Warsan Shire
Author of Teaching My Mother How to Give Birth
Works by Warsan Shire
Associated Works
New Daughters of Africa: An International Anthology of Writing by Women of African Descent (2019) — Contributor — 115 copies, 1 review
The Penguin Book of Migration Literature: Departures, Arrivals, Generations, Returns (2019) — Contributor — 96 copies
This Is the Honey: An Anthology of Contemporary Black Poets (2024) — Contributor — 66 copies, 1 review
Tagged
Common Knowledge
- Birthdate
- 1988-08-01
- Gender
- female
- Awards and honors
- Brunel International African Poetry Prize (2013)
- Nationality
- UK
Somalia - Birthplace
- Nairobi, Kenya
- Places of residence
- Los Angeles, California, USA
- Map Location
- Kenya
Members
Reviews
(Full disclosure: I received a free e-ARC for review through Netgalley.)
"No one leaves home unless home is the mouth of a shark. You only run for the border when you see the whole city running as well. The boy you went to school with, who kissed you dizzy behind the old tin factory, is holding a gun bigger than his body. You only leave home when home won’t let you stay."
"Mother says there are locked rooms inside all women. Sometimes, the men—they come with keys, and sometimes, the show more men—they come with hammers."
"At parties I point to my body and say Oh, this old thing? This is where men come to die."
Warsan Shire was born in Nairobi, raised in London, and currently resides in Los Angeles. Likely best known for collaborating with Beyoncé Knowles-Carter on Lemonade, she's also an award-winning poet. With BLESS THE DAUGHTER RAISED BY A VOICE IN HER HEAD - Shire's first full-length book of poetry - it's easy to see why.
The forty-nine poems collected within these pages are simply spectacular: cutting, perceptive, brimming with artistry and elegance. As beautiful as they are painful. Shire tackles a breadth of topics - migration, assimilation, domestic violence, child abuse, misogyny, xenophobia, bulimia, depression, Dawson's Creek, The Babysitter's Club, trichotillomania, Grace Jones, Angela Bassett - demonstrating how the political is always personal. With so many gems, it's hard to choose a favorite, but "Bless This House" is especially thrilling. show less
"No one leaves home unless home is the mouth of a shark. You only run for the border when you see the whole city running as well. The boy you went to school with, who kissed you dizzy behind the old tin factory, is holding a gun bigger than his body. You only leave home when home won’t let you stay."
"Mother says there are locked rooms inside all women. Sometimes, the men—they come with keys, and sometimes, the show more men—they come with hammers."
"At parties I point to my body and say Oh, this old thing? This is where men come to die."
Warsan Shire was born in Nairobi, raised in London, and currently resides in Los Angeles. Likely best known for collaborating with Beyoncé Knowles-Carter on Lemonade, she's also an award-winning poet. With BLESS THE DAUGHTER RAISED BY A VOICE IN HER HEAD - Shire's first full-length book of poetry - it's easy to see why.
The forty-nine poems collected within these pages are simply spectacular: cutting, perceptive, brimming with artistry and elegance. As beautiful as they are painful. Shire tackles a breadth of topics - migration, assimilation, domestic violence, child abuse, misogyny, xenophobia, bulimia, depression, Dawson's Creek, The Babysitter's Club, trichotillomania, Grace Jones, Angela Bassett - demonstrating how the political is always personal. With so many gems, it's hard to choose a favorite, but "Bless This House" is especially thrilling. show less
This is a striking, inspirational, difficult collection of poems; while many of them focus on the experience of being an immigrant (and being transplanted across more than one country) many also deal with physical and psychological abuse, both familial and cultural (things like female genital mutilation, for example). Many of the pieces are dense with Somali and Arabic and laced with concepts associated with Islam. There's a helpful glossary at the end of the book but I didn't realize that show more until I got to the end; in the interim I had just googled all the words I didn't know and I feel a learned quite a bit more than the glossary was able to communicate. After all, if you aren't curious, you probably aren't the audience for poetry in the first place! There are many aspects of these poems that I found insightful but one thing I really appreciated was the way in which the idea of "blessing" runs throughout the book. Many of the poems have "Bless the. . ." as the start of the poem (e.g. "Bless the Bulimic," "Bless the Gun Tossed into the River"), and that phrase crops up a lot in the poem themselves. However the phrase is a lot more complex than is typically the case in Western contexts, where it basically evokes a Facebook version of religion where god is handing out "likes" to things that take its fancy. Instead, bless here means something more akin to "remember" or "meditate upon" or even "try to understand." It isn't the bestowal of grace, it is the starting point for an investigation into the multiplicity of the world. show less
Evocative and startling, this feels like a memoir in verse. Shire's poems are consistently strong; my favorite is "The Kitchen," maybe because it's so much quieter than the others and therefore stands out. I think this collection reads best all in one sitting, consumed in a great gulp, leaving the throat stinging and dry as a bone.
"Mama, I made it/ out of your home/ alive, raised by/ the voices/ in my head."
I was beyond thrilled when I was able to read an advanced e-copy of Shire's new collection (many thanks to netgalley and publishers!) I had very high hopes for this book and while it didn't exactly meet my expectations entirely, I was still blown away by the poems that did draw me in with the wonderful magic of well woven prose, a strong message, and the demand for thoughts and feelings to form, be noticed, and show more paid attention to. It is not often that an author of any genre can approach such delicate topics in a way that works so splendidly that I easily forgot about the bits I didn't quite connect with, leaving me swooning over this collection as a whole.
Poetry is something we read and write because we are part of the human race, and Bless the Daughter Raised by a Voice in Her Head is a wonderful example of the passion the writer infuses into the words, and the passion of the reader as we soak them up and churn them over in our minds.
If you're looking for a beautiful collection with a strong message that will pull at your heart strings and pick at your brain until you lose yourself in thought and weave yourself between the prose this collection is one you're going to want to pick up asap! show less
I was beyond thrilled when I was able to read an advanced e-copy of Shire's new collection (many thanks to netgalley and publishers!) I had very high hopes for this book and while it didn't exactly meet my expectations entirely, I was still blown away by the poems that did draw me in with the wonderful magic of well woven prose, a strong message, and the demand for thoughts and feelings to form, be noticed, and show more paid attention to. It is not often that an author of any genre can approach such delicate topics in a way that works so splendidly that I easily forgot about the bits I didn't quite connect with, leaving me swooning over this collection as a whole.
Poetry is something we read and write because we are part of the human race, and Bless the Daughter Raised by a Voice in Her Head is a wonderful example of the passion the writer infuses into the words, and the passion of the reader as we soak them up and churn them over in our minds.
If you're looking for a beautiful collection with a strong message that will pull at your heart strings and pick at your brain until you lose yourself in thought and weave yourself between the prose this collection is one you're going to want to pick up asap! show less
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- Also by
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- Members
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- Popularity
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- Rating
- 4.4
- Reviews
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