entusiasta (1998) 11 copies, 1 review
Neruda, Pablo (1997) 11 copies
Antología popular (1901) 10 copies
Selected Poems 10 copies
Antologia Breve (1999) 9 copies
Antologia (2007) 9 copies
Poesia d'amore 9 copies
Yo acuso (2002) 8 copies
Pablo Neruda: 50 Odes (1996) 8 copies
Rio Invisível (1980) 8 copies
Viele sind wir (1967) 8 copies
VIAJES 7 copies
Huellas De Dolor Y Esperanza, Antologia Poetica (1992) — Contributor — 7 copies
Antología (1994) 7 copies
Poesia de Pablo Neruda (1999) 7 copies
Antología poética, 2 (2000) 7 copies
Ainda (1975) 7 copies
Neruda (2001) 6 copies
Prólogos (2000) 6 copies
En el corazon de un poeta (1999) 6 copies
Poesie erotiche (2006) 6 copies
Even This Twilight (2020) 6 copies
Şiirler 6 copies
Livro das Perguntas (2008) 5 copies
Poesías 5 copies
Yeryüzünde Konaklama (2015) 5 copies
Poesías escogidas (1980) 5 copies
Residence On Earth (2004) 4 copies
Der gemordete Albatros. Essays und Reden (1984) 4 copies, 1 review
Selected poems — Author — 4 copies
Runoja 4 copies
Gedichte 1923 - 1973 (1973) 3 copies
Grapes And The Wind (2018) 3 copies
Por las costas del mundo (1999) 3 copies
Der grosse Gesang (1984) 3 copies
Anillos (2014) 3 copies
Isla Negran runot (2019) 3 copies
Antología popular 1972 (2009) 3 copies
Poemas esenciales (2022) 3 copies
Obras escogidas 3 copies
Canto General, Tomo II (1963) 3 copies
Poesía política (2018) 3 copies
Havsbävning (2003) 3 copies
The Early Poems (1969) 3 copies
Valitut runot (1983) 3 copies
Spørsmålenes bok (2009) 2 copies
Casa Delle Odi (La) (2012) 2 copies
El fin del viaje (1982) 2 copies
Bir Yildiza Övgü (2015) 2 copies
Verblijf op aarde (2004) 2 copies
Poezje wybrane (1980) 2 copies
Oceana: canti cerimoniali (2005) 2 copies
El cuaderno verde del Che (2013) 2 copies
Dich suchte ich: Nachgelassene Gedichte (2017) 2 copies, 1 review
Die Gedichte (2009) 2 copies
FIN DE MUNDO Losada (2012) 2 copies
BESTIARY (1965) 2 copies
Opere (1963) 2 copies
Seefahrt und Rückkehr (1987) 2 copies
Selección. (1949) 1 copy
Nascimento 1 copy
Vl̀ogatott versek (1974) 1 copy
Aquí estoy 1 copy
Maan ja meren aallot (2024) 1 copy
Frågornas bok : urval (2023) 1 copy
Extravagaria 1 copy
Elemi ódák 1 copy
Elegia (Poemas) (2004) 1 copy
שירים 1 copy
POEZI 1 copy
Estravagario (1976) 1 copy
diVersi 1 copy
Water 1 copy
Poesia 1 copy
SEÇMELER 1 copy
VOLODIA TEITELBOIM (1999) 1 copy
Plenitud 1 copy
Cem Sonetos de Amor (1998) 1 copy
ESTRAVAGARIO (LOSADA) (2013) 1 copy
100 POEZI 1 copy
Yüz Aşk Sonesi (2023) 1 copy
L'Epée de flammes (1971) 1 copy
Cartas a Laura (1978) 1 copy
Memorial de Isla Negra (2004) 1 copy
Poesie 1 copy
Otro - [OUT] 1 copy
Discursos 1 copy
Oriente (2004) 1 copy
Selección 1 copy
Oder (2009) 1 copy
Cartas y poemas (1990) 1 copy
Antologia Essencial (1971) 1 copy
Three Odes (2005) 1 copy
Poetry 1 copy
Poezje 1 copy
Aquí estoy 1 copy
Gedichten (1993) 1 copy
Pablo Neruda versei (1986) 1 copy
Selección 1 copy
RESIDÊNCIA NA TERRA (2007) 1 copy
Oder II (2020) 1 copy
Oder I (2020) 1 copy
Yuz Ask Sonesi (2015) 1 copy
The unknown Neruda (2019) 1 copy
Kaptanin Dizeleri (2015) 1 copy
Poesia 1 copy
OBRAS COMPLETAS (1999) 1 copy
Den store sang (1974) 1 copy
Ennå (1986) 1 copy
Lee Su Poesia (2019) 1 copy
Jardín de invierno (2014) 1 copy
Poesias 1 copy
Personliga dikter (1973) 1 copy

Associated Works

Romeo and Juliet (1597) — Translator, some editions — 32,752 copies, 311 reviews
World Poetry: An Anthology of Verse from Antiquity to Our Time (1998) — Contributor — 497 copies, 2 reviews
The Rag and Bone Shop of the Heart: A Poetry Anthology (1992) — Contributor — 439 copies, 4 reviews
City Lights Pocket Poets Anthology (1995) — Contributor — 411 copies, 6 reviews
Ten Poems to Change Your Life (2001) — Contributor — 398 copies, 5 reviews
Against Forgetting: Twentieth-Century Poetry of Witness (1993) — Contributor — 376 copies, 2 reviews
The Vintage Book of Contemporary World Poetry (1996) — Contributor — 342 copies
Teaching with Fire: Poetry That Sustains the Courage to Teach (2003) — Contributor — 224 copies, 1 review
Neruda and Vallejo: Selected Poems (1971) — Contributor — 194 copies
The Eye of the Heart: Short Stories from Latin America (1973) — Contributor — 164 copies, 2 reviews
Leading from Within: Poetry That Sustains the Courage to Lead (2007) — Contributor — 114 copies, 3 reviews
The Hungry Ear: Poems of Food and Drink (2012) — Contributor — 73 copies, 1 review
Huellas de las literaturas hispanoamericanas (1996) — Contributor — 59 copies, 1 review
Fairy Poems (Everyman's Library Pocket Poets Series) (2023) — Contributor — 34 copies
The Oxford Book of Latin American Poetry (2009) — Contributor — 28 copies
Chile: A Traveler's Literary Companion (2003) — Contributor — 27 copies
One World of Literature (1992) — Contributor — 27 copies
Ten Poems to Say Goodbye (2012) — Contributor — 25 copies, 3 reviews
A Good Man: Fathers and Sons in Poetry and Prose (1993) — Contributor — 21 copies, 1 review
Dog Poems: An Anthology (2021) — Contributor, some editions — 18 copies, 1 review
The Chilean road to socialism (1973) — Contributor — 16 copies
The Serpent and the Fire: Poetries of the Americas from Origins to Present (2024) — Contributor; Contributor — 16 copies
Kaksikymmentäyksi Nobel-runoilijaa (1976) 12 copies, 1 review
Seventies No. 1: An Anthology of Leaping Poetry (1982) — Contributor — 5 copies
TriQuarterly 13/14, Fall/Winter 1968/69 (1969) — Contributor — 3 copies
The Sixties, Number 7, Winter 1964 (1964) — Contributor — 3 copies
Words Among America: Sixty Poems of Challenge and Hope (1971) — Contributor — 2 copies
Compaňero Pablo Neruda — Associated Name — 1 copy
Manpareka Kehi Kavita (2001) — Contributor — 1 copy
Näin ihminen vastaa — Contributor — 1 copy

Tagged

20th century (264) AAA (61) autobiography (97) bilingual (187) biography (98) Chile (535) Chilean (184) Chilean literature (317) dual language (64) fiction (193) gone (78) Latin America (179) Latin American (112) Latin American literature (312) Latin American Poetry (73) literature (387) love (169) memoir (106) Neruda (286) Nobel Prize (141) non-fiction (111) Pablo Neruda (189) poems (161) Poesía chilena (124) poetry (5,765) read (128) Spanish (689) Spanish poetry (65) to-read (683) translation (227)

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Reviews

350 reviews
As my fourth Neruda poetry collection, 100 Love Sonnets is undoubtedly lacking compared to Twenty Love Poems and a Song of Despair, The Captain’s Verses, and Full Woman, Fleshly Apple, Hot Moon. Akin to intimacy and body landscapes among Gerard Schlosser’s paintings, Neruda paints love in a spectrum of emotions and shades; from devotion to inquisition to desolation, from red to mauve to blue. However the words that convey them can be sparse. With such limitation it is no wonder the show more sonnets can be wearisome and repetitive. But each time a sonnet successfully touches on a certain feeling or a certain memory, with words that seem to fit the only way Neruda limns them, it rollicks through romance and love-making in utmost splendour without forgetting its moments of neediness for reassurance and affirmation. Neruda wholeheartedly worships and adores his third wife, Matilde, in this collection. And for an affair to give birth to a hundred of sonnets is almost enough for love to infect your whole being; consumingly and blindly. Whilst this collection is divided by different times of the day (Morning, Afternoon, Evening, and Night), I can nearly describe the reading experience as sweet dew that slowly streams down among the blades of grass in the earliest of mornings as the sun takes it time to rise. Sometimes, it feels like it is all happening in a dream. But you don't always want to stay in one.

Overall, I bookmarked 15 sonnets in this collection. And as a passionate lover of bread, I was very amused by a particular sonnet that declares a beloved as made of bread. I don't think anything can be as sensual as this:

SONNET XIII
The light that rises from your feet to your hair,
the strength enfolding your delicate form,
are not mother of pearl, not chilly silver:
you are made of bread, a bread the fire adores.

The grain grew high in its harvest of you,
in good time the flour swelled;
as the dough rose, doubling your breasts,
my love was the coal waiting ready in the earth.

Oh, bread your forehead, your legs, your mouth,
bread I devour, born with the morning light,
my love, beacon-flag of the bakeries:

fire taught you a lesson of the blood;
you learned your holiness from flour,
from bread your language and aroma.

*

Two sonnets I dearly loved:

SONNET LXVI
I do not love you except because I love you;
I go from loving to not loving you,
From waiting to not waiting for you
My heart moves from cold to fire.

I love you only because it's you the one I love;
I hate you deeply, and hating you
Bend to you, and the measure of my changing love for you
Is that I do not see you but love you blindly.

Maybe January light will consume
My heart with its cruel
Ray, stealing my key to true calm.

In this part of the story I am the one who
Dies, the only one, and I will die of love because I love you,
Because I love you, Love, in fire and blood.

SONNET LXV
Matilde, where are you? Down here I noticed,
under my necktie and just above my heart,
a certain pang of grief between the ribs,
you were gone that quickly.

I needed the light of your energy,
I looked around, devouring hope.
I watched the void without you that is like a house,
nothing left but tragic windows.

Out of sheer taciturnity the ceiling listens
to the fall of the ancient leafless rain,
to feathers, to whatever the night imprisoned;
so I wait for you like a lonely house
till you will see me again and live in me.
Till then my windows ache.

*

Others sonnets worth mentioning:
Sonnet VIII
Sonnet XVI
Sonnet XVII
Sonnet XLIX
Sonnet LXXXI
Sonnet LXXXIX
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Neruda is everyone’s idea of what a poet should be like: passionate, romantic, extravagant, and colourful; a lot of his poems are about sex or politics, and he spent a good bit of his life in exile. His free-form rants and often surreal leaps of language spoke to people like the Beats (hence this collection edited by Mark Eisner for City Lights to mark the centenary of Neruda’s birth), but there is also plenty in his work to appeal to more everyday readers. If you’re a sex-starved show more teenager or an oppressed worker, there is something here for you.

All these things rather put me off reading Neruda for a long time — like Byron, knowing about him seems almost more interesting than actually reading him — but I’ve been slowly dipping toes in his work for the last couple of years. This selection of work from across a big part of his career comes with new or revised parallel-text translations by Eisner and seven of his colleagues (the translator of each poem is identified by initials: I love the way this means that all the poems Eisner did himself are signed “ME”!). We go from the early Canto General and Veinte poemas de amor to later, more reflective works. I was particularly struck by the selections from Odas elementales, where he focuses down onto very simple concepts — a chestnut, a book, a watch, a glass of wine — something quite surprising when you are used to his usual more bombastic style.

Interesting, reading this in late October, to realise what a poet of autumn he is — autumnal images come up almost as often in his poems as sea-images. Maybe unexpected too, when you reflect on how he moved between hemispheres during his life. Sometimes he almost seems more of a Keats than a Byron!

Y que metí la cuchara hasta el codo
en una adversidad que no era mía,
en el padecimiento de los otros.
No se trató de palma o de partido
sino de poca cosa: no poder
vivir ni respirar con esa sombra,
con esa sombra de otros como torres,
como árboles amargos que lo entierran,
como golpes de piedra en las rodillas.

I plunged up to the neck
into adversities that were not mine,
into all the sufferings of others.
It wasn't a question of applause or profit.
Much less. It was not being able
to live or breathe in this shadow,
the shadow of others like towers,
like bitter trees that bury you,
like cobblestones on the knees.

(From “October Fullness”, trans. Alastair Reid)
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Neruda's most famous collection, published when he was nineteen. Sometimes beautiful and surprising, sometimes loud and bombastic. The poet still seems to be at the stage in his life when love is essentially the same thing as football, a competition between young men (involving a lot of shouting and posturing) that women are meant to watch from the sidelines. The women in these poems don't speak — he prefers them when they are silent: "Me gustas quando callas porque estás como ausente" show more — and they don't seem to exist much except as sets of body parts, not always flatteringly described ("Se parecen tus senos a los caracoles blancos"). There's no way of knowing whether the poems are about one specific woman, a series of women, or a completely abstract female figure. Possibly the last of these, given how often he talks about dolls and statues.

But the images are always breathtaking, even though Neruda draws them from a fairly narrow range (maritime stuff like waves, nets, harbours, anchors, lighthouses, seagulls and mooring lines; bees and butterflies; ears of corn; weather).

I suspect that these are poems that grow on you when you read them aloud just for the sound of the words, without thinking too much about what they are supposed to mean.
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When the Spanish Civil War broke out, Pablo Neruda was in Madrid, working as Chilean consul (his predecessor in the post was another poet and future Nobel laureate, Gabriela Mistral). Through the influence of friends like Federico García Lorca, he became a communist and was soon involved in the struggle on the Republican side.

Neruda's most famous contribution to the Republican cause was this short collection of poems about the war, most of them originally published in the soldiers' show more newspaper El mono azul in 1936 and 1937. The collection appeared in book form in Chile and France in 1938, but the most famous version was the November 1938 pamphlet produced in a limited edition for the armed forces in the renaissance print-shop of the former monastery of Montserrat, which was under Republican control at the time. As Neruda describes it in his memoirs, it was a highly romantic affair of self-taught comrades acting as typographers and shredding any rags they could find to make improvised paper. Sadly, the truth seems to have been a little more prosaic than that, but the myth reflects the quality of the book very well.

These are poems that really need to be declaimed in the open air, preferably standing on a captured enemy tank, or perhaps at the graveside of a fallen comrade. The tone is very exalted: there are invocations to solidarity and resistance, elegies for fallen soldiers and civilian casualties, tributes to the Mothers of Madrid, condemnations of the brutality of the Nationalist rebels, visualisations of what it will be like for Franco and his generals when they arrive in Hell, and so forth. In the middle of the book there is a tribute to pre-war Spain which ends in a fifty-line list of place-names.

It's propaganda, of course, and occasionally it goes too far (Neruda doesn't hesitate to play the racist card by repeatedly mentioning Franco's reliance on North African troops, "Moros"), but it's also transparently full of passion and straight from the heart in a time of crisis, and it's often very moving indeed. It struck me that there's a lot that would still work just as effectively if you replaced "Madrid" by "Kyiv" and "Franco" by "Putin".
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Associated Authors

Ben Belitt Editor and Translator
Adam Feinstein Editor, Translator, Introduction
Alastair Reid Translator
John Felstiner Translator
Stephen Mitchell Translator
Forrest Gander Translator
Jack Hirschman Translator
Robert Hass Translator
Stephen Kessler Translator
Barber van de Pol Translator, Introduction / translator
Willy Spillebeen Translator
Mark Braet Translator
Bart Vonck Translator
Ank Vanvoorden Translator
Riekus Waskowsky Translator
Dolf Verspoor Translator
George D. Schade Translator
Nicolas Guillén Contributor
León Felipe Contributor
Jorge Edwards Introduction
W. S. Merwin Translator
Erik Prinsen Cover designer
Stephen Tapscott Translator
Janine Jansen Cover designer
Giulio Stocchi Translator
Arsénio Mota Translator
Olga Savary Translator
Robert Lemm Translator
Donald D. Walsh Translator
Fred de Haas Translator
Nikola Indzhov Translator
M. Mohan Cover designer
Reid Alastair Translator
William O'Daly Translator
Mary Heebner Illustrator
Luis Monguió Translator
Teresa Anderson Translator
Roy Kuhlman Cover designer
Joseph Goldyne Illustrator
Peter Koch Editor

Statistics

Works
650
Also by
42
Members
25,856
Popularity
#807
Rating
3.8
Reviews
316
ISBNs
1,341
Languages
29
Favorited
164

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