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Marianne Moore (1887–1972)

Author of Complete Poems

85+ Works 2,842 Members 22 Reviews 19 Favorited

About the Author

Born in St. Louis, the "first lady of American poetry," Marianne Moore, graduated from Bryn Mawr College in 1909. In 1918 she moved to New York City with her mother, remaining there for the rest of her life. She became a well-known character in her Brooklyn Heights neighborhood, easily recognizable show more in a large black hat and rather eccentric style. In 1921 a few of her friends pirated her work and published it under the title Poems. On her seventy-fifth birthday, November 15, 1962, she was honored by the National Institute of Arts and Letters, and in a special interview for the N.Y. Times, she spoke of her feelings concerning the treatment of poetry: "I'm very doubtful about scholasticizing poetry," she said. "I feel very strongly that poetry should not be an assignment but a joy." Five years later she said: "I wonder that I can bear myself to be in a world where they don't outlaw war." In 1967 Moore received both the MacDowell Medal and a Gold Medal. Mayor John Lindsay of New York City hailed her as "truly the poet laureate of New York City." The famed Rosenbach Museum in Philadelphia has a collection devoted to her work and a detailed replica of a room in her Brooklyn home. Moore brought to her work a prodigious knowledge and passionate interest in many diverse fields, including the arts, natural history, and public affairs. Her use of the images and language of these fields in her poetry enabled her to offset traditional poetic tones with the cadences of prose rhetoric and everyday speech. This talent, coupled with her precision and intricate metrics, make her one of the leading modernist poets. (Bowker Author Biography) show less

Includes the name: Marianne Moore

Image credit: Marianne Moore (1887-1972)
Photographed by George Platt Lynes, circa 1935
(Library of Congress Prints and Photographs Division,
Reproduction Number: LC-USZ62-101955)

Works by Marianne Moore

Complete Poems (1967) 993 copies, 6 reviews
The Poems of Marianne Moore (2003) 258 copies, 2 reviews
Collected Poems (1951) 123 copies, 1 review
The Selected Letters of Marianne Moore (1997) 107 copies, 1 review
New Collected Poems (2017) 101 copies
A Marianne Moore Reader (1961) 79 copies
Observations (1924) 77 copies, 1 review
Selected poems (1935) 46 copies
O to Be a Dragon (1957) 37 copies, 1 review
Like a bulwark (1956) 24 copies
Nevertheless (1944) 17 copies
Predilections (1955) 16 copies
Fairy Tales (2019) 13 copies
What are years (1941) 13 copies
Poesía completa (2010) 8 copies
Le poesie (1991) 7 copies
Poems (2010) 6 copies
Poemas (1991) 4 copies
Homage to Henry James (1971) 3 copies
Poetry [poem] 3 copies
A talisman 1 copy
The Student 1 copy
W. S. Landor 1 copy
Riverside poetry 3 — Editor — 1 copy
Marriage 1 copy

Associated Works

Fables (1668) — Translator, some editions — 2,215 copies, 18 reviews
The Making of a Poem: A Norton Anthology of Poetic Forms (2000) — Contributor — 1,466 copies, 9 reviews
The Best Poems of the English Language: From Chaucer Through Robert Frost (2004) — Contributor — 1,244 copies, 3 reviews
Literature: An Introduction to Fiction, Poetry, and Drama (1995) — Contributor, some editions — 1,010 copies, 7 reviews
Rock Crystal (1845) — Translator, some editions — 573 copies, 21 reviews
World Poetry: An Anthology of Verse from Antiquity to Our Time (1998) — Contributor — 496 copies, 2 reviews
A Pocket Book of Modern Verse (1954) — Contributor, some editions — 484 copies, 3 reviews
The Rag and Bone Shop of the Heart: A Poetry Anthology (1992) — Contributor — 439 copies, 4 reviews
Baseball: A Literary Anthology (2002) — Contributor — 359 copies, 4 reviews
Modern American and Modern British Poetry (1919) — Contributor — 333 copies, 4 reviews
The Penguin Book of Women Poets (1978) — Contributor — 317 copies
The Best of Modern Humor (1983) — Contributor — 312 copies, 2 reviews
The Faber Book of Modern Verse (1936) — Contributor, some editions — 311 copies, 2 reviews
Writing New York: A Literary Anthology (1998) — Contributor — 301 copies, 4 reviews
The Art of Losing (2010) — Contributor — 237 copies, 22 reviews
No More Masks: An Anthology of Twentieth-Century American Women Poets (1993) — Contributor, some editions — 225 copies, 3 reviews
Imagist Poetry (Penguin Modern Classics) (1972) — Contributor — 187 copies, 2 reviews
American Religious Poems: An Anthology (2006) — Contributor — 184 copies, 2 reviews
The Faber Book of Beasts (1997) — Contributor — 169 copies, 1 review
Poets of World War II (2003) — Contributor — 149 copies, 2 reviews
A Comprehensive Anthology of American Poetry (1929) — Contributor — 138 copies, 2 reviews
The Norton Anthology of American Literature, Volume 2: 1865 to Present (1979) — Contributor, some editions — 135 copies
No More Masks! An Anthology of Poems by Women (1973) — Contributor — 124 copies
The Penguin Book of Women's Humour (1996) — Contributor — 124 copies
Great Modern Reading (1943) — Contributor — 115 copies, 3 reviews
Twentieth Century American Poetry (1944) — Contributor — 109 copies, 2 reviews
The Imagist Poem (1963) — Contributor, some editions — 105 copies
The Poet's Work: 29 Poets on the Origins and Practice of Their Art (1979) — Contributor — 95 copies, 1 review
The Heath Anthology of American Literature, Concise Edition (2003) — Contributor — 72 copies, 1 review
The Gender of Modernism: A Critical Anthology (1990) — Contributor — 69 copies, 1 review
The Ecopoetry Anthology (2013) — Contributor — 68 copies, 1 review
The Vintage Book of American Women Writers (2011) — Contributor — 66 copies
Lament for the Makers: A Memorial Anthology (1996) — Contributor — 56 copies, 1 review
Great Baseball Stories (1979) — Contributor — 49 copies
60 Years of American Poetry (1996) — Contributor — 33 copies, 1 review
Modernist Women Poets: An Anthology (2014) — Contributor — 25 copies
William Carlos Williams: A Collection of Critical Essays (1966) — Contributor, some editions — 24 copies
Modern Women Poets (2005) — Contributor — 16 copies
Gender in Modernism: New Geographies, Complex Intersections (2007) — Contributor — 12 copies, 1 review
Alfabet op de rug gezien (1995) — Contributor — 12 copies
Perspectives on poetry (1968) — Contributor — 7 copies
Themes in American Literature (1972) — Contributor — 5 copies
The Best of American Poetry [Audio] (1997) — Contributor — 1 copy
Life and letters today, Spring 1937 (1937) — Contributor — 1 copy

Tagged

Common Knowledge

Birthdate
1887-11-15
Date of death
1972-02-05
Gender
female
Education
Bryn Mawr College
Occupations
poet
writer
teacher
Organizations
Carlisle Indian School
New York Public Library
Dial
Awards and honors
Helen Haire Levinson Prize (1933)
Fellow, American Academy of Arts and Sciences (1962)
Short biography
Marianne Moore was born in Kirkwood, Missouri, near St. Louis, in the manse of the Presbyterian church where her maternal grandfather, John Riddle Warner, served as pastor. Her father, John Milton Moore, suffered a psychotic episode before she was born, and her parents separated at that time; Moore never met him. She and her elder brother were raised by their mother, Mary Warner Moore in Carlisle, Pennsylvania. In 1909, she earned a BA in biology from Bryn Mawr College, and her early poems were first published in the college’s literary magazines. After graduation, Moore studied at Carlisle Commercial College and taught at the U.S. Indian School there. Moore and her mother, who were devoted to each other, moved to New York City in 1918 and Moore began working at the New York Public Library in 1921. Her first book Poems was published in London in 1921. From 1925 to 1929, she was the editor of the influential literary magazine
The Dial, a role that expanded her circle of literary acquaintances and introduced her work to a more international audience. She was particularly fond of animals and much of her imagery was drawn from the natural world. Her Collected Poems (1951) won both the Pulitzer Prize in poetry and the National Book Award, and in 1953 she was awarded the Bollingen Prize. Her prose works included Predilections (1955), a volume of literary criticism, and Idiosyncrasy and Technique: Two Lectures (1958). Her many honors and awards included the Poetry Society of America's Gold Medal for Distinguished Development and the National Medal for Literature.
Nationality
USA
Birthplace
Kirkwood, Missouri, USA
Places of residence
New York, New York, USA
Place of death
New York, New York, USA
Associated Place (for map)
New York, USA

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Marianne Moore in Legacy Libraries (March 2018)

Reviews

27 reviews
Strangely disappointing. The flap text quotes T.S. Eliot as having written, "One of the books which obviously must in the fullness of time be published [...] will be the Letters of Marianne Moore." Since this volume includes only a few, very short letters from her to him, it's almost impossible to know what he was thinking when he wrote that assessment. I would have preferred a volume combining her prose with a handful of the best letters here.
I love Marianne Moore. Her poetry is astonishing. The prose sections contain so many outdated references and phrases I had to look a lot up but it wasn’t so egregious that I couldn’t enjoy the works. The prose about the made up pet Raven, Pluto, was excellent. Very entertaining and real for something so far from my experiences and time. My favorite poem from this selection might be “To a Giraffe” or “Baseball and Writing”.
This review applies to the Viking edition of selected fables, translated by James Michie with an introduction by Geoffrey Grigson and the illustrations of J. J. Grandville (from an 1842 Paris edition). Grandville's illustrations may well be the best part of the book. La Fontaine's verse retellings of ancient fables (mostly of Aesop and Phaedrus) may lose something in the translation, but mostly didn't make for particularly pleasant reading: the verse comes through as somewhat stilted. show more Nonetheless, it was neat to see the versions of these stories that La Fontaine's contemporary readers would have known and learned. show less
½
Marianne Moore has a complex bibliography, as she revised some poems over the years; as result, the various "Complete Poems," especially that of 1967 (and its later republications), are not as complete as one would wish, because it is essentially impossible to pin down a specific version of a revised poem as "the definitive version". "The Poems of Marianne Moore," and, "Becoming Marianne Moore," are the best beginnings.

None of that detracts from the fact that she is delightful, with that show more genuine, infectious childlike sensibility essential to the "wide-eyedness" of the artist.

Have a dictionary nearby ("pangolin," as defined in Merriam-Webster: "any of several Asiatic and African edentate mammals . . . having the body covered with large imbricated horny scales"), and you'll have fun.
show less

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Statistics

Works
85
Also by
57
Members
2,842
Popularity
#9,028
Rating
3.9
Reviews
22
ISBNs
110
Languages
8
Favorited
19

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