Candace Camp
Author of The Marriage Wager
About the Author
Disambiguation Notice:
Candace Pauline Camp writes as Candace Camp, she has written books under the pseudonyms Lisa Gregory, Sharon Stephens, and Kristin James, reedited as Candace Camp.
Image credit: Author's Home Page
Series
Works by Candace Camp
A Bride by Christmas (Home for Christmas / The Wise Virgin / Tumbleweed Christmas) (2008) — Contributor — 98 copies
Promised Brides (The Wedding of the Century / Jesse's Wife / The Handfast) (1994) — Contributor — 60 copies
The Wedding of the Century & Other Stories (The Wedding of the Century / Jesse's Wife / Seduced by Starlight) (2011) 56 copies
Harlequin Christmas Stories 1989 (Tumbleweed Christmas / A Cinderella Christmas / Home for Christmas) (1989) — Contributor — 40 copies
Motherhood (Calamity Mom / Tabloid Baby / A Daddy for Her Daughters) (2005) — Contributor — 27 copies
Small Wonders (Tabloid Baby / Cullen's Child / The Baby Machine / The Baby Invasion) (2004) 11 copies
Mad Morelands Collection Volume 1: Mesmerized/Beyond Compare/Winterset (The Mad Morelands) (2018) 4 copies, 1 review
Momentary Marriage 2 copies
Tabloid Baby (Motherhood anth) 2 copies
Montana - Land unserer Liebe 1 copy
La regina di cuori Saga: Matrimonio all'inglese / L'erede perduto / Progetti di matrimonio / La scintilla della passione 1 copy, 1 review
The Winter Scandle 1 copy
Scandaloso 1 copy
A Diamond Never Deceives 1 copy
Associated Works
Smooth-Talking Texan — Original Text — 1 copy
Tagged
Common Knowledge
- Legal name
- Camp Hopcus, Candace Pauline
- Other names
- Camp, Candace
Gregory, Lisa
James, Kristin
Stephens, Sharon - Birthdate
- 1949-05-23
- Gender
- female
- Education
- University of Texas, Austin
West Texas State University
University of North Carolina, Chapel Hill (law school) - Occupations
- teacher
banker
novelist - Relationships
- Hopcus, Anastasia (daughter)
- Short biography
- Candace Pauline Camp was born on May 23, 1949 in Amarillo, Texas, U.S.A.. The youngest of three children born into a newspaper family, her mother, Lula Mae (Irons) Camp, had been a reporter and her father, Grady Camp, was the business manager of the Amarillo, Texas, newspaper, some of Candace's earliest memories are of making up stories which she played out on the floor of their den with whatever objects were handy. She cannot remember a time when she was not interested in creating stories. She began writing down her stories when she was about 10, and from then on writing was her favorite form of relaxation. Explains Candace: "I was always very shy and did not talk much. However, in written form, I could express all my thoughts and feelings." Writing remained only a hobby, though, as Candace attended college at the University of Texas at Austin and West Texas State University, then became a secondary teacher in Eureka Springs, Arkansas. She later moved to North Carolina, where she worked in the trust department of a bank. It was there that she discovered the romance novel in modern form and started to write her first romance. She also began law school at the University of North Carolina at Chapel Hill, and while she was there, she finished her first novel, entitled *Bonds of Love*, that was published by Jove Publishing in 1978, under the pseudonym Lisa Gregory. Candace credits the rigorous training of law school with teaching her the discipline necessary to finish a book. She gave up the practice of law to devote her time to writing. Two pseudonyms later (Kristin James and Sharon Stephens), Candace writes under her own name Candace Camp, and still loves creating stories. Candace is married since 1980 and they had a daughter in 1982, who has started on her own career path in the field of acting.
- Nationality
- USA (birth)
- Birthplace
- Amarillo, Texas, USA
- Places of residence
- Amarillo, Texas, USA (birth)
Eureka Springs, Arkansas, USA
North Carolina, USA - Disambiguation notice
- Candace Pauline Camp writes as Candace Camp, she has written books under the pseudonyms Lisa Gregory, Sharon Stephens, and Kristin James, reedited as Candace Camp.
- Associated Place (for map)
- USA
Members
Reviews
Good combination of second chance romance and spy story. The book opened twelve years before the main story. Sloane and Annabeth are teenagers in the throes of first love. They are full of plans for their future, including marriage, as soon as Annabeth is old enough. But fate has other plans for them. Sloane is approached by a man who tells him that Annabeth's father is selling secrets to the French. He promises Sloane he won't turn in her father if Sloane goes to work for him as a spy and show more smuggler. Sloane will do anything to protect Annabeth from the scandal of having a traitor for a father, so he agrees. But he can't tell Annabeth why he's leaving, so he just disappears.
Sloane is back in London twelve years later, his spying days behind him. He's turned his smuggling into a successful business, but rumors that he was spying for the French have made him a social pariah. He avoids society whenever possible and doesn't care about their opinion of him. When he gets word that Annabeth is in danger because of either his or her father's actions, Sloane is determined to protect her. The trouble is Annabeth wants nothing to do with him or his protection.
Sloane's abandonment devastated Annabeth, and it took her years to put him behind her. She's engaged to Nathan, a good man she can depend on. Their relationship may lack the fire of her time with Sloane, but passion isn't everything. She's furious when he reappears in her life, claiming she's in danger and trying to get her to leave London. But when she is kidnapped and only escapes with the help of her maid (who isn't really a maid), she agrees that she needs help.
I loved that Annabeth wouldn't sit back and be taken care of. The news that she is in danger because someone wants one of her father's papers has her determined to be involved in finding the paper. Sloane walks a fine line between truth and deception, keeping what is in that paper a secret. There's plenty of action as he and Annabeth travel all over while attempting to find the missing document. It doesn't take long for their old feelings to come back to life, but Annabeth isn't sure she's ready to trust Sloane with her heart again. It doesn't help that she's certain he's still keeping secrets, and his lack of trust feels like another betrayal.
I liked seeing the changes in Sloane and Annabeth. She is no longer the naïve teenager who believes love is all she needs. Her strength, determination, and resourcefulness amaze Sloane. At the same time, Annabeth can see that Sloane is just as charming as ever and more confident than he was as a boy. Both need to let go of their past hurts and bitterness before they can look to a future together. And to do that, they must learn to trust each other. It wasn't easy, but the emotional clearing of the air gave me hope for a bright future for them.
The suspense of the story was well done. I was glued to the pages through each step of the search. Some intriguing twists kept Annabeth and Sloane on their toes. As the story progressed, I got the feeling that there was more to the missing paper than they knew. The final confrontation had me on the edge of my seat until it was resolved, and the bad guy was caught in his own web.
As is usual with the author's books, the secondary characters play critical roles in the story. Annabeth's fiancé, Nathan, is a nice guy, and I felt bad for him once Sloane reappeared on the scene. Not only does he do the right thing, but he also becomes an active participant in resolving the mystery. Also involved is Verity, a former spy partner of Sloane's. She is bold, beautiful, and extremely good at what she does. The antagonism between her and Nathan is hilarious, and the sparks of attraction leap off the page. It looks like they will be the main characters in the next book, and I can't wait to read it. I also adored Annabeth's grandmother, Lady Lockwood. She is a hoot to watch as she keeps everyone in line.
#netgalley show less
Sloane is back in London twelve years later, his spying days behind him. He's turned his smuggling into a successful business, but rumors that he was spying for the French have made him a social pariah. He avoids society whenever possible and doesn't care about their opinion of him. When he gets word that Annabeth is in danger because of either his or her father's actions, Sloane is determined to protect her. The trouble is Annabeth wants nothing to do with him or his protection.
Sloane's abandonment devastated Annabeth, and it took her years to put him behind her. She's engaged to Nathan, a good man she can depend on. Their relationship may lack the fire of her time with Sloane, but passion isn't everything. She's furious when he reappears in her life, claiming she's in danger and trying to get her to leave London. But when she is kidnapped and only escapes with the help of her maid (who isn't really a maid), she agrees that she needs help.
I loved that Annabeth wouldn't sit back and be taken care of. The news that she is in danger because someone wants one of her father's papers has her determined to be involved in finding the paper. Sloane walks a fine line between truth and deception, keeping what is in that paper a secret. There's plenty of action as he and Annabeth travel all over while attempting to find the missing document. It doesn't take long for their old feelings to come back to life, but Annabeth isn't sure she's ready to trust Sloane with her heart again. It doesn't help that she's certain he's still keeping secrets, and his lack of trust feels like another betrayal.
I liked seeing the changes in Sloane and Annabeth. She is no longer the naïve teenager who believes love is all she needs. Her strength, determination, and resourcefulness amaze Sloane. At the same time, Annabeth can see that Sloane is just as charming as ever and more confident than he was as a boy. Both need to let go of their past hurts and bitterness before they can look to a future together. And to do that, they must learn to trust each other. It wasn't easy, but the emotional clearing of the air gave me hope for a bright future for them.
The suspense of the story was well done. I was glued to the pages through each step of the search. Some intriguing twists kept Annabeth and Sloane on their toes. As the story progressed, I got the feeling that there was more to the missing paper than they knew. The final confrontation had me on the edge of my seat until it was resolved, and the bad guy was caught in his own web.
As is usual with the author's books, the secondary characters play critical roles in the story. Annabeth's fiancé, Nathan, is a nice guy, and I felt bad for him once Sloane reappeared on the scene. Not only does he do the right thing, but he also becomes an active participant in resolving the mystery. Also involved is Verity, a former spy partner of Sloane's. She is bold, beautiful, and extremely good at what she does. The antagonism between her and Nathan is hilarious, and the sparks of attraction leap off the page. It looks like they will be the main characters in the next book, and I can't wait to read it. I also adored Annabeth's grandmother, Lady Lockwood. She is a hoot to watch as she keeps everyone in line.
#netgalley show less
Fun story. Nathan and Verity were secondary characters in the previous book, A Rogue at Stonecliffe. Nathan had the unenviable role of Annabeth's fiancé and lost out to that book's hero, Sloane. He spent several months traveling in Europe to get over his heartbreak. Nathan is a nice guy who gave up the woman he loved so she could marry the one she truly loved. Once he returns to London, he slowly gets accustomed to seeing Annabeth and Sloane. Life returns to normal until a man who claims to show more be his brother and the rightful heir confronts him. Nathan doesn't believe him but needs to be sure. He knows exactly who he needs to help him investigate.
Verity was previously Sloane's partner as they spied for the Crown during the war. After retiring, she set up a discreet private investigation firm that has become quite successful. She is content with her independence and living life on her own terms, even if she's a bit lonely at times. The secrets in Verity's past make her believe she has no chance of marriage.
Nathan and Verity knew each other in the previous book. They frequently butt heads, but under the antagonism are sparks of attraction. When Nathan encounters Verity at a Society function while she is working on a case, he unexpectedly finds himself helping her. I loved his internal conflict. He feels that what she is doing is dangerous and foolhardy, but he must also protect her. Matters between them become complicated when he asks for her help investigating the stranger's claim. Nathan won't sit back and let Verity investigate on her own, but he insists on being involved. I enjoyed watching them work together and how they balance her tendency to take chances with his resistance to taking risks. Their teamwork was very effective, and I loved seeing Nathan get into the spirit of the chase.
There is no shortage of action and dangerous situations to keep me invested in the mystery. Some things didn't make sense, leading to questions about who was really behind the claim. The twists and turns of this investigation kept me guessing to the end. I was glued to the pages during the final confrontation as the intensity of the danger peaked. There was also a secondary mystery as Verity's past returned to haunt her. The resolution of that was not what I expected and brought unexpected happiness to Verity.
I liked watching the development of the relationship between Nathan and Verity as they went from antagonists to partners to friends to more. I liked seeing how Nathan's growing feelings for Verity took him by surprise, opening his eyes to the differences between his former feelings for Annabeth and his feelings for Verity. I liked his persistence in pursuing her once he realized the depth of his feelings. I ached for Verity because of her belief that there was no chance they could be together. I loved the emotional scene as he overcame her insecurities, opening up the opportunity for the future they wanted. The epilogue was terrific. show less
Verity was previously Sloane's partner as they spied for the Crown during the war. After retiring, she set up a discreet private investigation firm that has become quite successful. She is content with her independence and living life on her own terms, even if she's a bit lonely at times. The secrets in Verity's past make her believe she has no chance of marriage.
Nathan and Verity knew each other in the previous book. They frequently butt heads, but under the antagonism are sparks of attraction. When Nathan encounters Verity at a Society function while she is working on a case, he unexpectedly finds himself helping her. I loved his internal conflict. He feels that what she is doing is dangerous and foolhardy, but he must also protect her. Matters between them become complicated when he asks for her help investigating the stranger's claim. Nathan won't sit back and let Verity investigate on her own, but he insists on being involved. I enjoyed watching them work together and how they balance her tendency to take chances with his resistance to taking risks. Their teamwork was very effective, and I loved seeing Nathan get into the spirit of the chase.
There is no shortage of action and dangerous situations to keep me invested in the mystery. Some things didn't make sense, leading to questions about who was really behind the claim. The twists and turns of this investigation kept me guessing to the end. I was glued to the pages during the final confrontation as the intensity of the danger peaked. There was also a secondary mystery as Verity's past returned to haunt her. The resolution of that was not what I expected and brought unexpected happiness to Verity.
I liked watching the development of the relationship between Nathan and Verity as they went from antagonists to partners to friends to more. I liked seeing how Nathan's growing feelings for Verity took him by surprise, opening his eyes to the differences between his former feelings for Annabeth and his feelings for Verity. I liked his persistence in pursuing her once he realized the depth of his feelings. I ached for Verity because of her belief that there was no chance they could be together. I loved the emotional scene as he overcame her insecurities, opening up the opportunity for the future they wanted. The epilogue was terrific. show less
In the series' second book, we spent our time rooting for the hero and heroine – as we should have. However, I think most of us gave little thought to the man to whom the heroine was betrothed before she got her HEA with the hero. Did any of us wonder how broken his heart might have been? Did we care how much he might have loved the heroine? We all liked him, but did we wonder where his life would go? Probably not. This book, however, turns all of that on its head and shows us Nathan’s show more journey to finding love again. It is an exciting, well-written, engrossing story that will have you holding your breath, wringing your hands, frowning in exasperation, and smiling at the HEA.
Nathan Dunbridge spent months on the continent trying to mend his broken heart after his broken betrothal. He had truly loved Annabeth, but he knew he had to give her the freedom to marry the man she loved. Is his heart mended? Well, he can at least tolerate being in the same room with Annabeth and her husband for a while. He’s back into his role in society and living his normal life – until – a man marches up to him, proclaims himself to be his brother, and asserts he is their father’s rightful heir. Oh! My! Nathan doesn’t believe a word of it, but the man is quite adamant and Nathan knows the scandal would ruin them whether it was true or not – and it would break his sweet, caring mother’s heart. Nathan knows he has to get to the bottom of it, true or not, and he knows just the person to help.
Verity Cole has run a very discreet detective agency for the last couple of years. Before that, she was a very successful spy for the Crown. Verity has many secrets and never lets anyone get too close to her. Her life is one role after another, to the point where she’s not sure where the role ends and she begins. That all begins to change when Nathan asks her to help solve the mystery of his ‘brother’. Can she open up enough to let someone else into her life, her heart?
Verity and Nathan work together to solve the mystery of his brother and a few others as well. They work very well together but are opposites in most ways. Will that be a detriment or an asset? You’ll just have to read this fast-paced, exciting, romantic adventure to see how it all comes out. You’ll find betrayals, kidnappings, attempted murders, murders, past secrets, and longings for things that cannot be. The storyline will reach out and pull you in, and the characters will hold you till the end.
This was a thoroughly enjoyable read and I hope you enjoy it as much as I did.
I voluntarily read and reviewed an Advanced Reader Copy of this book. All thoughts and opinions are my own. show less
Nathan Dunbridge spent months on the continent trying to mend his broken heart after his broken betrothal. He had truly loved Annabeth, but he knew he had to give her the freedom to marry the man she loved. Is his heart mended? Well, he can at least tolerate being in the same room with Annabeth and her husband for a while. He’s back into his role in society and living his normal life – until – a man marches up to him, proclaims himself to be his brother, and asserts he is their father’s rightful heir. Oh! My! Nathan doesn’t believe a word of it, but the man is quite adamant and Nathan knows the scandal would ruin them whether it was true or not – and it would break his sweet, caring mother’s heart. Nathan knows he has to get to the bottom of it, true or not, and he knows just the person to help.
Verity Cole has run a very discreet detective agency for the last couple of years. Before that, she was a very successful spy for the Crown. Verity has many secrets and never lets anyone get too close to her. Her life is one role after another, to the point where she’s not sure where the role ends and she begins. That all begins to change when Nathan asks her to help solve the mystery of his ‘brother’. Can she open up enough to let someone else into her life, her heart?
Verity and Nathan work together to solve the mystery of his brother and a few others as well. They work very well together but are opposites in most ways. Will that be a detriment or an asset? You’ll just have to read this fast-paced, exciting, romantic adventure to see how it all comes out. You’ll find betrayals, kidnappings, attempted murders, murders, past secrets, and longings for things that cannot be. The storyline will reach out and pull you in, and the characters will hold you till the end.
This was a thoroughly enjoyable read and I hope you enjoy it as much as I did.
I voluntarily read and reviewed an Advanced Reader Copy of this book. All thoughts and opinions are my own. show less
THE RAINBOW SEASON [ Third printing / Jan. 1984 ] (long pent-up passion exploded in a storm that was to consume them both...) by Lisa Gregory
3.7 stars
*This is a TBRChallenge review, there will be spoilers, I don't spoil everything but enough, because I treat these reviews as a bookclub discussion.
"That Turner boy is back."
I originally had a different book picked out for this month's theme, Lies, but it was a HarperCollins and I'm not reading or reviewing any from that publisher until they agree to a deal that pays their employees a fair living wage. On short notice, I decided to go with The Rainbow Season, one that I have seen show more so many talk about. It's romance, it has to have a lie in there somewhere right? Well, I'm going to say this fits the theme of Lies because our main male character, Luke Turner, was accused and found guilty of rape when he was eighteen years old but he was innocent. Not a particular lie that feels great to read about right now and especially in the way the woman who accused him of the rape is talked about, she's apparently “loose” with her morals and known to sleep with a bunch of men, so the thought is, “Why would Luke have to rape her?”. I cringed every time that character and prevailing thought was mentioned but the author used Luke's jail time and false accusation more to bring in the discussion that because Luke was from the other side of the tracks, poor and having an alcoholic father, he must be guilty. Blood tells, right? Luke's whole struggle was internalizing that hate and disgust from the townspeople but trying to show he didn't care, while obviously feeling so, and eventually gaining strength from the trust and love he got from Sarah and her family.
"People always expected him to be bad, just because he was Turner's boy,"
The book starts with Luke getting out of jail, he was eighteen when he was found guilty and now twenty-three. The town gossip rushes to tell Sarah and her older sister Jennifer. This is where the author really pushes how Sarah pales in comparison in the looks department to her older sister and we learn that at sixteen, Sarah fell in love with Jennifer's eventual husband Stu. It's pretty obvious Sarah's love is more school girl crush, hero worship because Jennifer has a family, love and care, that Sarah wants and she sees Stu as the giver of that. At twenty-five Sarah feels like she's already an old maid and even though one of Stu's friends is trying to court her, she doesn't really like him. Sarah lives at home with her parents and it's a situation of idolizing Stu and Jennifer in school girl way and because of that focus on Stu, not being able to open her eyes to any other man.
Sarah felt a sort of kinship to outlaw types like Digger Turner. There were times when she, too, felt excluded and looked down upon, overshadowed as she had always been by her sister.
Luke goes around town trying to find a farm to hire out to and Sarah's father ends up being the only one to hire him. I loved Henry, the father. He has this little speech: How do you think you would have done, Stu, if you had grown up in a tarpaper shack instead of that nice house your parents own? Or if you had had a drunken loafer for a father instead of a respected citizen and store owner?"
Stu, of course, still can't look past his own prejudices, along with a lot of the town and some from Sarah's mom and sister, which leaves Henry and Sarah being the ones left to try and warm up to Luke. I loved how the author showed why Sarah might be open to Luke right away. Sarah feeling like she doesn't match up to her sister in the looks department but also giving us a look into Sarah's inner thoughts of how she's got a “dark side” to her thoughts and emotions. The dark side is mostly Sarah having sexual desire or the wicked thoughts of coveting her sister's husband, again, mostly the ideal of Jennifer's situation. Oh the wonders of sex ed and informing girls/women of their own bodies and not repressing or shaming; this is mostly Sarah's issues. It works to draw her and open her up to Luke.
It was just that sometimes he had to hit something or he would go crazy.
When Henry hires Luke on at the farm, we get a better look at him. How his pride has him trying to work twice as hard to prove he's not one of those “lazy good for nothing Turners” but this pride also works against him as the insults rile him up and the anger has him also wanting to show them all that they're right. Luke has a temper that has him either running away when he gets steamed or getting into fights. His young age and background of growing up with abuse give layers to his emotional immaturity and as he gets shown trust and love from Sarah and her family, you can see him grow from the experiences. He does have some volatility to his personality that caused a good amount of melodrama, especially in the latter second half. But what comes through the most, was his sweetness. He's that lost little hurt boy that is just begging for love and affection. Probably a thesis is required on how he fits the “But I can change him!”, the most important thing is that he never abuses Sarah in any physical or emotional way. His mess ups are running when his own insecurities take over his reason. His fighting men, is his release for all the emotional turmoil inside.
The dangerous Luke Turner, indeed— blushing and scrabbling for his shirt because a lady had seen him barechested.
Eventually, Luke breaks his foot and he's forced to stay in a room above the barn, making him stay in Sarah's orbit so they can get to know each other more. Sarah being older, by two years, and being the one coming from the loving family gave her the advantage with Luke, which I think was important since he has that rape accusation, even though the reader knows it is false. She's the one who has the edge and most of the control and Luke is almost scared of her because he doesn't want to lose how she looks at him, like a normal human being worthy of respect. He's of course physically attracted to her but places her respect above that. Lead by Henry and Sarah, her parents eventually grow to trust Luke enough that when they leave for a two day trip, they leave Luke to watch over Sarah alone. And as parents are wont to do in romances, they end up dying to help along our main couple's relationship. In a scene that was pretty emotionally powerful: Something broke in him at the wild, desperate look in her eyes, and he squatted beside her, taking her face between his hands. "I'll find her, Sarah. All right? Don't fret, I'll get her out."
It's pouring rain and Sarah's looking at the body of her father who drowned and people are saying it's too dangerous to find her mother's body but all Luke sees is no one comforting Sarah and how numb and lost she is and knowing how important it is to her that her mother's body is recovered. Luke slings a rope around his waist to dive repeatedly in the river, almost dying to recover her mother. It was a storm pounding rush feeling but the emotion underneath throbbed, I teared up.
He looked at her; for an instant Sarah saw the sparkle of a tear in his eye and she hurt for all his hard, lonely past.
With her parents gone, everyone around Sarah is saying she's going to have to sell the farm and live with Jennifer and Stu. Sarah hates this idea because she loves the farm and also thinks of how hard it would be to live with a man she covets. Sarah gets a little tipsy with Luke to drown some of her sorrow and they come up with the idea to marry. At 50% we get our marriage of convenience. Of course, everyone is up in arms over her wanting to marry Luke, which fires up her stubbornness and makes her want to do it even more. She ends up telling Luke her feelings for Stu and this crushes him a bit but he still agrees to marry her because while he has the beginnings of feelings for her, he's telling himself it's to protect her and he'll have a farm. These silly kids go for awhile liking their friendship marriage but slowly the sexual tension is getting too thick to breathe in.
She laughed, and he, after adjusting his gloves and wiping the sweat from his forehead, went back to cutting wood. Sarah sat down beneath the elm and leaned against the trunk, content to sit and watch the beautiful symmetry of his movement as he arched back and up, then flung his axe down to bite into the log. He split each piece neatly, then tossed it on the pile and set another in its place to be split. His motions were precise, economical, and steady. There were doubtless many things she ought to be doing, but Sarah decided not to think about them. She preferred to sit here lazily and dream and watch Luke work.
Honestly, everyone should just chop wood in front of whoever they want to attract, works every time. This middle second half got a little slow for me with some melodrama vibes but there were some good scenes in there with Sarah forcing Luke to introduce her to his family and new neighbors moving in to force a one bed situation. When Luke gets tipsy from a party at the neighbors, it makes all his pent up desire spill over and we get their first sex scene. Sarah's into it but battles those feelings of shame and fear because of her society's teachings and ignorance. Luke's too tipsy to go slow for Sarah to work through what she's feeling and the beginning has some uncomfortable vibes but Sarah physically likes the sensations, if not mentally and emotionally allowing herself too. Towards the end, she starts to get into it but then it's all over. The next morning has Sarah remembering the night in a positive light, which I'm not sure felt right but she's too embarrassed to face Luke and goes to the kitchen. Luke of course wakes up and starts the self-loathing and interrupts Sarah's feelings of embarrassment as fear for what he did and does his best to not be in her presence for days, the whole running from his emotions and situations thing. Sarah thinks Luke is disgusted with himself and her feelings of always paling in comparison to her sister has her interpreting his feelings as not being attracted to her.
To none of them could he confide his innermost dreams and fears and emotions, and so with them he always felt a certain separateness, aloneness.
Since Sarah is the one the author wisely gave control to, she's the one to try and break the disconnect and begins teasing Luke, trying to get him to touch her the way he did that night. The ending has them reconnecting, disconnecting as Sarah's confession of loving Stu misinterprets a moment for Luke, and finally through a drought reconnecting to their happily ever after. This was a very good story about impetuous young love, the newness of certain feelings having to be worked through because of immaturity and Luke not having a foundation and experience of love. What stuck out the most to me was how sweet, earnest, and gentle the tone of the story was, especially Luke's character. For me, a romance mostly shines by how much I believe in the leads' love, do they fit together, what draws and keeps them together, and their chemistry. Sarah and Luke had me tearing up and smiling, I felt and believed in their emotions. The sequel looks to be about Luke's sister Julia, we never meet this character but hear about she was forced into marriage to escape having a baby out of wedlock, and I'm definitely going to pick up that one after how good this one was. show less
*This is a TBRChallenge review, there will be spoilers, I don't spoil everything but enough, because I treat these reviews as a bookclub discussion.
"That Turner boy is back."
I originally had a different book picked out for this month's theme, Lies, but it was a HarperCollins and I'm not reading or reviewing any from that publisher until they agree to a deal that pays their employees a fair living wage. On short notice, I decided to go with The Rainbow Season, one that I have seen show more so many talk about. It's romance, it has to have a lie in there somewhere right? Well, I'm going to say this fits the theme of Lies because our main male character, Luke Turner, was accused and found guilty of rape when he was eighteen years old but he was innocent. Not a particular lie that feels great to read about right now and especially in the way the woman who accused him of the rape is talked about, she's apparently “loose” with her morals and known to sleep with a bunch of men, so the thought is, “Why would Luke have to rape her?”. I cringed every time that character and prevailing thought was mentioned but the author used Luke's jail time and false accusation more to bring in the discussion that because Luke was from the other side of the tracks, poor and having an alcoholic father, he must be guilty. Blood tells, right? Luke's whole struggle was internalizing that hate and disgust from the townspeople but trying to show he didn't care, while obviously feeling so, and eventually gaining strength from the trust and love he got from Sarah and her family.
"People always expected him to be bad, just because he was Turner's boy,"
The book starts with Luke getting out of jail, he was eighteen when he was found guilty and now twenty-three. The town gossip rushes to tell Sarah and her older sister Jennifer. This is where the author really pushes how Sarah pales in comparison in the looks department to her older sister and we learn that at sixteen, Sarah fell in love with Jennifer's eventual husband Stu. It's pretty obvious Sarah's love is more school girl crush, hero worship because Jennifer has a family, love and care, that Sarah wants and she sees Stu as the giver of that. At twenty-five Sarah feels like she's already an old maid and even though one of Stu's friends is trying to court her, she doesn't really like him. Sarah lives at home with her parents and it's a situation of idolizing Stu and Jennifer in school girl way and because of that focus on Stu, not being able to open her eyes to any other man.
Sarah felt a sort of kinship to outlaw types like Digger Turner. There were times when she, too, felt excluded and looked down upon, overshadowed as she had always been by her sister.
Luke goes around town trying to find a farm to hire out to and Sarah's father ends up being the only one to hire him. I loved Henry, the father. He has this little speech: How do you think you would have done, Stu, if you had grown up in a tarpaper shack instead of that nice house your parents own? Or if you had had a drunken loafer for a father instead of a respected citizen and store owner?"
Stu, of course, still can't look past his own prejudices, along with a lot of the town and some from Sarah's mom and sister, which leaves Henry and Sarah being the ones left to try and warm up to Luke. I loved how the author showed why Sarah might be open to Luke right away. Sarah feeling like she doesn't match up to her sister in the looks department but also giving us a look into Sarah's inner thoughts of how she's got a “dark side” to her thoughts and emotions. The dark side is mostly Sarah having sexual desire or the wicked thoughts of coveting her sister's husband, again, mostly the ideal of Jennifer's situation. Oh the wonders of sex ed and informing girls/women of their own bodies and not repressing or shaming; this is mostly Sarah's issues. It works to draw her and open her up to Luke.
It was just that sometimes he had to hit something or he would go crazy.
When Henry hires Luke on at the farm, we get a better look at him. How his pride has him trying to work twice as hard to prove he's not one of those “lazy good for nothing Turners” but this pride also works against him as the insults rile him up and the anger has him also wanting to show them all that they're right. Luke has a temper that has him either running away when he gets steamed or getting into fights. His young age and background of growing up with abuse give layers to his emotional immaturity and as he gets shown trust and love from Sarah and her family, you can see him grow from the experiences. He does have some volatility to his personality that caused a good amount of melodrama, especially in the latter second half. But what comes through the most, was his sweetness. He's that lost little hurt boy that is just begging for love and affection. Probably a thesis is required on how he fits the “But I can change him!”, the most important thing is that he never abuses Sarah in any physical or emotional way. His mess ups are running when his own insecurities take over his reason. His fighting men, is his release for all the emotional turmoil inside.
The dangerous Luke Turner, indeed— blushing and scrabbling for his shirt because a lady had seen him barechested.
Eventually, Luke breaks his foot and he's forced to stay in a room above the barn, making him stay in Sarah's orbit so they can get to know each other more. Sarah being older, by two years, and being the one coming from the loving family gave her the advantage with Luke, which I think was important since he has that rape accusation, even though the reader knows it is false. She's the one who has the edge and most of the control and Luke is almost scared of her because he doesn't want to lose how she looks at him, like a normal human being worthy of respect. He's of course physically attracted to her but places her respect above that. Lead by Henry and Sarah, her parents eventually grow to trust Luke enough that when they leave for a two day trip, they leave Luke to watch over Sarah alone. And as parents are wont to do in romances, they end up dying to help along our main couple's relationship. In a scene that was pretty emotionally powerful: Something broke in him at the wild, desperate look in her eyes, and he squatted beside her, taking her face between his hands. "I'll find her, Sarah. All right? Don't fret, I'll get her out."
It's pouring rain and Sarah's looking at the body of her father who drowned and people are saying it's too dangerous to find her mother's body but all Luke sees is no one comforting Sarah and how numb and lost she is and knowing how important it is to her that her mother's body is recovered. Luke slings a rope around his waist to dive repeatedly in the river, almost dying to recover her mother. It was a storm pounding rush feeling but the emotion underneath throbbed, I teared up.
He looked at her; for an instant Sarah saw the sparkle of a tear in his eye and she hurt for all his hard, lonely past.
With her parents gone, everyone around Sarah is saying she's going to have to sell the farm and live with Jennifer and Stu. Sarah hates this idea because she loves the farm and also thinks of how hard it would be to live with a man she covets. Sarah gets a little tipsy with Luke to drown some of her sorrow and they come up with the idea to marry. At 50% we get our marriage of convenience. Of course, everyone is up in arms over her wanting to marry Luke, which fires up her stubbornness and makes her want to do it even more. She ends up telling Luke her feelings for Stu and this crushes him a bit but he still agrees to marry her because while he has the beginnings of feelings for her, he's telling himself it's to protect her and he'll have a farm. These silly kids go for awhile liking their friendship marriage but slowly the sexual tension is getting too thick to breathe in.
She laughed, and he, after adjusting his gloves and wiping the sweat from his forehead, went back to cutting wood. Sarah sat down beneath the elm and leaned against the trunk, content to sit and watch the beautiful symmetry of his movement as he arched back and up, then flung his axe down to bite into the log. He split each piece neatly, then tossed it on the pile and set another in its place to be split. His motions were precise, economical, and steady. There were doubtless many things she ought to be doing, but Sarah decided not to think about them. She preferred to sit here lazily and dream and watch Luke work.
Honestly, everyone should just chop wood in front of whoever they want to attract, works every time. This middle second half got a little slow for me with some melodrama vibes but there were some good scenes in there with Sarah forcing Luke to introduce her to his family and new neighbors moving in to force a one bed situation. When Luke gets tipsy from a party at the neighbors, it makes all his pent up desire spill over and we get their first sex scene. Sarah's into it but battles those feelings of shame and fear because of her society's teachings and ignorance. Luke's too tipsy to go slow for Sarah to work through what she's feeling and the beginning has some uncomfortable vibes but Sarah physically likes the sensations, if not mentally and emotionally allowing herself too. Towards the end, she starts to get into it but then it's all over. The next morning has Sarah remembering the night in a positive light, which I'm not sure felt right but she's too embarrassed to face Luke and goes to the kitchen. Luke of course wakes up and starts the self-loathing and interrupts Sarah's feelings of embarrassment as fear for what he did and does his best to not be in her presence for days, the whole running from his emotions and situations thing. Sarah thinks Luke is disgusted with himself and her feelings of always paling in comparison to her sister has her interpreting his feelings as not being attracted to her.
To none of them could he confide his innermost dreams and fears and emotions, and so with them he always felt a certain separateness, aloneness.
Since Sarah is the one the author wisely gave control to, she's the one to try and break the disconnect and begins teasing Luke, trying to get him to touch her the way he did that night. The ending has them reconnecting, disconnecting as Sarah's confession of loving Stu misinterprets a moment for Luke, and finally through a drought reconnecting to their happily ever after. This was a very good story about impetuous young love, the newness of certain feelings having to be worked through because of immaturity and Luke not having a foundation and experience of love. What stuck out the most to me was how sweet, earnest, and gentle the tone of the story was, especially Luke's character. For me, a romance mostly shines by how much I believe in the leads' love, do they fit together, what draws and keeps them together, and their chemistry. Sarah and Luke had me tearing up and smiling, I felt and believed in their emotions. The sequel looks to be about Luke's sister Julia, we never meet this character but hear about she was forced into marriage to escape having a baby out of wedlock, and I'm definitely going to pick up that one after how good this one was. show less
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