Nayomi Munaweera

I knew that I would be emotionally wrecked by this novel from the story of the moon bear in the Prologue. Read those first two pages for a virtual map of the dark and sad story to come - a foreboding that lasts for the next 300+ pages. You know how this one is going to end before you start, and every page provides clues for the who, what, where, and why. The only thing you can't do is stop it from happening. Munaweera writes with raw and beautiful descriptions, and drags you along kicking show more and screaming to a bitter end. Although I have not read A Little Life yet by Hanya Yanagihara, I suspect those that loved that book will love this book. This story will also instigate wonderful discussions among book groups. Bravo! show less

“Sometimes I get this breathless feeling that the war is a living creature, something huge, with a pointed tongue and wicked claws. When the tanks rumble past in the far fields, I feel it breathe; when the air strikes start and the blood flows, I feel it lick its lips. I’ve grown up inside this war, so now I can’t imagine what it would be like to live outside it.”

This book is about Sri Lanka’s Civil War between the Sinhalese and Tamils that took place 1983 – 2009. It is told from show more the perspective of the eldest daughter of two families, one from each side. One family migrates to the US, but they keep abreast on current events, and the vast majority of the book is centered around Sri Lanka. The other family stays and tries to evade the hostilities but ends up immersed in it. The author provides enough historic content to give the reader the necessary background. It examines the question of what leads someone to become a martyr to the cause:

“What could have led her to this singularly terrible end? What secret wound bled until she chose this most public disassembly of herself? Just moments earlier she had been just another nameless woman in the teeming crowd; now, blown to bits, she was either martyr or mass murderer, according to one’s taste. Either way she had attained instant immortality. But what had led her to that moment? This is a question that haunts me.”

The writing is lyrically descriptive, featuring many cultural elements – food, clothing, customs, religions, and traditions. It contains vivid images of the seascape surrounding the island nation:

“Farther out beyond the reef, where the coral gives way to the true deep, at a certain time of day a tribe of flat silver fish gather in their thousands. To be there is to be surrounded by living shards of light. At a secret signal, all is chaos, a thousand mirrors shattering about him. Then the school speeds to sea and the boy is left in sedate water, a tug and pull of the body as comfortable as sitting in his father’s outspread sarong being sung to sleep.”

It portrays life before the civil war, and how it changed. It is a difficult read in that it describes brutal violence, rapes, burnings, and suicide bombings. Even with all this violent content, the author manages to convey hope for the future. show less

“Sometimes I get this breathless feeling that the war is a living creature, something huge, with a pointed tongue and wicked claws. When the tanks rumble past in the far fields, I feel it breathe; when the air strikes start and the blood flows, I feel it lick its lips. I’ve grown up inside this war, so now I can’t imagine what it would be like to live outside it.”

This book is about Sri Lanka’s Civil War between the Sinhalese and Tamils that took place 1983 – 2009. It is told from show more the perspective of the eldest daughter of two families, one from each side. One family migrates to the US, but they keep abreast on current events, and the vast majority of the book is centered around Sri Lanka. The other family stays and tries to evade the hostilities but ends up immersed in it. The author provides enough historic content to give the reader the necessary background. It examines the question of what leads someone to become a martyr to the cause:

“What could have led her to this singularly terrible end? What secret wound bled until she chose this most public disassembly of herself? Just moments earlier she had been just another nameless woman in the teeming crowd; now, blown to bits, she was either martyr or mass murderer, according to one’s taste. Either way she had attained instant immortality. But what had led her to that moment? This is a question that haunts me.”

The writing is lyrically descriptive, featuring many cultural elements – food, clothing, customs, religions, and traditions. It contains vivid images of the seascape surrounding the island nation:

“Farther out beyond the reef, where the coral gives way to the true deep, at a certain time of day a tribe of flat silver fish gather in their thousands. To be there is to be surrounded by living shards of light. At a secret signal, all is chaos, a thousand mirrors shattering about him. Then the school speeds to sea and the boy is left in sedate water, a tug and pull of the body as comfortable as sitting in his father’s outspread sarong being sung to sleep.”

It portrays life before the civil war, and how it changed. It is a difficult read in that it describes brutal violence, rapes, burnings, and suicide bombings. Even with all this violent content, the author manages to convey hope for the future. show less

Island of a Thousand Mirrors, published in the US in Sept. 2014, is the debut novel of Nayomi Munaweera, a Sri lankan native who now resides in the US. In 2013 it was long listed for the Man Asia Prize, won the Commonwealth Regional prize for Asia and was short listed for the DSC Prize for South Asian Literature in 2014. Quite Impressive for a first novel!

The background of the story is Sri Lanka's civil war (1983-2009) between the Tamil minority (Liberation Tigers of Tamil Eelam) and the show more majority Sinhalese (Sri Lankan military). The war resulted in 80,000 deaths.

Like all wars, there are no easy answers. A quote from one of the characters attempts to explain to American friends what is happening in Sri Lanka:
"There are no martyrs here. It is a war between equally corrupt forces. I see their eyes glaze over. I realize they do not desire a complicated answer. They want clear distinctions between the cowboys and the Indians, the corrupt administration and the valiant freedom fighters, the democratic government and the raging terrorists. They want moral certainty, a thing I cannot give them."

The main characters are 2 Sinhalese sisters (Yasodhara and Lanka), a Tamil boy (Shiva), whose family rented the upstairs of their house, and Saraswathi, a Tamil girl from the north of the island. We learn the stories of their families and how their lives become intertwined over the years. The brutality of the war is devastatingly depicted and I found that as the pace picked up in the last third of the book, I couldn't put it down. show less