Jennifer Worth (1935–2011)
Author of Call the Midwife
About the Author
Jennifer Worth was born Jennifer Lee in Clacton-on-Sea, Essex on September 25, 1935. She trained as a nurse at the Royal Berkshire Hospital in Reading, and then moved to London to train as a midwife. She later worked at the Royal London Hospital, the Elizabeth Garrett Anderson Hospital in Euston, show more and the Marie Curie Hospital in Hampstead. She left nursing in 1973 to study music. She received the Licentiate of the London College of Music in 1974 and was awarded a Fellowship ten years later. She taught and performed solo and in choirs throughout the United Kingdom and Europe. When she felt her musical talents ebbing, she turned to writing. She wrote three books about her experience as a midwife: Call the Midwife, Shadows of the Workhouse, and Farewell to the East End. These books are the basis of the BBC television series Call the Midwife. Her other works include Food Allergy: The Hidden Cause? and In the Midst of Life. She died of cancer on May 31, 2011 at the age of 75. (Bowker Author Biography) show less
Series
Works by Jennifer Worth
The Cazalet Chronicle Series and Midwife Trilogy Collection (7 Books) (2014) — Contributor — 9 copies
Associated Works
Tagged
Common Knowledge
- Canonical name
- Worth, Jennifer
- Birthdate
- 1935-09-25
- Date of death
- 2011-05-31
- Gender
- female
- Education
- Royal Berkshire Hospital, Reading, England
London College of Music (lic. 1974) - Occupations
- Midwife
nurse
memoirist - Organizations
- London College of Music
Community of St. John the Divine
Elizabeth Garrett Anderson Hospital
Marie Curie Hospital
Queen Mary's Maternity Home - Agent
- Eugenie Furniss (42 Management & Production)
- Short biography
- Jennifer Worth, née Lee, was born in Clacton-on-Sea, Essex, where her parents were on vacation, and grew up in Buckinghamshire. She left school at age 15 and learned shorthand and typing to become a secretary. She then decided to train as a nurse instead, and studied at the Royal Berkshire Hospital, Reading, before moving to London to receive further training as a midwife. She was hired as a staff nurse at the London Hospital in the poverty-stricken East End. In the early 1950s, she worked with the Community of St. John the Divine, a community of Anglican nuns, helping poor women and their babies. She worked later at the Elizabeth Garrett Anderson Hospital in Bloomsbury, and at the Marie Curie Hospital in Hampstead. In 1963, she married Philip Worth, an artist, and had two daughters. Jennifer Worth retired from nursing in 1973 to pursue her musical interests. She taught piano and singing at the London College of Music, and performed as a soloist and with choirs throughout the UK and Europe. In 2002, she published the first volume of what would become a trilogy of her memoirs, entitled Call the Midwife -- it became a bestseller. Shadows of the Workhouse (2005) and Farewell to the East End (2009) also became bestsellers. A fourth book, In the Midst of Life, published in 2010, described her later experiences caring for the terminally ill.
- Cause of death
- oesophageal cancer
- Nationality
- UK
- Birthplace
- Clacton-on-Sea, Essex, England, UK
- Places of residence
- London, England, UK
Amersham, Buckinghamshire, England, UK
Hemel Hempstead, Hertfordshire, England, UK - Place of death
- Hemel Hempstead, Hertfordshire, England, UK
- Map Location
- England, UK
Members
Discussions
Biography Group Read - Call the Midwife - Book Discussion Thread in 2015 Category Challenge (April 2015)
Reviews
Jennifer Worth's memoir of her midwifery training in London in the 1950s is fascinating and entertaining. The narrative device of childbirth and midwifery is used as a great equalizer that allows Worth to examine and describe not just the obstetric practices of post-war England, but housing and class, education, personal relationships, and evolving culture. The personalities Worth describes are both bigger than life and entirely natural, and more than once I found a character either show more strangely familiar, or wishing they were. The conditions of life in the not-too-distant past seem to be from another world, and yet completely sympathetic to a contemporary American reader, as I viewed it through the lens of a mother and supporter of modern midwifery. The Midwife (also titled Call the Midwife) is a joy,. show less
Call the Midwife Audiobook [Audiobook, CD, Unabridged, 11 CDs] [Call the Midwife] Jennifer Worth by Jennifer Worth
In the early 1950s, Jennifer Worth was in her early 20s and, though from a comfortable middle-class background herself, was living in a convent where she was training as a midwife, performing home births in the slums of the East End. While her midwifery skills develop, she seems to learn more about human nature as she is forced over and over again to confront her own biases. Most of the stories are the “heartwarming” category, as in the fiercely devoted mother of twenty-five fighting for show more her premature baby’s life. A few are deeply troubling, as in the young prostitute whose life derails completely after her baby is taken away by the Catholic church or the creepy, smelly old woman who turns out to have a dark history in the workhouse. The nuns, too, are a constant source of surprise, as when “humorless” Sister Evangeline turns out to really love a good fart. Altogether, the memoir is a fascinating glimpse into a very particular time and place when the government safety net was much thinner but the social contract between people was perhaps stronger. show less
"A dangerous subject"
By sally tarbox on 5 November 2017
Format: Paperback
I'm not a viewer of the 'Call the Midwife' TV series. I mildly liked Worth's "Shadows of the Workhouse". But THIS is a fantastic and educative read which I would recommend to all.
Taking as her subject death, the author draws on her years of nursing experience, and her more recent dealings with people who have been saved from death by medical intervention - but also the many who were resuscitated from a potentially quick show more release, only to suffer a long and traumatic demise from some other long-term condition (or new problems brought on by the treatment itself.)
This is not an easy subject; the media focus on success stories - we don't hear of the problems medicine itself causes for the (mainly) elderly. Worth tells of surgeons who agree a patient would be best off left to slip away, only angry relatives would sue, the surgeon's career would be ruined - so the individual is prepared for the theatre.
Living wills, Dignitas, reported out of body experiences,the often pointless use of resuscitative techniques... Worth gives a balanced viewpoint to all.
She contrasts the acceptance of death in Victorian times, and in some societies still today, with our own embarrassment, refusal to acknowledge it, shield people from the sight of a dead person.
There is no simple answer - but I was left with a general feeling that if I'm old and frail I won't be seeking interventions at all cost but would prefer to die naturally.
One of the most significant books I've read this year. show less
By sally tarbox on 5 November 2017
Format: Paperback
I'm not a viewer of the 'Call the Midwife' TV series. I mildly liked Worth's "Shadows of the Workhouse". But THIS is a fantastic and educative read which I would recommend to all.
Taking as her subject death, the author draws on her years of nursing experience, and her more recent dealings with people who have been saved from death by medical intervention - but also the many who were resuscitated from a potentially quick show more release, only to suffer a long and traumatic demise from some other long-term condition (or new problems brought on by the treatment itself.)
This is not an easy subject; the media focus on success stories - we don't hear of the problems medicine itself causes for the (mainly) elderly. Worth tells of surgeons who agree a patient would be best off left to slip away, only angry relatives would sue, the surgeon's career would be ruined - so the individual is prepared for the theatre.
Living wills, Dignitas, reported out of body experiences,the often pointless use of resuscitative techniques... Worth gives a balanced viewpoint to all.
She contrasts the acceptance of death in Victorian times, and in some societies still today, with our own embarrassment, refusal to acknowledge it, shield people from the sight of a dead person.
There is no simple answer - but I was left with a general feeling that if I'm old and frail I won't be seeking interventions at all cost but would prefer to die naturally.
One of the most significant books I've read this year. show less
Summary: In the 1950s, Jenny Lee arrives at St. Nonnatus House in the East End of London. She was trained as a nurse and was now to apprentice with the nuns of St. Nonnatus to learn midwifery. In post-war London, contraception was rare and unreliable, families were large, wages from jobs at the docks were low, and home births were common, so the midwives of Nonnatus House were a vital part of their community. Call the Midwife is a memoir of Nurse Lee's first few years at Nonnatus, and show more through her, we get to know the other inhabitants of Nonnatus House, from the sharp tongued Sister Evangelina to the aging and increasingly distracted Sister Monica Joan. We also get glimpses into the lives of the people of the East End, including a woman with twenty four children who spoke no English, a young Irish girl who ran away from a terrible situation at home only to find herself turned out as a prostitute, and an older woman who is still haunted by her time in the workhouse. Through them, Jenny learns the craft of midwifery, and finds kindness and cruelty, heartache and hope, and ultimately, compassion and faith.
Review: I had never heard of these books before I began watching the TV series on PBS. And I absolutely fell in love with the show - it reliably makes me cry both happy and sad tears, sometimes at the same time, and it's just warm and caring and full of people who care for and about each other, and I just find it absolutely delightful, even though midwifery is not something I would necessarily care about in and of itself. And while I will do my best to review the book separate of the TV show, the truth is that they're very much intertwined.
Many of the stories in this book have been used as episode plots in the show, sometimes with minor or not-so-minor changes, but pretty much all of the bones of this book were stories I was familiar with. This wasn't necessarily a hindrance - the book does present things in a somewhat different light than the show, with more detail and more contextual and historical information than can be presented in the television show. I also knew the main characters quite well before I started the book, so I can't really judge how well the book does in terms of characterization - it feels fabulous but that could just be because I already had them well pictured in my head. (The one exception is Chummy, who's one of my favorite parts of the show but appears in the book much less than I was expecting/hoping.)
I listened to the audiobook of this, which was great as well; Worth does her best to transcribe the Cockney dialect (the printed version has an appendix with a dialect and pronunciation guide!), but nothing beats hearing it out loud.
Overall, I really enjoyed this book, as I rather suspected I would. The stories don't always connect to one another cleanly, and there are some places where I got the sense that Mrs. Worth was over-editorializing or romanticizing her life (not often, though; she's usually pretty straightforward about the bad parts along with the good.) But it's also interesting from a historical perspective as well as a personal one - the 1950s don't seem like all that long ago, and yet it was a very, very different world in many ways. But the human element of the story has remained remarkably similar, and that's the part I enjoyed most. This book just felt warm and welcoming and full of compassion and grace, which made for a lovely listening experience. 4 out of 5 stars.
Recommendation: Fans of the TV show will find much that's familiar (and therefore much that's enjoyable) about the book. Otherwise, it's an interesting piece of medical and social history that's told from a very humanizing perspective. show less
Review: I had never heard of these books before I began watching the TV series on PBS. And I absolutely fell in love with the show - it reliably makes me cry both happy and sad tears, sometimes at the same time, and it's just warm and caring and full of people who care for and about each other, and I just find it absolutely delightful, even though midwifery is not something I would necessarily care about in and of itself. And while I will do my best to review the book separate of the TV show, the truth is that they're very much intertwined.
Many of the stories in this book have been used as episode plots in the show, sometimes with minor or not-so-minor changes, but pretty much all of the bones of this book were stories I was familiar with. This wasn't necessarily a hindrance - the book does present things in a somewhat different light than the show, with more detail and more contextual and historical information than can be presented in the television show. I also knew the main characters quite well before I started the book, so I can't really judge how well the book does in terms of characterization - it feels fabulous but that could just be because I already had them well pictured in my head. (The one exception is Chummy, who's one of my favorite parts of the show but appears in the book much less than I was expecting/hoping.)
I listened to the audiobook of this, which was great as well; Worth does her best to transcribe the Cockney dialect (the printed version has an appendix with a dialect and pronunciation guide!), but nothing beats hearing it out loud.
Overall, I really enjoyed this book, as I rather suspected I would. The stories don't always connect to one another cleanly, and there are some places where I got the sense that Mrs. Worth was over-editorializing or romanticizing her life (not often, though; she's usually pretty straightforward about the bad parts along with the good.) But it's also interesting from a historical perspective as well as a personal one - the 1950s don't seem like all that long ago, and yet it was a very, very different world in many ways. But the human element of the story has remained remarkably similar, and that's the part I enjoyed most. This book just felt warm and welcoming and full of compassion and grace, which made for a lovely listening experience. 4 out of 5 stars.
Recommendation: Fans of the TV show will find much that's familiar (and therefore much that's enjoyable) about the book. Otherwise, it's an interesting piece of medical and social history that's told from a very humanizing perspective. show less
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