Picture of author.

Kahlil Gibran (1883–1931)

Author of The Prophet

743+ Works 29,406 Members 348 Reviews 74 Favorited

About the Author

Khalil Gibran, also known as Kahlil Gibran, was born on January 6, 1883 in Northern Lebanon. As a result of his family's poverty, he received no formal education as a small child but had regular visits from the local priest who taught him about the Bible as well as the Syrian and Arabic languages. show more After his father was imprisoned for embezzlement and his family's property was confiscated by the authorities, his mother decided to emigrate to the United States in 1895. They settled in Boston's South End. He attended public school and art school, where he was introduced to the artist, photographer, and publisher Fred Holland Day. A publisher used some of Gibran's drawings for book covers in 1898. His family forced him to return to Lebanon to complete his education and learn the Arabic language. He enrolled in Madrasat-al-Hikmah, a Maronite-founded school, which offered a nationalistic curriculum partial to church writings, history and liturgy. He learned Arabic, French, and exceled in poetry. He returned to the United States in 1902. In 1904, he hosted his first art exhibit, which featured his allegorical and symbolic charcoal drawings. During this exhibition, he met Mary Elizabeth Haskell, who would go on to fund Gibran's artistic development for nearly his entire life. Not only was he an artist, but he also wrote poetry and other works including The Madman, The Prophet, and Sand and Foam. He died of cirrhosis of the liver and tuberculosis on April 10, 1931. (Bowker Author Biography) show less

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Series

Works by Kahlil Gibran

The Prophet (1923) 16,394 copies, 192 reviews
A Tear and a Smile (1947) 805 copies, 6 reviews
Jesus the Son of Man (1928) — Author — 795 copies, 12 reviews
The Broken Wings (1912) 680 copies, 8 reviews
The Treasured Writings of Kahlil Gibran (1998) 675 copies, 3 reviews
Sand and Foam (1926) 654 copies, 8 reviews
The Madman: His Parables and Poems (1946) 595 copies, 6 reviews
The Garden of the Prophet (1933) 498 copies, 6 reviews
Spirits Rebellious (1908) 455 copies, 3 reviews
The Voice of the Master (1963) 432 copies, 6 reviews
A Treasury of Kahlil Gibran (1951) 398 copies, 1 review
The Secrets of the Heart (1947) 395 copies, 3 reviews
Thoughts and Meditations (1960) 378 copies, 2 reviews
The Wanderer: His Parables and His Sayings (1932) 376 copies, 6 reviews
Kahlil Gibran, The Collected Works (2007) 316 copies, 1 review
Spiritual Sayings of Kahlil Gibran (1962) 309 copies, 1 review
Mirrors of the Soul (1965) 260 copies, 1 review
Kahlil Gibran: A Self-Portrait (1959) 254 copies, 3 reviews
The Procession (1919) 213 copies, 3 reviews
The Forerunner: His Parables and Poems (1920) 172 copies, 2 reviews
The Prophet / The Garden of the Prophet (1923) 147 copies, 3 reviews
The Earth Gods (1938) 143 copies, 2 reviews
Nymphs of the Valley (1906) 129 copies
Prose Poems (1947) 125 copies
Prophet, Madman, Wanderer (Penguin 60s S.) (1980) 106 copies, 3 reviews
Between Night and Morn (1972) 90 copies
The Eye of the Prophet (1991) 89 copies, 2 reviews
The Beauty of Life (1971) 60 copies
The Little Book of Love (2007) 49 copies
Obras completas (1989) 43 copies
Treasury of Wisdom (1995) 26 copies, 2 reviews
Gezgin (2012) 21 copies, 1 review
Visions of the Prophet (1995) 20 copies, 1 review
Mestarin sanoja (1992) 19 copies
Obra selecta (1979) 17 copies, 1 review
Kahil Gibran (2005) 14 copies
Kırık Kanatlar (2018) 13 copies
Kahlil Gibran's The Prophet [2014 film] (2016) — Writer — 13 copies
The Essential Kahlil Gibran (2005) 13 copies
The Prophet and Other Writings (1999) 12 copies, 1 review
Twenty drawings (1919) 12 copies, 1 review
Le parole non dette (1991) 11 copies
El Loco - El Jardin Del Profeta (1918) 10 copies, 1 review
Ajan virta (1978) 9 copies
Arena y espuma (1987) 8 copies, 1 review
El vagabundo Lágrimas y sonrisas (1987) 8 copies, 1 review
La procesión (1980) 8 copies, 1 review
Wings of Thought (2011) 8 copies
Parole sussurrate (1997) 8 copies
al-Nabi (2005) 7 copies, 2 reviews
Ermis (2015) 7 copies
OBRAS COMPLETAS (3 TOMOS) (1982) 6 copies, 1 review
Mon Liban (2004) 6 copies, 1 review
The Spirit of Friendship (1976) 6 copies
O Profeta seguido de O Jardim do Profeta (2019) 6 copies, 1 review
Les ailes brisées (2013) 6 copies
Asas Partidas (2021) 6 copies
Awakened Soul (2001) 6 copies
Ermiş (2018) 6 copies
Der Traum des Propheten (2004) 5 copies
The voice of the Masters (1958) 5 copies
Le livre des processions (1998) 5 copies, 1 review
OBRAS COMPLETAS II (1984) 5 copies
Máximas y aforismos (1997) 5 copies
The Processions (2015) 5 copies
Obras Completas, Tomo 1 (1901) 5 copies, 1 review
Deli (2018) 4 copies
Le Calligraphe, le Poète et la Paix (2004) 4 copies, 1 review
Khalil Gibran 4 copies
Murtud tiivad (2018) 4 copies
Obras Completas, Tomo 2 (1901) 4 copies, 1 review
El foll (1983) 3 copies
Lázaro e Sua Amada (2005) 3 copies
El loco El vagabundo (1995) 3 copies
Orages (2007) 3 copies
Parábolas 3 copies
Obra selecta (1901) 3 copies
Im Schatten der Zedern (1998) 3 copies
Paroles (1999) 3 copies, 1 review
Die Götter der Erde. (1993) 3 copies
Antologji 3 copies, 2 reviews
O Errante 3 copies
Os Deuses da Terra (2003) 3 copies
Der Prophet. Der Wanderer (2011) 3 copies
Plukitaĵoj 3 copies
El precursor (2003) 3 copies
Le parole dette (1991) 3 copies
Sculpture: Kahlil Gibran (1970) 3 copies
L'Aveugle (1999) 3 copies, 1 review
De mi patria (1977) 3 copies
Come fiori nella polvere (2010) 3 copies
MERVEILLES ET PROCESSIONS #138 (1996) 3 copies, 1 review
Dichos espirituales (1990) 3 copies
Rüzgargülü (2020) 3 copies
Il miscredente (1994) 3 copies
Gibran (2001) 3 copies
Procesion, La (Spanish Edition) (1998) 2 copies, 1 review
Asi Ruhlar 2 copies
Valomeri (1996) 2 copies
PROCESION Y ALAS ROTAS,LA (2003) 2 copies
Essential Gibran (2013) 2 copies
Temporais 2 copies
Ermi (2013) 2 copies
Glas pjesnika (1999) 2 copies
O pequeno livro do amor (2022) 2 copies
Worte wie die Morgenröte (1988) 2 copies
السابق 2 copies
Tebessüm ve Gözyasi (2021) 2 copies
DELI (2019) 2 copies
l'Art de la Sagesse (2008) 2 copies
Le passant d'orphalese (2001) 2 copies
OBRAS (KALIL GIBRAN) (1900) 2 copies
Antología Esencial (1983) 2 copies, 1 review
Obras Escogidas (1999) 2 copies
Von den Kindern (2007) 2 copies
Les 7 Cités de l'Amour (2007) 2 copies
Der Gesang des Propheten (2007) 2 copies
Gedanken des Meisters (1997) 2 copies
L'Envol de l'esprit : Khalil Gibran (2004) 2 copies, 1 review
Obras elegidas (2001) 2 copies
Gibran Il Profeta. (1977) 2 copies
Curiosidades E Belezas (1976) 2 copies
OBRAS COMPLETAS. TOMO I (1982) 2 copies
Un trésor spirituel (2002) 2 copies, 1 review
Alas rotas 2 copies
The Prophet and Other works (2020) 2 copies, 1 review
La tempestad (2003) 2 copies
Zvěstovatel (2013) 2 copies
Tanrı Elçisi (2012) 2 copies
Areia e Espuma 2 copies
O Regresso do Profeta (2009) 2 copies
Máximas espirituales (1997) 2 copies, 1 review
PROROK I DRUGA IZABRANA DELA (2020) 2 copies, 1 review
O Vagabundo (1989) 2 copies
Lágrimas y sonrisas (2003) 2 copies
Il pianto e il sorriso (1989) 2 copies
Lázaro e Sua Amada (2005) 2 copies
Kum ve Köpük (2017) 2 copies
Lázaro y su amada (2003) 2 copies
Firtinalar (1999) 2 copies
El Rodamón (1983) 2 copies
L'‰educazione del cuore (2007) 2 copies
Espelhos da alma (1999) 2 copies
Los dioses de la tierra (2003) 2 copies
Scritti orientali (1994) 2 copies
The Prophet 2 copies
Sea and Foam 1 copy
Schluessel zum Glueck (2009) 1 copy
Il profeta 1 copy
Ermis'in Bahçesi (2020) 1 copy
Earth Gods 1 copy
Ask Mektuplari (2000) 1 copy
De La Vida Y El Alma (2013) 1 copy
Le Prophète 1 copy
Vadinin Perileri (2012) 1 copy
La Voz del Profeta 1 copy, 1 review
Khalil, l'hérétique (2000) 1 copy, 1 review
Le Sable et l'Écume : Aphorismes (1990) 1 copy, 1 review
Kum ve Kopuk (2013) 1 copy
Das ewige Feuer. (1994) 1 copy
Paroles de sagesse (2007) 1 copy
El jardn del profeta (1974) 1 copy
Kum ve Köpek (2020) 1 copy
Ermis - Gezgin (2016) 1 copy
Ermiş'in Bahçesi (2021) 1 copy
Espíritus rebeldes (2023) 1 copy
Les Miroirs de l'âme (2004) 1 copy
TEMPESTADES 1 copy
Porqué amo la soledad 1 copy, 1 review
Attarief 1 copy
Gozlerin Fisiltisi (2008) 1 copy
Parábolas 1 copy
El Loco (2020) 1 copy
Viday Velae 1 copy
Freundschaft (1995) 1 copy
Aforizmalar (cep Boy) (2011) 1 copy
Worte für jeden Tag. (2002) 1 copy
Abgründe des Herzens. (2000) 1 copy
The Prophet 1 copy
This Man from Lebanon (2024) 1 copy
Kendimle Konusmalar (2000) 1 copy
La sagesse (2021) 1 copy, 1 review
النبيّ 1 copy
La voce del cuore (2018) 1 copy
Quando amore chiama (2019) 1 copy
Lagrimas y sonrisas (1901) 1 copy
Entre noche y dia (1982) 1 copy
Pravietis (2001) 1 copy
El Errante (1997) 1 copy
O Mensageiro (2003) 1 copy
Um Tesouro Espiritual (2005) 1 copy
Lágrimas e Risos (1999) 1 copy
Prosa Kehidupan Gibran (2009) 1 copy
Spiritual World (2010) 1 copy
Sand og skum (1995) 1 copy
De optocht (1980) 1 copy
Van dag tot dag (1978) 1 copy
Le parole dell'amore (2002) 1 copy
La città del mistero (1998) 1 copy
Spiegel der Seele (1985) — Author — 1 copy
Massime spirituali (1992) 1 copy
Massime spirituali (1992) 1 copy
Lazarus dan Kekasihnya (1999) 1 copy
Consells per a ser feliç (2010) 1 copy, 1 review
El rodamón (1997) 1 copy
Palabras en silencio (1997) 1 copy
El profeta (2020) 1 copy
Prorok (1992) 1 copy
Keabadian 1 copy
Romantika 1 copy
Sang Nabi 1 copy
Akulah Cinta 1 copy
Spirit Bride (2011) 1 copy
PRANASAS (1997) 1 copy
Iram, cit des hautes colonnes (2017) 1 copy, 1 review
livro profeta (1900) 1 copy
Пророк 1 copy
Haberci (1998) 1 copy
Lazzaro e il suo amore (2001) 1 copy
Paroles (1998) 1 copy
Le prophẗe 1 copy

Associated Works

American Religious Poems: An Anthology (2006) — Contributor — 185 copies, 2 reviews
The Seas of God: Great Stories of the Human Spirit (1944) — Contributor — 32 copies, 2 reviews
Bright Poems for Dark Days: An Anthology for Hope (2021) — Contributor — 32 copies
Son of Man: Great Writing About Jesus Christ (2002) — Contributor — 19 copies
The Word Lives On: A Treasury of Spiritual Fiction (1951) — Contributor — 3 copies
Die Spur der Sonne: Sonnenuhren in Südtirol — Contributor — 2 copies

Tagged

20th century (86) Arabic literature (68) classic (129) classics (182) essays (86) fiction (618) Gibran (170) hardcover (103) inspiration (89) inspirational (107) Islam (85) Kahlil Gibran (187) Lebanese (125) Lebanon (143) literature (433) love (92) Middle East (95) mysticism (314) non-fiction (320) own (70) philosophy (1,523) poetry (2,515) prose (69) read (152) religion (627) spiritual (166) spirituality (844) to-read (814) unread (66) wisdom (83)

Common Knowledge

Canonical name
Gibran, Kahlil
Legal name
جبران خليل جبران‎
Gibran, Gibran Khalil
Other names
Džubran, Halil
Birthdate
1883-01-06
Date of death
1931-04-10
Gender
male
Occupations
artist
poet
essayist
letter-writer
Organizations
New York Pen League (member)
Awards and honors
American Academy of Arts and Letters Academy Award (Art, 1961)
Relationships
Young, Barbara (companion/secretary)
Short biography
Khalil Gibran (full Arabic name Gibran Khalil Gibran, sometimes spelled Kahlil;[a] Arabic: جبران خليل جبران‎ / ALA-LC: Jubrān Khalīl Jubrān or Jibrān Khalīl Jibrān) was a Lebanese-American artist, poet, and writer.

Born in the town of Bsharri in the north of modern-day Lebanon (then part of Ottoman Mount Lebanon), as a young man he immigrated with his family to the United States, where he studied art and began his literary career, writing in both English and Arabic. In the Arab world, Gibran is regarded as a literary and political rebel. His romantic style was at the heart of a renaissance in modern Arabic literature, especially prose poetry, breaking away from the classical school. In Lebanon, he is still celebrated as a literary hero.

He is chiefly known in the English-speaking world for his 1923 book The Prophet, an early example of inspirational fiction including a series of philosophical essays written in poetic English prose. The book sold well despite a cool critical reception, gaining popularity in the 1930s and again especially in the 1960s counterculture.
Cause of death
liver cirrhosis
tuberculosis (incipient)
Nationality
Ottoman Empire
USA
Birthplace
Bsharri, Lebanon
Places of residence
Bsharri, Lebanon (birth)
Boston, Massachusetts, USA
New York, New York, USA
Place of death
New York, New York, USA
Burial location
Mar Sarkis Monastery, Bsharri, Lebanon
Map Location
Lebanon

Members

Reviews

387 reviews
The language is poetic, but it is not poetry. It works as prose poetry, in fact some of the best in English. That is probably because Gibran somewhat mimics the poetry of the King James Version. Some phrases and turns and images are brilliant.

That said, what is the point of this book? There are some nice things. "Is not religion all deeds and all reflections.... Who can separate his faith from his actions.... Who can spread his hours before him, saying, 'This is for God and this is for show more myself; This for my soul, and this other for my body?'"

Good point. There are several such nuggets. But, you can tell why the hippie-set loved this book: it is spirituality devoid of religion. Namely, this book can make you feel all "cosmic" without all that pesky Christian morality. That bit quoted above, it is followed by: "He who wears his morality but as his best garment were better naked."

Ah. See what morals get you. On crime and punishment, we get this "It Takes a Village" gem: "And as a single leaf turns not yellow but with the silent knowledge of the whole tree, So the wrong-doer cannot do wrong without the hidden will of you all." See, crime is not the fault of the criminal, it is the fault of society. "The righteous is not innocent of the deeds of the wicked... Yea, the guilty is oftentimes the victim of the injured." See, if you self-righteous rich folk didn't oppress the meek poor folk, they wouldn't have to commit crime.

I wonder how the injured rape victim victimized her guilty rapist.

Generally, The Prophet's twin credos are (1) any path to God is the right path, and (2) if it feels good do it.

(1) Thus, the pluralistic relativism of lines like:

"Say not, 'I have found the truth,' but rather, 'I have found a truth.' Say not, 'I have found the path of the soul.' Say rather, 'I have met the soul walking upon my path.'"

Forget that Jesus said, "I am the way, the truth, and the life: no man cometh unto the Father, but by me." (John 14:6, by the way.) No, no, no. Many willfully ignore that Jesus said such un-ecumenical things like this. The hippie-Jesus thinks that there are many paths to God. The whole "one source, many wells" philosophy. Don't believe me? Why do you think the folks at the Jesus Seminar blackballed this very verse (John 14:6)? "Our great, loving, hippie-Jesus believes that everyone comes to 'god' in his own way! He would never say that!" Blackball. (That last quotation wasn't an actual quote, by the way.)

(2) And, though the nature of the good and evil chapter is tempered by a sort-of "love thy neighbor" philosophy, it still defines "good" not as following Judaeo-Christian morals, or even a "do unto others" prescription, but "You are good when you are one with yourself."

If it feels good to you, do it. Sure, Gibran later seems to warn against unbridled pleasure-seeking, "Pleasure is a freedom-song, But it is not freedom. It is the blossoming of your desires, But it is not their fruit." Later, however, such hedonism is considered a path ("a truth") to God:

"Some of your youth seek pleasure as if it were all, and they are judged and rebuked. I would not judge or rebuke them. I would have them seek."

Thus the paradox of liberalism: the Prophet rebukes you for rebuking those hedons amongst you. They are only on their path. "You are so wrong to tell them that they are wrong!" Ah, relativism! The problem with unchecked hedonism ("You are good when you are one with yourself," if you prefer) is that mankind always finds some inner reasoning to justify their evil actions. Man always finds a way to make pleasure-at-any-cost, devoid of anything else, his God.

I don't want to seem as if I am some stick in the mud, a prude, or an over-moralizing and self-righteous Christian. Christian I am, and hedon I sometimes am. I can get wheat from the chaff out of The Prophet. There is much here that is good, and some of it is artfully written. Some of Gibran's thoughts are even profound. Still, there is much here that is bad, there is still some shuck on the ear, so to speak. Sometimes you must take the wrong path which leads you to the right path, but there is just one right path, not several. Gibran never seems to say that, and, since he was a Lebanese Christian, I find that sad.

There is much here to lead you astray.

I will not hold it against Gibran that The Prophet has inspired numerous imitations of lesser-poetic talent, sad purveyances of even fewer truths. Yes, I am speaking of (amongst others) the trite, inane cacophonies of Paulo Coelho.

And, for those reviewers and readers who think that The Prophet is the most poetic, most enlightening, most cosmically spiritual tome of all time: try reading the Psalms in the KJV with an open mind.

(Yes. I invented the word "hedon." "Hedonist" sounds like a philosophical school, as does "epicurean." The latter, too, is for an aesthete. Let's say a hedon is a pleasure-seeker without the philosophy. A hedon is an unsophisticate. I probably made up that word too.)
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½
"Madame Rose Hanie" is the first story in [Spirits Rebellious] by Lebanese Kahlil Gibran.

Written in 1908 in high poetic drama in keeping with older Middle Eastern traditions, this is a story examining those old traditions. A 40 year old rich man falls in love with a beautiful, impoverished 18 year old woman and marries her. He showers her with every extravagance but after the glitz has worn off, she sees emptiness in her life. She cannot love him in return no matter how she tries. He show more sincerely loves her, in the way he is capable of loving her, but as she matures she feels trapped in the gilded cage he himself admits he created for her. She finds true love with a poor man, leaves her husband, then as a result is shamed by the community and her husband is left with deep heartbreak.

Who betrayed who? Who was at most fault? Who was the purest follower of God's laws for mankind? The narrator, after listening to both sides, ponders those questions with a newly modern sensibility.
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ეხლა რომ წარვიკითხო არ ვარ დარწმუნებული, რომ ისევ ისე მომეწონება, როგორც ადრე, მაგრამ ნებისმიერ შემთხვევაში ფაქტი ერთია - ეს არაა უბრალოდ დაწერილი მოთხრობა, ლექსი, ნაშრომი, სტატია, show more ტრაქტატი - ეს რაღაც სხვაა, რომელსაც შეუძლია ისეთ სიმს გამოკრას თითი (თუ წინადადება), რომელიც რიგითი გონებრივი ტალღების მიღმაა, რომელიც უფრო ნამდვილია, ვიდრე "ნმადვილი მე" და რომლის რეზონანსიც რელიქტური გამოსხივების დიაპაზონში ვიბრირებს. show less
THE REAL-WORLD PARANORMAL ROMANCE OF "BELOVED PROPHET" KAHLIL GIBRAN

The world’s abundant treasury of art and literature would likely be a lot less abundant if not for those famed, or sometimes secret, patrons of the arts who assisted many of our most celebrated creative artists at crucial points in their lives––and sometimes throughout their lives. For visual artist Pablo Picasso, author and patron Gertrude Stein played a major role helping to launch his unparalleled career in show more twentieth century art. For the Harlem Renaissance writer Langston Hughes, the mysterious heiress Charlotte Osgood Mason supported him (as well as others associated with the Harlem Renaissance) in great style at the start of his literary career.

In the case of the Lebanese poet and artist Kahlil Gibran, the crucial lifeline came from American schoolmistress Mary Haskell. Just how essential, passionate, and sacred that lifeline was comes through with deep intensity in the pages of BELOVED PROPHET. Editor Virginia Hilu worked her way though more than 600 letters and decades of journal entries to carefully compose a book that goes far beyond amusing or impressive anecdotes to give readers the softly thundering heart and soul of a man whose works continue to inspire millions and the woman who helped make that work possible.

Before the world came to know him as the famed author of such titles as The Prophet and Jesus the Son of Man, Mary Haskell met Gibran at his first art exhibit in 1904 when he was 21 and she was 30. Four years later, she sponsored his trip to Paris, where he studied art for two years and began a correspondence with Haskell that would last the rest his life. Upon his return from Paris to New York City, he both wrote and visited Haskell, whose school was in Boston. Gibran’s understandably deep attachment to the woman who would come to mean so much to his life and career is evident even in those early letters, such as when he wrote this in 1908: “When I am unhappy, dear Mary, I read your letters… They remind me of my true self. They make me overlook all that is not high and beautiful in life.” More than a decade later, in 1922, he tells her, “We have become one, Mary. You have entered my being––and you can’t cut off either of us without destroying the other.”

If Beloved Prophet was comprised of nothing more than letters, it would be a less powerful or significant book. However, the entries from Mary Haskell’s journal provide a wealth of insights both into her relationship with the artist-poet and into her own passionate being. Through those entries we receive accounts of Gibran’s family relationships, how such events as the early deaths of his mother, a brother, and a sister impacted his life. We also learn quite a bit about his creative processes and the role Haskell often played in it. While helping Gibran organize initial drafts for The Prophet, she noted, “How absolutely the Prophet is Kahlil, although Kahlil has several times said, ‘This is not I, but the Prophet.’” Upon receiving one of the first published copies of it, she predicted, “This book will be held as one of the treasures of English literature. And in our darkness we will open it to find ourselves again and the heaven and the earth within ourselves.”

Addressing one another as “Beloved,” and with references to their “greater selves” and life-transforming connection, Beloved Prophet sometimes reads like an extraordinary paranormal romance made much more profound by its concrete reality. The degrees of intimacy between Gibran and Haskell varied over the years but the general integrity of their relationship remained intact. It survived Haskell’s move to Savannah, Georgia, in 1924 and her marriage to Florance Minis in 1926. After Gibran’s death in 1931, his biographer Barbara Young discovered the letters while Haskell was present and suggested they destroy them to avoid any misinterpretation of their contents. Haskell eventually rejected that suggestion, seemingly out of belief that the letters might help future readers more greatly appreciate the rarity of Gibran’s spiritual genius and the noble beauty of his very real humanity.

by Author-Poet Aberjhani
author of The American Poet Who Went Home Again
and Encyclopedia of the Harlem Renaissance


--Aberjhani
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Works
743
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Popularity
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Rating
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Reviews
348
ISBNs
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Languages
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Favorited
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