Yuyi Morales

Death comes for Grandma Beetle in the form of Señor Calavera (Mr. Skull). Grandma, in the tradition of trickster fables, delays her departure with Señor Calavera repeatedly, until her grandchildren arrive for her birthday party. With each task she must complete, the English and Spanish words for the numbers one through ten are emphasized in bold on each page. Finally, Grandma seats Señor Calavera at the table for the celebration, declaring him the tenth and final guest. After the party show more concludes, Grandma looks for Señor Calavera, but he has gone, leaving a note expressing his appreciation for a lovely time and promise to return next year for her birthday. This book has an awful lot going on, starting with it being a simple counting book that teaches numbers one through ten in English and Spanish. You also get a very Hispanic trickster tale reminiscent of also 1001 Arabian Nights, where a woman outsmarts something conventionally more powerful than she, in this case Death. The treatment of Death like a physical entity that can be influenced is also a common theme that is used here as well. show less

Ohhhhhhhhhhhhhhhhhhhhhhh what a beautiful book, both in its illustrations and its story.

I can't wait to give this one to the Littles. Their paternal grandparents were immigrants from Mexico and I hope this book might inspire and encourage them to learn more about that experience from their abuelita.

I've never been an immigrant, but I have been a stranger in a strange land, in a culture that was very different than my own, unable to speak the language. That kind of experience is show more life-changing. I can't imagine the same experience, though, as an immigrant in America, not always the most welcoming place, depending on the color of your skin. It's the very ugly side to the dream. All the more reason this book is more beautiful in the way it's told. And so important.

Also, public libraries were vitally important to the author's story. And if can you believe it, libraries are yet ANOTHER ridiculous controversy at the moment. I'm going to use the list of books that were important to Morales that she included at the end to find more books I would like to read. show less

ased on her experience of leaving Mexico for the United States, Morales’ latest offers an immigrant’s tale steeped in hope, dreams, and love.

This story begins with a union between mother and son, with arms outstretched in the midst of a new beginning. Soon after, mother and son step on a bridge, expansive “like the universe,” to cross to the other side, to become immigrants. An ethereal city appears, enfolded in fog. The brown-skinned woman and her child walk through this strange new show more land, unwilling to speak, unaccustomed to “words unlike those of our ancestors.” But soon their journey takes them to the most marvelous of places: the library. In a series of stunning double-page spreads, Morales fully captures the sheer bliss of discovery as their imaginations take flight. The vibrant, surreal mixed-media artwork, including Mexican fabric, metal sheets, “the comal where I grill my quesadillas,” childhood drawings, and leaves and plants, represents a spectacular culmination of the author’s work thus far. Presented in both English and Spanish editions (the latter in Teresa Mlawer’s translation), equal in evocative language, the text moves with purpose. No word is unnecessary, each a deliberate steppingstone onto the next. Details in the art provide cultural markers specific to the U.S., but the story ultimately belongs to one immigrant mother and her son. Thanks to books and stories (some of her favorites are appended), the pair find their voices as “soñadores of the world.”

A resplendent masterpiece. (author’s note) (Picture book. 4-8)

-Kirkus Review show less

Amid the borderlands, a whitetail fawn thrives and survives in Morales’ latest seed of hope.

“Child, you are awake!” A fawn gazes back at readers, curled up in the desert dirt alongside the cacti and blossoms. “You are alive!” It’s a summoning, a reckoning with the wonders—visible and not visible—of life. The opulent artwork thrums with blooms of orange, brown, and green, featuring vibrant images made of digitally altered drawings, photographs, yarn, wool, among other things. show more The fawn observes and prances, exploring underneath the warm desert sun. It’s a celebration. But: “Oh, no! What is that?” Faded gray spikes pierce the frame from behind. “Lie low. We want you safe.” The fawn’s left alone, crouched close to the earth as gray smoke suffocates the desert air. Soon, the fawn stands before a concrete wall crowned with barbed wire, bellowing among upturned cacti and other creatures unable to move ahead. “Let the world know what you feel!” In English text that holds Spanish within it, Morales meditates on community, imagination, immigration, and the natural world, often pulling from current events and recent societal traumas. Thanks to some awe-inspiring moments and rather startling images, the fawn’s journey moves at a dreamy pace, inviting further rereads. A powerful author’s note weaves in a visceral sense of urgency. Lucero, an all-Spanish version translated by Eida Del Risco, publishes simultaneously.

Utterly beautiful. (further resources) (Picture book. 4-8)

-Kirkus Review show less