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Jill Paton Walsh (1937–2020)

Author of Thrones, Dominations

59+ Works 8,487 Members 257 Reviews 10 Favorited

About the Author

Jill Paton Walsh was born Gillian Bliss on April 29, 1937 in London. She graduated from St. Anne's College in Oxford. She taught at the Enfield Girls' Grammar School for three years and was a permanent visiting faculty member for the Center for Children's Literature at Simmons College in Boston, show more Massachusetts. She was also an adjunct British board member of Children's Literature New England. She has written more than 15 books for children. She has won numerous awards including the Book World Festival Award for Fireweed in 1970, the Whitbread Prize for The Emperor's Winding Sheet in1974, the Universe Prize for A Parcel of Patterns in 1984, and the Smarties Grand Prix for Gaffer Samson's Luck in 1984. She has also written adult novels, including completing an unfinished Dorothy Sayers manuscript. Her adult works include Knowledge of Angels, The Serpentine Cave, and A School for Lovers. She is the author of the Imogen Quy Mystery series and the Lord Peter Wimsey Mystery series. She was elected as fellow of the Royal Society of Literature in 1996. (Bowker Author Biography) show less

Series

Works by Jill Paton Walsh

Thrones, Dominations (1998) — Author — 1,877 copies, 53 reviews
A Presumption of Death (2002) 1,066 copies, 37 reviews
The Green Book (1981) 772 copies, 16 reviews
The Attenbury Emeralds (2010) 635 copies, 46 reviews
Knowledge of Angels (1993) 630 copies, 13 reviews
The Late Scholar (2013) 425 copies, 19 reviews
A Parcel of Patterns (1983) 422 copies, 5 reviews
Fireweed (1969) 212 copies, 7 reviews
The Wyndham Case (1993) 205 copies, 7 reviews
Pepi and the Secret Names (1994) 204 copies, 2 reviews
A Piece of Justice (1995) 193 copies, 4 reviews
The Bad Quarto (2007) 171 copies, 7 reviews
Debts of Dishonor (2006) 170 copies, 8 reviews
The Dolphin Crossing (1967) 142 copies, 3 reviews
A Desert in Bohemia (2000) 140 copies, 1 review
The Emperor's Winding Sheet (1974) 135 copies, 2 reviews
A Chance Child (1978) 95 copies, 2 reviews
When I Was Little Like You (1997) 94 copies, 1 review
When Grandma Came (1992) 79 copies, 1 review
Gaffer Samson's Luck (1984) 77 copies
The Serpentine Cave (1997) 75 copies, 3 reviews
Grace (1991) 72 copies, 1 review
Goldengrove Unleaving (1997) 63 copies, 1 review
Unleaving (1976) 60 copies, 2 reviews
Goldengrove (1972) 50 copies
Torch (1987) 40 copies, 2 reviews
Wordhoard: Anglo-Saxon Stories (1969) 40 copies, 1 review
Lapsing (1986) 39 copies, 1 review
Hengest's Tale (1971) 34 copies, 2 reviews
Children of the Fox (1978) 32 copies
Farewell, Great King (1972) 25 copies, 3 reviews
A School for Lovers (1989) 22 copies
Matthew and the Sea Singer (1993) 22 copies
Birdy and the Ghosties (1989) 22 copies
The Butty Boy (1975) 20 copies
Connie Came to Play (1995) 14 copies
Thomas and The Tinners (Red Storybooks) (1995) 13 copies, 1 review
The Huffler (1975) 11 copies, 2 reviews
Lost and Found (1984) 9 copies
Toolmaker (1973) 7 copies
Crossing to Salamis (1977) 5 copies
Can I Play Queenie? (1990) 4 copies, 1 review
Shine (1988) 4 copies
Babylon (1982) 4 copies
Five Tides (1986) 4 copies
Can I Play Farmer, Farmer? (1990) 2 copies, 1 review
The dawnstone (1979) 2 copies
Can I Play Jenny Jones? (1990) 2 copies, 1 review
Can I Play Wolf? (1990) 1 copy, 1 review
Wimsey Untitled (2022) 1 copy

Associated Works

The Nine Tailors (1934) — Introduction, some editions — 4,794 copies, 125 reviews
Lord Peter Views the Body (1928) — Introduction, some editions — 1,942 copies, 44 reviews
The Children of Green Knowe (1954) — Afterword, some editions — 1,825 copies, 44 reviews
Interfaces (1980) — Contributor — 164 copies, 1 review
Adventure Stories (1988) — Contributor — 91 copies, 1 review
Celebrate Cricket: 30 Years of Stories and Art (2003) — Contributor — 44 copies
Slightly Foxed 4: Now we're shut in for the night (2004) — Contributor — 35 copies
Memories (1992) — Introduction — 32 copies, 1 review
Out of Time (1984) — Contributor — 22 copies
The Thorny Paradise: Writers on Writing for Children (1975) — Contributor — 15 copies
The Arvon Book of Crime and Thriller Writing (2012) — Contributor — 13 copies
To Break the Silence (1986) — Contributor — 10 copies
Thrilling Adventure Stories (1988) — Contributor — 5 copies
Cricket Magazine, Vol. 8, No. 7, March 1981 (1979) — Contributor — 3 copies
Cricket Magazine, Vol. 8, No. 6, February 1981 (1981) — Contributor — 3 copies
Cricket Magazine, Vol. 3, No. 7, March 1976 (1976) — Contributor — 3 copies
Cricket Magazine, Vol. 8, No. 8, April 1981 — Contributor — 3 copies
Young Winter's Tales 7 (1976) — Contributor — 2 copies
Young Winter's Tales 1 (1970) — Contributor — 1 copy

Tagged

20th century (60) amateur detective (41) British (129) children's (87) children's literature (47) crime (183) crime fiction (86) detective (85) detective fiction (60) ebook (40) England (144) fantasy (54) fiction (894) Harriet Vane (91) historical (49) historical fiction (238) history (42) Kindle (68) Lord Peter Wimsey (273) mystery (1,043) novel (89) own (40) read (105) Sayers (47) science fiction (81) series (59) to-read (175) Wimsey (87) WWII (92) young adult (45)

Common Knowledge

Canonical name
Walsh, Jill Paton
Legal name
Paton Walsh, Gillian
Other names
Bliss, Gillian Honorine Mary (birth name)
Herbert, Gillian Honorine Mary (Baroness Hemingford)
Birthdate
1937-04-29
Date of death
2020-10-18
Gender
female
Education
St. Michael's Convent, North Finchley
St. Anne's College, Oxford
Occupations
author
teacher
Organizations
Simmons College
Awards and honors
Order of the British Empire (Commander ∙ 1996)
Fellow, Royal Society of Literature
Relationships
Townsend, John Rowe (husband)
Paton Walsh, Anthony (former husband)
Bliss, Christopher (brother)
Herbert, Nicholas (3rd Baron Hemingford, husband)
Short biography
Born Gillian Bliss in London on 25 April 1937. Educated at St. Michael's Convent, North Finchley, and at St. Anne's College, Oxford. In 1961 she married Anthony Paton Walsh, who died in 2003. In 2004 she married writer John Rowe Townsend, who died in 2014. Her books included fiction for children and teenagers, crime fiction (including additional books about Dorothy L Sayers' character Lord Peter Wimsey) and other novels. She was a 'permanent visiting faculty member' of the Centre for Children's Literature, Simmons College, Boston, Massachusetts from 1978 to 1986. In 1996 she received the CBE for services to literature, and was elected a fellow of the Royal Society of Literature. She died in October 2020.
Nationality
UK
Birthplace
North Finchley, London, Middlesex, England, UK
Places of residence
Richmond, Surrey, England, UK
Cambridge, Cambridgeshire, England, UK
Boston, Massachusetts, USA
Place of death
Huntingdon, Cambridgeshire, England, UK
Map Location
England, UK

Members

Discussions

Reviews

271 reviews
A child who is singled out by his mother for abuse, called nothing but Creep, has only his older brother to help him and sneak food for him until redevelopment next door damages the wall of their tenement flat and breaches the closet he's locked in. He leaves the house, makes his way across the broken bricks of the construction site to the old canal. And finds himself in the days of the Industrial Revolution. Life is not much easier for him, and abuse of children is rife, but the world is show more wider and he begins to make his own way. Meanwhile, back in 20th century England, his brother is trying desperately to find him.

There's an unforgettable episode in which the brother, clearly a child of the working class, asks the history teacher at one of the posh schools for help in his research. (He's come to recognize, or half-believe at least, that "Creep" is somewhen in the past.) The teacher is dismissive at first and then deeply impressed by the boy's insight into what history is: at his school they don't teach history, just "topics". Classism is touched on in a meaningful way, and then the story continues.

A book worth reading more than once.
show less
I suppose it's a bit heretical to like the continuation of the Wimsey/Vane mysteries even better than the originals, but there it is. I love not having to look out for the blatantly racist language that peppers the books from another time, and I love Peter and Harriet together. Gaudy Night and Busman's Honeymoon were always my favorite books of the originals, and it's a tribute to Jill Paton Walsh that her work can flow so seamlessly into Sayers' drafts and plans. So grateful to have these show more latter day stories, and that are so faithful to the witty wordplay and characters of the earlier books. This audio book version was even read by the same actor as the others, and I am so happy to listen to that reader. show less
Jill Paton Walsh and Juliette Palmer bring the world of 19th century canals vividly to life. The plot is a simple interlude in the life of a cloistered Victorian child, desperately unhappy, who falls into the company of two children who are illegally operating a canal boat on their own so their grown brother, who has badly broken his arm, will not lose his contract to haul coal. She spends almost a week in their company, and returns home, where her hysterically reproachful family tries to show more make her forget all about it. Simple. But it's a well told story, extremely well researched. I found it interesting throughout and a second reading revealed new depths. The illustrations are marvellous. Even if I had not liked the story so much, I would have kept the book for the beautiful line drawings of narrowboats and canal folk. show less
Peter and Harriet, now middle-aged and parenting three growing boys, are drawn back into a mystery that Peter first encountered in 1921, when he was still recovering his nerves from the war—the uncertain provenance of a giant, very valuable family emerald, part of an Indian maharaja’s set that was broken up. It doesn’t take long for murder to enter the plot; meanwhile, Peter finds himself in an unexpected family situation.

Paton Walsh really captures the essence of Sayers’ characters: show more Peter’s self-doubt, Bunter’s pride, Harriet’s quiet self-sufficiency. I did think, though, that Helen veered a bit into caricature. [SPOILER ALERT] I knew before reading that Peter would wind up as Duke of Denver, and I wasn’t sure I cared for the idea. Reading, though, I realized that Sayers herself had establish this likelihood by giving Gerald only one daredevil son. And Paton Walsh’s interpretation of Peter’s acceptance of the new role was quite in character (as established by Sayers) and extremely moving, as well Harriet’s realization that she had somehow gone from the disgraced doctor of a country doctor to a duchess (albeit an equally disgraced one). show less

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Statistics

Works
59
Also by
21
Members
8,487
Popularity
#2,838
Rating
3.9
Reviews
257
ISBNs
351
Languages
10
Favorited
10

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