Picture of author.

Kahlil Gibran (1883–1931)

Author of The Prophet

736+ Works 29,216 Members 346 Reviews 74 Favorited

About the Author

Khalil Gibran, also known as Kahlil Gibran, was born on January 6, 1883 in Northern Lebanon. As a result of his family's poverty, he received no formal education as a small child but had regular visits from the local priest who taught him about the Bible as well as the Syrian and Arabic languages. show more After his father was imprisoned for embezzlement and his family's property was confiscated by the authorities, his mother decided to emigrate to the United States in 1895. They settled in Boston's South End. He attended public school and art school, where he was introduced to the artist, photographer, and publisher Fred Holland Day. A publisher used some of Gibran's drawings for book covers in 1898. His family forced him to return to Lebanon to complete his education and learn the Arabic language. He enrolled in Madrasat-al-Hikmah, a Maronite-founded school, which offered a nationalistic curriculum partial to church writings, history and liturgy. He learned Arabic, French, and exceled in poetry. He returned to the United States in 1902. In 1904, he hosted his first art exhibit, which featured his allegorical and symbolic charcoal drawings. During this exhibition, he met Mary Elizabeth Haskell, who would go on to fund Gibran's artistic development for nearly his entire life. Not only was he an artist, but he also wrote poetry and other works including The Madman, The Prophet, and Sand and Foam. He died of cirrhosis of the liver and tuberculosis on April 10, 1931. (Bowker Author Biography) show less

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Series

Works by Kahlil Gibran

The Prophet (1923) 16,300 copies, 189 reviews
A Tear and a Smile (1947) 799 copies, 6 reviews
Jesus the Son of Man (1928) — Author — 792 copies, 12 reviews
The Broken Wings (1912) 675 copies, 8 reviews
The Treasured Writings of Kahlil Gibran (1998) 672 copies, 3 reviews
Sand and Foam (1926) 648 copies, 8 reviews
The Madman: His Parables and Poems (1946) 591 copies, 6 reviews
The Garden of the Prophet (1933) 490 copies, 6 reviews
Spirits Rebellious (1908) 454 copies, 3 reviews
The Voice of the Master (1963) 428 copies, 6 reviews
A Treasury of Kahlil Gibran (1951) 396 copies, 1 review
The Secrets of the Heart (1947) 394 copies, 3 reviews
Thoughts and Meditations (1960) 377 copies, 2 reviews
The Wanderer: His Parables and His Sayings (1932) 376 copies, 6 reviews
Kahlil Gibran, The Collected Works (2007) 312 copies, 1 review
Spiritual Sayings of Kahlil Gibran (1962) 307 copies, 1 review
Mirrors of the Soul (1965) 259 copies, 1 review
Kahlil Gibran: A Self-Portrait (1959) 252 copies, 3 reviews
The Procession (1919) 212 copies, 3 reviews
The Forerunner: His Parables and Poems (1920) 171 copies, 2 reviews
The Prophet / The Garden of the Prophet (1923) 146 copies, 3 reviews
The Earth Gods (1938) 143 copies, 2 reviews
Nymphs of the Valley (1906) 128 copies
Prose Poems (1947) 124 copies
Prophet, Madman, Wanderer (Penguin 60s S.) (1980) 106 copies, 3 reviews
Between Night and Morn (1972) 90 copies
The Eye of the Prophet (1991) 89 copies, 2 reviews
The Beauty of Life (1971) 59 copies
The Little Book of Love (2007) 49 copies
Obras completas (1989) 41 copies
Treasury of Wisdom (1995) 26 copies, 2 reviews
Gezgin (2012) 23 copies, 1 review
Visions of the Prophet (1995) 20 copies, 1 review
Mestarin sanoja (1992) 19 copies
Obra selecta (1979) 17 copies, 1 review
Kahil Gibran (2005) 14 copies
Kırık Kanatlar (2018) 13 copies
The Essential Kahlil Gibran (2005) 13 copies
The Prophet and Other Writings (1999) 12 copies, 1 review
Twenty drawings (1919) 12 copies, 1 review
Kahlil Gibran's The Prophet [2014 film] (2016) — Writer — 12 copies
Le parole non dette (1991) 11 copies
El Loco - El Jardin Del Profeta (1918) 10 copies, 1 review
Ajan virta (1978) 9 copies
El vagabundo Lágrimas y sonrisas (1987) 8 copies, 1 review
Parole sussurrate (1997) 8 copies
Arena y espuma (1987) 8 copies, 1 review
La procesión (1980) 8 copies, 1 review
Wings of Thought (2011) 8 copies
Ermis (2015) 7 copies
Asas Partidas (2021) 6 copies
PROFETI 6 copies, 1 review
al-Nabi (2005) 6 copies, 2 reviews
Awakened Soul (2001) 6 copies
Ermiş (2018) 6 copies
The Spirit of Friendship (1976) 6 copies
OBRAS COMPLETAS (3 TOMOS) (1982) 6 copies, 1 review
Mon Liban (2004) 6 copies, 1 review
The voice of the Masters (1958) 5 copies
Máximas y aforismos (1997) 5 copies
Deli (2018) 5 copies
Les ailes brisées (2013) 5 copies
Le livre des processions (1998) 5 copies, 1 review
O Profeta seguido de O Jardim do Profeta (2019) 5 copies, 1 review
OBRAS COMPLETAS II (1984) 5 copies
The Processions (2015) 5 copies
Der Traum des Propheten (2004) 5 copies
Murtud tiivad (2018) 4 copies
Obras Completas, Tomo 1 (1901) 4 copies, 1 review
Khalil Gibran 4 copies
Im Schatten der Zedern (1998) 3 copies
Paroles (1999) 3 copies, 1 review
El foll (1983) 3 copies
Parábolas 3 copies
Le Calligraphe, le Poète et la Paix (2004) 3 copies, 1 review
O Errante 3 copies
El loco El vagabundo (1995) 3 copies
Der Prophet. Der Wanderer (2011) 3 copies
Antologji 3 copies, 2 reviews
Die Götter der Erde. (1993) 3 copies
Os Deuses da Terra (2003) 3 copies
Lázaro e Sua Amada (2005) 3 copies
Obras Completas, Tomo 2 (1901) 3 copies, 1 review
Obra selecta (1901) 3 copies
Orages (2007) 3 copies
Dichos espirituales (1990) 3 copies
De mi patria (1977) 3 copies
Come fiori nella polvere (2010) 3 copies
L'Aveugle (1999) 3 copies, 1 review
Plukitaĵoj 3 copies
Sculpture: Kahlil Gibran (1970) 3 copies
MERVEILLES ET PROCESSIONS #138 (1996) 3 copies, 1 review
El precursor (2003) 3 copies
Il miscredente (1994) 3 copies
Le parole dette (1991) 3 copies
Rüzgargülü (2020) 3 copies
Gibran (2001) 3 copies
Asi Ruhlar 2 copies
Valomeri (1996) 2 copies
السابق 2 copies
Temporais 2 copies
Alas rotas 2 copies
Procesion, La (Spanish Edition) (1998) 2 copies, 1 review
Glas pjesnika (1999) 2 copies
Essential Gibran (2013) 2 copies
Ermi (2013) 2 copies
O pequeno livro do amor (2022) 2 copies
Worte wie die Morgenröte (1988) 2 copies
Tebessüm ve Gözyasi (2021) 2 copies
Les 7 Cités de l'Amour (2007) 2 copies
Antología Esencial (1983) 2 copies, 1 review
l'Art de la Sagesse (2008) 2 copies
Obras Escogidas (1999) 2 copies
Le passant d'orphalese (2001) 2 copies
Von den Kindern (2007) 2 copies
L'Envol de l'esprit : Khalil Gibran (2004) 2 copies, 1 review
Gedanken des Meisters (1997) 2 copies
Der Gesang des Propheten (2007) 2 copies
OBRAS (KALIL GIBRAN) (1900) 2 copies
Obras elegidas (2001) 2 copies
Gibran Il Profeta. (1977) 2 copies
Curiosidades E Belezas (1976) 2 copies
OBRAS COMPLETAS. TOMO I (1982) 2 copies
Un trésor spirituel (2002) 2 copies, 1 review
Máximas espirituales (1997) 2 copies, 1 review
Espelhos da alma (1999) 2 copies
Lázaro e Sua Amada (2005) 2 copies
The Prophet and Other works (2020) 2 copies, 1 review
Lázaro y su amada (2003) 2 copies
Kum ve Köpük (2017) 2 copies
Zvěstovatel (2013) 2 copies
Tanrı Elçisi (2012) 2 copies
Firtinalar (1999) 2 copies
DELI 2 copies
El Rodamón (1983) 2 copies
Scritti orientali (1994) 2 copies
Lágrimas y sonrisas (2003) 2 copies
Los dioses de la tierra (2003) 2 copies
La tempestad (2003) 2 copies
PROROK I DRUGA IZABRANA DELA (2020) 2 copies, 1 review
The Prophet 2 copies
O Vagabundo (1989) 2 copies
Areia e Espuma 2 copies
O Regresso do Profeta (2009) 2 copies
Le Sable et l'Écume : Aphorismes (1990) 1 copy, 1 review
La Voz del Profeta 1 copy, 1 review
Khalil, l'hérétique (2000) 1 copy, 1 review
Attarief 1 copy
Porqué amo la soledad 1 copy, 1 review
Les Miroirs de l'âme (2004) 1 copy
Kendimle Konusmalar (2000) 1 copy
Earth Gods 1 copy
Sea and Foam 1 copy
Schluessel zum Glueck (2009) 1 copy
O profeta 1 copy
Vadinin Perileri (2012) 1 copy
O profeta 1 copy
Ermiş'in Bahçesi (2021) 1 copy
De La Vida Y El Alma (2013) 1 copy
Le Prophète 1 copy
Espíritus rebeldes (2023) 1 copy
Aforizmalar (cep Boy) (2011) 1 copy
TEMPESTADES 1 copy
Kum ve Kopuk (2013) 1 copy
Ermis - Gezgin (2016) 1 copy
Ask Mektuplari (2000) 1 copy
Il profeta 1 copy
This Man from Lebanon (2024) 1 copy
The Prophet 1 copy
La sagesse (2021) 1 copy, 1 review
Kum ve Köpek (2020) 1 copy
Abgründe des Herzens. (2000) 1 copy
El Loco (2020) 1 copy
Paroles de sagesse (2007) 1 copy
Worte für jeden Tag. (2002) 1 copy
El jardn del profeta (1974) 1 copy
Freundschaft (1995) 1 copy
Ermis'in Bahçesi (2020) 1 copy
Parábolas 1 copy
Viday Velae 1 copy
Gozlerin Fisiltisi (2008) 1 copy
Das ewige Feuer. (1994) 1 copy
Quando amore chiama (2019) 1 copy
O profeta 1 copy
Lagrimas y sonrisas (1901) 1 copy
Entre noche y dia (1982) 1 copy
Pravietis (2001) 1 copy
El Errante (1997) 1 copy
La voce del cuore (2018) 1 copy
O Mensageiro (2003) 1 copy
Um Tesouro Espiritual (2005) 1 copy
Lágrimas e Risos (1999) 1 copy
النبيّ 1 copy
Il pianto e il sorriso (1989) 1 copy
Prosa Kehidupan Gibran (2009) 1 copy
Spiritual World (2010) 1 copy
Sand og skum (1995) 1 copy
De optocht (1980) 1 copy
Van dag tot dag (1978) 1 copy
La città del mistero (1998) 1 copy
Spiegel der Seele (1985) — Author — 1 copy
Massime spirituali (1992) 1 copy
Massime spirituali (1992) 1 copy
Le parole dell'amore (2002) 1 copy
Lazarus dan Kekasihnya (1999) 1 copy
El profeta (2020) 1 copy
Consells per a ser feliç (2010) 1 copy, 1 review
El rodamón (1997) 1 copy
Palabras en silencio (1997) 1 copy
Prorok (1992) 1 copy
The prophet 1 copy
Spirit Bride (2011) 1 copy
PRANASAS (1997) 1 copy
Iram, cit des hautes colonnes (2017) 1 copy, 1 review
Пророк 1 copy
Haberci (1998) 1 copy
Lazzaro e il suo amore (2001) 1 copy
Paroles (1998) 1 copy
Le prophẗe 1 copy
livro profeta (1900) 1 copy

Associated Works

American Religious Poems: An Anthology (2006) — Contributor — 183 copies, 2 reviews
The Seas of God: Great Stories of the Human Spirit (1944) — Contributor — 32 copies, 2 reviews
Bright Poems for Dark Days: An Anthology for Hope (2021) — Contributor — 30 copies
Son of Man: Great Writing About Jesus Christ (2002) — Contributor — 19 copies
The Word Lives On: A Treasury of Spiritual Fiction (1951) — Contributor — 3 copies
Die Spur der Sonne: Sonnenuhren in Südtirol — Contributor — 2 copies

Tagged

20th century (86) Arabic literature (68) classic (129) classics (182) essays (86) fiction (618) Gibran (170) hardcover (103) inspiration (89) inspirational (107) Islam (85) Kahlil Gibran (187) Lebanese (125) Lebanon (143) literature (433) love (92) Middle East (95) mysticism (314) non-fiction (320) own (70) philosophy (1,523) poetry (2,515) prose (69) read (152) religion (627) spiritual (166) spirituality (844) to-read (814) unread (66) wisdom (83)

Common Knowledge

Canonical name
Gibran, Kahlil
Legal name
جبران خليل جبران‎
Gibran, Gibran Khalil
Other names
Džubran, Halil
Birthdate
1883-01-06
Date of death
1931-04-10
Gender
male
Occupations
artist
poet
essayist
letter-writer
Organizations
New York Pen League (member)
Awards and honors
American Academy of Arts and Letters Academy Award (Art, 1961)
Relationships
Young, Barbara (companion/secretary)
Short biography
Khalil Gibran (full Arabic name Gibran Khalil Gibran, sometimes spelled Kahlil;[a] Arabic: جبران خليل جبران‎ / ALA-LC: Jubrān Khalīl Jubrān or Jibrān Khalīl Jibrān) was a Lebanese-American artist, poet, and writer.

Born in the town of Bsharri in the north of modern-day Lebanon (then part of Ottoman Mount Lebanon), as a young man he immigrated with his family to the United States, where he studied art and began his literary career, writing in both English and Arabic. In the Arab world, Gibran is regarded as a literary and political rebel. His romantic style was at the heart of a renaissance in modern Arabic literature, especially prose poetry, breaking away from the classical school. In Lebanon, he is still celebrated as a literary hero.

He is chiefly known in the English-speaking world for his 1923 book The Prophet, an early example of inspirational fiction including a series of philosophical essays written in poetic English prose. The book sold well despite a cool critical reception, gaining popularity in the 1930s and again especially in the 1960s counterculture.
Cause of death
liver cirrhosis
tuberculosis (incipient)
Nationality
Ottoman Empire
USA
Birthplace
Bsharri, Lebanon
Places of residence
Bsharri, Lebanon (birth)
Boston, Massachusetts, USA
New York, New York, USA
Place of death
New York, New York, USA
Burial location
Mar Sarkis Monastery, Bsharri, Lebanon
Map Location
Lebanon

Members

Reviews

382 reviews
The language is poetic, but it is not poetry. It works as prose poetry, in fact some of the best in English. That is probably because Gibran somewhat mimics the poetry of the King James Version. Some phrases and turns and images are brilliant.

That said, what is the point of this book? There are some nice things. "Is not religion all deeds and all reflections.... Who can separate his faith from his actions.... Who can spread his hours before him, saying, 'This is for God and this is for show more myself; This for my soul, and this other for my body?'"

Good point. There are several such nuggets. But, you can tell why the hippie-set loved this book: it is spirituality devoid of religion. Namely, this book can make you feel all "cosmic" without all that pesky Christian morality. That bit quoted above, it is followed by: "He who wears his morality but as his best garment were better naked."

Ah. See what morals get you. On crime and punishment, we get this "It Takes a Village" gem: "And as a single leaf turns not yellow but with the silent knowledge of the whole tree, So the wrong-doer cannot do wrong without the hidden will of you all." See, crime is not the fault of the criminal, it is the fault of society. "The righteous is not innocent of the deeds of the wicked... Yea, the guilty is oftentimes the victim of the injured." See, if you self-righteous rich folk didn't oppress the meek poor folk, they wouldn't have to commit crime.

I wonder how the injured rape victim victimized her guilty rapist.

Generally, The Prophet's twin credos are (1) any path to God is the right path, and (2) if it feels good do it.

(1) Thus, the pluralistic relativism of lines like:

"Say not, 'I have found the truth,' but rather, 'I have found a truth.' Say not, 'I have found the path of the soul.' Say rather, 'I have met the soul walking upon my path.'"

Forget that Jesus said, "I am the way, the truth, and the life: no man cometh unto the Father, but by me." (John 14:6, by the way.) No, no, no. Many willfully ignore that Jesus said such un-ecumenical things like this. The hippie-Jesus thinks that there are many paths to God. The whole "one source, many wells" philosophy. Don't believe me? Why do you think the folks at the Jesus Seminar blackballed this very verse (John 14:6)? "Our great, loving, hippie-Jesus believes that everyone comes to 'god' in his own way! He would never say that!" Blackball. (That last quotation wasn't an actual quote, by the way.)

(2) And, though the nature of the good and evil chapter is tempered by a sort-of "love thy neighbor" philosophy, it still defines "good" not as following Judaeo-Christian morals, or even a "do unto others" prescription, but "You are good when you are one with yourself."

If it feels good to you, do it. Sure, Gibran later seems to warn against unbridled pleasure-seeking, "Pleasure is a freedom-song, But it is not freedom. It is the blossoming of your desires, But it is not their fruit." Later, however, such hedonism is considered a path ("a truth") to God:

"Some of your youth seek pleasure as if it were all, and they are judged and rebuked. I would not judge or rebuke them. I would have them seek."

Thus the paradox of liberalism: the Prophet rebukes you for rebuking those hedons amongst you. They are only on their path. "You are so wrong to tell them that they are wrong!" Ah, relativism! The problem with unchecked hedonism ("You are good when you are one with yourself," if you prefer) is that mankind always finds some inner reasoning to justify their evil actions. Man always finds a way to make pleasure-at-any-cost, devoid of anything else, his God.

I don't want to seem as if I am some stick in the mud, a prude, or an over-moralizing and self-righteous Christian. Christian I am, and hedon I sometimes am. I can get wheat from the chaff out of The Prophet. There is much here that is good, and some of it is artfully written. Some of Gibran's thoughts are even profound. Still, there is much here that is bad, there is still some shuck on the ear, so to speak. Sometimes you must take the wrong path which leads you to the right path, but there is just one right path, not several. Gibran never seems to say that, and, since he was a Lebanese Christian, I find that sad.

There is much here to lead you astray.

I will not hold it against Gibran that The Prophet has inspired numerous imitations of lesser-poetic talent, sad purveyances of even fewer truths. Yes, I am speaking of (amongst others) the trite, inane cacophonies of Paulo Coelho.

And, for those reviewers and readers who think that The Prophet is the most poetic, most enlightening, most cosmically spiritual tome of all time: try reading the Psalms in the KJV with an open mind.

(Yes. I invented the word "hedon." "Hedonist" sounds like a philosophical school, as does "epicurean." The latter, too, is for an aesthete. Let's say a hedon is a pleasure-seeker without the philosophy. A hedon is an unsophisticate. I probably made up that word too.)
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½
"Madame Rose Hanie" is the first story in [Spirits Rebellious] by Lebanese Kahlil Gibran.

Written in 1908 in high poetic drama in keeping with older Middle Eastern traditions, this is a story examining those old traditions. A 40 year old rich man falls in love with a beautiful, impoverished 18 year old woman and marries her. He showers her with every extravagance but after the glitz has worn off, she sees emptiness in her life. She cannot love him in return no matter how she tries. He show more sincerely loves her, in the way he is capable of loving her, but as she matures she feels trapped in the gilded cage he himself admits he created for her. She finds true love with a poor man, leaves her husband, then as a result is shamed by the community and her husband is left with deep heartbreak.

Who betrayed who? Who was at most fault? Who was the purest follower of God's laws for mankind? The narrator, after listening to both sides, ponders those questions with a newly modern sensibility.
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I was overwhelmed and, putting it heavily I know, set adrift, after reading this book of poetry. I'd heard of Kahlil Gibran in passing and from some snippets of pop culture (I remember his poem from this collection 'Pain' being cited by Huey Freeman in the animated show 'The Boondocks') but this was my first complete jump into one of his works and it was more than worth it, so much so that I'd say that while I've read a number of fantastic books in the past few months and even going beyond show more that, the past year or so, I think only Portrait of the Artist as Young Man by James Joyce affected me with its imagery as deeply and left such a similarly evocative imprint on my memory and in my perceptions.

Reading The Prophet I felt as though I were reading the other side of Thus Spake Zarathustra, both works of otherworldly power but whereas one heralded the coming of the Ubermensch with bombastic fury and joyful abandon into the depths of nihilism and iconoclasm, the tone of The Prophet was more somber, calm, even resigned, as the eponymous Prophet is set to leave the land he has enlightened, but with a sense of a hope in not only the eternal cycle of birth and death but in the belief in mankind's potential, and that we ARE getting better, getting closer, and that maybe the mountains we have built aren't so high, or maybe, they are of nothing substantial only vaporous doubt and fear.

The final image of the book wherein (spoiler) the priestess of the people of orphalese stands alone on the shores of the sea thinking over Almustafa's last words, and the implications and beauty there, were such that it lifted my thoughts, so usually clouded and weighed by the useless mass of self destructive repetitions of doubt, fear, the like, the normal, that I was for the briefest and sweetest of times, lifted, up and out of myself and able to breath so deep of those ephemeral airs that I do think it may sustain me for some time to come.
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Gibran's ability to encapsulate a profound concept in two or three lines is incredible.

There's so much to think about on every page of this small book that it will require multiple readings to really appreciate what he's saying. That's not to say that he's obscure, because he's certainly not, he's mostly cuttingly precise and clear. It's that his message is, like most great teachers, a challenging one that for most of us (certainly me) would take a massive change of character and life-style show more to realise. Sadly, I'm far to lazy to make the changes, but maybe some of it will stick and I will be a little bit the better for it.

I bought another two of his books at the same time as this one and will read them soon: I want to learn more.
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Statistics

Works
736
Also by
10
Members
29,216
Popularity
#685
Rating
4.0
Reviews
346
ISBNs
2,197
Languages
42
Favorited
74

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