Ernest K. Gann (1910–1991)

Ernest K. Gann was such a great writer that during his heyday the only peer with whom critics could compare him was Hemingway. After reading Soldier of Fortune, you might conclude that it should have been the other way around.

Gann’s robust and vibrant tale of adventure in post-war Hong Kong is painted on a massive canvas, yet because of its rich detail it becomes an intimate look at a place and time. Rarely does a reader get an energetic adventure tale laced with such colorful and show more memorable characters, and rarely does an adventure of this type take the time to make it more than simple entertainment. Gann paints Honk Kong and Kowloon as a bustle of exotic activity, with the Brits trying to hang on while just across the way millions of Chinese are struggling mightily against the brutal rise of Communism. And yet, this is a tale of people, characters rich and complex.

In essence, Gann paints Hong Kong and Kowloon — and later, Macao — as I believe another reviewer mentioned, the Asian Casablanca. But even likening it to Casablanca is doing Soldier of Fortune a great injustice, because there is so much more going on here than there was in that stellar film. Gann takes his time to fully paint even the most minor character in his colorful picture. There are no throwaway people or locations in this fabulous novel, each playing a part in some small way to what is certainly one of the most entertaining stories of great adventure and danger ever written.

American Jane Hoyt has arrived in Hong Kong in search of her husband, who may have been taken prisoner by the Chinese, or he may be dead. Though Susan Hayward portrayed Jane Hoyt in the film, the manner in which Gann describes her and brings her to life in the novel had me quickly picturing her as Greer Garson, and that image stuck for the entire read. Out of her element, Jane braves on, from Tweedie’s, the local hangout for every scoundrel around, to the lovely and charming Maxine Chan, a woman who may have seen her husband alive long after he was reported dead. The one constant Jane discovers are warnings regarding American, Hank Lee, who is known to smuggle goods in and out of Communist China on a Junk he has named Chicago. It is, however, to the surprisingly complicated Hank Lee that Jane turns in her effort to discover what happened to her husband, and rescue him, if she can.

But this is where emotions get complicated, as Hank Lee has an effect on Jane that she at first tries to deny, and finally realizes she can’t. Hank Lee is in essence hiding in Hong Kong, his unsavory reputation hardly in line with the children he has adopted. Eventually, however, a time will come when Jane will need Hank Lee to be the man everyone claims he is, including Merryweather and Rodman, members of a Hong Kong Police Force only seven years old. Both of these men will play important parts in this grand adventure.

Before a dangerous journey is made into Communist China to rescue Jane’s husband from a Canton Jesuit Mission, a great deal happens. There is a typhoon, the poignant death of an old Chinese man, and not one, but two emotionally complex love triangles develop. Much will have to be resolved after a thrilling escape from China, one which has both American and Union Jack flags hoisted up the mast of Chicago, as Hank Lee tries to outrun the Commies, and return a husband to the woman he himself loves.

Despite the colorful and exotic settings, and the rich and detailed evocation of a time and place so masterfully described by Gann, this is really a book about people, and Gann brings them to life. There are a lot of characters to like in this one, and even the most unsavory ones are of great interest. Funny, exciting, charming and thrilling, Soldier of Fortune seems to have a life all its own, one we are only aware of once we open the covers and begin to read.

Clark Gable’s persona makes it easy to understand why he was chosen to portray Hank Lee in the film scripted by Gann himself, who adapted his own novel. One of the few films from the era I haven’t seen, I think I will hold off a while; because the book was so enthralling, and because I will find it difficult to accept Susan Hayward in the role of Jane, no matter how splendid she might have been. For me, Jane will always be Greer Garson.

One of the most memorable reads I’ve encountered over the last few years, and easily in my top 5 reads of 2017, I give this my highest recommendation. Classic film fans especially might enjoy it. Like a lot of great authors, this one by Gann is out of print, but if you can track down a used copy, you’ll not be disappointed. Marvelous! show less

Man was not meant to fly.

No, seriously. Planes just want to fall out of the sky and kill us all, and yet we still go up.

Gann chronicles his experiences as a pilot in the early days of airline travel (late 1930s), through air transit command during WW2, and the travails of starting a new airline to Hawaii. He writes lyrically about the beauty of flight, the recalcitrance of machines, and the cruelties of fate that separate one man's survival from the deaths of dozens of his comrades-crashed show more into mountains, iced up and brought down, slain by unexplained mechanical failure. Gann fly everywhere from the high arctic to the jungles of Brazil, at the controls of good-natured DC-3 and C-87 liberators that seemed to have a will to kill their crews. Overall, an indescribably fascinating book. show less

An effective romantic adventure set against the background of Hong Kong just after the Korean War and the intensifying Cold War with Communist China. Gann, a novelist, pilot, seaman, memoirist, and real life adventurer, brings part of his background in Hong Kong to this story. But Hank Lee, the hero of this tale, is not Ernest K. Gann. Lee is an expat, a man adrift, on the threshold, always on the threshold, until he is redeemed and eventually brought back to the United States at book's end. show more All thanks to the dangerous prison raid Jane Hoyt convinces him to undertake in Red China in order to free her husband.

Soldier of Fortune, essentially, is the backstory to the film version of the novel that would be produced one year after the book's publication. The Clark Gable film closely hews to Gann's novel, which is not so surprising, considering Gann also wrote the film's script. This is one case where the book cannot be separated from the film, because both were being incubated at the same time. And the film's is a good one, although the production code restricted it from pursuing a couple of scenes between Hank and Jane. show less

Ignore the dated details like being introduced to your flight crew before boarding, stewardesses taking your coats as you settle into your seat, it being permissible to smoke once en route and so on...and you will have the classic tale of impending tragedy. The story unfolds in the typical fashion. Readers are introduced to the crew, warts and all. Then, the passengers and all their bad habits. Typical of a suspense thriller is the sense of foreboding. Something is wrong but no one can quite show more put a finger on the exact problem. Everyone, passengers and crew alike, noticed something "off" but either can't articulate the worry or just pass it off as part of an overcautious imagination. As a result everyone on board flight four-two-zero keeps mum until it's too late. It's extremely interesting to watch the fear build in lead controversial character, Dan Roman. show less