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"A young woman from Nigeria leaves behind her home and her first love to start a new life in America, only to find her dreams are not all she expected"--

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363 reviews
Americanah is about a Nigerian woman who moves to the United States for college, separating from her boyfriend Obinze. After 15 years in the US she comes back to Nigeria and has to grapple with the changes in herself as she tries to reconnect with Obinze, who has his own life to deal with following his own brief expatriate experience in London. Supposedly a sweeping love story, this is actually a novel of ideas about race and racism, nationalism, and identity.

I absolutely loved the first half, which covers Ifemelu's secondary schooling in Nigeria and the early years of her move to the United States. In this part, she is ambitious, curious, striving, and likable. But as she succeeds in America, she becomes increasingly self-important, show more inflexible, snooty, and even cruel. Maybe there is a message in there, but I don't think it was the one intended. When she returns to Nigeria, she brings all these negative qualities with her, so it's not a matter of finding the right place to "be herself." My first major issue with the book was that the character's arc is disappointing. I think we are supposed to see her as strong, blunt, and passionate, growing to be more herself over the course of the book, more confident. But she shows inability to learn from her experiences and increasingly comes off as rigid, rude, and judgmental.

Unfortunately from a plot perspective, the book also gets weaker in the second half. The powerful ideas about race and racism are not an organic part of the plot but are shoehorned in as excerpts from Ifemelu's blog posts and/or rambling conversations that take place at dinners and "salons" held by various east coast American intellectuals, none of whom are individuated. It feels like a cast of hundreds, and they each get to come in and say their 2 lines, and then disappear, never to be heard from again. This is disappointing, and though the ideas were interesting, the method of incorporating them into the story was not. (Also, I feel that maybe these conversations were fresher and more surprising ten years ago when this book came out? But that's my fault for waiting this long to read the book, not Adichie's.)

And finally, without sharing any spoilers, I'll just say that I hated the ending and am firmly on Team Kosi.
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"I didn't know I was black until I moved to America." Adichie's story of a Nigerian woman moving to the US and then returning home again is a strong novel, and much like Half Of A Yellow Sun it's very hard to put down once you get into it. A believable star-crossed (or rather pride-and-accident-crossed) lovers' tale framing a story of identity, adaptation, prejudice and communication (or lack thereof), centered around one woman trying to keep track of and establish who she is in the eyes of everyone around her; is it even possible for a woman of colour to simply be her, not whatever people (and she herself) projects on her?

"Saying 'the question of race is complicated' is the biggest simplification of all."

At the risk of sounding like a show more character in the novel, there are times when the novel's constant dissection of race becomes almost a little single-minded, and Ifemelu and her blog always getting the last word on it in-story - but then again, I'm one of those who don't have to face it myself, and considering all the other single-minded novels I've read, what's to complain about? Adichie picks and picks and picks at the relationship between her characters, between their images of where they and the others come from and what they are, the different sets of expectations and limitations placed upon people in different contexts, the clash between old images and new, argues her case extremely well, paints a multi-faceted picture both of the things that are said and the things that are pointedly NOT said, and delivers one hell of a novel. This is a novelist reaching her peak, still having reserves to draw on.

Also, the US concept of 'race' really is all-pervasive, isn't it?
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Americanah tells the story of two young lovers—Ifemelu, who goes to the US and becomes a successful writer, and Obinze who goes to the UK and meets only hardship and struggle—and their reunion when they both eventually return to their native Nigeria. Adichie's prose is pleasurably crisp and she's got a remarkable eye for succinct observation. As a white woman, I obviously don't know what it's like to be a racial minority, but as someone who's a (largely unwilling) immigrant, I could empathise with some of Ifelemu's feelings of being a fish out of water, particularly when she returns to Nigeria—that realisation that your sense of relationship to your national identity has become a little fossilised, because the country has moved on show more in your absence.

Yet as a novel, Americanah didn't quite work for me. Large swathes of it read as if Adichie really wanted to write nonfiction social commentary, but for whatever reason decided to shoehorn it into fictional form. As a result, Ifemelu, Obinze, and the other characters felt as if they'd been created simply to voice certain perspectives or illustrate certain points that Adichie wanted to make. This is particularly the case with the second part of the novel, which veers into a kind of belaboured didacticism at points.
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I admit: I am a privileged, middle-class, American white girl who often wonders why skin color has such a prominent role in our society. It has always felt like such a superficial way to identify ourselves; to make choices about our lives. After all, we are all part of one species (although I often wonder if teenaged boys can technically be classified as Homo sapiens), and regardless of the pigmentation in your skin, no one person's blood is any redder than another's. With this philosophy ruling my life, reading a book like Americanah was in a word: illuminating. I dove into a world I could never hope to understand given my background, and I came away with a new appreciation for the challenges of establishing an identity.

Because while show more Americanah is billed as a love story - and there is definitely a contemporary romance involved - I felt like this incredible novel was more about the search for identity, and what one ultimately chooses to use as part of their identity. The book does follow the young adult lives of Ifemelu and Obinze, children and teenagers in Nigeria who fall deeply in love while attending college together. Ifemelu has the opportunity to go to America, and though she is ambivalent about the move, Obinze convinces her to go. Obinze, who so desperately wants to go to America himself, and dreams that he will join Ifemelu in the land of opportunity one day.

Ifemelu arrives in the wilds of Philadelphia, and is suddenly hit with a new reality: in this world, where skin color varies from palest white to darkest black, part of your identity is established for you by your skin color. In Nigeria, as Ifemelu herself states, there is no such thing as "being black"; skin color is just not part of a world in which everyone has the same hue. But now, in America, Ifemelu not only faces this concept of "being black," but she also finds the idea is even further divided into "American black" and "non-American black." Astonished, bewildered, and curious about a new approach to identity, Ifemelu's journey through her life in America leads to the start of a successful "race blog" where she chronicles her observations on life as a self-proclaimed "non-American black" and what that means in black America.

Meanwhile, Obinze finishes his schooling in Nigeria and tries to join Ifemelu in America, but is thwarted both by immigration regulations and Ifemelu's sudden severing of contact. Instead he makes his way to London where he tries to establish citizenship through the dark underworld of illegal immigration only to find himself deported back to Nigeria. Lost and heartbroken, Obinze searches out a way to establish himself and his life without Ifemelu.

It is easy to dismiss Americanah as a contemporary romance - two people separated by circumstance who overcome insurmountable obstacles to reunite – but that would be doing this novel a disservice. Ifemelu and Obinze are star-crossed lovers for sure, but they each undertake their own journeys to establish an identity: Ifemelu as a "black" in America, and Obinze as one-half of a lover's whole. And that is the real love story here. I'm about to go all Whitney Houston, but it is the message I walked away with: the greatest love is to love yourself. Both Ifemelu and Obinze have to decide which characteristics they want to use as part of their identities. If and when they do that, then they have the chance for happiness together.

But illumination? As a privileged, middle-class, American white girl? I had no idea, and in so many ways could never hope to have a real solid idea because of my whiteness, how much "being black" is part of the black American consciousness. How deeply entrenched "being black" is in the identity of American blacks (at least according to Chimamanda Ngozi Adichie). I mean I don't identify as white. I identify myself as a teacher, an animal lover, a writer, a reader... I never think of myself as white. And I have always wondered why the color of my skin – the color of anyone’s skin – should be part of my identity. Now I understand. Or I should say I am more aware. The distinction in skin color has led to cultural and social division, and if you are “non-white,” then your non-whiteness means more than just additional pigment in your epidermis. It is a part of your culture, your social structures, your background. Your identity. Being white may not necessarily mean anything, but being black, brown, or any other variation of non-white does. Our all-encompassing, welcoming American society has made it so.
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[Americanah] by [[Chimamanda Ngozi Adichie]]
I finally got around to reading Adichie's 2013 novel that explores the experiences of Nigerian-born Ifemelu and Obinze, and I'm so, so glad I did. Ifemelu and Obinze grow up comfortably upper middle class in Nigeria, but have to contend with the challenges of living in a developing country. When they are in college and the teachers continually go on strike, they begin seriously looking for ways to leave. As a female, Ifemelu is able to get a visa to America to live with her aunt fairly easily. Getting a work visa is not as easy. Obinze, as a male in the post-9/11 world, is unable to legally emigrate. He ends up briefly in London and then back in Nigeria.

Ifemelu is the focus for most of the show more book. She becomes successful in America writing a blog about race. She writes about how she never thought of herself as Black until she came to America - Black doesn't exist in Nigeria. She writes about the differences between Non-American Blacks and American Blacks. Her words are powerful and honest and entertaining - as a good blog should be. I was immediately struck by how her observations line up with [[Isabel Wilkerson]]'s book, [Caste]. Though [Americanah] is a novel, it felt like real life observation of how the American Caste system is implemented and how it affects all of us.

Amidst these observations and experiences with race in America, the UK, and Nigeria, life happens. Ifemelu has various relationships, jobs, and family drama. Through it all, she thinks about Obinze, her first love. When she moves back to Nigeria, the question is whether she and Obinze will still love each other and whether life will allow them to be together.

I really loved this novel. For me, the most successful parts were the revelations about race and the immigrant experience. Also about the different lifestyles in Nigeria, America, and Great Britain. I was less interested in the romance between Ifemelu and Obinze. That took just a little bit of the glow off of this novel for me, but I still highly recommend it. I'll read anything [[Adichie]] writes. I think she's a wonderful writer.

Original publication date: 2013
Author’s nationality: Nigerian and American (dual citizenship, I believe)
Original language: English
Length: 588 pages
Rating: 4.5 stars
Format/where I acquired the book: library kindle
Why I read this: 1001 books, books about Black American experience for category challenge
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½
I read this book for the library-sponsored book discussion group that I lead, and as I was reading, I was thinking to myself "however am I going to lead a discussion about this book with a group of middle- and upper-middle class white women without all of us choking on our own hypocrisy?" And I realized that the only possible way was to get that issue out of the way right up front. So we started out our discussion by owning our own perspectives and acknowledging that each of us came to this book with our own set of assumptions.

I'm pleased to report that my tactic of putting it out there allowed us to have a frank and honest conversation about this book, perhaps one of the best book discussions we've had (YMMV). And there's a lot to show more discuss in this book! Adichie does not pull her punches in describing the thoughts of Ifemelu, her main character, on racism and classism and immigrants and love and going home again. Ifemelu has a blog on which she explores many of these issues, and her blog posts punctuate the narrative, creating a different way of sharing her insights than the typical internal monologue. Ifemelu's reflections may provoke you to examine your own beliefs on these topics. I think she would hope so. show less
"Racism should never have happened and so you don't get a cookie for reducing it."

This novel is at its heart a love story – the tale of two Nigerian childhood sweethearts whose lives take different paths when they emigrate to America and England – but it is also a critique of the modern attitudes to race and migration, touching on issues of identity, loss and loneliness.

This is Adichie's third and probably her most ambitious novel. It tells the story of Ifemelu, a spirited young girl with forthright opinions, and her teenage boyfriend, Obinze, who grow up with romanticised notions of the west. When Ifemelu is offered the opportunity to continue her studies in Philadelphia, she takes it. Some years later, Obinze, goes to Britain in show more search of a better life.

In England, Obinze struggles to get hold of an elusive national security number that will enable him to work legally. In America, Ifemelu also finds it difficult to get part-time work whilst her fellow students speak to her as if she cannot comprehend basic English.

It is at this point that Adichie's skill as an author really begins to shine through. She wonderfully evokes the sense of dislocation felt by both characters in two countries with totally different class structures as seen through the eyes of a group of liberal elite. She is particularly good at challenging the reader's assumptions without getting in the way of the story. When Ifemelu buys a vintage 1960s dress on eBay she realises that when the original owner would have worn it, black Americans would not have been allowed to vote.

Eventually, Ifemelu starts blogging about her experiences and becomes successful. The blogposts add an extra dimension to the plot, allowing the reader to see how Ifemelu really sees herself and how she wishes to present herself to the outside world.

Much of the novel is written in flashback split between the two main protagonists and the final section of the book follows Ifemelu's return to Lagos after 15 years in America and her reunion with Obinze who is, by now, a successful businessman and married to someone else. Ifemelu takes up blogging again but this time about Nigerian issues.

I personally felt that there are a few elements that could have been cut and the ending was a bit rushed but overall this is a gripping human story, you can feel Adichie's passion in virtually every paragraph. A very enjoyable read.
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½

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ThingScore 100
The stories have shifted, too. Nowadays, there’s little angsting about national identity in a post-colonial context or, for that matter, over catastrophe and want. Instead, a bevy of young Africans are shaping the future of fiction, reportage and critique on their continent, and perhaps well beyond.

“It’s beyond an evolution — it’s a revolution,” says Nigerian-American Ikhide show more Ikheloa, a critic and prominent observer of the scene.

It may have begun in 2003, when Chimamanda Ngozi Adichie’s first novel, Purple Hibiscus, was published — and not just by an American publisher but by a Nigerian one, too. By now, Adichie is the still-young doyenne of the contemporary African lit scene. Her recent novel, Americanah, found a perch on the New York Times list of top 10 novels of 2013 — just weeks before Beyoncé sampled one of Adichie’s TED talks on her new album.

Read more: Printed in Africa | Fast forward | OZY
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Pooja Bhatia, Ozy
Jan 31, 2014
added by elwetritsche
But what makes the book such a good read—despite an anticlimactic ending—is that it's not meant as a cultural criticism, but more as a series of rich observations.
Mark Lopez, Weekly Alibi
Jul 4, 2013
added by WeeklyAlibi
“Americanah” examines blackness in America, Nigeria and Britain, but it’s also a steady-handed dissection of the universal human experience — a platitude made fresh by the accuracy of Adichie’s observations.
MIKE PEED, New York Times
Jun 7, 2013
added by ozzer

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Author Information

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67+ Works 34,044 Members
Chimamanda Ngozi Adichie was born in Enugu, Nigeria on September 15, 1977. She studied medicine and pharmacy at the University of Nigeria for a year and a half before moving to the United States, where she studied communication at Drexel University for two years. She received a bachelor's degree in communication and political science at Eastern show more Connecticut State University in 2001, a master's degree in creative writing at Johns Hopkins University, and a master's degree in African Studies from Yale University in 2008. Her first novel, Purple Hibiscus, was published in 2003 and received the Commonwealth Writers' Prize for Best First Book in 2005. Her other books include The Thing around Your Neck, Americanah, and We Should All Be Feminist. Half of a Yellow Sun won the Orange Prize in 2007. She was awarded the 2018 PEN Pinter Prize, for her body of work that shows 'outstanding literary merit'. (Bowker Author Biography) show less

Some Editions

Andoh, Adjoa (Narrator)
Morrison, Anna (Cover designer)
Sirotti, Andrea (Translator)
Thomson, Jo (Cover designer)
Walker, Jo (Cover designer)
Weintraub, Abby (Cover designer)
Wong, Joan (Cover designer)

Awards and Honors

Series

Belongs to Publisher Series

Work Relationships

Common Knowledge

Canonical title*
Americanah
Original title
Americanah
Original publication date
2013-05-14
People/Characters
Ifemelu; Obinze "The Zed" Maduewesi; Blaine; Shan; Curt; Aunty Uju (show all 22); Dike; Ginika; Emenike Bush; Ranyinudo; Kimberly; Barack Obama; Michelle Obama; Kayode DaSilva; Ngozi Okonkwo; Lawrence Anini; Onyeka Onwenu; Kimberly Turner; Morgan Turner; Taylor Turner; Don Turner; Cristina Tomas
Important places
Lagos, Nigeria; Princeton, New Jersey, USA; New Haven, Connecticut, USA; London, England, UK; Nigeria; Philadelphia, Pennsylvania, USA (show all 16); Trenton, New Jersey, USA; Nsukka, Nigeria; Igboland, Nigeria; New York, New York, USA; Brooklyn, New York, New York, USA; Manhattan, New York, New York, USA; Yale University, New Haven, Connecticut, USA; Warrington, Pennsylvania, USA; Baltimore, Maryland, USA; Islington, London, England, UK
Important events
Election of Barack Obama to U.S. Presidency; 2008 Presidential Campaign
Dedication
This book is for our next generation, nda na-abia n'iru: Toks, Chisom, Amaka,

Chinedum, Kamsiyonna and Arinze

For my wonderful father in this, his eightieth year

And, as always, for Ivara.
First words
Princeton, in the summer, smelled of nothing, and Ifemelu like the tranquil greenness of the many trees, the clean streets and stately homes, the delicately shops and the quiet, abiding air of earned grace, it was this, the l... (show all)ack of a smell, that most appealed to her, perhaps because the other American cities she knew well had all smelled distinctly.
Quotations
...her relationship with him was like being content in a house but always sitting by the window and looking out.
How easy it was to lie to strangers, to create with strangers the versions of our lives that we have imagined.
She was taking two sides at once, to please everyone; she always chose peace over truth, was always eager to conform.
She rested her head against his and felt, for the first time, what she would often feel with him: a self-affection. He made her like herself. With him, she was at ease; her skin felt as though it was her right size.
She liked how he wore their relationship so boldly, like a brightly colored shirt. Sometimes she worried that she was too happy. She would sink into moodiness, and snap at Obinze, or be distant. And her joy would become a res... (show all)tless thing, flapping its wings inside her, as though looking for an opening to fly away.
Depression was what happened to Americans, with their self-absolving need to turn everything into an illness.
But he might be satisfied with suggestiveness alone; he would flirt outrageously but not do more, because an affair would require some effort and he was the kind of man who took but did not give.
Sometimes I feel that they live in a parallel universe of academia speaking academese instead of English and they don't really know what's happening in the real world.
There was something in him, lighter than ego but darker than insecurity, that needed constant buffing, polishing, waxing.
Alexa, and the other guests, and perhaps even Georgina, all understood the fleeing from war, from the kind of poverty that crushed human souls, but they would not understand the need to escape from the oppressive lethargy of ... (show all)choicelessness. They would not understand why people like him, who were raised well fed and watered but mired in dissatisfaction, conditioned from birth to look towards somewhere else, eternally convinced that real lives happened in that somewhere else, were now resolved to do dangerous things, illegal things, so as to leave, none of them starving, or raped, or from burned villages, but merely hungry for choice and certainty.
Nathan had told her, some months earlier, in a voice filled with hauteur, that he did not read any fiction published after 1930. "It all went downhill after the thirties," he said.
"You can't write an honest novel about race in this country. If you write about how people are really affected by race, it'll be too obvious. Black writers who do literary fiction in this country, all three of them, no... (show all)t the ten thousand who write those bullshit ghetto books with the bright covers, have two choices: they can do precious or they can do pretentious. When you do neither, nobody knows what to do with you. So if you're going to write about race, you have to make sure it's so lyrical and subtle that the reader who doesn't read between the lines won't even know it's about race. You know, a Proustian meditation, all watery and fuzzy, that at the end just leaves you feeling watery and fuzzy."
Race matters because of racism. And racism is absurd because it's about how you look. Not about the blood you have. It's about the shade of your skin and the shape of your nose and the kink of your hair.
"One of the things I've learned is that everybody in this country has the mentality of scarcity. We imagine that even the things that are not scarce are scarce. And it breeds a kind of desperation in everybody. Even the wealt... (show all)hy."
But of course it makes sense because we are Third Worlders and Third Worlders are forward-looking, we like things to be new, because our best is still ahead, while in the West their best is already past and so they have to ma... (show all)ke a fetish of the past.
She had thought of them as "big," because one of the first things her friend Ginika told her was that "fat" in America was a bad word, heaving with moral judgment like "stupid" or "bastard," and not a mere description like "s... (show all)hort" or "tall."
She had read many of them, because he recommended them, but they were like cotton candy that so easily evaporated from her tongue's memory.
He was no longer sure, he had in fact never been sure, whether he liked his life because he really did or whether he liked it because he was supposed to.
There was something immodest about her modesty: it announced itself.
For months, the air in their flat was like cracked glass.
Ifemelu imagined the writers, Nigerians in bleak houses in America, their lives deadened by work, nursing their careful savings throughout the year so that they could visit home in December for a week, when they would arrive ... (show all)bearing suitcases of shoes and clothes and cheap watches, and see, in the eyes of their relatives, brightly burnished images of themselves. Afterwards they would return to America to fight on the Internet over their mythologies of home, because home was now a blurred place between here and there, and at least online they could ignore the awareness of how inconsequential they had become.
They said "soon" to each other often, and "soon" gave their plan the weight of something real.
Sometimes, while having a conversation, it would occur to Ifemelu that Aunty Uju had deliberately left behind something of herself, something essential, in a distant and forgotten place.
Ifemelu saw women on the sidewalks going to lunch from work, wearing sneakers, proof of their American preference for comfort over elegance, and she saw young couples clutching each other, kissing from time to time as if they... (show all) feared that, if they unclasped their hands, their love would dissolve, melt into nothingness.
In her honors history seminar, Professor Moore, a tiny, tentative woman with the emotionally malnourished look of someone who did not have friends, showed some scenes from Roots, the images bright on the board of the d... (show all)arkened classroom.
Ifemelu sensed, between them, the presence of spiky thorns floating in the air.
They reminded Ifemelu of television commercials, of people whose lives were lived always in flattering light, whose messes were still aesthetically pleasing.
He looked people in the eye not because he was interested in them but because he knew it made them feel that he was interested in them.
But Kimberly's unhappiness was inward, unacknowledged, shielded by her desire for things to be as they should, and also by hope: she believed in other people's happiness because it meant that she, too, might one day have it. ... (show all)Laura's unhappiness was different, spiky, she wished that everyone around her were unhappy because she had convinced herself that she would always be.
It had become a routine of Ifemelu's visits: Aunty Uju collected all her dissatisfactions in a silk purse, nursing them, polishing them, and then on the Saturday of Ifemelu's visit, while Bartholomew was out and Dike was upst... (show all)airs, she would spill them out on the table, and turn each one this way and that, to catch the light.
He talked about himself with such gusto, as though determined to tell her everything there was to know, and all at once.
Ifemelu sometimes sensed underneath the well-oiled sequences of Kimberly's life, a flash of regret not only for things she longed for in the present but for things she had longed for in the past.
In London, night came too soon, it hung in the morning air like a threat, and then in the afternoon a blue-gray dusk descended, and the Victorian buildings all wore a mournful air.
When Shan walked into a room, all the air disappeared.
Their mutual dislike was a smoldering, stalking leopard in the room.
"The idea of interviewing someone and writing a profile is judgmental," Ifemelu said. "It's not about the subject. It's about what the interviewer makes of the subject."
Lagos became a gentler version of itself, and the people dressed in their bright church clothes looked, from far away, like flowers in the wind.
Back home, she heard the hollowness of her steps as she walked from bedroom to living room to verandah and then back again.
There was a moment, a caving of the blue sky, an inertia of stillness, when neither of them knew what to do, he walking towards her, she standing there squinting, and then he was upon her and they hugged.
"I realized I could buy America, and it lost its shine."
She should bring it up, she owed him that, but a wordless fear had seized her, a fear of breaking delicate things.
"When I started in real estate, I considered renovating old houses instead of tearing them down, but it didn't make sense. Nigerians don't buy houses because they're old. A renovated two-hundred-year-old mill granary, you kno... (show all)w, the kind of thing Europeans like. It doesn't work here at all. But of course it makes sense because we are Third Worlders and Third Worlders are forward-looking, we like things to be new, because our best is still ahead, while in the West their best is already past and so they have to make a fetish of that past."
She would not cry, it was ridiculous to cry after so long, but her eyes were filling with tears and there was a boulder in her chest and a stinging in her throat. The tears felt itchy. She made no sound. He took her hand in h... (show all)is, both clasped on the table, and between them silence grew, an ancient silence that they both knew. She was inside this silence and she was safe.
...who had run for Governor in the last elections, had lost, and as all losing politicians did, had gone to court to challenge the results.
Last words
(Click to show. Warning: May contain spoilers.)"Ceiling," she said, finally.  "Come in."
Publisher's editor
Desser, Robin
Blurbers
Eggers, Dave; McCann, Colum; Wainaina, Binyavanga
Original language
English
*Some information comes from Common Knowledge in other languages. Click "Edit" for more information.

Classifications

Genres
General Fiction, Fiction and Literature
DDC/MDS
823.92Literature & rhetoricEnglish & Old English literaturesEnglish fiction1900-2000-
LCC
PR9387.9 .A34354 .A44Language and LiteratureEnglishEnglish LiteratureEnglish literature: Provincial, local, etc.
BISAC

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ISBNs
103
UPCs
3
ASINs
26