John Man

Let me be frank, John Man is an exceptional story-teller. His narrative possesses a fluidity which makes his words comprehensible while also ensuring that the reader cannot wait to devour more of his pages. What John Man, however, is not is a historian irrespective of his credentials. The reality is that only a very few writers are able to operate as historians and vice versa. Man is not one of them.

He commences from a post-modernist view that one must emphatically deconstruct one show more perspective of Saladin to up the other-that the man was an unblemished hero while alive. What he presents is the 'evil crusader' versus 'perfect Mujhaideen' dichotomy. While this might not be a great fault given that Man is, after all, human it underscores his next fault: other than a narration his book offers us nothing more. It overplays few instances of Saladin's generosity but never effectively analyzes the how and why behind them. More parochially, it fixates itself on a few figures while failing to consider contemporary economic/geopolitical factors pervading both Europe and the Middle East.

Overall, this book might act as a good introduction to Saladin as a historical personality but should not be accepted as a genuine picture of a complex personality who played a critical role in shaping the world as we know it today. There is just too much lack of detail. show less

The name of Attila the Hun still resonates in western culture as "The Scourge of God" and the embodiment of barbaric mayhem. Reliable source material on Attila is scanty. His posthumous reputation was created by Christian hagiographers who magnified his accomplishments with tales of virgins, saints, and martyrs. The reality is that he was an ambitious leader who raided a vast range of territory including Syria, Thrace, the Loire valley, northern Italy, and as far north as the Baltic Sea. He show more held only a portion and his empire dissolved upon his death.

John Man does a good job outlining Attila's biography, fleshing out his book with chapters on the Hun's probably beginnings as the Xiongnu people in Mongolia, the rediscovery of rapid mounted archery by Lajos Kassai, the turmoil of the late western Roman empire, and finally a fascinating chapter on Attila's afterlife in Medieval literature. It's a mix of travelogue and history, with some imaginative reconstructions of life in Attila's court that would embarrass a university historian but make for an enjoyable book. show less

We learn from early history classes in school that Attila the Hun was a brutish, savage leader, bent on beating down the mighty Roman empire. Attila sprang from the dark recesses of northern Europe to lay siege to the civilized people of the Mediterranean. But this story is decidedly one-sided and lacking in nuance. In John Man’s Attila, he tries to gives flesh and blood to the skeleton of the tale. Man attempts to give this historical ghost a context and finds much more than we show more expected.

While Attila’s birthdate is unknown, by about 434 CE he had become the leader of the Huns and an empire that stretched from the Ural Sea to the Baltic, and from the Rhine River to the Danube. Man’s history gives a fair amount of space to the pre-Attila relationships between the Roman Empire, the Goths, and the Huns. This is necessary because of the intricate and delicate political bonds throughout Europe at the time. From then until his death in 453, Attila cements his place in history by gaining the loyalty of millions and repeatedly challenging the might of the Roman Empire. Apparently, the only thing that could stop Attila was his rather anti-climactic death (from possibly a peptic ulcer that drowned his lungs in blood).

Man relies heavily on Mierow’s 1915 translation of Jordanes’ 6th century History of the Goths. He couples this with both the histories of Procopius and the contemporaneous writings of Priscus. These works have their flaws and biases, but it’s really all we have to work with. New archaeological finds and secondary sources also help to flesh out the tale. I did find the lack of direct footnotes a bit worrying, but the biography is about as detailed and intriguing as it can get. While scholars will look elsewhere, the casual enthusiast of ancient European history or the Roman Empire will find a lot to enjoy here. A rich and adventurous read. show less

An excellent biography of Saigo, the true last samurai. Really unsure why Hollywood chose to replace him with a Westerner in the movie. His story was just as moving and poignant as was his redemption after death. Saigo was quite the walking contradiction, easily showing that few things in this human world are black and white.

The author has the knack for educating and providing sources while making it sound like you're sitting across from him at a pub while he tells you the story.

Really am show more unsure why the intro to this book's entry on Goodreads et al reads: "The definitive history of the Samurai" it's really just the biography of Saigo. Nonetheless, a really well done and excellently written biography. It does lose one star for me in its false advertising of being a history on the Samurai class. show less