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Oedipus Rex

by Sophocles

Other authors: See the other authors section.

Series: Oedipus Cycle (1)

MembersReviewsPopularityAverage ratingMentions
6,183661,438 (3.7)138
For centuries the myth of Oedipus, the man who unwittingly killed his father and married his mother, has exerted a powerful hold on the human imagination; but no retelling of that myth has ever come close, in passion, drama, and menace to the one that we find in Sophocles' Oedipus the King. This new full-scale edition of that classic play - the first in any language since 1883 - offers a freshly constituted text based on consultation of manuscripts ancient and mediaeval. The introduction explores the play's dating and production, its creative engagement with pre-Sophoclean versions, its major themes, and its reception during antiquity. The commentary offers a detailed analysis, line by line and scene by scene, of the play's language, staging, and dramatic impact. The translation incorporated into the commentary ensures that the book will be accessible to all readers interested in what is arguably the greatest Greek tragedy of all.… (more)
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» See also 138 mentions

English (57)  Italian (2)  Dutch (1)  Norwegian (1)  French (1)  Spanish (1)  Catalan (1)  Swedish (1)  Portuguese (Brazil) (1)  All languages (66)
Showing 1-5 of 57 (next | show all)
This is one of those classics that I know about through pop culture but have never actually read. (It’s officially been on my to-read list since 2008, so it took me “only” 15 years to get around to it.) It’s a lot more visceral than I was expecting, even though the famous “Oedipus gouges out his own eyes” scene happens off stage. The way the chorus describes it is stomach-churning, especially for someone like me who is very eye-injury-phobic. I haven’t read very many ancient Greek plays, so I’m still not entirely clear on the role of the chorus; can they be seen by the main actors in the play? Are they part of the story? Or do they come and go? I’ll have to do some more research on this subject. ( )
  rabbitprincess | Feb 23, 2023 |
Fall 2018, Teacher Read:

My Seniors are doing Oedipus, and my Sophomores are doing Antigone, and it seemed fitting that I should read the whole Theban Trilogy again since my daily life is half-immersed within it currently. I still love the whole focus on how free will as we view it might still be winding us into the clutches of fate unknowingly, even if the book is a travesty of tragic flaws playing themselves out. ( )
  wanderlustlover | Dec 27, 2022 |
freudian ( )
  ahwell | Dec 20, 2022 |
As a reader, I tend to be an opponent of neoclassicism, and have historically not been impressed with the original Greek and Roman works I have read, although my experience with the literature has been rather slight, and my views are slowly becoming more charitable. I had encountered the three plays that make up Sophocles’s Oedipus cycle (Oedipus the King, Oedipus at Colonus, Antigone) in high school; the first and last were required, and I read the middle one to get the full story. At the time, I was quite impressed by these works, and now, years later, my appreciation for these incredible plays has only grown. I would opine that one of the greatest tragedies regarding “works now lost” is the fact that only seven plays out of well over one hundred authored by Sophocles survive today. ( )
  Azmir_Fakir | Oct 31, 2022 |
Intenso. Genial. ( )
  Alvaritogn | Jul 1, 2022 |
Showing 1-5 of 57 (next | show all)

» Add other authors (199 possible)

Author nameRoleType of authorWork?Status
SophoclesAuthorprimary authorall editionsconfirmed
Angèli, PietroTranslatorsecondary authorsome editionsconfirmed
Boutens, P.C.Translatorsecondary authorsome editionsconfirmed
Buschor, ErnstTranslatorsecondary authorsome editionsconfirmed
Campbell, LewisTranslatorsecondary authorsome editionsconfirmed
Castellanos i Vila, JoanTranslatorsecondary authorsome editionsconfirmed
Dawe, R. D.Editorsecondary authorsome editionsconfirmed
De Waele, E.Translatorsecondary authorsome editionsconfirmed
De Waele, E.Introductionsecondary authorsome editionsconfirmed
Engelman, JanTranslatorsecondary authorsome editionsconfirmed
Fraenkel, J.M.Editorsecondary authorsome editionsconfirmed
Grene, DavidTranslatorsecondary authorsome editionsconfirmed
Groeneboom, P.Editorsecondary authorsome editionsconfirmed
Hofmannsthal, Hugo vonTranslatorsecondary authorsome editionsconfirmed
Jebb, Richard ClaverhouseTranslatorsecondary authorsome editionsconfirmed
Knox, Bernard M.W.Translatorsecondary authorsome editionsconfirmed
Koolschijn, GerardTranslatorsecondary authorsome editionsconfirmed
MANZU', GiacomoIllustratorsecondary authorsome editionsconfirmed
Murray, GilbertTranslatorsecondary authorsome editionsconfirmed
Quasimodo , SalvatoreTranslatorsecondary authorsome editionsconfirmed
Rebora , RobertoIntroductionsecondary authorsome editionsconfirmed
Schoorel, WaltherCover artistsecondary authorsome editionsconfirmed
Storr, FrancisTranslatorsecondary authorsome editionsconfirmed
Straat, EvertTranslatorsecondary authorsome editionsconfirmed
VALGIMIGLI, ManaraTranslatorsecondary authorsome editionsconfirmed
Wilder, ThorntonIntroductionsecondary authorsome editionsconfirmed
Young, Sir GeorgeTranslatorsecondary authorsome editionsconfirmed

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Oh my children, the new blood of ancient Thebes,
why are you here?
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(Click to show. Warning: May contain spoilers.)
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For centuries the myth of Oedipus, the man who unwittingly killed his father and married his mother, has exerted a powerful hold on the human imagination; but no retelling of that myth has ever come close, in passion, drama, and menace to the one that we find in Sophocles' Oedipus the King. This new full-scale edition of that classic play - the first in any language since 1883 - offers a freshly constituted text based on consultation of manuscripts ancient and mediaeval. The introduction explores the play's dating and production, its creative engagement with pre-Sophoclean versions, its major themes, and its reception during antiquity. The commentary offers a detailed analysis, line by line and scene by scene, of the play's language, staging, and dramatic impact. The translation incorporated into the commentary ensures that the book will be accessible to all readers interested in what is arguably the greatest Greek tragedy of all.

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